View source for England Made Me (Cath Carroll album)

{{Infobox album
| name       = England Made Me
| type       = [[Album]]
| artist     = [[Cath Carroll]]
| cover      = Cath Carroll England Made Me 1991 album cover.jpg
| alt        =
| border     = yes
| released   = 1991
| recorded   =
| venue      =
| studio     =
| genre      =
| length     = 54:14<br>73:48 (2002 reissue)
| label      = [[Factory Records|Factory]]
| producer   =
| prev_title =
| prev_year  =
| next_title = True Crime Motel
| next_year  = 1995
}}
'''''England Made Me''''' is the debut studio album by British singer and musician [[Cath Carroll]], released by [[Factory Records|Factory]] in 1991. The album was reissued by [[LTM Recordings|LTM]] in 2002 with a rearranged track order and four bonus tracks.<ref>{{cite AV media notes |title=England Made Me |others=[[Cath Carroll]] |year=2002 |type=UK CD album |publisher=[[LTM Recordings|LTM]] |id=LTMCD 2348}}</ref>
Two singles were released from the album: "Beast" in 1990 and "Moves Like You" in 1991.<ref>{{cite AV media notes |title=Beast |others=[[Cath Carroll]] |year=1990 |type=UK CD single |publisher=[[Factory Records|Factory]] |id=FACD 255}}</ref><ref>{{cite AV media notes |title=Moves Like You |others=[[Cath Carroll]] |year=1990 |type=UK CD single |publisher=[[Factory Records|Factory]] |id=FACD 307}}</ref>
==Background==
In 1988, Carroll signed to [[Factory Records]] as a solo artist and began working on her debut album, ''England Made Me'', which was named after the [[England Made Me (novel)|1935 novel]] by [[Graham Greene]].<ref name="NME1">{{cite magazine |last=Barron |first=Jack |date=29 September 1990 |title=What's New Pussycath? |magazine=[[New Musical Express]] |pages=16, 18}}</ref> The album was recorded at Fon Studios in Sheffield, Cardan Studios in Sao Paulo, [[Blackwing Studios]] in London and at the [[Chicago Recording Company]].<ref name="UKCDalbum">{{cite AV media notes |title=England Made Me |others=[[Cath Carroll]] |year=1991 |type=UK CD album booklet |publisher=[[Factory Records|Factory]] |id=FACD 210}}</ref>
Carroll was inspired to give some of the songs a Latin influence after she was introduced to [[Batucada]] music and saw the London School of Samba. She told ''[[New Musical Express]]'' in 1990, "I wanted to do something with those rhythms because I listen to them a lot. There is a danger of falling into being a cheap version of [[David Byrne]] or [[Paul Simon]] but I don't think that really affects me. It's just that I feel Batucada is very similar to rockabilly and cajun, which are musics that I like."<ref name="NME1"/>
The album's title track was inspired by Carroll's disillusionment with England, including [[Thatcherism]] as well as everyday problems such as the crowded conditions and regular cancellation of trains on the [[London Underground]]. She decided to move to Chicago in 1989. She told ''New Musical Express'' that the song is about "urban decay" and described it as "kind of my [[Billy Bragg]] number".<ref name="NME1"/> "Train You're On" was the result of a recording session with [[Steve Albini]] in Chicago. The sessions also produced a version of "[[King Creole (song)|King Creole]]" which was released on the 1990 ''NME'' [[Elvis Presley]] tribute album ''The Last Temptation of Elvis''.<ref>{{cite AV media notes |title=England Made Me |others=[[Cath Carroll]] |year=2002 |type=UK CD album liner notes |publisher=[[LTM Recordings|LTM]] |id=LTMCD 2348}}</ref>
==Critical reception==
{{Album ratings
|rev1 = [[AllMusic]]
|rev1score = {{Rating|3|5}}<ref name="AllMusic">{{cite web |last=Keyes |first=J. Edward |url=https://www.allmusic.com/album/england-made-me-mw0000661608 |title=Cath Carroll - England Made Me &#124; Songs, Reviews, Credits |publisher=[[AllMusic]] |access-date=11 October 2022}}</ref>
|rev2 = ''[[New Musical Express]]''
|rev2score = 8/10<ref name="NME2">{{cite magazine |last=Fadele |first=Dele |date=29 June 1991 |title=Albums: Carroll Swinger |magazine=[[New Musical Express]] |page=27}}</ref>
|rev3 = ''[[Select (magazine)|Select]]''
|rev3score = {{Rating|3|5}}<ref>{{cite magazine |last=Linehan |first=Graham |date=June 1991 |title=Reviews - The New Discs: English Disease |magazine=[[Select (magazine)|Select]] |pages=71}}</ref>
|rev4 = ''Stafford Post''
|rev4score = {{Rating|2|5}}<ref name="Stafford Post">{{cite news |last=Evans |first=Chris |date=11 July 1991 |title=Listening Post |newspaper=Stafford Post |page=37}}</ref>
}}
On its release, Dele Fadele of ''[[New Musical Express]]'' praised ''England Made Me'' as "both a coffee-table artefact – all smooth, lush aural landscapes – and a collection of observations, heartfelt pleas and abstracts from someone rather disillusioned with her homeland". She added there are "only two failings: the absence of Cath's trademark guitar and that even more Brazilian input (i.e. louder levels) wouldn't have gone amiss".<ref name="NME2"/> Ian Gittins of ''[[Melody Maker]]'' described it as "truly ravishing" and a "sparkling, unlikely success". He commented, "Texturally, ''England Made Me'' throbs with scarlet electro and lazy Latin-jazz shuffles. Cleverly, Cath nicks from her various adopted cultures (especially South American) precisely what suits her guarded, heat-guided words of regret and curiosity. These song-stories of heat and dust really sting."<ref>{{cite magazine |last=Gittins |first=Ian |date=6 July 1991 |title=Albums |magazine=[[Melody Maker]] |page=30}}</ref> Johnny Black of ''[[Hi-Fi News & Record Review]]'' noted the album's "terrifyingly sinister tales sung in deadpan tones" and "musical atmospheres which are not only mesmerically beautiful but also startlingly original".<ref>{{cite magazine |last=Black |first=Johnny |date=October 1991 |title=Reviews: Rock/Pop/Jazz |magazine=[[Hi-Fi News & Record Review]] |page=129}}</ref>
[[Adam Sweeting]] of ''[[The Guardian]]'' described the album as "a collection of limpid but atmospheric songs, coolly sung and sparingly played". He concluded, "This record steals over you like a fit of melancholia, and beware – it's more potent than it seems."<ref>{{cite news |last=Sweeting |first=Adam |date=11 July 1991 |title=Rock/pop: Alice in barbed wire wonderland |newspaper=[[The Guardian]] |page=28}}</ref> [[Neil Spencer]] of ''[[The Observer]]'' felt that Carroll "promises much" on the album and noted how it is "heavy on languid atmosphere", but felt the songs "prove disappointingly slight" and added that the "clever productions can't always conceal her [[Sade (singer)|Sade]]-style vocal limitations".<ref>{{cite news |last=Spencer |first=Neil |date=30 June 1991 |title=More Music |newspaper=[[The Observer]] |page=51}}</ref> Chris Evans of the ''Stafford Post'' noted it as "one of the most curious debuts by a Manchester lass, not least because its roots are less in Lancashire than South America". However, he felt Carroll's voice was "of the languid-going-on-anaemic school best epitomised by Sade" and added that the material was "melodically slender and lyrically cack-handed". He concluded, "It aims for slinky and atmospheric and achieves only dull posturing."<ref name="Stafford Post"/>
In a retrospective review, J. Edward Keyes of [[AllMusic]] noted the album is "bloated with unremarkable songs" but felt it was still "a consistently engaging affair, a cunning work of slinky, sinister pop and ghostly electronics". He praised Carroll's "aching alto" and how she "ably applies both her wordsmithery and melodic knack throughout the album". He felt that the "moody and spare" songs such as "Beast on the Street" and "Watching You" were better than those which "abandon [the] moodiness", commenting that on those tracks the "results are nearly always disastrous". He also noted the album is "noteworthy for the way it prefigured the sort of female-fronted dance pop popularized by groups like [[Saint Etienne (band)|Saint Etienne]] and Waltz for Debbie".<ref name="AllMusic"/>
==Track listing==
{{Track listing
| all_writing     = [[Cath Carroll]] and Sim Lister
| title1          = To Close Your Eyes Forever
| length1         = 5:53
| title2          = Unforgettable
| length2         = 3:53
| title3          = Moves Like You
| length3         = 6:34
| title4          = Watching You
| length4         = 6:27
| title5          = Beast on the Streets
| length5         = 6:57
| title6          = Subtitled
| length6         = 6:36
| title7          = Next Time (He's Mine)
| length7         = 4:34
| title8          = England Made Me
| length8         = 4:19
| title9          = Send Me Over
| length9         = 4:12
| title10         = Train You're On
| length10        = 4:16
}}
{{Track listing
| headline        = 2002 LTM CD reissue
| title1          = Moves Like You
| length1         = 6:38
| title2          = Unforgettable
| length2         = 3:56
| title3          = Beast on the Streets
| length3         = 7:00
| title4          = Train You're On
| length4         = 4:20
| title5          = Send Me Over
| length5         = 4:16
| title6          = Subtitled
| length6         = 6:39
| title7          = Watching You
| length7         = 6:30
| title8          = Next Time (He's Mine)
| length8         = 4:38
| title9          = To Close Your Eyes Forever
| length9         = 5:53
| title10         = Too Good to Live
| length10        = 4:44
| title11         = Moves Like You
| note11          = Remix
| length11        = 4:16
| title12         = Send Me Over
| note12          = Remix
| length12        = 3:46
| title13         = Beast on the Streets
| note13          = Remix
| length13        = 6:46
| title14         = England Made Me
| length14        = 4:21
}}
==Personnel==
Credits are adapted from the original 1991 CD album booklet's liner notes.<ref name="UKCDalbum"/>
* [[Cath Carroll]] – vocals (1–10), backing vocals (1–10)
* Sim Lister – drums (1–6, 8–9), keyboard programming (1–9), saxophone (1, 5)
* [[Mark Brydon]] – drums (1, 6, 8–9), keyboard programming (1, 6, 8–9), guitar (1), woozy guitar (5)
* Antenor Soares Gandra Neto – guitar (2, 8)
* Dirceu Simones de Medeiros – drums (2, 7, 10)
* Osvaldinho da Cuica – triangle (2, 4), percussion (7, 10), cuica (8), tamborim (9)
* Silvano Michelino – congas (2, 9)
* Dave Howard – backing vocals (2)
* Colin Elliott – triangle (3), congas (6)
* Valerie A. James – backing vocals (3, 5–6)
* Vincente da Paula Silva – piano (4), percussion director (7, 10), counting (10)
* Ian Davies – guitar (6)
* Balto da Silva – percussion (7, 10)
* Fred Penteado – percussion (7, 10)
* Jorginho Cebion – percussion (7, 10)
* [[Jonathan Quarmby]] – piano (7), organ solo (10)
* Barry R. Harden – bass (7, 10)
* Alan Savage – additional drums (7)
* Sharon McKoy – backing vocals (8)
* Jacqui McKoy – backing vocals (8)
* Peter Beachill – trombone (9)
* [[Steve Albini]] – anxious chicken guitar (10)
* [[Santiago Durango]] – deep core guitar (10)
* Malcolm Connell – backing vocals (10)
'''Production'''
* [[John Fryer (producer)|John Fryer]] – mixing (1, 3–5, 7–10), engineer
* Mark Brydon – mixing (2, 6), engineer
* Sim Lister – engineer
* Alan Fisch – engineer
* Joao Carlos Mendonca – engineer
* Vasconcelos Neto – engineer
* Sergio Kenji Okuda – engineer
* Fabio Rigobelo – engineer
* Ana Lucia Carvalho E Silva Faria – engineer
* [[Eric Radcliffe]] – engineer
* Steve Albini – engineer
'''Other'''
* Christiane Manthan – art design and direction
* Julian Broad – photography
==References==
{{reflist}}
{{Authority control}}
[[Category:1991 debut albums]]
[[Category:Factory Records albums]]