View source for Notes Towards an African Orestes

{{Infobox film
| name           = Notes Towards an African Orestes
| image          = Appunti per un'Orestiade africana.png
| caption        =
| director       = [[Pier Paolo Pasolini]]
| producer       = [[Gian Vittorio Baldi]]
| writer         = [[Pier Paolo Pasolini]]
| narrator       =
| starring       = [[Gato Barbieri]]
| music          =
| cinematography = Giorgio Pelloni
| editing        = Cleofe Conversi
| distributor    =
| released       = {{Film date|1970|04|16|df=yes}}
| runtime        = 65 minutes
| country        = Italy
| language       = Italian
| budget         =
}}
'''''Notes Towards an African Orestes''''' ({{langx|it|Appunti per un'Orestiade Africana}}) is a 1970 [[Cinema of Italy|Italian]] film by director [[Pier Paolo Pasolini]] about Pasolini's preparations for making a film version of the [[Oresteia]] set in Africa.<ref>{{Citation |title=Appunti per un'Orestiade africana |url=https://www.cinematografo.it/film/appunti-per-unorestiade-africana-r1cpofxe |access-date=2023-06-11 |language=it}}</ref><ref>{{Cite web |title=Pier Paolo Pasolini's Notes for an African Orestes |url=https://offscreen.com/view/pier_paolo_pasolini |access-date=2023-06-11 |website=offscreen.com |language=en}}</ref>
== Content ==
The film starts as a cinematic notebook of Pasolini scouting locations and actors with a voice-over of his thoughts -- "perhaps this will be my Electra".  Back in Rome, there is a sequence with a [[jazz]] group playing. He then invites a group of African students at the [[Sapienza University of Rome|University of Rome]] to review his notes and comment.  They politely but clearly tell Pasolini that the primeval Africa he imagined had little to do with the complex, diverse reality and that treating it as a primal setting for an ancient European story was foolish. They appear to be amusedly patronised by Pasolini's implication that social progress in Africa via the adoption of Western education systems should be distrusted in favour of his romanticised ideals of communal tribal systems and the dignity of labour.
The African Orestes was never made. It is implied towards the end of the documentary that Pasolini himself was having doubts concerning his own idea.
== Cast ==
* [[Gato Barbieri]] - Himself - Musician: saxophone
* [[Don Moye]] - Himself - Musician: drums
* [[Marcello Melio]] - Himself - Musician: double bass
* [[Yvonne Murray (singer)]] - Herself - singer
* [[Archie Savage]] - Himself - Singer
* [[Pier Paolo Pasolini]] - Himself (uncredited)
== Release ==
The film was screened at the [[1976 Cannes Film Festival]], but was not entered into the main competition.<ref name="festival-cannes.com">{{cite web |title=Festival de Cannes: Notes Towards an African Orestes |url=http://www.festival-cannes.com/en/archives/ficheFilm/id/2138/year/1976.html |accessdate=2009-05-10 |work=festival-cannes.com}}</ref>
==References==
{{reflist}}
==External links==
*{{IMDb title|id=0066163|title=Notes Towards an African Orestes}}
{{Pier Paolo Pasolini}}
[[Category:1970 films]]
[[Category:1970s Italian-language films]]
[[Category:Italian documentary films]]
[[Category:Films directed by Pier Paolo Pasolini]]
[[Category:Italian black-and-white films]]
[[Category:1970 documentary films]]
[[Category:Documentary films about films]]
[[Category:Films based on classical mythology]]
[[Category:1970s unfinished films]]
[[Category:Autobiographical documentary films]]
[[Category:Documentary films about the cinema of Africa]]
[[Category:Aeschylus]]
[[Category:1970s Italian films]]
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{{arts-documentary-film-stub}}
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