View source for Confessions of an English Opium-Eater

{{Short description|Account of Thomas De Qunicey's opium addiction}}
{{Use British English|date=May 2023}}
{{Use dmy dates|date=April 2022}}
{{Infobox book
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| name              = Confessions of an English Opium-Eater
| image             = Confessions of an English Opium-Eater cover 1823.jpg
| caption           = Title page of the second edition
| alt               =
| author            = [[Thomas De Quincey]]
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| orig_lang_code    = en
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| country           = England
| language          = English
| subject           =
| genre             = [[Autobiography]]
| published         = 1821 (''[[The London Magazine]]'')
| media_type        = Print
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| wikisource        =
}}
'''''Confessions of an English Opium-Eater''''' ([[1821 in literature|1821]]) is an [[autobiography|autobiographical]] account written by [[Thomas De Quincey]], about his [[laudanum]] addiction and its effect on his life. The ''Confessions'' was "the first major work De Quincey<!--"De Quincey" is always capitalized--> published and the one that won him fame almost overnight".<ref>Judson S. Lyon, ''Thomas de Quincey'', New York, Twayne, 1969; p. 91.</ref>
First published anonymously in September and October 1821 in ''[[The London Magazine]]'',<ref>''London Magazine'', Vol. IV, No. xxi, pp. 293–312, and No. xxii, pp. 353–379.</ref> the ''Confessions'' was released in book form in 1822, and again in 1856, in an edition revised by <!--De is always capitalized in his case-->De Quincey.
==Synopsis==
As originally published,<ref>Thomas De Quincey, ''Confessions of an English Opium Eater'', edited by Alethea Hayter, New York, Penguin Books, 1971, provides the original magazine text.</ref> De Quincey's account was organised into two parts:<ref>About the structure of the novel based on paradigms, see (in French)  [[:fr:Yann Tholoniat|Yann Tholoniat]], « Thomas de Quincey et le paradigme perdu ». In ''Lectures d'une œuvre'': Confessions of an English Opium-Eater – Thomas de Quincey. Paris, Éditions du Temps, 2003 : 93–106.</ref>
* Part I begins with a notice "To the Reader", in order to establish the narrative frame: "I here present you, courteous reader, with the record of a remarkable period in my life...." It is followed by the substance of Part I,
** ''Preliminary Confessions'', devoted to the author's childhood and youth, and concentrated upon the emotional and psychological factors that underlay the later opium experiences—especially the period in his late teens that De Quincey spent as a homeless runaway in [[Oxford Street]] in London in 1802 and 1803.
* Part II is split into several sections:
** A relatively brief introduction and connecting passage, followed by
** ''The Pleasures of Opium'', which discusses the early and largely positive phase of the author's experience with the drug, from 1804 until 1812;
** ''Introduction to the Pains of Opium'', which delivers a second installment of autobiography, taking De Quincey from youth to maturity; and
** ''The Pains of Opium'', which recounts the extreme of the author's opium experience (up to that time), with insomnia, nightmares, frightening visions, and difficult physical symptoms.
* Another "Notice to the Reader" attempts to clarify the chronology of the whole.
[[File:Cover of Thomas de Quincey's Confessions of an Opium Eater.JPG|thumb|The cover of Thomas De Quincey's book ''Confessions of an Opium-Eater''. This version was published by the Mershon Company in 1898.]]
Though De Quincey was later criticised for giving too much attention to the pleasure of opium and not enough to the harsh negatives of addiction, ''The Pains of Opium'' is—in fact—significantly longer than ''The Pleasures''. However, even when trying to convey darker truths, De Quincey's language can seem seduced by the compelling nature of the opium experience:
{{blockquote|The sense of space, and in the end, the sense of time, were both powerfully affected. Buildings, landscapes, &c. were exhibited in proportions so vast as the bodily eye is not fitted to conceive. Space swelled, and was amplified to an extent of unutterable infinity. This, however, did not disturb me so much as the vast expansion of time; I sometimes seemed to have lived for 70 or 100 years in one night; nay, sometimes had feelings representative of a millennium passed in that time, or, however, of a duration far beyond the limits of any human experience.<ref>See Alethea Hayter's Penguin edition, pp. 103–104.</ref>}}
==Style==
[[File:John Watson Gordon (1788-1864) - Thomas de Quincey (1785–1859), Author and Essayist - PG 553 - National Galleries of Scotland.jpg|thumb|Thomas De Quincey, {{circa|1846}}]]
From its first appearance, the literary style of the ''Confessions'' attracted attention and comment. De Quincey was well read in the English literature of the sixteenth and seventeenth centuries and assimilated influences and models from Sir [[Thomas Browne]] and other writers. Arguably the most famous, and often-quoted, passage in the ''Confessions'' is the [[Apostrophe (figure of speech)|apostrophe]] to opium in the final paragraph of ''The Pleasures'':
{{blockquote|Oh! just, subtle, and mighty opium! that to the hearts of poor and rich alike, for the wounds that will never heal, and for 'the pangs that tempt the spirit to rebel,' bringest an assuaging balm; eloquent opium! that with thy potent rhetoric stealest away the purposes of wrath; and to the guilty man, for one night givest back the hopes of his youth, and hands washed pure of blood....}}
De Quincey modelled this passage on the apostrophe "O eloquent, just and mightie Death!" in Sir [[Walter Raleigh]]'s ''History of the World''.<ref>Hayter's edition, pp. 83, 220.</ref>
Earlier, in ''The Pleasures of Opium'', De Quincey describes the long walks he took through the London streets under the influence of the drug:
{{blockquote|Some of these rambles led me to great distances; for an opium-eater is too happy to observe the motions of time. And sometimes in my attempts to steer homewards, upon nautical principles, by fixing my eye on the pole-star, and seeking ambitiously for a north-west passage, instead of circumnavigating all the capes and headlands I had doubled in my outward voyage, I came suddenly upon such knotty problems of alleys, such enigmatical entries, and such sphinx's riddles of streets without thoroughfares, as must, I conceive, baffle the audacity of porters, and confound the intellects of hackney-coachmen.<ref>Hayter's edition, p. 81.</ref>}}
The ''Confessions'' represents De Quincey's initial effort to write what he called "impassioned prose", an effort that he would later resume in ''[[Suspiria de Profundis]]'' (1845) and ''[[The English Mail-Coach]]'' (1849).
==1856 revision==
In the early 1850s, De Quincey prepared the first collected edition of his works for publisher [[James Hogg (publisher)|James Hogg]]. For that edition, he undertook a large-scale revision of the ''Confessions'', more than doubling the work's length. Most notably, he expanded the opening section on his personal background, until it consumed more than two-thirds of the whole. Yet he gave the book "a much weaker beginning" and detracted from the impact of the original with digressions and inconsistencies; "the verdict of most critics is that the earlier version is artistically superior".<ref>Lyon, p. 94.</ref>
"De Quincey undoubtedly spoiled his masterpiece by revising it... anyone who compares the two will prefer the unflagging vigour and tension of the original version to the tired prosiness of much of the revised one".<ref>Alethea Hayter's Introduction to the Penguin edition, p. 22.</ref>
==Influence==
[[File:De Quincey Tavistock Street London.jpg|thumb|180px|right|36 [[Tavistock Street]] in London's [[Covent Garden]], where De Quincey wrote ''Confessions'' – photographed in 2019]]
The ''Confessions'' maintained a place of primacy in De Quincey's literary output, and his literary reputation, from its first publication; "it went through countless editions, with only occasional intervals of a few years, and was often translated. Since there was little systematic study of narcotics until long after his death, De Quincey's account assumed an authoritative status and actually dominated the scientific and public views of the effects of opium for several generations."<ref>Lyon, p. 178.</ref>
Yet from the time of its publication, De Quincey's ''Confessions'' was criticized for presenting a picture of the opium experience that was too positive and too enticing to readers. As early as 1823, an anonymous response, ''Advice to Opium Eaters'', was published "to warn others from copying De Quincey."<ref>Virginia Berridge and [[Griffith Edwards]], ''Opium and the People: Opiate Use in Nineteenth-Century England'', New Haven, Yale University Press, 1987; p. 53.</ref> The fear of reckless imitation was not groundless: several English writers—[[Francis Thompson]], [[James Thomson (B.V.)|James Thomson]], William Blair, and perhaps [[Branwell Brontë]]—were led to opium use and addiction by De Quincey's literary example.<ref>Berridge and Edwards, p. 53; Lyon, p. 178.</ref>{{Citation needed|date=April 2023|reason=Neither of the provided ref citations cites an original source about the influence on writers}}
[[Charles Baudelaire]]'s 1860 translation and adaptation, ''[[Les paradis artificiels]]'', spread the work's influence further. One of the characters of the Sherlock Holmes story ''[[The Man with the Twisted Lip]]'' (1891) is an opium addict who began experimenting with the drug as a student after reading the ''Confessions''. De Quincey attempted to address this type of criticism. When the 1821 original was printed in book form the following year, he added an [[Appendix (books)|appendix]] on the [[Drug withdrawal|withdrawal]] process; and he inserted significant material on the medical aspects of opium into his 1856 revision.<ref>Lyon, pp. 93–95.</ref>
More generally, De Quincey's ''Confessions'' influenced [[psychology]] and [[abnormal psychology]], and attitudes towards dreams and imaginative literature.<ref>[[Alethea Hayter]], ''Opium and the Romantic Imagination: Addiction and Creativity in de Quincey, Coleridge, Baudelaire and Others'', revised edition, Wellingborough, Northamptonshire, Crucible, 1988; pp. 101–131 and ff.</ref> [[Edgar Allan Poe]] praised ''Confessions'' for its "glorious imagination—deep philosophy—acute speculation".<ref>E. A. Poe, "How to Write a Blackwood Article", orig. publ. in ''American Museum'', Nov. 1838</ref>
The play ''The Opium Eater'' by [[Andrew Dallmeyer]] was based on ''Confessions of an English Opium-Eater'',<ref name=Caper>{{cite web|title=Opium Eater by Andrew Dallmeyer|url=http://www.capercailliebooks.co.uk/shop/fairplay-press/opium-eater-by-andrew-dallmeyer/|website=Capercaillie Books|accessdate=23 February 2015|url-status=dead|archive-url=https://archive.today/20150223180854/http://www.capercailliebooks.co.uk/shop/fairplay-press/opium-eater-by-andrew-dallmeyer/|archive-date=23 February 2015}}</ref> and has been published by [[Capercaillie Books]].<ref>{{cite news|url=http://www.doollee.com/PlaywrightsD/dallmeyer-andrew.html|title=ANDREW DALLMEYER|publisher=Doollee The Playwrights Database |accessdate=2014-10-06}}</ref><ref>{{cite news|url=http://vagabondproductions.weebly.com/miss-julie-reviews.html|title=Miss Julie Fringe Sell Out show 2012|publisher=Vagabond Productions|accessdate=2014-10-06}}</ref> In 1962, [[Vincent Price]] starred in the full-length film ''[[Confessions of an Opium Eater]]'', which was a reimagining of De Quincey's ''Confessions'' by Hollywood producer [[Albert Zugsmith]].
In the 1999 documentary ''Tripping'', recounting [[Ken Kesey]]'s ''[[Further (bus)|Furthur]]'' bus and its influence, [[Malcolm McLaren]] refers to De Quincey's book as the influence for the [[Beat Generation]] before [[Jack Kerouac]]'s popular ''[[On the Road]]'' was written.<ref>''Tripping'', 1999</ref>
De Quincey's book is parodied in the 2002 video game ''[[The Elder Scrolls III: Morrowind]]'', which features an in-game book titled ''Confessions of a Dunmer Skooma-Eater'' about the fictional drug ''skooma''.<ref>''The Elder Scrolls III: Morrowind'', 2002</ref>
==References==
{{Reflist|2}}
== External links ==
* {{wikisource-inline}}
* {{StandardEbooks|Standard Ebooks URL=https://standardebooks.org/ebooks/thomas-de-quincey/confessions-of-an-english-opium-eater}}
* {{Gutenberg|no=2040|name=Confessions of an English Opium-Eater}} (plain text and HTML)
*''Confessions of an English Opium-Eater'', ''[[London Magazine]]'', [https://archive.org/details/londonmagazine08taylgoog Vol. IV], (September 1821) No. xxi, [https://archive.org/stream/londonmagazine08taylgoog#page/n307/mode/2up pp. 293–312], and (October 1821) No. xxii, [https://archive.org/stream/londonmagazine08taylgoog#page/n367/mode/2up pp. 353–379].
*[https://archive.org/search.php?query=title%3A%22Confessions%20of%20an%20English%20Opium-Eater%22%20AND%20mediatype%3Atexts ''Confessions of an English Opium-Eater''] at [[Internet Archive]] (scanned books original editions)
* {{librivox book | title=Confessions of an English Opium-Eater | author=Thomas de QUINCEY}}
{{Authority control}}
{{DEFAULTSORT:Confessions Of An English Opium-Eater}}
[[Category:1821 documents]]
[[Category:Literary autobiographies]]
[[Category:Works published anonymously]]
[[Category:Works originally published in The London Magazine]]
[[Category:History of mental health in the United Kingdom]]
[[Category:Opium in the United Kingdom]]
[[Category:Books about mental health]]
[[Category:Works about opium]]
[[Category:Memoirs about drugs]]
[[Category:1822 non-fiction books]]
[[Category:Works by Thomas De Quincey]]
[[Category:Autobiographies adapted into films]]