View source for Ácido Argentino

{{Short description|Studio album by Hermética}}
{{Use dmy dates|date=August 2024}}
{{Infobox album
| name       = Ácido Argentino
| type       = studio
| artist     = [[Hermética]]
| cover      = Ácido Argentino.jpg
| alt        =
| released   = December 1991
| recorded   = 1991
| venue      =
| studio     = Estudios Aguilar, [[Buenos Aires]]
| genre      = [[Thrash metal]], [[Heavy metal music|heavy metal]]
| length     =
| label      = Radio Trípoli Discos
| producer   = Hermética
| prev_title = [[Intérpretes]]
| prev_year  = 1990
| next_title = [[En vivo 1993 Argentina]]
| next_year  = 1993
}}
'''''Ácido Argentino''''' is the second studio album by Argentine [[thrash metal]] band [[Hermética]], released in 1991 by Trípoli Discos. It is the first album with the drummer Claudio Strunz. The songs were written by Ricardo Iorio and Antonio Romano, and the lyrics by Iorio. It was recorded in 500 hours, and was [[certified platinum]] within a few months of its release.
==Background and recording==
As of 1991, Hermética was growing in popularity. They ceased to make concerts at Arlequines, as the pub was too small for their growing audience, and moved to [[Cemento]], a nightclub that was moving away from its origins in disco music and hosting rock concerts instead. They made all the remaining concerts of the year in that nightclub. During the year they played with [[Todos Tus Muertos]], Pobres Pibes, Nepal, Militia, Devastación, Rapier, Resistencia Nativa, etc.<ref name="Blumetti5">Blumetti, p. 5</ref>
The drummer Tony Scotto resigned from the band, in disagreement over the way to manage it. His replacement was [[Claudio Strunz]], drummer of Heinkel. The band already knew him, because Strunz owned their rehearsal room, and he had already played with the band in rehearsals a few times Scotto could not attend and in the sound tests before Scotto's last concert with the band. Their first concert was in a music festival in [[Sunchales]], Santa Fe.<ref name="Blumetti5"/> Strunz had to learn all the songs of the band in a pair of weeks before going on a tour, and after it he had to learn all the new songs for the new album, also in a pair of weeks.<ref>Blumetti, p. 8</ref>
The band had a limited recording time, of only 150 hours. Strunz had only six hours to record all the drums, and Iorio had to finish some lyrics in the studios.<ref>Blumetti. p. 13</ref>
The cover is an illustration by José Laluz. Iorio proposed to place it within a distinctive bright orange frame. Sergio Fasanelli, director of ''Tripoli'', praised the idea: it helped the album to visually stand out among other albums, such as in shop windows.<ref name="treinta">{{cite web |url= https://www.laizquierdadiario.com/Hermetica-30-anos-de-Acido-Argentino|title= Hermética: 30 años de Ácido Argentino|trans-title= Hermética: 30 years of Acido Argentino|language= Spanish|author= Juan Ignacio Provéndola|date= December 7, 2021|publisher= La Izquierda Diario|accessdate=July 25, 2024}}</ref> Iorio once commented that he also proposed to add [[lysergic acid]] to the cover, but it is unclear if that was a real proposal or just a joke made during an interview.<ref name="treinta"/> The cover also has a UV lacquer treatment, even though most albums had ceased doing so.<ref name="secreto"/> The cover features [[Uncle Sam]] abousing of a woman with a [[phrygian cap]], police attacking the [[Mothers of Plaza de Mayo]], ravens around a destroyed church, and other images lifted from the lyrics of the songs.<ref name="treinta"/>
As it was usual with the band, Iorio proposed songs composed with a [[classical guitar]], which were refined later by Romano into proper Thrash Metal songs. Usually, the songs proposed by Romano had a little higher complexity, while songs proposed by Iorio were more straightforward, as Iorio gave priority to the lyrics. Romano compared two fan-favorite songs from the album, "Vientos de Poder" and Memoria de Siglos". "Vientos de Poder", with music by Romano, has twisted riffs, while he considered that "Memoria de Siglos" may be monotonous and even boring if played as an instrumental song; the reason of its popularity is in its lyrics.<ref name="treinta"/>
The album was released in 1991, when [[LP record]]s began to be replaced by [[CD-ROM]] albums.<ref name="treinta"/>
==Reception==
Within a few months, the album sold more than 60,000 copies and was [[certified platinum]].<ref name="treinta"/> It was the first album of the band with massive sales and, {{As of|2022|alt=as of 2022}}, it is still being sold.<ref name="secreto">{{cite web |url= https://realpolitik.com.ar/nota/49554/ricardo-iorio-y-el-secreto-de-acido-argentino/|title= Ricardo Iorio y el secreto de Ácido Argentino|trans-title= Ricardo Iorio and the secret of Acido Argentino|language= Spanish|author= Juan Provéndola|date= August 20, 2022|publisher= Realpolitik|accessdate=July 25, 2024}}</ref>
The magazine ''[[Rolling Stone]]'' lists it as the most essential album of [[Argentine heavy metal]].<ref name="rollingstone">{{cite web |url= https://es.rollingstone.com/los-40-discos-esenciales-del-metal-argentino-arg/|title= Los 40 discos esenciales del metal argentino|trans-title= The essential 40 albums of Argentine metal|language= Spanish|author= |date= May 16, 2024|publisher= Rolling Stone|accessdate=July 25, 2024}}</ref> They described it as an album that defines an era, and the ultimate album of the most influential band in the country.<ref name="rollingstone" />
==Track listing==
{{Track listing
| title1 = Robo Un Auto
| lyrics1 = Ricardo Iorio
| music1 = Ricardo Iorio
| title2 = La Revancha de America
| lyrics2 = Ricardo Iorio
| music2 = Ricardo Iorio
| title3 = Memoria de Siglos
| lyrics3 = Ricardo Iorio
| music3 = Ricardo Iorio
| title4 = Prediccion
| lyrics4 = Ricardo Iorio
| music4 = Antonio Romano
| title5 = Atravesando Todo Limite
| lyrics5 = Ana Mourin
| music5 = Ricardo Iorio
| title6 = Horizonte Perdido
| lyrics6 = (instrumental)
| music6 = Ricardo Iorio
| title7 = Vientos de Poder
| lyrics7 = Ricardo Iorio
| music7 = Antonio Romano
| title8 = Del Camionero
| lyrics8 = Ricardo Iorio
| music8 = Ricardo Iorio
| title9 = Gil Trabajador
| lyrics9 = Ricardo Iorio
| music9 = Ricardo Iorio
| title10 = Evitando El Ablande
| lyrics10 = Ricardo Iorio
| music10 = Ricardo Iorio
| title11 = En Las Calles de Liniers
| lyrics11 = Ricardo Iorio
| music11 = Antonio Romano
| title12 = De Pismanta a Bauchaceta
| lyrics12 = (instrumental)
| music12 = Ricardo Iorio
}}
==Personnel==
;Band
*[[Claudio O'Connor]] - [[lead vocals]]<ref name="RYM">"Acido Argentino" by Hermética, Radio Tripoli Discos, 1991</ref>
*[[Antonio Romano (musician)|Antonio Romano]] - [[guitar]]<ref name="RYM" />
* [[Ricardo Iorio]] - [[bass guitar]], [[vocals]] on "En las calles de Liniers" and "Del Camionero"<ref name="RYM" />
*[[Claudio Strunz]] - [[drums]]<ref name="RYM" />
;Others
* Martin Menzel - Recording Technician<ref name="treinta"/>
* J. Laluz - Album Artwork<ref name="RYM" />
==Bibliography==
* {{cite journal
| title = Hermética: el sonido de la gente
| last1 = Blumetti
| first1 = Frank
| last2 = Mora
| first2 = Miguel
|date= October 1993
| journal = [[Madhouse (magazine)|Madhouse Extra]]
| issue = 2
| location = Buenos Aires
| publisher = Editorial Llamoso
| language = es
}}
==References==
{{reflist}}
==External links==
*[http://www.rock.com.ar/bios/0/407.shtml Hermética's biography] at Rock.com.ar
{{Hermética}}
{{Authority control}}
{{DEFAULTSORT:Acido Argentino}}
[[Category:1991 albums]]
[[Category:Hermética albums]]