View source for Marriage à la mode (play)

{{Use dmy dates|date=May 2015}}
{{Short description|Restoration comedy by John Dryden}}
{{Infobox play
| writer     = [[John Dryden]]
| image =File:Marriage à la mode (play).jpg
| characters =
| mute       =
| setting    = [[Sicily]]
| premiere   = {{Start date|df=yes|1673||}}
| place      = [[Theatre Royal, Drury Lane]] London
| orig_lang  = English
| subject    =
| genre      = [[Restoration comedy]]
| web        =
}}'''''Marriage à la Mode''''' is a [[Restoration comedy]] by [[John Dryden]], first performed in London in 1673 by the [[King's Company]]. It is written in a combination of [[prose]], [[blank verse]] and [[heroic couplets]]. It has often been praised as Dryden's best comedic endeavour, and [[James Runcieman Sutherland|James Sutherland]] accounts for this by observing that "the comic scenes are beautifully written, and Dryden has taken care to connect them with the serious plot by a number of effective links.  He writes with&nbsp;... one of the most thoughtful treatments of sex and marriage that Restoration comedy can show."<ref>{{cite book |last1=Sutherland |first1=James |author-link=James Runcieman Sutherland |year=1969 |title=English Literature of the Late Seventeenth Century |url=https://books.google.com/books?id=69G1AAAAIAAJ&q=%22dryden+has+taken+care+to+connect%22 |location=Oxford |publisher=Clarendon Press |page=101 |isbn=9780198122104 |access-date=17 November 2019 }}</ref>
The play contains two songs, "Why Should a Foolish Marriage Vow" by Robert Smith and "Whilst Alexis Lay Pressed" by Nicholas Staggins, both set to Dryden's lyrics and printed in the 1673 book ''Choice Songs and Ayres for One Voyce to Sing to the Theorbo-Lute or Bass-Viol''.<ref>"Choice Songs and Ayres for One Voyce to Sing to the Theorbo-Lute or Bass-Viol", London, 1673, printed by W. Godbid.</ref>
==Characters==
* Polydamas, Usurper of Sicily.
* Leonidas, the rightful Prince, unknown.
* Argaleon, favourite to Polydamas.
* Hermogenes, foster-father to Leonidas.
* Eubulus, his friend and companion.
* Rhodphil, captain of the guards.
* Palamede, a courtier.
* Palmyra, daughter to the Usurper.
* Amalthea, sister to Argaleon.
* Doralice, wife to Rhodophil.
* Melantha, an affected lady.
* Philotis, woman to Melantha.
* Beliza, woman to Doralice.
* Artemis, a court lady.
==Plot synopsis==
The setting is in [[Sicily]]. The plot concerns two separate storylines, one a romance between Palmyra and Leonidas, who were separated from their parents as babies and who were raised together by Hermogenes, who has kept their past a secret. When Hermogenes is recognized by the usurper-king Polydamas, he declares that Leonidas is Polydamas's son. However, as Leonidas's new position of prince then forbids him to marry Palmyra, much misery is brought to the couple. When the lovers refuse to stop seeing each other, Palmyra is sentenced to death. Hermogenes then steps forward and reveals that he was lying before: in fact Leonidas is his own son, he says, and he had lied in the hopes of bettering the boy by making him prince, whereas Palmyra is the real child of Polydamas. After offering proof of this new claim, Palmyra is established as princess, but again this prevents her and Leonidas from marrying. Hermogenes eventually admits that he once again was withholding information, and reveals the whole truth to Leonidas—Leonidas is the son of the rightful king, whose throne was usurped by Polydamas. As soon as he learns this, Leonidas forms a rebellion against Polydamas, wins, and establishes himself the new king, finally allowing himself and Palmyra to be married.
The second storyline, which intertwines with the first, concerns Rhodophil and his friend Palamede. Palamede has fallen in love with Rhodophil's wife Doralice, and Rhodophil is in love with Palamede's fiancée Melantha. Each of the women seem to find their pursuers agreeable, and great care is taken by all parties to keep their meetings secret from each other, with disastrous results as the two couples seem to always choose the same locations and tactics for meeting. When finally the actions of everyone are discovered, Palamede and Rhodophil decide that since their tastes in women are so similar, each would be best sticking to his rightful claim. Palamede then manages to win the heart of Melantha, and amicably break off his relationship with Doralice.
==Sources==
Dryden borrowed from two plays by [[John Fletcher (playwright)|John Fletcher]] and his collaborators for ''Marriage À-la-Mode.'' He adapted its main plot from ''[[Beggars' Bush]]'' and its subplot from ''[[Rule a Wife and Have a Wife]].''<ref>Nancy Klein Maguire, ''Regicide and Restoration: English Tragicomedy, 1660&ndash;1671,'' Cambridge, Cambridge University Press, 1992; p. 57.</ref>
==Production history==
The [[King's Company]] first performed ''Marriage à la Mode'' in London in 1673. [[William Wintershall]] played Polydamas, [[Edward Kynaston (actor)|Edward Kynaston]] was Leonidas, [[Michael Mohun]] was Rhodophil, [[Edward Lydall]] was Argaleon, [[Marmaduke Watson]] was Eubulus and [[Nicholas Burt]] was Palamede; the role of Hermogenes was taken by [[William Cartwright (actor)|William Cartwright]] the younger. [[Elizabeth Cox (actress)|Elizabeth Cox]] played Palmyra, [[Rebecca Marshall]] played Doralice, [[Elizabeth James]] was Amalthea, and [[Elizabeth Boutell]] was Melantha.<ref>[[John Downes (prompter)|John Downes]], ''Roscius Anglicanus'', London 1708; Montague Summers, ed., Fortune Press [no date]; reprinted New York, Benjamin Blom, 1963; p. 13.</ref>
[[Arthur Hutchings]] composed a comic opera based on the play in 1956.
==References==
{{reflist}}
== External links ==
* [http://www.online-literature.com/dryden/marriage/ Text of ''Marriage à-la-Mode'' at Online Literature]
{{John Dryden}}
{{Restoration comedy}}
{{DEFAULTSORT:Marriage a la mode (play)}}
[[Category:1673 plays]]
[[Category:Plays by John Dryden]]
[[Category:Restoration comedy]]
[[Category:West End plays]]
[[category:Plays set in the 17th century]]
[[Category:Cultural depictions of Leonidas I]]