View source for Ca trù

{{Short description|Vietnamese musical storytelling genre}}
{{Italic title|reason=[[:Category:Vietnamese words and phrases]]}}
[[File:Ca trù performance.jpg|thumb|A Ca trù performance]]
'''''Ca trù''''' ({{IPA|vi|kaː ʈû|lang}}, {{vi-nom|[[wikt:歌籌|歌籌]]}}, "tally card songs"), also known as '''hát cô đầu''' or '''hát nói''', is a Vietnamese genre of musical storytelling performed by a featuring female vocalist, with origins in northern Vietnam.<ref>Norton, Barley. ''Ca Trù: A Vietnamese Chamber Music Genre''. International Association for Research in Vietnamese Music.</ref> For much of its history, it was associated with a [[pansori]]-like form of entertainment, which combined entertaining wealthy people as well as performing religious songs for the royal court.<ref name="unesco">"[https://ich.unesco.org/en/USL/ca-tru-singing-00309 Ca trù singing]", ''UNESCO.org''.  {{webarchive|url=https://web.archive.org/web/20120323192341/http://www.unesco.org/culture/ich/doc/src/ITH-09-4.COM-CONF.209-Decisions-EN.doc|date=March 23, 2012}}</ref><ref>{{cite journal |id={{INIST|22941944}} |last1=Anisensel |first1=Aliénor |title=Chanter le Ca trù au village de L! Khê (Nord du Viêt-Nam) : une fête rituelle au temple communal et à la maison des patrons de métier du Ca trù |trans-title=Singing ca trù at Lo Khê Village (Northern Vietnam). A ritual Festival at the Communal Temple and at the House of the Patrons of ca trù |language=fr |journal=Péninsule |date=2009 |volume=40 |issue=59 |pages=143–169, 232, 234, 236 }}</ref>
Ca trù is inscribed on the list of [[Intangible Cultural Heritage]] in need of Urgent Safeguarding in 2009.<ref name="unesco" />
==History==
There are different myths and theories related to ca trù's conception. There is a theory points to a woman named Đào Thị, a talented musician who was beloved by the [[Lý dynasty|Lý Dynasty]] imperial court.  This theory also claims that ever since the time of Đào Thị, in admiration of her, women who held a profession as singers (such as ca trù singers) were referred to as Đào nương ("nương" here refers roughly to "maiden" or "lady").  The latter is true although this term is no longer widely used in modern Vietnam.<ref>"[https://web.archive.org/web/20080418125532/http://www.hanoimoi.com.vn/vn/17/97712/ Bao HA NOI MOI dien tu<!-- Bot generated title -->]", ''HanoiMoi.com''. {{in lang|vi}}</ref>
What is known for sure is that ca trù started off like many of Vietnam's arts as being a form of entertainment for the royal court. Officially ca tru count the age of their profession since The [[Later Le dynasty]] ({{langx|vi|Nhà Hậu Lê}}, 1428–1789), at that time musicians called {{langx|vi|hát khuôn}} performed only on religious court ceremonies.<ref name="thanglong">"[http://catruthanglong.com/en/p329-ca-tru.html Ca tru]", CaTruThangLong.com. {{webarchive |url=https://web.archive.org/web/20110820191532/http://catruthanglong.com/en/p329-ca-tru.html |date=August 20, 2011 }}</ref> It was only later on that it branched out into being performed at small inns. Indeed, it was mainly scholars and other members of the elite who enjoyed the genere.
In the 15th century ca tru spread through Northern Vietnam. The artists might be called to celebrate a son's birth, or to celebrate the signing of a contract. Ca tru were outside of the [[caste]] system, so they could entertain the most noble clients.<ref name="return">[http://vietnam.vnanet.vn/vnp/ru-ru/13/68/68/24392/default.aspx Возвращение музыкального кружка] {{webarchive|url=https://web.archive.org/web/20110829015324/http://vietnam.vnanet.vn/vnp/ru-RU/13/68/68/24392/default.aspx |date=2011-08-29 }}. {{in lang|ru}}</ref>
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| footer = Three drawings of Cô đầu performing ca trù in the early 20th century.
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In the 20th century, ca trù nearly died out. When the [[Communism|Communists]] came to power after the 1945 [[August Revolution]], Ca Trù was systematically suppressed, becoming associated with [[prostitution]] and the degradation of women.<ref name="Things">"[http://www.thingsasian.com/stories-photos/1027 The Exotic Sounds of Ca Tru]", ''ThingsAsian.com''.</ref> Consequently, before 1976 there existed only two ca tru: {{langx|vi|Nguyễn Xuân Khoát}}<ref name="thanglong" /> and {{ill|Quách Thị Hồ|vi}}.<ref>"[http://catruthanglong.com/en/p328-quach-thi-ho-the-woman-faithful-to-ca-tru.html Quach Thi Ho — The woman faithful to Ca tru]", CaTruThangLong.com. {{webarchive |url=https://web.archive.org/web/20110810055746/http://catruthanglong.com/en/p328-quach-thi-ho-the-woman-faithful-to-ca-tru.html |date=August 10, 2011 }}</ref> Later they both started to revive the tradition of ca tru. In actuality, men were allowed many wives in the past and having extramarital affairs was nothing shocking. Thus, it was commonly known that many famous ca trù singers did indeed have affairs with important men, but it was just something to be accepted as a part of society back then, and not a part of the profession itself.
As of 2009, extensive efforts are being made to invigorate the genre, including many festivals and events where several types of ca trù (among other related arts) are performed. [[Vietnam]] has also completed documents to have ca trù recognized by [[UNESCO]] as an [[Intangible Cultural Heritage]].
By 2011 there were 140 ca tru from 23 clubs.<ref>"[http://vietnamnews.vnagency.com.vn/Life-Style/216308/National-fest-honours-art-of-ca-tru-singing.html National fest honours art of ca tru singing]", ''VietnamNews.VNAgency.com.vn''.</ref>
==Instruments==
Ca trù, like many ancient and highly developed arts, has many forms.  However, the most widely known and widely performed type of ca trù involves only three performers: the female vocalist, lute player and a spectator (who also takes part in the performance). Sometimes dance is also performed at the same time.<ref name="cult">{{cite web|title=Ca tru — Vietnamese cultural heritage|publisher=Ca tru Thang Long Club|year=2008|url=http://catruthanglong.com/en/p326-ca-tru-vietnamese-cultural-heritage.html|archive-url=https://web.archive.org/web/20110820191614/http://catruthanglong.com/en/p326-ca-tru-vietnamese-cultural-heritage.html|archive-date=August 20, 2011}}</ref>
The female singer provides the vocals whilst playing her ''[[phách]]'' (small wooden sticks beaten on a small bamboo bar to serve as [[percussion]]).
She is accompanied by a man who plays the ''[[đàn đáy]]'', a long-necked, 3-string lute used almost exclusively for the ca trù genre.<ref>Terry E. Miller, Sean Williams (2008). ''The Garland handbook of Southeast Asian music'', p.262. {{ISBN|9780415960755}}. "This lute is the only stringed instrument used to accompany ca trù singing."</ref>
Last is the spectator (often a scholar or connoisseur of the art) who strikes a ''[[trống chầu]]'' (praise drum) in praise (or disapproval) of the singer's performance, usually with every passage of the song. The way in which he strikes the drum shows whether he likes or dislikes the performance,<ref name="unesco"/> but he always does it according to the beat provided by the vocalists' ''phách'' percussion.
The number of ca tru melodies is 56, they are called {{langx|vi|thể cách}}.<ref name="cult" />
New observers to the art often comment on how strikingly odd the vocal technique sounds, but it is the vocals themselves that are essential in defining ca trù.
==Ca trù inns==
Ca trù literally translates as "tally card songs." This refers to the bamboo cards men bought when they visited ca trù inns, where this music was most often performed in the past. Men would give the bamboo cards they purchased to the woman of choice after her performance, and she would collect money based upon how many cards she was given.
[[Mandarin (bureaucrat)|Scholar-bureaucrats]] and other members of the elite most enjoyed this genre. They often visited these inns to be entertained by the talented young women, who did not only sing, but with their knowledge of poetry and the arts could strike up a witty conversation along with serving food and drink.
Besides these inns, ca trù was also commonly performed in communal houses or private homes.<ref name="Things"/>
==In modern Vietnamese media==
Along with efforts made to preserve the genre, ca trù has been appearing in much of recent Vietnamese [[popular culture|pop culture]], including movies such as the award-winning film ''Mê thảo: thời vang bóng'', "Trò đời", "Trăng tỏ thềm lan", "Thương nhớ ở ai".  The memory of anyone or in songs "Một nét ca trù ngày xuân", "Mái đình làng biển" by musician Nguyễn Cường, "Trên đỉnh Phù Vân", "Không thể và có thể", "Chảy đi sông ơi! ", "Một thoáng Tây Hồ" by Phó Đức Phương, "Chiều phủ Tây Hồ" by Phú Quang, "Chị tôi" by Trọng Đài and poem by Đoàn Thị Tảo, "Hà Nội linh thiêng hào hoa" by Lê Mây, "Đất nước lời ru" by Phan Huỳnh Điểu", "Nắng có còn xuân" by Đức Trí", Giọt sương bay lên" by Nguyễn Vĩnh Tiến, "Đá trông chồng" by Lê Minh Sơn, "Vịnh xuân đất Tổ" by Quang Vinh,... In 1997 year, for the first time "Trên đỉnh Phù Vân" was made public by singer [[Mỹ Linh]]. Contemporary folk sound, with the up and down sounds never easy for a soft musician, so choosing this song to sing was a very brave decision of the Mỹ Linh in the early days of her career. The way to deal with the color of ca trù is probably intended to bring out the magic in every song.
Bích Câu Đạo Quán Club, founded in low has 90 members, 30 or 40 of whom gather on a given Saturday evenings. The oldest artist is 88 years old. According to the director, 48 -year-old Nguyễn Vân Mai, who trains younger singers and introduces them to classical songs: "It is very difficult to find young singers who wish to learn this art form. It is also difficult to find good teachers who can convey both the enthusiasm and the technical knowledge.
==Tribute==
On February 23, 2020, [[Google]] celebrated the Ca Trù's Founder Commemoration Day with a [[Google Doodle]].<ref>{{cite web|url=https://doodles.google/doodle/ca-trus-founder-commemoration-day-2020/|title=Ca Trù's Founder Commemoration Day 2020|website=Google|date=23 February 2020}}</ref>
==Galleries==
<gallery class="center">
File:Ca trù 1.jpg
File:Ca trù 2.jpg
File:Ca trù 4.jpg
File:Tranh vẽ Cô đầu (kỹ nữ) thời Pháp thuộc.jpg
</gallery>
==Bibliography==
*Norton, Barley. "Singing the Past: Vietnamese Ca Tru, Memory, and Mode." ''Asian Music'', vol. 36, no. 2 (Summer/Fall 2005).
==Films==
*''Mê Thảo, Thời Vang Bóng''. Directed by [[Việt Linh]].
==See also==
* [[Tawaif]], a similar profession during colonial India
*[[Pansori]]
*[[Culture of Vietnam]]
*[[History of Vietnam]]
*[[Music of Vietnam]]
*[[Traditional Vietnamese dance]]
*[[Vietnamese theatre]]
==Notes==
{{reflist}}
==External links==
{{Commons category|Ca trù}}
*[https://archive.today/20130118235024/http://www.catruthanglong.com/ Ca tru Thang Long club]
*[https://web.archive.org/web/20070927065938/http://www.roehampton.ac.uk/catru/ Ca tru page] from Roehampton University site
*[https://web.archive.org/web/20080418125532/http://www.hanoimoi.com.vn/vn/17/97712/ Ca tru tradition]
*[https://web.archive.org/web/20070927215933/http://www.toquoc.gov.vn/vietnam/showPrint.asp?newsId=15628 Article about Barley Norton and ca tru] {{in lang|vi}}
*[http://www.vietnam-beauty.com/vietnamese-culture/vietnam-traditional-music-and-traditional-instruments/16-vietnam-traditional-music-and-traditional-instrume/135-ca-tru-singing.html  Ca Tru Singing]
*[https://www.francemusique.fr/emissions/carnet-de-voyage/parcours-musical-au-viet-nam-15386
]
*[https://journals.openedition.org/ethnomusicologie/1951]
===Video===
*[https://web.archive.org/web/20070927065723/http://www.roehampton.ac.uk/catru/video.asp%23 Ca tru video examples] from Roehampton University site
*[https://www.youtube.com/catruthanglong The beauty of Ca tru], ''YouTube.com''.
{{UNESCO Oral and Intangible music}}
{{UNESCO List of Intangible Cultural Heritage in Need of Urgent Safeguarding}}
{{Authority control}}
{{DEFAULTSORT:Ca Tru}}
[[Category:19th-century music genres]]
[[Category:20th-century music genres]]
[[Category:21st-century music genres]]
[[Category:Masterpieces of the Oral and Intangible Heritage of Humanity]]
[[Category:Vietnamese traditional theatre]]
[[Category:Music of Vietnam]]
[[Category:Vietnamese inventions]]