View source for Theirs Is the Glory

{{no plot|date=December 2018}}
{{Use dmy dates|date=March 2020}}
{{Use British English|date=January 2013}}
{{Infobox film
| name           = Theirs Is the Glory
| image          = Theirsistheglory.jpg
| caption        = Detailing the battle plans in ''Theirs Is the Glory''
| director       = [[Brian Desmond Hurst]]
| producer       = [[Leonard Castleton Knight]]
| writer         = [[Louis Golding]] and [[Terence Young (director)|Terence Young]]
| starring       =
| music          = [[Guy Warrack]]
| cinematography = [[C. M. Pennington-Richards]]
| studio         = [[Gaumont British]]
| distributor    = [[General Film Distributors]]
| released       = {{Film date|df=yes|1946|08|15}}
| runtime        = 82 minutes
| country        = United Kingdom
| language       = English
| budget         =
}}
'''''Theirs Is the Glory''''' (also known as '''''Men of Arnhem'''''), is a 1946 British war film about the British [[1st Airborne Division (United Kingdom)|1st Airborne Division]]'s involvement in the [[Battle of Arnhem]] (17 to 25 September 1944) during [[Operation Market Garden]] in the [[Second World War]]. It was the first film to be made about this battle, and the biggest grossing UK war film for nearly a decade.<ref>''Theirs Is the Glory. Arnhem, Hurst and Conflict on Film'' Co-authored by David Truesdale and Allan Esler Smith. Page x, Co'authors' introduction. Published 16 September 2016 by Helion and Company. {{ISBN| 978-1-911096-63-4 }}</ref> The later film ''[[A Bridge Too Far (1977 film)|A Bridge Too Far]]'' depicts the operation as a whole and includes the British, Polish and American Airborne forces, while ''Theirs Is the Glory'' focuses solely on the British forces, and their fight at [[Oosterbeek]] and [[Arnhem]].
The film was directed by [[Brian Desmond Hurst]], who was himself a veteran of the [[First World War]], having survived [[Gallipoli]] where he had served with the [[Royal Irish Rifles]]. The producer was [[Leonard Castleton Knight]], head of [[Gaumont British News]]. The script was written primarily by [[Louis Golding]] but honed by Hurst's protege [[Terence Young (director)|Terence Young]] (who subsequently went on to direct ''[[They Were Not Divided]]'' and the early Bond films). Young had been in the [[Irish Guards]] with the [[Guards Armoured Division]] with [[XXX Corps (United Kingdom)|XXX Corps]] seeking to relieve Arnhem during the battle and hence the authenticity of the eventual story-line. The veterans who starred in the film also actively collaborated on the script.<ref>Theirs Is the Glory; Part 3: Arnhem, the greatest drama ever told and the section 'a script honed by experts' - ''Pegasus, Journal of the Parachute Regiment and Airborne Forces'', Summer 2013 author Allan Esler Smith</ref>
==Production==
[[File:Militairen bij de ingang van het Elisabeth Gasthuis te Arnhem. Drie dragen het i, Bestanddeelnr 900-6665.jpg|thumb|Production of ''Theirs Is the Glory'' (1945)]]
Using the original locations of the battle, the film featured veterans who were actual participants in the battle. The film was jointly produced by the J. Arthur [[Rank Organisation]] and the [[Army Film and Photographic Unit]] (AFPU).<ref>{{cite web|title=Theirs Is The Glory (1946)|url=https://www.paradata.org.uk/article/theirs-glory-1946|publisher=Paradata|access-date=24 October 2020}}</ref>
Weaving original footage from the battle with re-enactments shot on location at Oosterbeek and Arnhem, the film was shot a year after the battle had ravaged the Dutch streets. As well as veterans, the film also features local people like Father Dyker (a Dutch civilian priest who conducts the service in the film) and [[Kate ter Horst]] (who reads a psalm to the wounded men in the cellar) re-enacting their roles and what they did for the airborne troops during the battle.
Though no credits appear before or after the film, over 200 veterans appeared as actors, mainly playing themselves, including Lieutenant-Colonel [[John Frost (British Army officer)|John Frost]], Majors CFH "Freddie" Gough and Richard "Dickie" Lonsdale, Lieutenant Hugh Ashmore, Sergeants Jack Bateman and John Daley, Corporal Pearce and Privates Tommy Scullion, Peter Holt, David Parker, George ‘Titch’ Preston, Frank ‘Butch’ Dixon, Reginald Spray, Looker and Van Rijssel and Albert Wood and war correspondents [[Stanley Maxted]] and Alan Wood. Each veteran was paid £3 per day by the Rank Organisation.
The narrator notes the soldiers as "just ordinary men". "But when you next watch the film look closely at the faces of the men and especially at their eyes in the many close shots that Brian Desmond Hurst arranged. When you look into the eyes you will start to gain a little bit of the experience that those ordinary men went through".<ref name=Ministory106>Theirs Is the Glory - 65th Anniversary of the filming of the movie, Ministory number 106, author Allan Esler Smith, published by Friends of the Airborne Museum Oosterbeek, November 2010</ref>
The film may have been the "[[Help for Heroes]] of its day". Hurst's biographer, Allan Esler Smith in "Theirs Is the Glory - 65th Anniversary of the filming of the movie" explains that "The popularity of ''Theirs Is the Glory'' allowed Arthur Rank, the head of the Rank Organisation, to fulfill his pledge to help the Airborne Forces Security Fund. Collections, raffles and parades rode the wave of enthusiasm that swept the United Kingdom following its premier. The Earl Mountbatten subsequently received a cheque for £50,000 for the Airborne Forces Security Fund from Arthur Rank".
Brian Desmond Hurst said, "The film is my favourite because of the wonderful experience of working with soldiers, and because it is a true documentary reconstruction of the event. I say without modesty it is one of the best war films ever made".<ref name=Ministory106/>
==Reception==
According to trade papers, the film was a "notable box office attraction" at British cinemas.<ref>[https://books.google.com/books?id=xtGIAgAAQBAJ&dq=hungry+hill+film+box+office&pg=PA209 Robert Murphy, ''Realism and Tinsel: Cinema and Society in Britain 1939-48'' 2003 p209]</ref> According to ''[[Kinematograph Weekly]]'' the 'biggest winner' at the box office in 1946 Britain was ''The Wicked Lady'', with "runners up" being ''The Bells of St Marys'', ''Piccadilly Incident'', ''The Road to Utopia'', ''Tomorrow is Forever'', ''Brief Encounter'', ''Wonder Man'', ''Anchors Away'', ''Kitty'', ''The Captive Heart'', ''The Corn is Green'', ''Spanish Main'', ''Leave Her to Heaven'', ''Gilda'', ''Caravan'', ''Mildred Pierce'', ''Blue Dahlia'', ''Years Between'', ''O.S.S.'', ''Spellbound'', ''Courage of Lassie'', ''My Reputation'', ''London Town'', ''Caesar and Cleopatra'', ''Meet the Navy'', ''Men of Two Worlds'', ''Theirs is the Glory'', ''The Overlanders'', and ''Bedelia''.<ref>{{cite book|page=232|title=Blackout : reinventing women for wartime British cinema|last=Lant|first= Antonia|year=1991 |publisher=Princeton University Press }}</ref>
==Comparison with ''A Bridge Too Far''==
The two films were compared in the October 2010 magazine ''Against All Odds'' and the comparison is stark and revealing, ''A Bridge Too Far'' '...is a slow moving epic, well worth a viewing with some authentic scenes, but is unconvincing in its portrayal of the battle of Oosterbeek... ''Theirs Is the Glory'' is the only feature film currently released that accurately portrays the events at Oosterbeek in atmospheric and chronological terms, despite its jerky portrayal of events. This is a film to watch."<ref>''Against the Odds. Heroic battles in the Face of Adversity''. Author Robert Kershaw. Published 11 October 2010 {{ISBN|978-0-7110-3639-0}}</ref>
==Articles and books==
Revisiting '''Theirs Is the Glory'' by Allan Esler Smith, published by Robert Sigmond Publishing for the [http://www.briandesmondhurst.org/theirsistheglory.html 68th Commemoration of the Battle of Arnhem Battlefield Walk], 21 September 2012.
''Pegasus the Journal of the Parachute Regiment and Airborne Forces''. A multi-part analysis and review of the making of ''Theirs Is the Glory'' (Winter 2012 to Winter 2013), by Allan Esler Smith.
''Theirs Is the Glory - Arnhem, Hurst and Conflict on Film'' (2016), by David Truesdale and Allan Esler Smith, takes Hurst's Battle of Arnhem epic as its centrepiece and chronicles Hurst's ten films on conflict.
==References==
{{Reflist}}
== External links ==
{{Portal|Film}}
* [https://www.youtube.com/watch?v=fiFeYxlPYy4 YouTube stream of "Theirs Is the Glory"]
* {{IMDb title|id=0171824|title=Theirs Is the Glory}}
* [https://web.archive.org/web/20110504003544/http://www.briandesmondhurst.org/theirsistheglory.html - official legacy website of the director with filmography including Theirs Is the Glory]
* {{YouTube|ae5t-xt6zME|Revisiting Theirs Is the Glory - short film of Arnhem 1944 Fellowship 68th Commemorations Battlefield Walk}}
{{Brian Desmond Hurst}}
{{Terence Young}}
{{DEFAULTSORT:Theirs Is the Glory}}
[[Category:1946 films]]
[[Category:British war films]]
[[Category:British documentary films]]
[[Category:1940s English-language films]]
[[Category:Documentary films about World War II]]
[[Category:Films directed by Brian Desmond Hurst]]
[[Category:Operation Market Garden]]
[[Category:1946 documentary films]]
[[Category:Black-and-white documentary films]]
[[Category:British docufiction films]]
[[Category:British black-and-white films]]
[[Category:1940s British films]]