View source for Bob Andrews (guitarist)

{{short description|British rock guitarist}}
{{Infobox musical artist
| name            = Bob Derwood Andrews
| birth_name      = Robert Ian Andrews
| alias           = Derwood, Derwood Andrews, Bob Andrews, Robert Andrews
| image           =
| caption         =
| image_size      =
| birth_date      = {{birth date and age|df=yes|1959|06|17}}
| birth_place     = [[Fulham]], London, England
| genre           = [[Rock music|Rock]], [[punk rock]], [[pop punk]], [[post-punk]], [[indie rock]], [[rockabilly]], [[blues]], [[alternative country]]
| occupation      = Musician, guitarist
| instrument      = Guitar
| years_active    = 1976–present
| label           =
| associated_acts = [[Generation X (band)|Generation X]], [[Empire (English band)|Empire]], [[Westworld (British band)|Westworld]], Moondogg, Speedtwinn, Tone Poet
}}
'''Robert Ian Andrews''' (born 17 June 1959) is a [[British people|British]] [[Rock music|rock]] guitarist, and former member of the bands [[Generation X (band)|Generation X]], [[Empire (English band)|Empire]] and [[Westworld (British band)|Westworld]].
==Early life==
Andrews was born in [[Fulham]], [[England]], on 17 June 1959,<ref>''International Who's Who in Popular Music 2006'', p. 14. Routledge/Taylor and Francis, 2006, {{ISBN|978-1-85743-367-8}})</ref> the son of a mother who was a [[secretary]], and a [[West London (sub-region)|West London]] [[shoe making|cobbler]] father.<ref>'Loud Guitarist' by Derwood Andrews.</ref> He began to play the guitar at the age of 10, being musically influenced particularly by the work of the [[British blues]] rock guitarist [[Paul Kossoff]]<ref>Interview with Andrews 'Fear & Loathing' online magazine, 2 December 2013</ref> and [[Rory Gallagher]],<ref name="auto1">{{Cite web|url=https://www.loudersound.com/features/bluesbreakers-derwood-andrews|title=Bluesbreakers: Derwood Andrews|first=Henry Yates03|last=July 2015|website=Loudersound.com|accessdate=9 May 2020}}</ref> and in his youth also rode in junior [[Speedway in the United Kingdom|Motorcycle Speedway]] competitions in West London.<ref>{{Cite web|url=https://www.punkglobe.com/derwood.html|title=derwood|website=Punkglobe.com|accessdate=9 May 2020}}</ref> On leaving school at 16, he spent a year as an assistant gardener at [[Kensington Palace]].<ref>{{Cite web|url=http://www.hidesertstar.com/news/article_458049aa-9bab-11e4-914f-db1c05fbd3db.html|title=A song to sing and nowhere to hide|first=Rebecca Unger The Desert|last=Trail|website=Hidesertatar.com|accessdate=9 May 2020}}</ref>
==Generation X==
In late 1976, Andrews was playing lead guitar, his preferred instrument being the [[Fender stratocaster]],<ref>{{Cite web|url=http://www.sugarbuzzmagazine.com/bands/bobderwoodandrews/derwood.html|title=Bob Derwood Andrews|website=Sugarbuzzmagazine.com|accessdate=9 May 2020}}</ref> with an amateur [[rocker (subculture)|rocker]] band called ''Paradox''.<ref>{{Cite web|url=http://www.boredteenagers.co.uk/PARADOX.htm|title=New Page 3|website=Boredteenagers.co.uk|accessdate=9 May 2020}}</ref> Whilst performing at a gig at the Fulham Arts Centre he was talent-spotted by the punk-rocker [[Billy Idol]], who was at that time looking for a guitar player to complete the line-up of a new band that he had just formed that would be named Generation X.<ref>'A Song to Sing & Nowhere to Hide, interview with Andrews in the 'Hi-Desert Star', 13 January 2015.</ref> Andrews was recruited to be its lead guitarist, in the process freeing Idol from the band's guitar role to become its frontman/singer.<ref>{{cite web|url=http://www.trakmarx.com/2003_01/11.htm|title=trakMARX – Generation X|website=Trakmarx.com|accessdate=26 March 2016}}</ref> Andrews was subsequently christened with the punk pseudonym "Derwood" by the band, a name invented on the spur of the moment by a friend of his whilst under interrogation from [[Tony James (musician)|Tony James]], the band's strategist, about school nicknames that Andrews had in search of a punk stage-name, to avoid James discovering and using the name "Dobbin", which Andrews' prominent front teeth in his school years had attracted.<ref>Two Fingers Radio Show', Episode 1 (2013), hosted by Derwood Andrews</ref> After less than a week, and a handful of rehearsals, Andrews took the stage for the band's first gig, at the Central London College of Art & Design on 10 December 1976.<ref>{{Cite web|url=http://www.boredteenagers.co.uk/GENERATIOXCUTTINGS1.htm|title=New Page 1|website=Boredteenagers.co.uk|accessdate=9 May 2020}}</ref>
The band subsequently signed a recording contract with [[Chrysalis Records]] and released its first single, "Your Generation",<ref name="The Great Rock Discography">{{cite book
| first= Martin C.
| last= Strong
| year= 2000
| title= The Great Rock Discography
| edition= 5th
| publisher= Mojo Books
| location= Edinburgh
| page= 472
| isbn= 1-84195-017-3}}</ref> in September 1977, which went to No. 36 in the [[UK Singles Chart]]. Andrews remained with the band through their two long-players, the self-titled ''[[Generation X (album)|Generation X]]'' (1978), which reached No. 29 in the [[UK Albums Chart]], followed by ''[[Valley of the Dolls (album)|Valley of the Dolls]]'' (1979).<ref name="The Great Rock Discography"/>
After two propitious opening years, with a hectic touring schedule and record releases entering the charts, the release of the ''Valley of the Dolls'' [[LP record|LP]] at the start of 1979, although being marked simultaneously by their highest chart hit with the single "King Rocker" (No. 11 in the UK Singles Chart), initiated the beginning of a deterioration in the commercial success of the band, and differences began to surface within it between Andrews and Billy Idol and the bass player Tony James as to its future musical direction. The disagreement about direction was augmented by Idol and James' refusal to allow Andrews to contribute to their songwriting partnership, and an increasing personal antipathy that had developed in Andrews towards Idol.<ref>{{Cite web|url=http://longbeachloathing.blogspot.com/2013/12/interviewgeneration-x-and-empire-s.html|title=Fear/Loathing: Interview: Generation X and Empire's Derwood Andrews|website=Longbeachloathing.blogspot.com|date=2 December 2013}}</ref> In May 1979, Andrews warned them that he was increasingly feeling like leaving Generation X, which was avoided by focusing on the band's first international tour in Japan mid-year, but on returning to England, during the recording sessions for the band's abortive third album (which would be released retrospectively 20 years later, by Andrews in the face of opposition from Idol, under the title ''[[Sweet Revenge (Generation X album)|K.M.D. – Sweet Revenge]]'') internal disputes came to a head, and Andrews quit the band just before Christmas.<ref>{{cite web|url=http://nemsworld.com/genx/daybyday.htm|title=Generation X – Day by Day|website=Nemsworld.com|accessdate=26 March 2016}}</ref><ref>{{Cite web|url=https://www.mudkiss.com/|title=MUDKISS FANZINE|website=Mudkiss.com|accessdate=9 May 2020|archive-date=4 August 2020|archive-url=https://web.archive.org/web/20200804201024/https://mudkiss.com/|url-status=dead}}</ref> He would be joined by the band's drummer [[Mark Laff]] a month later, who Idol and James asked to leave over another disagreement.
==Empire==
In early 1980, Andrews and Laff recorded as [[session musician]]s on [[Jimmy Pursey|Jimmy Pursey's]] first solo album ''Imagination Camouflage'' (1980) (Andrews receiving co-writing credit for two of the LP's songs, ''Freak Show'' and ''Situation's Vacant''),{{citation needed|date=November 2019}} before in mid-1980 Andrews and Laff with the bassist Simon Bernal formed the three man [[post-punk]] band [[Empire (English band)|Empire]], with Andrews as the act's lead vocalist.<ref>{{Cite book|url=https://books.google.com/books?id=4WM6Cb1z-PwC&dq=%22Empire%22&pg=PA313|title=Punk Diary: The Ultimate Trainspotter's Guide to Underground Rock, 1970–1982|first=George|last=Gimarc|date=9 May 2005|publisher=Hal Leonard Corporation|isbn=9780879308483|via=Google Books}}</ref> Empire commercially released via the new label Dinosaur Discs, backed by a record shop of the same name at No. 17 Barons Court Road in [[West Kensington]], the song "Hot Seat" (1981), with a B-side entitled "All These Things", which failed to enter the UK Singles Chart. A long-player entitled ''Expensive Sound'' (1981), recorded without a producer at Alvic Studios in [[Barons Court]], also failed to enter the UK Album Chart. The band played a handful of gigs around London before Bernal left. After an unstable line-up and some more gigging in 1981–1982, Laff left the act in February 1983 in frustration with its lack of apparent commercial development.{{citation needed|date=February 2021}}
In early 1983, Andrews renamed the act New Empire after recruiting the vocalist Babel Wallace, Mike Gregovich (one of the sound engineers at Alvic Studios who had recorded the band's ''Expensive Sound'' LP) playing bass, and Crispin Taylor on the drums. The new line-up released a [[white label]] 12" titled "Inside You", and toured in the UK in 1983 as a support act to [[John Miles (musician)|John Miles]] and [[Roman Holliday]], and also in [[Spain]], where it found some unanticipated and mysteriously caused popularity with well attended shows. However, without a record label's support, New Empire's increasingly adverse financial circumstances led to Andrews ending it in February 1984 at a gig at the Thames Hall in [[Slough]], [[Berkshire]]; Andrews signaling the defeat by wrecking his [[guitar amplifier|amp]] with his guitar in the band's final performance. (A retrospective album of New Empire material would be released in the United States 24 years later entitled ''Expansive Sound'' (2009)).{{citation needed|date=February 2021}}
Despite its lack of commercial success, Empire was an influential band in the development of the [[emo]] music genre in the United States,<ref>'Post', by Eric Grubbs (Pub. i-Universe, 2008), P.24.</ref><ref name="auto">{{Cite web|url=https://louderthanwar.com/bob-derwood-andrews-top-ten-albums/|title=Bob 'Derwood' Andrews – The Generation X Guitarist – Picks His Top Ten Albums|website=Louderthanwar.com|date=28 April 2015}}</ref> and an acknowledged key influence via songs such as "Him or Me" (1981) on the development of the sound of [[The Stone Roses]] from the [[Madchester|Manchester scene]] of the late 1980s.<ref>'The Stone Roses: War & Peace' by Simon Spence (Pub. Penguin, 2013).</ref>
The ''Expansive Sound'' LP was commercially re-issued in the United Kingdom in 1986. In the United States, it was re-issued in 2003 by the label Poorly Packaged Products as a double album containing seven previously unreleased studio recordings by the band and live performance material, and in 2014 a limited run collector's edition of the original record and sleeve artwork was released by Drastic Plastic Records.
==Westworld==
In 1986 Andrews formed a retro-1950s [[Americana (music)|Americana]] style "beatbox rock'n'roll"/[[rockabilly]] band called [[Westworld (British band)|Westworld]],<ref name="AMG">{{cite web |first= |last= |url={{AllMusic|class=artist|id=p5808/biography|pure_url=yes}} |title=Biography by John Bush |website=[[AllMusic]]|accessdate=18 December 2008}}</ref> with the singer Elizabeth Westwood and the guitarist/drummer Nick Burton. It had an early hit with its debut [[single (music)|single]] "Sonic Boom Boy", which reached No. 11 in the [[UK Singles Chart]] in February 1987,<ref name="British Hit Singles & Albums">{{cite book
| first= David
| last= Roberts
| year= 2006
| title= British Hit Singles & Albums
| edition= 19th
| publisher= Guinness World Records Limited
| location= London
| isbn= 1-904994-10-5
| page= 597}}</ref> which was subsequently commercially used as a backing music track by [[Sony]] for one of its television product advertising campaigns.<ref name="AMG"/>
Between 1986 and 1990 the band performed as a trio utilizing a [[drum machine]] and [[music sequencer|sequencers]] with two guitarists, Andrews (lead), Burton (rhythm), fronted by Westwood as the singer, and commercially released in the United Kingdom via [[R.C.A.]] six singles, five of which entered the top 80 of the UK Singles Chart: ''Sonic Boom Boy'' (1987), ''Ba-Na-Na-Bam-Boo'' (1987), ''Where the Action Is'' (1987), ''Silvermac'' (1987), and ''Everything Good is Bad'' (1988).<ref name="officialcharts.com">{{Cite web|url=https://www.officialcharts.com/artist/23959/westworld/|title=Westworld &#124; full Official Chart History &#124; Official Charts Company|website=Officialcharts.com|accessdate=9 May 2020}}</ref> A long-player entitled 'Where the Action Is' reached No. 49 in the UK Albums Chart in September 1987.<ref name="auto3">{{Cite web|url=https://store.cdbaby.com/|title=CD Baby Music Store|website=Store.cdbaby.com|accessdate=9 May 2020}}</ref> Due to the band's declining chart success R.C.A. dropped its contract, with the band's final U.K. release, the rip-roaring ''Dance On'' (which would be Andrews' career parting shot to the United Kingdom's commercial charts) reaching No. 92 in the UK Singles Chart in June 1989.<ref name="officialcharts.com"/> Andrews departed from England with Westwood to live in the United States in 1992, where they released two further singles and two long-players in the U.S. market via an independent label, but without commercial success, and they ended the Westworld act in 1994. A retrospective LP of material from ''Westworld'', entitled ''Sick Cool'', recorded between 1992 and 1994, was released commercially in the United States in 2018.<ref name="auto3"/>
==Moondogg==
In 1994, Andrews with Elizabeth Westwood came back to live in London from the U.S. and set up a new experimental [[Electronic pop]]/rock act entitled 'Moondogg', working in collaboration with [[Martin Lee Stephenson]] in a [[Hoxton]] recording studio.<ref>{{cite web|url=http://www.allmusic.com/artist/moondogg-mn0000496553|title=Moondogg|work=AllMusic|accessdate=26 March 2016}}</ref> The act released several records over the next decade, published by varying small labels in the United Kingdom, U.S. and Japan without impacting any commercial charts. A single entitled 'Wonderfool' (1995) was first released, followed by a long-player entitled ''Fat Lot of Good'' (1996) carrying a commercially counterintuitive cover art image. The album was supported by the release of an [[Extended-play|E.P.]] titled 'Silver Lining', and the singles 'Black Pain' (1996), and 'Nothing's Sacred' (1996). Another L.P. entitled ''God's Wallop'' was recorded in London in the mid-1990s (before Andrews and Westwood quit London and returned to the U.S.), with [[Rat Scabies]] playing the drum tracks, produced by Martin Lee Stephenson, but it wasn't commercially released until 2001. A third LP, entitled ''All the Love in the World'' (2004), self-produced by Andrews, was recorded by the act at Studio Dee in [[Los Angeles]] with a session drummer, and was commercially released in the U.S.{{citation needed|date=November 2019}}
==Speedtwinn==
In 1996 Andrews joined a provisional new London band consisting of [[Glenn Matlock]], "[[Rat Scabies]]" and [[Gary Twinn]] called Dead Horse, but the act failed to develop beyond some rehearsals and a demo recording session,<ref>[https://www.youtube.com/watch?v=5QQ0aGBW9fQ] {{dead link|date=May 2020}}</ref> after Matlock abandoned it to join the reformation of the [[Sex Pistols]]. From this line-up, Andrews and the vocalist Gary Twinn formed a hybrid British-American [[alternative country]] act entitled Speedtwinn, which they relocated to [[Joshua Tree, California]] in 1998, combining British rock music from the 1970s with American country music.<ref>Press release briefing note on 'Speedtwinn', produced by [[Orange Recordings]] for the commercial release of the long-player 'California', August 2003.</ref> After gigging in small venues in the area, and recording music videos of cover songs ranging from [[T-Rex (band)|T-Rex]] to [[Johnny Cash]], they wrote and commercially released in the United States a self-produced album entitled ''California'' (2003), which failed to enter the U.S. charts. Speedtwinn disbanded soon afterwards.<ref>{{cite web|url=http://www.allmusic.com/artist/speedtwinn-mn0000003387|title=Speedtwinn|website=[[AllMusic]]|accessdate=26 March 2016}}</ref><ref>{{cite web|url=http://www.allmusic.com/album/california-mw0000322988|title=California|website=[[AllMusic]]|accessdate=26 March 2016}}</ref>
==Derwood and the Rat==
In Sept 2022, Andrews released a 12-song album, a collaboration with Damned drummer [[Rat Scabies]] entitled ''Derwood and the Rat''.<ref>{{cite web | url=https://derwoodandrews.com/album/2267427/derwood-and-the-rat | title=Derwood and the Rat }}</ref>
==Solo works – ''Tone Poet''==
In 2007, Andrews released a solo rock music album entitled ''Tone Poet'' (2007).<ref>{{cite web|url=http://tmusic.bonovoxpr.com/turning_heads_derwood_andrews_transcend_radio.shtml|title=Turning Heads by Derwood Andrews – Transcend Radio Single of the Day|website=Tmusic.bonovoxpr.com|accessdate=26 March 2016|archive-url=https://web.archive.org/web/20160326113207/http://tmusic.bonovoxpr.com/turning_heads_derwood_andrews_transcend_radio.shtml|archive-date=26 March 2016|url-status=dead}}</ref> He subsequently recorded and released ''Cover Yer Arse'' (2010), a compilation album of [[cover version|cover songs]]. In 2013, he released a downloadable song, "Sleeping Beauty" from ''Tone Poet Vol. I''.
In 2013, Andrews switched from the [[electric guitar]] to playing the [[lap steel guitar]],<ref name="auto1"/> and subsequently released an [[Blues|American blues]] album entitled ''Tone Poet, Vol. II'' (2014),<ref>'Derwood Andrews & the sound of a post-punk, post-blues Cactus Acid Milkshake', 'The Brooklyn Bugle', 16 December 2014.</ref> and toured the [[British Isles]] performing music from it in 2015, with 'Sean & [[Zander Schloss|Zander]]' as co-headliners. He also released a song entitled "Winter Pt 1", which was part of an unreleased album entitled ''Mojave Full Circle''. He released two more American blues albums in 2016–2018, entitled ''Tone Poet Vol. 3'' (2016) and ''Tone Poet Vol.4'' (2018).<ref>{{Cite web|url=https://music.apple.com/gb/artist/derwood-andrews/293933090|title=Derwood Andrews on Apple Music|website=Music.apple.com|accessdate=9 May 2020}}</ref> In 2019 Andrews released a compilation long-player of the ''Tone Poet'' series, paradoxically entitled ''Smash Hits'' (2019), with an introduction to the material written by [[Henry Rollins]].<ref name="auto3"/>
==Reunions==
On 20 September 1993, Andrews performed in a late-1970s Generation X line-up reunion at the [[Astoria Theatre]] in London's West End.
In 2006, Andrews and Laff re-recorded the Empire single "Hot Seat" for the 25th anniversary of the release of ''Expansive Sound'' LP, which was commercially released on the ''Expansive Sound Volume II'' (2009) compilation. In 2011, Andrews played again with New Empire's ex-singer Babel Wallace for the recording of a song called "Bed Head" for Wallace's solo album, ''Good Things Can Happen''.{{citation needed|date=February 2021}}
==Influence==
Andrews has been cited as an influence by guitarists [[Johnny Marr]] of [[The Smiths]], and [[John Squire]] of The Stone Roses,<ref>'The Stone Roses: War & Peace', by Simon Spence. (Pub. Penguin, 2013).</ref> and his song back-catalogue has been covered by a diverse range of bands, including the [[U.S. Bombs]] and the [[L.A. Guns]].
==Personal life==
Andrews relocated from England to [[Cave Creek, Arizona|Cave Creek]], Arizona, [[United States of America]] in 1992. He subsequently moved to [[Los Angeles]], where he dropped out of professional music for a period and worked as a motorcycle courier in the mid-late 1990s, during which time he married Stephanie in [[Hollywood, Los Angeles|Hollywood]].<ref>Interview with Andrews, 'A Song to Sing & Nowhere to Hide', 'Hi-Desert Star', 13 January 2015.</ref> In the early 2000s, he moved to California's [[High Desert (California)|High Desert]] region.<ref name="auto"/><ref>[http://www.rockstarsguitars.com/billy-idol/billy-idol-bob-derwood-andrews-barry-mcgee-custom-guitar-used-in-chelsea-and-generation-x-2-1925/] {{dead link|date=May 2020}}</ref>
==Discography==
===Studio albums===
;Generation X
* 1978&nbsp;– ''[[Generation X (album)|Generation X]]'' ([[Chrysalis Records]]) UK No. 29
* 1979&nbsp;– ''[[Valley of the Dolls (album)|Valley of the Dolls]]'' (Chrysalis Records) UK No. 51
* 1979&nbsp;– ''[[Sweet Revenge (Generation X album)|K.M.D. – Sweet Revenge]]'' (unreleased until 1998, reissued in 2003 as second disc for the Generation Xbox-set).
* 2004 – ''[[Sweet Revenge (Generation X album)|K.M.D. – Sweet Revenge Xtra]]'' (Revel Yell Music) <small>(Featuring bonus tracks.)</small>
;Generation X Compilations:
* 1985 – ''[[The Best of Generation X]]'' (Chrysalis Records)
* 1990 – ''The Idol Generation'' ([[Castle Communications]]) <small>([[Australia]] only.)</small>
* 1991 – ''[[Perfect Hits 1975–81]]'' (Chrysalis Records)
* 1999 – ''Live at the Paris Theatre '78 & '81'' ([[EMI Records]]) <small>(Reissued (and edited) in 2002 as ''One Hundred Punks – BBC Live in Concert''.)</small>
* 2002 – ''[[Radio 1 Sessions (Generation X album)|Radio 1 Sessions]]'' ([[Strange Fruit Records]])
* 2003 – ''[[Anthology (Generation X compilation)|Anthology]]'' (EMI Records)
* 2003 – ''Live at Sheffield'' (Empty Records)
;Empire
* 1981&nbsp;– ''Expensive Sound'' (Dinosaur Discs) <small>(American reissue in 1986 by Highway 61 Records).</small>
* 2003&nbsp;– ''Expensive Sound'' (Poorly Packaged Products Records) <small>(Also featuring 7 previously unreleased songs and 4 live cuts).</small>
* 2009/2012&nbsp;– ''Volume II&nbsp;– Expansive Sound'' (Poorly Packaged Products Records) <small>(the never issued before New Empire tracks, plus covers and live cuts from 1983 to 1984).</small>
;Westworld
* 1987&nbsp;– ''Where the Action Is'' ([[RCA Records]]) UK No. 49
* 1987&nbsp;– ''Rockulator'' (RCA Records) <small>(US release of ''Where the Action Is'' with different track listing and artwork and some new mixes).</small>
* 1988&nbsp;– ''Beatbox Rock 'N' Roll'' (RCA Records) <small>(not released in the UK).</small>
* 1991&nbsp;– ''Movers and Shakers'' ([[MCA Records]]) <small>(not released in the UK).</small>
* 1997&nbsp;– ''Beatbox Rock 'N' Roll'' (Camden Records) <small>([[Compilation album]], not to be confused with the same-titled second album).</small>
* 2018&nbsp;– ''Sick Cool'' (Rubbercheese Music) <small>(retrospective release of material recorded in 1992–1994).</small>
;Moondogg
* 1996&nbsp;– ''Fat Lot of Good'' (Better Records)
* 2001&nbsp;– ''God's Wallop'' (D.O.R.)
* 2004&nbsp;– ''All the Love in the World'' (Rubbercheese Music)
;Speedtwinn
* 2003&nbsp;– ''California'' ([[Orange Recordings]])
===Solo records===
* 2007&nbsp;– ''Tone Poet, Vol. 1'' (Rubbercheese Music) <small>(Digital download only.)</small>
* 2010&nbsp;– ''Cover Yer Arse'' (Main Man Records)
* 2014&nbsp;– ''Tone Poet, Vol. 2'' (Rubbercheese Music) <small></small>
* 2016&nbsp;– ''Tone Poet, Vol. 3'' (Rubbercheese Music) <small>(Digital download only.)</small>
* 2018&nbsp;– ''Tone Poet, Vol. 4'' (Rubbercheese Music) <small>(Digital download only.)</small>
* 2019&nbsp;– ''Smash Hits'' ('Tone Poet' compilation) (Rubbercheese Music).
* 2022&nbsp;- ''Spaceman'' (Single) (Rubbercheese Music)
== References ==
{{Reflist|2}}
== External links ==
* [https://derwoodandrews1.bandcamp.com]
* [https://derwoodandrews.com]
* [https://facebook.com/derwoodandrews/]
*[https://instagram.com/derwoodandrews]
{{Use dmy dates|date=October 2014}}
{{Generation X}}
{{Authority control}}
{{DEFAULTSORT:Andrews, Bob (Generation X)}}
[[Category:1959 births]]
[[Category:Living people]]
[[Category:English punk rock guitarists]]
[[Category:Generation X (band) members]]
[[Category:Musicians from the London Borough of Hammersmith and Fulham]]
[[Category:People from Fulham]]
[[Category:People from Cave Creek, Arizona]]