View source for At Fillmore East

{{For|albums with similar titles|Live at the Fillmore}}
{{Good article}}
{{Infobox album
| name       = At Fillmore East
| type       = live
| artist     = [[the Allman Brothers Band]]
| cover      = AllmanBrothersBandAtFillmoreEast.jpg
| alt        = The Allman Brothers Band. Clockwise from upper left: Jai Johanny Johanson, Gregg Allman, Berry Oakley, Butch Trucks, Dickey Betts, Duane Allman.
| released   = {{start-date|July 6, 1971}}<ref>{{cite web | url=https://www.whtt.com/2017/07/07/album-anniversary-at-fillmore-east-by-the-allman-brothers-band/ | title=At Fillmore East Anniversary – At Fillmore East by The Allman Brothers Band | website=WHTT | date=7 July 2017 | access-date=25 June 2021 | archive-date=25 June 2021 | archive-url=https://web.archive.org/web/20210625180942/https://www.whtt.com/2017/07/07/album-anniversary-at-fillmore-east-by-the-allman-brothers-band/ | url-status=live }}</ref>
| recorded   = March 12–13, 1971
| venue      = [[Fillmore East]] (New York City)
| studio     =
| genre      = *[[Blues rock]]
*[[Southern rock]]
| length     = 76:22 (1971 release)<br />132:11 (1992 reissue)<br />134:58 (2003 reissue)<br />365:03 (2014 reissue)
| label      = [[Capricorn Records|Capricorn]]
| producer   = [[Tom Dowd]]
| prev_title = [[Idlewild South]]
| prev_year  = 1970
| next_title = [[Eat a Peach]]
| next_year  = 1972
}}
'''''At Fillmore East''''' is the first [[live album]] by American [[Rock music|rock]] band [[the Allman Brothers Band]], and their third release overall. [[Record producer|Produced]] by [[Tom Dowd]], the album was released on July 6, 1971 in the United States, by [[Capricorn Records]]. As the title indicates, the recording took place at the [[New York City]] music venue [[Fillmore East]], which was run by concert promoter [[Bill Graham (promoter)|Bill Graham]]. It was recorded over the course of three nights in March 1971 (only two nights were used for the album) and features the band performing extended [[jam band|jam]] versions of songs such as "[[Whipping Post (song)|Whipping Post]]", "[[You Don't Love Me (Willie Cobbs song)|You Don't Love Me]]" and "[[In Memory of Elizabeth Reed]]". When first commercially released, it was issued as a [[double album|double LP]] with just seven songs across four vinyl sides.
''At Fillmore East'' was the band's artistic and commercial breakthrough, rapidly escalating the band's exposure and gaining them a new legion of loyal fans.  ''At Fillmore East'' has since been widely regarded as one of the greatest live albums of all time and the start of the band's association with the jam band school of music (although members of the band have repudiated the label, stating instead they are just "a band that jams"). It has also been ranked among the best overall albums by artists and continues to be a top seller in the band's catalog, becoming their first album to go [[RIAA certification|platinum]]. In 2004, the album was selected for preservation in the [[Library of Congress]], deemed to be "culturally, historically, or aesthetically significant" by the [[National Recording Registry]].
==Background==
Shortly after completing recording of their second album, ''[[Idlewild South]]'' (1970), band leader [[Duane Allman]] was contacted by guitarist [[Eric Clapton]] to contribute to his new project, [[Derek and the Dominos]]. Allman was a huge fan of his work with the band [[Cream (band)|Cream]], and likewise Clapton enjoyed Allman's session work on [[Wilson Pickett]]'s "[[Hey Jude]]" some years prior.{{sfn|Paul|2014|p=82}} They met after a show one night in [[Miami]] and had a [[jam session]] together until the next afternoon,{{sfn|Paul|2014|p=83}} with the two guitarists regarding one another as "instant soulmates".{{sfn|Paul|2014|p=84}} Clapton invited Allman to join Derek and the Dominos, and according to band biographer Alan Paul he considered it; in the end, he declined and rejoined the Allman Brothers Band, returning after missing a string of several shows.{{sfn|Paul|2014|p=88}} The sessions were collected on the album ''[[Layla and Other Assorted Love Songs]]'', issued that November.
In the interim, ''Idlewild South'' had yet to achieve strong commercial success, but the band's popularity and reputation began to increase due to their live performances.{{sfn|Paul|2014|p=94}} The band played continuously in 1970, performing over 300 dates on the road traveling in a Ford Econoline van and later, a Winnebago, nicknamed the Wind Bag.{{sfn|Poe|2008|p=144}}{{sfn|Paul|2014|p=99}} During this time, the group began struggling with drug addictions.{{sfn|Paul|2014|p=101}} Everyone in the group, with the exception of the brothers, was also struggling to make a living (vocalist [[Gregg Allman]] received more money from royalty payments and Duane more from session work).{{sfn|Paul|2014|p=101}} In one incident, tour manager Twiggs Lyndon stabbed and killed a promoter for not paying the band; he later claimed temporary insanity.{{sfn|Paul|2014|pp=103,139}} Their fortunes began to change over the course of 1971, where the band's average earnings doubled.{{sfn|Paul|2014|p=115}}
The Allman Brothers Band had first played [[Fillmore East]] in December 1969, opening for [[Blood, Sweat & Tears]] for three nights.{{sfn|Paul|2014|p=116}} Promoter [[Bill Graham (promoter)|Bill Graham]] enjoyed the band and promised to have them back soon.{{sfn|Paul|2014|p=116}} In January 1970, the band opened for [[Buddy Guy]] and [[B.B. King]] at [[San Francisco]]'s [[Fillmore West]], and one month later at Fillmore East supporting [[the Grateful Dead]]. According to biographer Alan Paul, "these shows were crucial in establishing the band and exposing them to a wider, sympathetic audience on both coasts."{{sfn|Paul|2014|p=116}} Drummer [[Butch Trucks]] considered their performances at the Fillmore East to be the launching pad for their success.{{sfn|Paul|2014|p=117}} In 1970, Duane Allman told [[disc jockey]] Ed Shane, "You know, we get kind of frustrated doing the [studio] records, and I think, consequently, our next album will be&nbsp;... a live recording, to get some of that natural fire on it."{{sfn|Poe|2008|p=175}} "We were not intentionally trying to buck the system, but keeping each song down to 3:14 just didn't work for us," remembered Gregg Allman.{{sfn|Paul|2014|p=117}} "And we realized that the audience was a big part of what we did, which couldn't be duplicated in a studio. A lightbulb finally went off; we needed to make a live album."{{sfn|Paul|2014|p=117}}
==Recording and production==
''At Fillmore East'' was recorded over two nights, playing two shows each night — March 12 and 13, 1971 — for which the band was paid $1,250 each show.{{sfn|Paul|2014|p=117}} Recordings from an earlier night's shows were dropped, because they had horns which were deemed unhelpful. The shows were typical performances for the band, and regarded as slightly above average by drummer [[Jai Johanny Johanson]].{{sfn|Paul|2014|p=124}} Ads for the shows read: "Bill Graham Presents in New York — [[Johnny Winter]] And, [[Elvin Bishop Group]], Extra Added Attraction: Allman Brothers."{{sfn|Poe|2008|p=175}} While Winter was billed as headliner, by the third night the Allman Brothers were closing the show.{{sfn|Poe|2008|p=175}}
[[Tom Dowd]] produced ''At Fillmore East''; he had previously worked on their second studio album, ''[[Idlewild South]]''. He had recently returned from [[Africa]] from working on the film ''[[Soul to Soul (film)|Soul to Soul]]'', and stayed in New York several days to oversee the live recording.{{sfn|Paul|2014|p=118}} "It was a good truck, with a [[Multitrack recording|16-track machine]] and a great, tough-as-nails staff who took care of business," recalled Dowd. He gave the staff suggestions and noted the band had two lead guitarists and two drummers, "which was unusual, and it took some foresight to properly capture the [[dynamics (music)|dynamics]]."{{sfn|Paul|2014|p=118}} Things went smoothly until the band unexpectedly brought out [[saxophonist]] Rudolph "Juicy" Carter, an unknown horn player, and longstanding "unofficial" band member [[Thom Doucette]] on [[harmonica]].{{sfn|Paul|2014|p=118}} "I was just hoping we could isolate them, so we could wipe them and use the songs, but they started playing and the horns were leaking all over everything, rendering the songs unusable," said Dowd.{{sfn|Paul|2014|p=119}} He rushed to Duane during the break to tell him to cut the horn players; while Duane loved the players, he put up no fight with Dowd.{{sfn|Paul|2014|p=120}} The final show was delayed because of a bomb scare, and did not end until 6 am.<ref name=moon>{{cite book | last=Moon | first=Tom | title=1,000 Recordings To Hear Before You Die | publisher=Workman Publishing Company | year=2008 | isbn=978-0-7611-3963-8 | url-access=registration | url=https://archive.org/details/1000recordingsto00moon_0 }} pp16–17.</ref>
Each night following the shows, the musicians and Dowd would "grab some beers and sandwiches" and head to [[Manhattan]]'s [[Atlantic Studios]] to go over the performances.{{sfn|Paul|2014|p=120}} Set lists for following shows were crafted by listening to the recordings and going over what they could keep and what they would need to capture once more. "We wanted to give ourselves plenty of times to do it because we didn't want to go back and overdub anything, because then it wouldn't have been a real live album," said Gregg Allman,{{sfn|Paul|2014|p=119}} and in the end, the band only edited out Doucette's harmonica when it didn't fit.{{sfn|Paul|2014|p=122}} "That was our pinnacle," said Dickey Betts later. "The Fillmore days are definitely the most cherished memories that I have. If you asked everybody in the band, they would probably say that."{{sfn|Poe|2008|p=186}}
On June 27, the Fillmore East closed, and the band were invited to play a final, invitation-only concert,{{sfn|Perkins|2005|p=57}} along with [[Edgar Winter]], the [[Beach Boys]] and [[Country Joe McDonald]].<ref>{{cite book|title=Summer of Love: Psychedelic Art, Social Crisis and Counterculture in the 1960s|editor1-first=Christoph|editor1-last=Grunenberg|editor2-first=Jonathan|editor2-last=Harris|publisher=Liverpool University Press|page=163|year=2005|isbn=978-0-85323-929-1}}</ref> The Beach Boys initially refused to perform unless they headlined the event, but Graham refused, telling them that the Allman Brothers would be closing the show, and they were free to leave if they disagreed.{{sfn|Perkins|2005|p=57}} This Allman Brothers' performance was used for the second disc of the 2006 expanded version of the follow-up album to ''At Fillmore East'', ''[[Eat a Peach#2006 deluxe edition|Eat a Peach]]''.<ref>{{cite web | url=https://www.discogs.com/The-Allman-Brothers-Band-Eat-A-Peach/release/4862834 | title=The Allman Brothers Band – Eat A Peach | website=Discogs | access-date=12 July 2020 | archive-date=22 February 2021 | archive-url=https://web.archive.org/web/20210222200203/https://www.discogs.com/The-Allman-Brothers-Band-Eat-A-Peach/release/4862834 | url-status=live }}</ref>
==Composition==
''At Fillmore East'' showcases the band's eclectic mixture of [[blues]], [[rock music|rock]], [[country music|country]], and [[jazz]]. "[[Fusion (music)|Fusion]] is a term that came later, but if you wanted to look at a fusion album, it would be ''Fillmore East''. Here was a rock 'n' roll band playing blues in the jazz vernacular. And they tore the place up," said Dowd.{{sfn|Paul|2014|p=123}} Stage Manager Michael Ahern opens ''At Fillmore East'' with a simple introduction: "Okay, the Allman Brothers Band."{{sfn|Poe|2008|p=178}} Duane Allman biographer Randy Poe describes it as "the only low-key moment over the course of the [show]."{{sfn|Poe|2008|p=178}} The cover of [[Blind Willie McTell]]'s "[[Statesboro Blues]]" which opens the set showcases [[Duane Allman]]'s [[slide guitar]] work in [[open tuning|open E tuning]].{{sfn|Freeman|1996|p=89}} "Statesboro Blues" bears close resemblance to [[Taj Mahal (musician)|Taj Mahal]]'s 1968 rendition, which had inspired Duane to pick up slide guitar playing.{{sfn|Poe|2008|p=178}} "[[Done Somebody Wrong]]" follows, and is introduced by Duane as "an old Elmore James song&nbsp;... This is an old true story&nbsp;..."{{sfn|Poe|2008|p=178}} Thom Doucette takes a solo on blues harp, and by the end of the song, the band breaks out of the shuffle and "builds up to a dual-lead guitar, triplet-based crescendo."{{sfn|Poe|2008|p=178}}
"[[Call It Stormy Monday (But Tuesday Is Just as Bad)|Stormy Monday]]" echoes the band's blues roots, and many guitar parts come from the version cut by [[Bobby "Blue" Bland]] in the early 1960s.{{sfn|Freeman|1996|p=90}} Allman and Betts trade solos, as does Gregg Allman on the [[organ (music)|organ]] as the [[tempo]] shifts into a "swinging" beat.{{sfn|Freeman|1996|p=90}} "[[You Don't Love Me (Willie Cobbs song)|You Don't Love Me]]" kicks off the first of the jazz-inspired jams and features a solo from Duane Allman in which the entire group stops, leaving it just him and his guitar. The song's conclusion quotes the Christian hymn "[[Joy to the World]]".{{sfn|Freeman|1996|p=90}} "[[Hot 'Lanta]]" is an [[instrumental]], which has elements in common with [[jazz fusion|jazz rock]] and [[progressive rock]],{{sfn|Martin|2015|p=192}} and is a showcase for Berry Oakley's bass-playing.{{sfn|Freeman|1996|p=91}} "[[In Memory of Elizabeth Reed]]", with its harmonized melody, [[Latin music (genre)|Latin]] feel, and burning drive invited comparisons with jazz [[saxophonist]] [[John Coltrane]] (especially Duane's solo-ending [[pull-off]]s, a direct nod to the musician).{{sfn|Freeman|1996|p=91}} The performance begins with a "long, laconic intro" by Betts employing volume swells, reminiscent of the "dreamy trumpet" used to open songs on [[Miles Davis]]' ''[[Kind of Blue]]'' (1959).{{sfn|Freeman|1996|p=91}}
"[[Whipping Post (song)|Whipping Post]]" (opening in 11/8 [[Time signature|time]], unusual territory for a rock band) by this point had become one of the longest jams in the band's set; the original album version runs five minutes, while the ''At Fillmore East'' version exceeds 23.{{sfn|Freeman|1996|p=91}} Aside from the opening bassline and lyrics, the two versions are completely unalike.{{sfn|Freeman|1996|p=92}} Again, Betts and Allman trade long guitar solos, with one of Betts' solos quoting what would later become the main theme for the song "Les Brers in A Minor", as featured on the band's 1972 album ''[[Eat a Peach]]''.  The song includes a false ending which quotes the theme of the French [[nursery rhyme]] song "[[Frère Jacques]]", and finally closes with "long, sustained notes" from Allman opposite Trucks' kettledrum.{{sfn|Freeman|1996|p=91}} Applause concludes the album and the song fades out.{{sfn|Poe|2008|p=184}} During the fadeout, Trucks begins playing the tympani intro to "[[Mountain Jam]]" which would not be released in its entirety until its inclusion on ''Eat a Peach''.{{sfn|Poe|2008|p=184}}
==Artwork==
The band devised the cover idea for ''At Fillmore East'' rather than leaving it in the hands of Atlantic executives (Duane Allman was particularly disgusted with the artwork for [[Sam & Dave]]'s ''[[Hold On, I'm Comin' (Sam & Dave album)|Hold On, I'm Comin']],'' although that album's artwork was created by [[Stax Records]], which Atlantic had previously distributed).{{sfn|Paul|2014|p=125}} Initially, the album cover was to be shots of the band taken in front of the Fillmore East with their names on the marquee above them, but no one was satisfied with the results.{{sfn|Poe|2008|p=186}} The band's main purpose for the cover was that it be as "meat and potatoes" as the band's ethos and performing, and someone suggested the band make it a photograph of the band in an alley waiting with their gear to go onstage.{{sfn|Paul|2014|p=125}}
The image was shot by photographer [[Jim Marshall (photographer)|Jim Marshall]] one morning in the band's home of [[Macon, Georgia|Macon]], [[Georgia (U.S. state)|Georgia]].<ref name=newrs>Marshall, Jim (2004). ''Proof''. [[San Francisco]]: [[Chronicle Books]], p. 90. First edition, 2004.</ref> The group were not very happy about being woken up early to shoot ("we figured it didn't make a damn bit of difference what the cover was or what time we took it," said guitarist [[Dickey Betts]]).{{sfn|Paul|2014|p=125}} Normally the band hated being photographed; the cover of later retrospective release ''The Fillmore Concerts'' shows them displaying terminal boredom. However, during the session, Duane spotted a dealer friend, raced over and grabbed a bag of contraband, then returned to his seat, discreetly clutching the stash in his lap. This made the whole band laugh, resulting in a memorable image.{{sfn|Allman|Light|2012|p=182}}{{sfn|Paul|2014|p=125}} Marshall stenciled the album title on one of the road cases, which were stacked in front of the wall.{{sfn|Poe|2008|p=186}}
The back cover shows their road crew gathered in the same spot with 16 oz cans of [[Pabst Blue Ribbon]] beer provided by the photographer as a reward to the roadies for lugging out and stacking the band's heavy equipment for the shoot.{{sfn|Poe|2008|p=186}} Among the crew on the back cover are [[Joseph L. Campbell|Joseph "Red Dog" Campbell]], Kim Payne, Mike Callahan, Joe Dan Petty and Willie Perkins (the last two the newest additions to the crew at the time).{{sfn|Poe|2008|p=186}} The idea to have the crew on the back cover was Duane Allman's idea, as all involved viewed them the "unsung heroes" in the operation.{{sfn|Paul|2014|p=125}} A photo of Lyndon, then in jail awaiting his trial, was superimposed to the wall behind the crew.{{sfn|Paul|2014|p=125}}
==Release and critical reception==
{{Album ratings
| rev1 = [[Allmusic]]
| rev1Score = {{Rating|5|5}}
| rev2 = ''[[Pitchfork (website)|Pitchfork]]''
| rev2score = 9.2/10<ref>{{Cite web|url= https://pitchfork.com/reviews/albums/the-allman-brothers-band-live-at-fillmore-east/|author=Grayson Haver Currin|date=April 10, 2022|title=The Allman Brothers Band: At Fillmore Island Album Review|work=[[Pitchfork (website)|Pitchfork]]|access-date=April 9, 2022}}</ref>
| rev3 = [[Robert Christgau]]
| rev3score = {{Rating-Christgau|B-}}
| rev4 = [[Rolling Stone]]
| rev4score = {{Rating|5|5}}
| rev5 = ''[[Encyclopedia of Popular Music]]''
| rev5score = {{Rating|4|5}}<ref>{{cite book|last=Larkin|first=Colin|author-link=Colin Larkin|title=Encyclopedia of Popular Music|year=2007|publisher=[[Oxford University Press]]|edition=4th|isbn=978-0195313734|title-link=Encyclopedia of Popular Music}}</ref>
}}
''At Fillmore East'' was released in July 1971 by [[Capricorn Records]] as a [[double album]], but reduced to the cost of a single LP.{{sfn|Paul|2014|p=124}} Atlantic and Atco initially rejected the idea of issuing a double album, with [[Jerry Wexler]] feeling it "ridiculous to preserve all these jams."{{sfn|Paul|2014|p=124}} Manager [[Phil Walden]] explained to executives that the band were less of a studio band and that live performances were most important to them.{{sfn|Paul|2014|p=124}} In all, the album featured seven songs spread over four vinyl sides.{{sfn|Paul|2014|p=135}} The album received strong initial sales.{{sfn|Paul|2014|p=135}} While previous albums by the band had taken months to hit the charts (often near the bottom of the top 200), the record started to climb the charts after a matter of days.{{sfn|Poe|2008|p=187}} ''At Fillmore East'' peaked at number thirteen on ''[[Billboard (magazine)|Billboard]]''{{'s}} [[Billboard 200|Top Pop Albums]] chart, and was certified [[RIAA certification|gold]] by the [[Recording Industry Association of America]] that October.{{sfn|Poe|2008|p=187}} The album was later certified platinum on August 25, 1992.<ref name="autogenerated1">{{cite web |url=https://www.riaa.com/goldandplatinumdata.php?content_selector=gold-platinum-searchable-database |title=Gold & Platinum Searchable Database – May 27, 2014 |publisher=RIAA |access-date=May 27, 2014 |archive-date=February 3, 2015 |archive-url=https://web.archive.org/web/20150203141448/http://www.riaa.com/goldandplatinumdata.php?content_selector=gold-platinum-searchable-database |url-status=live }}</ref>
In a contemporary review, George Kimball of ''[[Rolling Stone]]'' magazine said that "The Allman Brothers had many fine moments at the Fillmores, and this live double album (recorded March 12th and 13th of this year) must surely epitomize all of them."<ref name="Kimball"/> Kimball cited the band as "the best damn rock and roll band this country has produced in the past five years" and said of comparisons to the [[Grateful Dead]] at the time, "The range of their material and the more tenuous fact that they also use two drummers have led to what I suppose are inevitable comparisons to the Dead in its better days."<ref name="Kimball">{{cite magazine|last=Kimball|first=George|url=https://www.rollingstone.com/music/albumreviews/at-fillmore-east-19710819|title=At Fillmore East <nowiki>|</nowiki> Album Reviews|magazine=[[Rolling Stone]]|publisher=[[Jann Wenner|Wenner Media]]|date=August 19, 1971|access-date=2011-09-25|archive-date=2010-12-20|archive-url=https://web.archive.org/web/20101220010044/http://www.rollingstone.com/music/albumreviews/at-fillmore-east-19710819|url-status=live}}</ref> In a less enthusiastic review for ''[[The Village Voice]]'', [[Robert Christgau]] gave ''At Fillmore East'' a "B−" grade and said the songs "sure do boogie", but ultimately found it musically aimless: "even if Duane Allman plus Dickey Betts does equal [[Jerry Garcia]], the Dead know roads are for getting somewhere. That is, Garcia (not to bring in [[John Coltrane]]) always takes you someplace unexpected on a long solo. I guess the appeal here is the inevitability of it all."<ref name="Christgau">{{cite journal|last=Christgau|first=Robert|author-link=Robert Christgau|url=http://www.robertchristgau.com/get_album.php?id=6292|title=Consumer Guide|journal=[[The Village Voice]]|date=February 1972|access-date=2011-09-25|archive-date=2014-03-26|archive-url=https://web.archive.org/web/20140326012614/http://www.robertchristgau.com/get_album.php?id=6292|url-status=live}}</ref>
In a retrospective review, [[AllMusic]] editor [[Stephen Thomas Erlewine]] gave the album five out of five stars and stated, "[it] remains the pinnacle of the Allmans and Southern rock at its most elastic, bluesy, and jazzy".<ref name=allmusic>{{Cite web|url=https://www.allmusic.com/album/at-fillmore-east-mw0000649823|title=At Fillmore East – The Allman Brothers Band &#124; Songs, Reviews, Credits &#124; AllMusic|via=www.allmusic.com|access-date=2021-10-29|archive-date=2021-10-22|archive-url=https://web.archive.org/web/20211022030216/https://www.allmusic.com/album/at-fillmore-east-mw0000649823|url-status=live}}</ref> [[Mark Kemp]] of ''Rolling Stone'' gave it five stars in a 2002 review and commented that "these shows [...] remain the finest live rock performance ever committed to vinyl", and the album "captures America's best blues-rock band at its peak".<ref name=rollingstone>{{Cite magazine |url=https://www.rollingstone.com/music/music-album-reviews/at-fillmore-east-2-192971/ |title=At Fillmore East |first1=Mark |last1=Kemp |magazine=[[Rolling Stone]] |date=July 16, 2002 |access-date=October 29, 2021 |archive-date=December 21, 2019 |archive-url=https://web.archive.org/web/20191221001512/https://www.rollingstone.com/music/music-album-reviews/at-fillmore-east-2-192971/ |url-status=live }}</ref>
''At Fillmore East'' was one of 50 recordings chosen in 2004 by the [[Library of Congress]] to be added to the [[National Recording Registry]]. ''[[Rolling Stone]]'' included it at number 49 in their 2003 list of [[Rolling Stone's 500 Greatest Albums of All Time|The 500 Greatest Albums of All Time]], describing it as "rock's greatest live double LP",<ref name=rs>{{cite journal| date =December 11, 2003| title =500 Greatest Albums of All-Time| journal =[[Rolling Stone (magazine)|Rolling Stone]]| publisher =[[Jann Wenner|Wenner Media]] [[Limited liability company|LLC]]| location =[[New York City]]| issn =0035-791X| url =https://www.rollingstone.com/music/lists/500-greatest-albums-of-all-time-20120531/the-allman-brothers-band-at-fillmore-east-20120531| access-date =March 25, 2014| archive-date =March 26, 2014| archive-url =https://web.archive.org/web/20140326143256/http://www.rollingstone.com/music/lists/500-greatest-albums-of-all-time-20120531/the-allman-brothers-band-at-fillmore-east-20120531| url-status =live}}</ref> maintaining the rating in a 2012 revision, and slipping to number 105 in the 2020 reboot of the list.<ref>{{Cite magazine |url=https://www.rollingstone.com/music/music-lists/best-albums-of-all-time-1062063/ |title=The 500 Greatest Albums of All Time |magazine=[[Rolling Stone]] |date=September 22, 2020 |access-date=August 4, 2021 |archive-date=September 22, 2020 |archive-url=https://web.archive.org/web/20200922163403/https://www.rollingstone.com/music/music-lists/best-albums-of-all-time-1062063/ |url-status=live }}</ref><ref>{{cite web| url=https://www.rollingstone.com/music/music-lists/500-greatest-albums-of-all-time-156826/the-allman-brothers-band-at-fillmore-east-165603/| year=2012| title=500 Greatest Albums of All Time Rolling Stone's definitive list of the 500 greatest albums of all time| publisher=[[Rolling Stone]]| access-date=September 23, 2019| archive-date=September 29, 2019| archive-url=https://web.archive.org/web/20190929094803/https://www.rollingstone.com/music/music-lists/500-greatest-albums-of-all-time-156826/the-allman-brothers-band-at-fillmore-east-165603/| url-status=live}}</ref> The album was also included in the books ''[[1001 Albums You Must Hear Before You Die]]'' (2005) and ''[[1,000 Recordings to Hear Before You Die]]'' (2008).<ref name="moon"/><ref name=dimery>{{cite book| last=Dimery| first=Robert| title=1001 Albums You Must Hear Before You Die| publisher=Tristan de Lancey| year=2005| isbn=1-84403-392-9| url-access=registration| url=https://archive.org/details/1001albumsyoumus0000unse_l0q0}} p. 230.</ref> In the latter, author [[Tom Moon]] noted that, nearly forty years after its release, "[the album] remains one of the best live albums in rock history. Ornery and loud, it's perfect driving music for the road that goes on forever."<ref name="moon"/>
In 2020 ''The Independent'' newspaper rated it the best live album of all time.<ref>{{cite web |first=Graeme |last=Ross |date=May 21, 2020 |url=https://www.independent.co.uk/arts-entertainment/music/features/who-live-leeds-anniversary-best-concert-albums-nirvana-johnny-cash-a9524776.html |title=The 20 Greatest Live Albums, from Nirvana Unplugged to Johnny Cash at Folsom Prison |website=The Independent |access-date=December 25, 2020 |archive-date=November 13, 2020 |archive-url=https://web.archive.org/web/20201113000938/https://www.independent.co.uk/arts-entertainment/music/features/who-live-leeds-anniversary-best-concert-albums-nirvana-johnny-cash-a9524776.html |url-status=live }}</ref>
==Track listing==
{{tracklist
|headline= Side one
|title1= [[Statesboro Blues]]
|writer1= [[Blind Willie McTell]]
|length1= 4:08
|title2= [[Done Somebody Wrong]]
|writer2= Clarence Lewis, [[Bobby Robinson (record producer)|Bobby Robinson]], [[Elmore James]]<ref>Some editions of the album credit only Elmore James as the author of "Done Somebody Wrong"; some 1980s [[Polydor Records]] pressings also list record mogul [[Morris Levy]] as a co-author, possibly for royalty collection purposes. The original vinyl LP also included [[David Clayton-Thomas]] as a writer.</ref>
|length2= 4:05
|title3= [[Call It Stormy Monday (But Tuesday Is Just as Bad)|Stormy Monday]]
|writer3= [[T-Bone Walker]]
|length3= 8:31
}}
{{tracklist
|headline= Side two
|title1= [[You Don't Love Me (Willie Cobbs song)|You Don't Love Me]]
|writer1= [[Willie Cobbs]]
|length1= 19:06
}}
{{tracklist
|headline= Side three
|title1= [[Hot 'Lanta]]
|writer1= [[Duane Allman]], [[Gregg Allman]], [[Dickey Betts]], [[Butch Trucks]], [[Berry Oakley]], [[Jai Johanny Johanson]]
|length1= 5:10
|title2= [[In Memory of Elizabeth Reed]]
|writer2= Dickey Betts
|length2= 12:46
}}
{{tracklist
|headline= Side four
|title1= [[Whipping Post (song)|Whipping Post]]
|writer1= Gregg Allman
|length1= 22:40
}}
'''Recording dates:'''
*March 12 late show: "Done Somebody Wrong", second part of "You Don't Love Me"
*March 13 early show: "Statesboro Blues", "In Memory of Elizabeth Reed", first part of "You Don't Love Me"
*March 13 late show: "Stormy Monday", "Hot 'Lanta", "Whipping Post"
==Expanded editions==
Over the years several expanded editions of ''At Fillmore East'' have been released.
===''The Fillmore Concerts''===
On October 10, 1992, ''The Fillmore Concerts'', an expanded version of ''At Fillmore East'', was released as a two-disc [[Compact disc|CD]].  It includes all the songs from the original album, plus the live songs from ''[[Eat a Peach]]'' – "One Way Out", "Trouble No More", and "Mountain Jam" – and two additional tracks – "Don't Keep Me Wonderin'" and "Drunken Hearted Boy" – all of which were recorded at the same concerts.  The album was remixed from the concert recordings, and a few of the songs are alternate takes, so the same songs sound somewhat different from those on the original album.<ref>Eder, Bruce. [http://www.allmusic.com/album/the-fillmore-concerts-mw0000088412 ''The Fillmore Concerts''] {{Webarchive|url=https://web.archive.org/web/20140805083923/http://www.allmusic.com/album/the-fillmore-concerts-mw0000088412 |date=2014-08-05 }}, [[AllMusic]]. Retrieved July 16, 2014.</ref>
{{Track listing
| headline = Disc one
| extra_column = Notes
| title1 = [[Statesboro Blues]]
| note1 =
| length1 = 4:15
| writer1 = [[Blind Willie McTell]]
| extra1 = March 12 second show
| title2 = [[Trouble No More (song)|Trouble No More]]
| note2 =
| length2 = 3:46
| writer2 = [[McKinley Morganfield]]
| extra2 = March 12 second show
| title3 = Don't Keep Me Wonderin{{'-}}
| note3 =
| length3 = 3:20
| writer3 = [[Gregg Allman]]
| extra3 = March 13 first show
| title4 = [[In Memory of Elizabeth Reed]]
| note4 =
| length4 = 12:59
| writer4 = [[Dickey Betts]]
| extra4 = March 13 first show/ March 13 second show
| title5 = [[One Way Out (song)|One Way Out]]
| note5 =
| length5 = 4:55
| writer5 = {{flatlist|
* [[Elmore James]]
* [[Marshall Sehorn]]
* [[Sonny Boy Williamson II|Sonny Boy Williamson]]
}}
| extra5 = June 27
| title6 = [[Done Somebody Wrong]]
| note6 =
| length6 = 4:11
| writer6 = {{flatlist|
* Elmore James
* Clarence Lewis
* [[Bobby Robinson (record producer)|Bobby Robinson]]
}}
| extra6 = March 13 second show
| title7 = [[Call It Stormy Monday (But Tuesday Is Just as Bad)|Stormy Monday]]
| note7 =
| length7 = 10:19
| writer7 = [[T-Bone Walker]]
| extra7 = March 13 second show
| title8 = [[You Don't Love Me (Willie Cobbs song)|You Don't Love Me]]
| note8 =
| length8 = 19:24
| writer8 = [[Willie Cobbs]]
| extra8 = March 13 first show/ March 12 second show
}}
{{Track listing
| headline = Disc two
| extra_column = Notes
| title1 = [[Hot 'Lanta]]
| note1 =
| length1 = 5:11
| writer1 = {{flatlist|
* [[Duane Allman]]
* Gregg Allman
* Dickey Betts
* [[Berry Oakley]]
* [[Butch Trucks]]
* [[Jai Johanny Johanson]]
}}
| extra1 = March 12 second show
| title2 = [[Whipping Post (song)|Whipping Post]]
| note2 =
| length2 = 22:37
| writer2 = Gregg Allman
| extra2 = March 13 second show
| title3 = [[Mountain Jam]]
| note3 =
| length3 = 33:41
| writer3 = {{flatlist|
* [[Donovan|Donovan Leitch]]
* D. Allman
* G. Allman
* Betts
* Oakley
* Trucks
* Johanson
}}
| extra3 = March 13 second show
| title4 = Drunken Hearted Boy
| note4 = with [[Elvin Bishop]]
| length4 = 7:33
| writer4 = Elvin Bishop
| extra4 = March 13 second show
}}
===''At Fillmore East'' Deluxe Edition===
The Deluxe Edition was released as a two-disc CD on September 23, 2003.  It contains the same songs, in a slightly different order, as ''The Fillmore Concerts'', and one additional track from the same concerts, "Midnight Rider".  The Deluxe Edition is based on the master recordings for ''At Fillmore East'' and ''Eat a Peach'', and so it sounds more similar to those albums than ''The Fillmore Concerts'' does.<ref>Lynch, Dave. [http://www.allmusic.com/album/release/at-fillmore-east-deluxe-edition-mr0001127836 ''At Fillmore East'' Deluxe Edition] {{Webarchive|url=https://web.archive.org/web/20140409131109/http://www.allmusic.com/album/release/at-fillmore-east-deluxe-edition-mr0001127836 |date=2014-04-09 }}, [[AllMusic]]. Retrieved July 16, 2014.</ref>
{{Track listing
| headline = Disc one
| extra_column = Notes
| title1 = Statesboro Blues
| note1 =
| length1 = 4:17
| writer1 = McTell
| extra1 =
| title2 = Trouble No More
| note2 =
| length2 = 3:43
| writer2 = Morganfield
| extra2 =
| title3 = Don't Keep Me Wonderin{{'-}}
| note3 =
| length3 = 3:27
| writer3 = G. Allman
| extra3 =
| title4 = Done Somebody Wrong
| note4 =
| length4 = 4:11
| writer4 = {{flatlist|
* James
* Lewis
* Robinson
}}
| extra4 =
| title5 = Stormy Monday
| note5 =
| length5 = 10:19
| writer5 = Walker
| extra5 =
| title6 = One Way Out
| note6 =
| length6 = 4:55
| writer6 = {{flatlist|
* James
* Sehorn
* Williamson
}}
| extra6 =
| title7 = In Memory of Elizabeth Reed
| note7 =
| length7 = 12:59
| writer7 = Betts
| extra7 =
| title8 = You Don't Love Me
| note8 =
| length8 = 19:24
| writer8 = Cobbs
| extra8 =
| title9 = [[Midnight Rider]]
| note9 =
| length9 = 2:55
| writer9 = {{flatlist|
* G. Allman
* Robert Payne
}}
| extra9 =
}}
{{Track listing
| headline = Disc two
| extra_column = Notes
| title1 = Hot 'Lanta
| note1 =
| length1 = 5:20
| writer1 = {{flatlist|
* D. Allman
* G. Allman
* Betts
* Oakley
* Trucks
* Johanson
}}
| extra1 =
| title2 = Whipping Post
| note2 =
| length2 = 22:53
| writer2 = G. Allman
| extra2 =
| title3 = Mountain Jam
| note3 =
| length3 = 33:41
| writer3 = {{flatlist|
* Leitch
* D. Allman
* G. Allman
* Betts
* Oakley
* Trucks
* Johanson
}}
| extra3 =
| title4 = Drunken Hearted Boy
| note4 = with Elvin Bishop
| length4 = 6:54
| writer4 = Bishop
| extra4 =
}}
===''The 1971 Fillmore East Recordings''===
''The 1971 Fillmore East Recordings'' was released on July 29, 2014.  This six-CD boxed set contains the four complete concerts—the early and late shows from March 12 and March 13, 1971—from which the songs included on ''At Fillmore East'' were selected, plus the Allman Brothers' performance at the Fillmore East closing show on June 27, 1971.  A three Blu-ray edition was also released which contains a multi-channel mix.<ref>Grow, Kory (June 11, 2014). [https://www.rollingstone.com/music/news/allman-brothers-at-fillmore-east-expanded-to-six-disc-box-set-20140611 "Allman Brothers' ''At Fillmore East'' Expanded to Six-Disc Box Set"] {{Webarchive|url=https://web.archive.org/web/20171006175011/http://www.rollingstone.com/music/news/allman-brothers-at-fillmore-east-expanded-to-six-disc-box-set-20140611 |date=2017-10-06 }}, ''[[Rolling Stone]]''. Retrieved July 16, 2014.</ref><ref>Sutton, Larson (July 29, 2014). [http://www.relix.com/reviews/detail/the_allman_brothers_band_at_fillmore_east_the_1971_fillmore_east_recordings "The Allman Brothers Band: ''At Fillmore East: The 1971 Fillmore East Recordings''"] {{Webarchive|url=https://web.archive.org/web/20140801152011/http://www.relix.com/reviews/detail/the_allman_brothers_band_at_fillmore_east_the_1971_fillmore_east_recordings |date=2014-08-01 }}, ''[[Relix]]''. Retrieved July 29, 2014.</ref>
'''<nowiki>*</nowiki> = Previously unreleased track'''
'''<nowiki>#</nowiki> = Track selected for the original "At Fillmore East" Album'''
{{Track listing
| headline = Disc one: ''March 12, 1971 – first show''
| extra_column =
| title1 = Statesboro Blues
| note1 = *
| length1 = 4:44
| writer1 = McTell
| extra1 =
| title2 = Trouble No More
| note2 = *
| length2 = 3:47
| writer2 = Morganfield
| extra2 =
| title3 = Don't Keep Me Wonderin{{'-}}
| note3 = *
| length3 = 3:53
| writer3 = G. Allman
| extra3 =
| title4 = Done Somebody Wrong
| note4 = *
| length4 = 4:24
| writer4 = {{flatlist|
* James
* Lewis
* Robinson
}}
| extra4 =
| title5 = In Memory of Elizabeth Reed
| note5 = *
| length5 = 17:38
| writer5 = Betts
| extra5 =
| title6 = You Don't Love Me
| note6 = *
| length6 = 14:58
| writer6 = Cobbs
| extra6 =
}}
{{Track listing
| headline = Disc two: ''March 12, 1971 – second show''
| extra_column =
| title1 = Statesboro Blues
| note1 = *
| length1 = 4:29
| writer1 = McTell
| extra1 =
| title2 = Trouble No More
| note2 =
| length2 = 4:04
| writer2 = Morganfield
| extra2 =
| title3 = Don't Keep Me Wonderin{{'-}}
| note3 = *
| length3 = 3:39
| writer3 = G. Allman
| extra3 =
| title4 = Done Somebody Wrong
| note4 = #
| length4 = 4:56
| writer4 = {{flatlist|
* James
* Lewis
* Robinson
}}
| extra4 =
| title5 = In Memory of Elizabeth Reed
| note5 = *
| length5 = 18:38
| writer5 = Betts
| extra5 =
| title6 = You Don't Love Me
| note6 = # – final 12 minutes
| length6 = 19:13
| writer6 = Cobbs
| extra6 =
| title7 = Whipping Post
| note7 = *
| length7 = 19:30
| writer7 = G. Allman
| extra7 =
| title8 = Hot 'Lanta
| note8 =
| length8 = 5:19
| writer8 = {{flatlist|
* D. Allman
* G. Allman
* Betts
* Oakley
* Trucks
* Johanson
}}
| extra8 =
}}
{{Track listing
| headline = Disc three: ''March 13, 1971 – first show''
| extra_column =
| title1 = Statesboro Blues
| note1 = #
| length1 = 4:18
| writer1 = McTell
| extra1 =
| title2 = Trouble No More
| note2 =
| length2 = 3:47
| writer2 = Morganfield
| extra2 =
| title3 = Don't Keep Me Wonderin{{'-}}
| note3 =
| length3 = 3:38
| writer3 = G. Allman
| extra3 =
| title4 = Done Somebody Wrong
| note4 = *
| length4 = 4:08
| writer4 = {{flatlist|
* James
* Lewis
* Robinson
}}
| extra4 =
| title5 = In Memory of Elizabeth Reed
| note5 = #
| length5 = 13:15
| writer5 = Betts
| extra5 =
| title6 = You Don't Love Me
| note6 = # – first 7 minutes
| length6 = 19:50
| writer6 = Cobbs
| extra6 =
| title7 = Whipping Post
| note7 = *
| length7 = 17:30
| writer7 = G. Allman
| extra7 =
}}
{{Track listing
| headline = Disc four: ''March 13, 1971 – second show – Part 1''
| extra_column =
| title1 = Statesboro Blues
| note1 = *
| length1 = 4:43
| writer1 = McTell
| extra1 =
| title2 = One Way Out
| note2 = *
| length2 = 4:40
| writer2 = {{flatlist|
* James
* Sehorn
* Williamson
}}
| extra2 =
| title3 = Stormy Monday
| note3 = #
| length3 = 10:39
| writer3 = Walker
| extra3 =
| title4 = Hot 'Lanta
| note4 = #
| length4 = 5:31
| writer4 = {{flatlist|
* D. Allman
* G. Allman
* Betts
* Oakley
* Trucks
* Johanson
}}
| extra4 =
| title5 = Whipping Post
| note5 = #
| length5 = 23:05
| writer5 = G. Allman
| extra5 =
}}
{{Track listing
| headline = Disc five: ''March 13, 1971 – second show – Part 2''
| extra_column =
| title1 = Mountain Jam
| note1 =
| length1 = 35:39
| writer1 = {{flatlist|
* Leitch
* D. Allman
* G. Allman
* Betts
* Oakley
* Trucks
* Johanson
}}
| extra1 =
| title2 = Drunken Hearted Boy
| note2 = with Elvin Bishop
| length2 = 7:45
| writer2 = Bishop
| extra2 =
}}
{{Track listing
| headline = Disc six: ''June 27, 1971 – Fillmore East closing show''
| extra_column =
| title1 = Introduction by Bill Graham / Statesboro Blues
| note1 = *
| length1 = 5:31
| writer1 = McTell
| extra1 =
| title2 = Don't Keep Me Wonderin{{'-}}
| note2 =
| length2 = 3:47
| writer2 = G. Allman
| extra2 =
| title3 = Done Somebody Wrong
| note3 =
| length3 = 3:36
| writer3 = {{flatlist|
* James
* Lewis
* Robinson
}}
| extra3 =
| title4 = One Way Out
| note4 =
| length4 = 5:24
| writer4 = {{flatlist|
* James
* Sehorn
* Williamson
}}
| extra4 =
| title5 = In Memory of Elizabeth Reed
| note5 =
| length5 = 12:33
| writer5 = Betts
| extra5 =
| title6 = Midnight Rider
| note6 =
| length6 = 3:07
| writer6 = {{flatlist|
* G. Allman
* Payne
}}
| extra6 =
| title7 = Hot 'Lanta
| note7 =
| length7 = 5:48
| writer7 = {{flatlist|
* D. Allman
* G. Allman
* Betts
* Oakley
* Trucks
* Johanson
}}
| extra7 =
| title8 = Whipping Post
| note8 =
| length8 = 20:14
| writer8 = G. Allman
| extra8 =
| title9 = You Don't Love Me
| note9 =
| length9 = 17:23
| writer9 = Cobbs
| extra9 =
}}
==Other Fillmore East recordings==
* ''[[Eat a Peach]]'' – contains "Trouble No More" from March 13, 1971 (Show 1) and "Mountain Jam" from March 13, 1971 (Show 2) and "One Way Out" from June 27, 1971
* ''[[An Anthology (Duane Allman album)|Duane Allman: An Anthology]]'' contains "Don't Keep Me Wonderin'" from March 13, 1971 (Show 1)
* ''Duane Allman Anthology, Vol. 2'' contains "Midnight Rider" from June 27, 1971
* ''[[Dreams (The Allman Brothers Band album)|Dreams]]'' contains "Drunken Hearted Boy" from March 13, 1971 (Show 2)
* ''Eat a Peach'', Deluxe Edition – second CD (the final Fillmore East concert) also contains "Statesboro Blues", "Don't Keep Me Wonderin'", "Done Somebody Wrong", "One Way Out", "In Memory of Elizabeth Reed", "Midnight Rider", "Hot 'Lanta", "Whipping Post", and "You Don't Love Me" from June 27, 1971
* ''[[The Road Goes On Forever (The Allman Brothers Band album)|The Road Goes On Forever]]'' contains "Statesboro Blues" from March 12, 1971 (Disc 1).
==Personnel==
;The Allman Brothers Band
*[[Duane Allman]] – lead guitar, [[slide guitar]]
*[[Gregg Allman]] – organ, piano, vocals
*[[Dickey Betts]] – lead guitar
*[[Berry Oakley]] – bass guitar
*[[Jai Johanny Johanson]] – drums, [[conga]]s, [[timbales]]
*[[Butch Trucks]] – drums, [[timpani]]
;Guest musicians
*[[Thom Doucette]] – harmonica on "Don't Keep Me Wonderin'", "Done Somebody Wrong", "One Way Out", "Stormy Monday" and "You Don't Love Me"
* Jim Santi – tambourine
;Guest musicians (''The Fillmore Concerts'' and ''The 1971 Fillmore East Recordings'')
*[[Bobby Caldwell (drummer)|Bobby Caldwell]] – percussion on "Drunken Hearted Boy" and on March 12 shows starting with "In Memory of Elizabeth Reed"
*Rudolph ("Juici") Carter – soprano saxophone on (only) both March 12 shows, starting with "In Memory of Elizabeth Reed"
*[[Elvin Bishop]] – vocals on "Drunken Hearted Boy"
*Steve Miller – piano on "Drunken Hearted Boy"
;Production (''At Fillmore East'')
*[[Tom Dowd]] – producer, liner notes
*Bruce Malamut – assistant producer
*Aaron Baron – engineer
*Sam Whiteside – engineer
*Larry Dahlstrom – assistant Engineer
*Dennis M. Drake – mastering
*[[Jim Marshall (photographer)|Jim Marshall]] – photography
;Production (''The Fillmore Concerts'')
*Tom Dowd – producer
*Jay Mark – mixer
*Dan Kincaid – digital mastering
*Bill Levenson – executive producer
*Kirk West – associate producer
*Terri Tierney – project coordination
*Richard Bauer – art direction
*Jim Marshall – graphic concept
*Jimmy Guterman – liner notes
*John Perkins – Best Boy
==Charts==
{| class="wikitable sortable plainrowheaders" style="text-align:center"
|-
! scope="col"| Chart (1971)
! scope="col"| Peak<br />position
|-
{{album chart|Canada|44|artist=The Allman Brothers Band|title=At Fillmore East|chartid=7534|rowheader=true|accessdate=January 22, 2024}}
|-
{{album chart|Billboard200|13|artist=The Allman Brothers Band|rowheader=true|accessdate=January 22, 2024}}
|}
==Certifications==
{{Certification Table Top}}
{{Certification Table Entry|region=United Kingdom|artist=Allman Brothers Band|title=At Fillmore East|award=Silver|type=album|relyear=1998|certyear=2021|note= 1998 release|id=17323-5641-2}}
{{Certification Table Entry|region=United States|artist=Allman Brothers|award=Platinum|type=album|relyear=1971|certyear=1992}}
{{Certification Table Bottom|nosales=true|streaming=true}}
==Notes==
{{Reflist|colwidth=20em}}
==References==
* {{cite book
|last1      = Allman
|first1     = Gregg
|last2      = Light
|first2     = Alan
|title     = My Cross to Bear
|url       = https://archive.org/details/mycrosstobear00allm
|url-access = registration
|year      = 2012
|publisher = William Morrow
|isbn      = 978-0-06-211203-3}}
* {{cite book
|last      = Freeman
|first     = Scott
|title     = Midnight Riders: The Story of the Allman Brothers Band
|year      = 1996
|publisher = Little, Brown and Company
|isbn      = 978-0-316-29452-2}}
* {{cite book
|last      = Paul
|first     = Alan
|title     = One Way Out: The Inside History of the Allman Brothers Band
|year      = 2014
|publisher = St. Martin's Press
|isbn      = 978-1-250-04049-7}}
* {{cite book
|title = No Saints, No Saviors: My Years with the Allman Brothers Band
|first = Willie
|last = Perkins
|publisher = Mercer University Press
|year = 2005
|isbn = 978-0-86554-967-8}}
* {{cite book
|last      = Poe
|first     = Randy
|title     = Skydog: The Duane Allman Story
|year      = 2008
|publisher = Backbeat Books
|isbn      = 978-0-87930-939-8}}
* {{cite book
|last      = Martin
|first     = Bill
|title     = Listening to the Future: The Time of Progressive Rock, 1968–1978
|year      = 2015
|publisher = Open Court
|isbn      = 978-0-81269-944-9}}
==External links==
* {{Official website|http://www.allmanbrothersband.com/}}
* [https://www.bbc.co.uk/music/reviews/c2cz/ BBC Review]
{{Allman Brothers Band}}
{{Authority control}}
[[Category:1971 live albums]]
[[Category:Capricorn Records live albums]]
[[Category:The Allman Brothers Band live albums]]
[[Category:United States National Recording Registry recordings]]
[[Category:Albums recorded at the Fillmore East]]
[[Category:Grammy Hall of Fame Award recipients]]
[[Category:Albums produced by Tom Dowd]]
[[Category:United States National Recording Registry albums]]
[[pt:The Allman Brothers Band#Discografia]]