View source for Caryatid

{{Short description|Load-bearing pillar in the figure of a female, Ancient Greece and later}}
[[File:Athènes Acropole Caryatides.JPG|thumb|260px|right|The caryatid porch of the [[Erechtheion]] in [[Athens]], Greece. These are now replicas. The originals are in the [[Acropolis Museum]] (with one in the [[British Museum]]).]]
[[File:Cariatide dall'eretteo, 415 ac. 02.JPG|thumb|175px|The caryatid taken by Elgin from the [[Erechtheion]], standing in [[contrapposto]], displayed at the [[British Museum]]]]
A '''caryatid''' ({{IPAc-en|ˌ|k|ɛəɹ|i|ˈ|æ|t|ɪ|d|,_|ˌ|k|ær|-}} {{respell|KAIR|ee|AT|id|,_|KARR|-}};<ref>{{cite Merriam-Webster|caryatid}}</ref> {{langx|grc|Καρυᾶτις|{{grc-transl|Καρυᾶτις}}|}}; {{plural form|{{langx|grc|Καρυάτιδες|{{grc-transl|Καρυάτιδες}}||label=none}}}})<ref>[https://archive.org/details/BaillyDictionnaireGrecFrancais/page/1023/mode/1up?view=theater Καρυᾶτις] in Bailly, Anatole (1935) Le Grand Bailly: Dictionnaire grec-français, Paris: Hachette</ref> is a sculpted female figure serving as an architectural support taking the place of a [[column]] or a pillar supporting an [[entablature]] on her head. The [[Greek language|Greek]] term ''karyatides'' literally means "maidens of [[Karyes|Karyai]]", an ancient town on the [[Peloponnese]]. Karyai had a temple dedicated to the goddess [[Artemis]] in her aspect of Artemis Karyatis: "As [[Caryatis|Karyatis]] she rejoiced in the dances of the nut-tree village of Karyai, those Karyatides, who in their ecstatic round-dance carried on their heads baskets of live reeds, as if they were dancing plants".<ref>(Kerenyi 1980 p 149)</ref>
An [[Atlas (architecture)|atlas]] or atlantid or [[Telamon#In architecture|telamon]] is a male version of a caryatid, ''i.e.'', a sculpted male statue serving as an architectural support.
==Etymology==
The term is first recorded in the [[Latin]] form ''caryatides'' by the Roman architect [[Vitruvius]]. He stated in his 1st century BC work ''[[De architectura]]'' (I.1.5) that certain female figures represented the punishment of the women of [[Caryae]], a town near [[Sparta]] in [[Laconia]], who were condemned to slavery after betraying [[Athens]] by siding with [[Persia]] in the [[Greco-Persian Wars]]. However, Vitruvius's explanation is doubtful; well before the Persian Wars, female figures were used as decorative supports in Greece<ref>Hersey, George, ''The Lost Meaning of Classical Architecture'', MIT Press, Cambridge, MA, 1998 p. 69</ref> and the ancient Near East. Vitruvius's explanation is dismissed as an error by [[Camille Paglia]] in [[Glittering Images]] and not even mentioned by [[Mary Lefkowitz]] in [[Black Athena Revisited]].<ref>[https://web.archive.org/web/20161003150042/http://www.greeceancientmodern.com/porchofmaidens.html Glittering Images], p. 25</ref><ref>[https://books.google.com/books?id=AClFWV6PE8wC&dq=Karu%C3%A1tides&pg=PA197 Black Athena Revisited], p. 197</ref> They both say the term refers to young women worshipping Artemis in Caryae through dance. Lefkowitz says that the term ''comes from the Spartan city of Caryae, where young women did a ring dance around an open-air statue of the goddess Artemis, locally identified with a walnut tree.'' Bernard Sergent specifies that the dancers came to the small town of Caryae from nearby Sparta.<ref>[https://books.google.com/books?id=gsxfDwAAQBAJ&dq=Karu%C3%A1tides&pg=PT175 caryatide] in "Notre grec de tous les jours" by Bernard Sergent</ref> Nevertheless, the association of caryatids with slavery persists and is prevalent in [[Renaissance art]].<ref>''[[The Slave in European Art]]: From Renaissance Trophies to Abolitionist Emblem'', ed Elizabeth Mcgrath and Jean Michel Massing, London (The Warburg Institute) 2012</ref>
The ancient Caryae supposedly was one of the six adjacent villages that united to form the original township of Sparta, and the hometown of [[Menelaos]]' queen, [[Helen of Troy]]. Girls from Caryae were considered especially beautiful, strong, and capable of giving birth to strong children.{{citation needed|date=September 2015}}
A caryatid supporting a basket on her head is called a ''[[Kanephoros|canephora]]'' ("basket-bearer"), representing one of the maidens who carried sacred objects used at feasts of the goddesses [[Athena]] and [[Artemis]]. The Erectheion caryatids, in a shrine dedicated to an archaic king of Athens, may therefore represent priestesses of Artemis in Caryae, a place named for the "nut-tree sisterhood" &ndash; apparently in [[Mycenaean Greece|Mycenaean]] times, like other plural feminine [[toponym]]s, such as Hyrai or Athens itself.
The later male counterpart of the caryatid is referred to as a [[telamon]] (plural ''telamones'') or [[Atlas (architecture)|atlas]] (plural ''atlantes'') &ndash; the name refers to the legend of [[Atlas (mythology)|Atlas]], who bore the sphere of the heavens on his shoulders. Such figures were used on a monumental scale, notably in the [[Temple of Olympian Zeus (Agrigento)|Temple of Olympian Zeus]] in [[Agrigento]], [[Sicily]].
==Ancient usage==
[[File:Caryatid.jpg|thumb|upright|Intricate hairstyle of caryatid, displayed at the [[Acropolis Museum]] in Athens]]
Some of the earliest known examples were found in the treasuries of [[Delphi]], including [[Siphnian Treasury|that of Siphnos]], dating to the 6th century BC. However, their use as supports in the form of women can be traced back even earlier, to ritual basins, ivory mirror handles from [[Phoenicia]], and draped figures from archaic Greece.
The best-known and most-copied examples are those of the six figures of the Caryatid porch of the [[Erechtheion]] on the [[Acropolis, Athens|Acropolis]] at Athens.  One of those original six figures, removed by [[Thomas Bruce, 7th Earl of Elgin|Lord Elgin]] in the early 19th century in an act which severely damaged the temple and is widely considered to be vandalism and looting, is currently in the [[British Museum]] in London. The Greek government does not recognise the British Museum's claims to own any part of the Acropolis temples and the return of the stolen Caryatid to Athens along with the rest of the so-called [[Elgin Marbles]] is the subject of a major international campaign. The [[Acropolis Museum]] holds the other five figures, which are replaced onsite by replicas. The five originals that are in Athens are now being exhibited in the new Acropolis Museum, on a special balcony that allows visitors to view them from all sides. The pedestal for the caryatid removed to London remains empty, awaiting its return. From 2011 to 2015, they were cleaned by a specially constructed [[laser beam]], which removed accumulated soot and grime without harming the marble's [[patina]]. Each caryatid was cleaned in place, with a television circuit relaying the spectacle live to museum visitors.<ref>{{cite news|last1=Alderman|first1=Liz|title=Acropolis Maidens Glow Anew|url=https://www.nytimes.com/2014/07/08/arts/design/caryatid-statues-restored-are-stars-at-athens-museum.html?_r=0|access-date=9 July 2014|work=[[The New York Times]]|date=7 July 2014}}</ref>
Although of the same height and build, and similarly attired and coiffed, the six Caryatids are not the same: their faces, stance, draping, and hair are carved separately; the three on the left stand on their right foot, while the three on the right stand on their left foot.  Their bulky, intricately arranged hairstyles serve the crucial purpose of providing static support to their necks, which would otherwise be the thinnest and structurally weakest part.
The [[Ancient Rome|Romans]] also copied the Erechtheion caryatids, installing copies in the [[Forum of Augustus]] and the [[Pantheon, Rome|Pantheon]] in [[Rome]], and at [[Hadrian's Villa]] at [[Tivoli, Italy|Tivoli]].  Another Roman example, found on the [[Via Appia]], is the [[Townley Caryatid]].<ref>A. H. Smith, "Gavin Hamilton's Letters to Charles Townley" ''The Journal of Hellenic Studies'' '''21'''  (1901: 306–321) p. 306 note 3. Townley inventories, where it is interpolated between No. 9 (Hecate) and No. 10 (Fortune).</ref>{{clear left}}
==Renaissance and after==
In [[Early Modern]] times, the practice of integrating caryatids into building facades was revived, and in interiors they began to be employed in [[fireplace]]s, which had not been a feature of buildings in Antiquity and offered no precedents. Early interior examples are the figures of [[Heracles]] and [[Iole]] carved on the jambs of a monumental fireplace in the ''Sala della Jole'' of the [[Doge's Palace, Venice]], about 1450.<ref>Noted by James Parker, in describing the precedents for the white marble caryatid chimneypiece from [[Chesterfield House, Westminster]], now at the [[Metropolitan Museum of Art]] (Parker, "'Designed in the Most Elegant Manner, and Wrought in the Best Marbles': The Caryatid Chimney Piece from Chesterfield House", ''The Metropolitan Museum of Art Bulletin'', New Series, '''21'''.6 [February 1963] pp. 202–213).</ref> In the following century [[Jacopo Sansovino]], both sculptor and architect, carved a pair of female figures supporting the shelf of a marble chimneypiece at Villa Garzoni, near Padua.<ref>Also noted by Parker 1963:206.</ref> No architect mentioned the device until 1615, when [[Palladio]]'s pupil [[Vincenzo Scamozzi]] included a chapter devoted to chimneypieces in his ''Idea della archittura universale''. Those in the apartments of princes and important personages, he considered, might be grand enough for chimneypieces with caryatid supporters, such as one he illustrated and a similar one he installed in the ''Sala dell'Anticollegio'', also in the Doge's Palace.<ref>Both remarked upon by Parker 1963:206, and fig. 9.</ref>
[[File:Cariátide Sanssouci 01.JPG|thumb|left|[[Rococo|Late Baroque]] caryatid and [[atlantid]] hemi-figures at [[Sanssouci]], [[Frederick the Great]]'s summer palace at [[Potsdam]]]]
In the 16th century, from the examples engraved for [[Sebastiano Serlio]]'s treatise on architecture, caryatids became a fixture in the decorative vocabulary of [[Northern Mannerism]] expressed by the [[Fontainebleau School]] and the engravers of designs in [[Antwerp]]. In the early 17th century, interior examples appear in Jacobean interiors in England; in [[Scotland]] the [[overmantel]] in the [[great hall]] of [[Muchalls Castle]] remains an early example. Caryatids remained part of the German [[Baroque]] vocabulary and were refashioned in more restrained and "Grecian" forms by [[neoclassicism|neoclassical]] architects and designers, such as the four terracotta caryatids on the porch of [[St Pancras New Church]], London (1822).
Many caryatids lined up on the facade of the 1893 Palace of the Arts housing the [[Museum of Science and Industry (Chicago)|Museum of Science and Industry in Chicago]]. In the arts of design, the draped figure supporting an [[Acanthus (ornament)|acanthus]]-grown basket capital taking the form of a candlestick or a table-support is a familiar cliché of neoclassical decorative arts. The [[John and Mable Ringling Museum of Art]] in [[Sarasota, Florida|Sarasota]] has caryatids as a motif on its eastern facade.
[[File:Albright-Knox Art Gallery Statues.jpg|thumb|[[Augustus Saint Gaudens|St. Gaudens]]' caryatids of the [[Albright–Knox Art Gallery]], [[Buffalo, New York|Buffalo]], USA]]
In 1905 American sculptor [[Augustus Saint Gaudens]] created a caryatid porch for the [[Albright–Knox Art Gallery]] in [[Buffalo, New York]] in which four of the eight figures (the other four figures holding only wreaths) represented a different art form, ''Architecture, Painting, Sculpture'', and ''Music''.<ref>{{cite web|url=http://www.archsculptbooks.com/home.htm|title=archsculptbooks.com|access-date=29 December 2016|url-status=dead|archive-url=https://web.archive.org/web/20110707155719/http://www.archsculptbooks.com/home.htm|archive-date=7 July 2011}}</ref>
[[Auguste Rodin]]'s 1881 sculpture ''Fallen Caryatid Carrying her Stone'' (part of his monumental ''[[The Gates of Hell]]'' work)<ref>{{cite web |url=http://www.metmuseum.org/collection/the-collection-online/search/207511 |title=Fallen Caryatid Carrying Her Stone |work=The Collection Online |publisher=Metropolitan Museum of Art |access-date=January 29, 2015}}</ref> shows a fallen caryatid. [[Robert Heinlein]] described this piece in ''[[Stranger in a Strange Land]]'': "Now here we have another emotional symbol... for almost three thousand years or longer, architects have designed buildings with columns shaped as female figures... After all those centuries it took Rodin to see that this was work too heavy for a girl... Here is this poor little caryatid who has tried—and failed, fallen under the load.... She didn't give up, Ben; she's still trying to lift that stone after it has crushed her..."<ref>{{cite book |last=Heinlein |first=Robert A. |title=Stranger in a Strange Land |year=1961 |publisher=Putnam |isbn=978-0-441-79034-0}}</ref>
In Act 2 of his 1953 play 'Waiting for Godot', author Samuel Beckett has Estragon say "We are not caryatids!" when he and Vladimir tire of "cart(ing) around" the recently blinded Pozzo.
Agnes Varda made two short films documenting Caryatid columns around Paris.
1984 Les Dites Cariatides
2005 Les Dites Cariatides Bis.
The musical group [[Son Volt]] evoke the caryatides and their burden borne in poetic metaphor on the song "Caryatid Easy" from their 1997 album [[Straightaways]], with singer [[Jay Farrar]] reproving an unidentified lover with the line "you play the caryatid easy."
==Gallery==
<gallery mode="packed" heights="200px">
File:D337-trésor des cnidiens.-L2-Ch8.png|[[Ancient Greek architecture|Ancient Greek]] caryatids of the [[Cnidian Treasury]], {{circa}}550 BC, probably marble, [[Delphi Archaeological Museum]], [[Delphi]], Greece
File:Bronze mirror, 5th c BC, AM of Corinth, 202831.jpg|[[Ancient Greek art|Ancient Greek]] mirror, 5th century BC, bronze, [[Archaeological Museum of Ancient Corinth]], [[Corinth (municipality)|Corinth]], Greece
Athen Erechtheion BW 2017-10-09 13-58-34.jpg|Ancient Greek caryatids of the [[Erechtheion]], Greece, unknown architect, 421-405 BC<ref>{{cite book|last1=Watkin|first1=David|title=A History of Western Architecture|date=2022|publisher=Laurence King|isbn=978-1-52942-030-2|page=38|url=|language=en}}</ref>
Caryatid_from_the_Sanctuary_of_Demeter_at_Eleusis_(2)._1st_century_B.C.jpg|[[Ancient Roman architecture|Roman]] [[Caryatids of Eleusis|caryatid from the Sanctuary]] of [[Demeter]] at [[Eleusis]], second half of 1st century BC, probably marble, [[Archaeological Museum of Eleusis]], [[Elefsina]], Greece
Las Incantadas (Louvre) 3.jpg|[[Las Incantadas]], a group of Roman sculptures from a [[portico]] that once adorned the [[Roman Forum (Thessaloniki)|Roman Forum]] of [[Thessaloniki|Thessalonica]], 150-230 AD, marble, [[Louvre]]<ref>{{cite web|url=https://collections.louvre.fr/en/ark:/53355/cl010275510|website=collections.louvre.fr|title=L'Incantada|date=April 0150 |access-date=5 January 2024}}</ref>
File:Townley Caryatid - British Museum - Joy of Museums.jpg|''[[Townley Caryatid]]'', 161-171, [[Pentelic marble]], [[British Museum]], London<ref>{{cite book|last1=Pinelli|first1=Antonio|title=Souvenir|date=2010|publisher=Laterza|isbn=978-88-420-9417-3|page=93|url=|language=it}}</ref>
File:Paris 1er Louvre Naples à Paris Cassetta Farnese 039.jpg|[[Renaissance art|Renaissance]] caryatids on the Cassetta Farnese, by [[Manno Sbarri]], [[Giovanni Bernardi]] and [[Perin del Vaga]], 1548-1561, gilded silver, embossed and chiselled [[rock crystal]], [[Vitreous enamel|enamel]] and [[lapis lazuli]], [[Louvre]]
Paris Palais du Louvre Salle des Caryatides tribune 20161031.jpg|[[Renaissance architecture|Renaissance]] caryatids of the musicians' loft in the [[Louvre Palace]], Paris, by [[Jean Goujon]], 1550<ref>{{cite book|last1=Bresc-Bautier|first1=Geneviève|title=The Louvre, a Tale of a Palace|date=2008|publisher=Musée du Louvre Éditions|isbn=978-2-7572-0177-0|page=|url=|language=en}}</ref>
Facade Pavillon Horloge Louvre.jpg|[[Baroque architecture|Baroque]] caryatids on the upper part of the [[Pavillon de l'Horloge]] on the [[Cour Carrée]] of the Louvre Palace, by [[Gilles Guérin]] and [[Philippe De Buyster]] after [[Jacques Sarazin]], mid 17th century<ref>{{cite book|last1=Bresc-Bautier|first1=Geneviève|title=The Louvre, a Tale of a Palace|date=2008|publisher=Musée du Louvre Éditions|isbn=978-2-7572-0177-0|page=|url=|language=en}}</ref>
Antichambre du prince-évêque (Palais Rohan, Strasbourg) cabinet.JPG|Baroque caryatids of a cabinet, {{circa}}1675, ebony, kingwood, marquetry of hard stones, gilt bronze, pewter, glass, tinted mirror and horn, [[Musée des Arts décoratifs, Strasbourg|Museum of Decorative Art]], [[Strasbourg]], France<ref>{{cite web|url=https://musees-strasbourg.skin-web.org/document/33-978-0-23/5ee3388d461cda28a3a5b66c?q=gobelins&pos=1|website=musees-strasbourg.skin-web.org|title=Cabinet parisien 17e siècle|author=|access-date=13 September 2023}}</ref>
File:Apollo and Attendants Flaying Marsyas (tapestry).jpg|Baroque caryatids in the ''Apollo and Attendants Flaying Marsyas'' tapestry, 17th century, wool and silk, [[Minneapolis Institute of Art]], [[Minneapolis]], US
File:P1030075 (5015797888).jpg|[[Louis XVI style]] jewelry locket of [[Marie-Antoinette]], by [[Ferdinand Schwerdfeger]], 1787, mahogany, [[mother-of-pearl]] inlays, paintings under glass, porcelain plate, and gilded bronzes, [[Chambre de la Reine]], [[Palace of Versailles]], [[Versailles]], France<ref>{{cite web|url=https://collections.louvre.fr/ark:/53355/cl010098671|website=|title=Serre-bijoux de Marie-Antoinette|date=1774|access-date=21 September 2023}}</ref>
Pair of caryatids MET SF07 225 510 317ab.jpg|Pair of Louis XVI style caryatid, 18th century, [[ormolu|gilt bronze]], [[Metropolitan Museum of Art]], New York City
File:Vase Medicis (Louvre, OA 9590).jpg|Louis XVI style caryatids on the Médicis Vase, by [[Louis-Simon Boizot]], [[Pierre Philippe-Thomire]] and the [[Manufacture nationale de Sèvres|Sèvres Porcelain Manufactory]], {{circa}}1787, porcelain and gilded bronze, Louvre<ref>{{cite web|url=https://collections.louvre.fr/en/ark:/53355/cl010100445|website=collections.louvre.fr|title=Vase Médicis|author=|date=1774 |access-date=13 September 2023}}</ref>
File:Wien-Innere Stadt - Josefsplatz 5 - Portal des Palais Pallavicini.jpg|[[Neoclassical architecture|Neoclassical]] caryatids of the portal of the [[Palais Pallavicini]] in [[Josefsplatz]], [[Vienna]], [[Austria]], by [[Johann Ferdinand Hetzendorf von Hohenberg]], 1784
Hall (Maison Marius-Dufresne, Château Dufresne) 03.jpg|[[Empire style]] table with caryatids ''en gaine'' supported by bare feet, early 19th century, wood, metal, glass, pigment, and porcelain, [[Musée Dufresne-Nincheri]], [[Montreal]], [[Canada]]
St Pancras New Church, February 2015 01.jpg|Neoclassical porch with caryatids of the [[St Pancras New Church]], London, almost identical with the [[Ancient Greek architecture|Ancient Greek]] one of the [[Erechtheum]], by [[William Inwood|William]] and [[Henry William Inwood]], 1819-1822
File:Walhalla Halle1.jpg|[[Polychrome]] [[Greek Revival architecture|Greek Revival]] caryatids of the [[Walhalla Temple]], near [[Regensburg]], Germany, designed by [[Leo von Klenze]] in 1821, built in 1830-1842<ref>{{cite book|last1=Watkin|first1=David|title=A History of Western Architecture|date=2022|publisher=Laurence King|isbn=978-1-52942-030-2|page=486|url=|language=en}}</ref>
File:Kariatiden Winkel van Sinkel.JPG|Neoclassical caryatids of the [[Winkel van Sinkel]] department store, [[Utrecht]], the [[Netherlands]], 1837-1839, by P. Adams<ref>{{cite web|url=https://www.openmonumentendag.nl/monument/winkel-van-sinkel/|website=openmonumentendag.nl|title=Winkel van Sinkel|author=|access-date=13 September 2023}}</ref>
File:Immeuble-cariatides_(2).jpg|Neoclassical white terracotta caryatids of the Virebent Factory, [[Toulouse]], France, by Auguste Virebent, 1840<ref>{{cite web|url=https://www.pop.culture.gouv.fr/notice/merimee/PA00094621|website=pop.culture.gouv.fr|title=Maison en terre cuite de Virebent|author=|access-date=13 September 2023}}</ref>
South wall of the Room of the Niobids, Neues Museum, Berlin.jpg|Neoclassical caryatids of the south wall of the Room of the Niobids, [[Neues Museum]], [[Berlin]], by [[Friedrich August Stüler]], 1845-1850<ref>{{cite book|last1=Bertram|first1=Marion|title=Egyptian Museum and Papyrus Collection; Museum of Prehistory and Early History|date=2020|publisher=Prestel|isbn=978-3-7913-4262-7|page=118|url=|language=en}}</ref>
File:Paris Quai de la Mégisserie 543.jpg|Neoclassical caryatids of [[Quai de la Mégisserie]] no. 14, Paris, sculptor [[Auguste Millet]] and architect [[Henri Blondel]], 1864<ref>{{cite web|url=https://www.pop.culture.gouv.fr/notice/merimee/PA75010010|website=pop.culture.gouv.fr|title=Immeuble|access-date=19 January 2023}}</ref>
File:Caryatids on Jenner's Department Store, Princes Street Edinburgh.jpg|[[Renaissance Revival architecture|Renaissance Revival]] caryatids on the [[Jenners]], department store, [[Edinburgh]], UK, by [[William Hamilton Beattie]], 1894
Appuie-tête Luba-RDC.jpg|[[Luba art|Luba]] headrest with two caryatid, 19th century, wood, [[Musée du Quai Branly]], Paris
Tabouret luba-Musée ethnologique de Berlin.jpg|Luba stool with two caryatids, 19th century, wood, [[Ethnological Museum of Berlin]]
Decorative arts in the Louvre - Room 538 (03).jpg|[[Rococo Revival]] gilt bronze caryatid on the fireplace in the room 538 of the Louvre Palace, Paris, unknown architect or sculptor, 19th century
P1020032 Paris III CNAM entrée rue Saint-Martin reductwk.JPG|Pair of Neoclassical caryatids at the entrance of the [[Conservatoire national des arts et métiers]] ([[Rue Saint-Martin (Paris)|Rue Saint-Martin]] no. 292), Paris, unknown architect, mid-19th century
File:19 rue des Halles, Paris 1er 3.jpg|Neoclassical caryatids of [[Rue des Halles (Paris)|Rue des Halles]] no. 19, Paris, designed by [[Jean Lobrot]] and sculpted by [[Charles Gauthier]], 1868
Théâtre de la Renaissance 02.jpg|Double [[Beaux Arts architecture|Beaux Arts]] caryatid on the façade of the [[Théâtre de la Renaissance]], Paris, by [[Charles de Lalande]], 1873
File:11 rue Chomel, Paris 7e 7-3.jpg|Beaux Arts caryatid (mainly Neoclassical, but also [[Baroque Revival architecture|Baroque Revival]] through the lower part rotated at 45°) of [[Rue Chomel]] no. 11, Paris, by J. Vramant, 1878-1880
Cariatide Wallace 4.jpg|Neoclassical caryatids of a Wallace fountain in [[Place Moussa-et-Odette-Abadi]], Paris, designed by [[Sir Richard Wallace, 1st Baronet|Richard Wallace]] and produced by [[Charles-Auguste Lebourg]], late 19th century
File:Détail de la façade 06939 (cropped caryatid).jpg|[[Art Nouveau]] caryatid-corbel on the [[Maison Vallin]] ([[Boulevard Lobau]] no. 6), [[Nancy, France|Nancy]], France, 1894, by [[Eugène Vallin]]<ref>{{cite web|url=https://www.pop.culture.gouv.fr/notice/merimee/PA00106235|website=pop.culture.gouv.fr|title=Immeuble|author=|access-date=13 September 2023}}</ref>
4 Strada Buzești, Bucharest (03).jpg|Beaux Arts caryatids of a [[oriel window]] of [[Strada Buzești]] no. 4, [[Bucharest]], [[Romania]], unknown architect or sculptor, {{circa}}1900
File:4 avenue de Tourville, Paris 7e 2-1.jpg|Beaux Arts [[atlas (architecture)|atlas]] and caryatid of [[Avenue de Tourvill]] no. 4, Paris, unknown architect or sculptor, {{circa}}1900
File:P1120996 Paris XII gare de Lyon train bleu rwk.JPG|Beaux Arts mermaid caryatids with a [[cartouche (design)|cartouche]] in [[Le Train Bleu (restaurant)|Le Train Bleu]], [[Gare de Lyon]], Paris, 1901, by [[Marius Toudoire]]
P1330707 Paris VI rue ND des champs N82 detail rwk.jpg|Rococo Revival caryatids of [[Rue Notre-Dame-des-Champs]] no. 82, Paris, designed by [[Constant Lemaire]] and sculpted by [[Louis Hollweck]], 1904-1905
90 avenue Henri-Martin Paris.jpg|[[Art Deco]] caryatids of [[Avenue Henri-Martin]] no. 90, Paris, by [[Charles Labro (architect)|Charles Labro]], 1927
File:Old photo of Strada Edgar Quinet no. 6, Bucharest, Romania, in 1946.jpg|Art Deco caryatids on Banca Albina ([[Strada Edgar Quinet]] no. 6), Bucharest, unknown architect or sculptor, {{circa}}1930
File:Spomenik Neznanom junaku 1.JPG|Art Deco caryatids of the [[Monument to the Unknown Hero]], atop [[Avala|Mount Avala]], south-east of [[Belgrade]], [[Serbia]], wirhcaryatids representing all the peoples of the [[Kingdom of Yugoslavia]], by [[Ivan Meštrović]], 1934–1938<ref>{{cite web |url=http://spomenicikulture.mi.sanu.ac.rs/spomenik.php?id=620 |title=СПОМЕНИК НЕЗНАНОМ ЈУНАКУ НА АВАЛИ (''Monument to the Unknown Hero on Avala'') |website=Monuments of Culture of Serbia |publisher= National Center for Digitization|language=sr |access-date=16 September 2013}}</ref>
File:Aleea Cariatidelor de Constantin Baraschi.jpg|Neoclassical caryatids of the Alley of Caryatids in the [[Herăstrău Park]], Bucharest, dressed like [[Culture of Romania#Traditions|Romanian peasant]] women, sculpted by [[Constantin Ricci]], 1939<ref>{{cite book|last1=Mariana Celac, Octavian Carabela and Marius Marcu-Lapadat|title=Bucharest Architecture - an annotated guide|date=2017|publisher=Ordinul Arhitecților din România|isbn=978-973-0-23884-6|page=149|url=|language=en}}</ref>
Caryatides depuis les Gogottes.jpg|[[Postmodern architecture|Postmodern]] [[Venus de Milo]] caryatids of Rue Frank Lloyd Wright no. 14, [[Guyancourt]], France, by [[Manuel Núñez Yanowsky]], 1992
Gmach Sądu Najwyższego Rzeczypospolitej Polskiej - kariatydy.jpg|Postmodern caryatids of the [[Supreme Court of Poland]], [[Warsaw]], by [[Marek Budzynski]] and [[Zbigniew Badowski]], 1996-1999
File:Caryatids in Nogalas, Mexico.jpg|Postmodern cast stone caryatids in [[Nogales, Sonora|Nogales, Mexico]], unknown architect, unknown date
Caryatides - DPLA - 27132c3bb5971c0cf8279178dff5f251.jpg|Caryatides, ca. 1865; from the Nicholas Catsimpoolas Collection of the Boston Public Library
</gallery>
==See also==
*[[Luba art#Caryatid stools|Caryatid stools in African art]]
*[[Term (architecture)]]
*[[The Sphere]]: ''Große Kugelkaryatide'' (Great Spherical Caryatid) – [[World Trade Center (1973–2001)|WTC]] sculpture by [[Fritz Koenig]]
==References==
{{reflist}}
==External links==
{{wiktionary}}
{{commons category|Caryatids}}
*[[Károly Kerényi|Kerényi, Karl]] (1951) 1980. ''The Gods of the Greeks'' ([[Thames & Hudson]])
*[https://www.youtube.com/watch?v=bwCNfQh8Woo Conserving the Caryatids] in the [[Acropolis Museum]]
* [http://wircky.com/templo-de-las-cariatides-de-atenas/ Images of Caryatids of Athens (Spanish)]
*{{YouTube |id=y_CmwHT3WAM |title=''Cariatides room of the [[Louvre]] ''}}
{{authority control}}
[[Category:Acropolis of Athens]]
[[Category:Ancient Greek architecture]]
[[Category:Culture of ancient Greece]]
[[Category:Columns and entablature]]
[[Category:Architectural sculpture]]
[[Category:Sculptures of women in Greece]]