View source for Tom Jung

{{Short description|American artist}}
{{Use mdy dates|date=April 2022}}
{{Infobox artist
| name             = Tom Jung
| image            =
| birth_name       = Thomas Jung
| birth_date       =
| birth_place      = [[Boston]], [[Massachusetts]], U.S.
| death_date       =
| death_place      =
| field            = [[Art direction]], [[graphic design]], [[illustrator]], [[storyboard artist]]
| alma_mater       = [[School of the Museum of Fine Arts]]
| movement         =
| works            = ''[[Doctor Zhivago (film)|Doctor Zhivago]]''<br>''[[Gone with the Wind (film)|Gone with the Wind]]'' (re-issue)<br>''[[Papillon (1973 film)|Papillon]]''<br>''[[The Man Who Would Be King (film)|The Man Who Would Be King]]''<br>''[[The Omen]]''<br>''[[Star Wars (film)|Star Wars]]''<br>''[[The Lord of the Rings (1978 film)|The Lord of the Rings]]''<br>''[[The Deer Hunter]]''<br>''[[The Empire Strikes Back]]''<br>''[[Raging Bull]]''<br>''[[Once Upon a Time in America]]''
| patrons          =
| influenced by    =
| influenced       =
| awards           = [[Key Art Awards|Key Art Award]] 1978, 1980<br>The International Society of Science Fiction Award, 1978
| spouse           =
| children         =
}}
'''Thomas Jung''' is an American [[Art director#In advertising|art director]], [[graphic designer]], [[illustrator]], and [[storyboard artist]].<ref name="SW poster book">The Star Wars Poster Book, Stephen J. Sansweet, Chronicle Books (October 13, 2005)</ref><ref name="making SW">The Making of Star Wars: The Definitive Story Behind the Original Film, [[J. W. Rinzler]], LucasBooks (April 24, 2007)</ref> He is known for his [[movie poster]] art.
==Biography==
===Early life and career===
Jung, a Chinese American, was raised and educated in [[Boston]], Massachusetts. After finishing high school, he attended the [[School of the Museum of Fine Arts]].{{When|date=February 2021}} During his second year he was drafted into the Army. While stationed at [[Fort Jackson (South Carolina)|Fort Jackson]] in [[Columbia, South Carolina]], Jung contributed to the newspaper ''Fort Jackson Leader'' as an [[editorial cartoonist]], designing and illustrating primarily public service communications.<ref name="Fort Jackson Leader">Fort Jackson Leader newspaper December 31, 1953, U.S. Army Basic Combat Training Museum archives, Columbia, South Carolina</ref>
Following his discharge, he worked as a [[freelance]] illustrator and [[Art director#In advertising|art director]] with a number of well known advertising agencies in New York.
In 1958 Jung was hired full-time to redesign advertisement campaigns of foreign films to suit American audiences (theatrical redistribution) for Ben Adler Advertising Services Inc.<ref name="Ben Adler">[[CineFiles]], University of California, Berkeley Art Museum & Pacific Film Archive http://www.mip.berkeley.edu/cinefiles/DocDetail?docId=37613</ref> Jung created [[pressbook]]s (exhibitor's campaign manuals)<ref name="MovieArt.net">[http://movieart.net/articles-and-resources/collecting-posters/collecting-basics-part-two/ MovieArt.net]</ref><ref name="AllMovieReplicas.com">[http://www.allmoviereplicas.com/Movie_Poster_Description-sp-122.html AllMovieReplicas.com]</ref> and [[one sheet]]s for distribution to independently owned movie theaters throughout the country, including ''[[La Strada]]''<ref name="Ben Adler"/> and ''[[And God Created Woman (1956 film)|And God Created Woman]]''.
Jung's early work is typified by [[caricature]] art for movies such as ''[[Confessions of Felix Krull (film)|Confessions of Felix Krull]]'', ''[[The Captain from Köpenick (1956 film)|The Captain from Köpenick]]'', ''[[The Golden Age of Comedy]]'' and ''[[Murder Ahoy]]''. His one-sheet art for the film ''[[School for Scoundrels (1960 film)|School for Scoundrels]]'' is perhaps the best example of that early style, displaying caricatures in shades of black and gray on a white background with distinctive handlettering. The look recalls Jung's own early aspirations of becoming a ''[[Mad Magazine]]'' cartoonist in the style of such artists as [[Jack Davis (cartoonist)|Jack Davis]], [[Mort Drucker]] and [[Jack Rickard]].
[[File:Plan 9 Alternative poster.jpg|thumb|150px|left|''[[Plan 9 from Outer Space]]'', 1959]]
Jung's early successes led eventually to his role as freelance art director in 1963 at [[Metro-Goldwyn-Mayer]], where he designed posters for [[Roadshow theatrical release|roadshow]] or "hard-ticket"<ref name="hard-ticket">Movie Roadshows: A History and Filmography of Reserved-Seat Limited Showings, 1911-1973, Page 4, Kim R. Holston, McFarland (December 18, 2012)</ref> movies such as ''[[Doctor Zhivago (film)|Dr. Zhivago]]'', ''[[Grand Prix (1966 film)|Grand Prix]]'', ''[[Far from the Madding Crowd (1967 film)|Far from the Madding Crowd]]'', ''[[Ice Station Zebra]]'', and ''[[The Shoes of the Fisherman (movie)|The Shoes of the Fisherman]]''. The design process at MGM involved developing multiple poster concepts, carefully rendered in pencil or charcoal with or without copy lines and credits in position. These "[[Page layout|layouts]]" were then presented to and scrutinized by ad manager Bill O'Hare and marketing vice president Dan Terrell for approval as the films' [[Film poster|key art]]. Once selected, this concept would be the one to appear in newspapers, magazines and in-house stationery, PR communications, all interior and outdoor posting material for distribution in the United States.
Upon final review by MGM chief executive officer [[Robert O'Brien (executive)|Robert O'Brien]], the concept was turned over to their advertising agency account executive, Lloyd McKean, to manage implementation. Art Director Burt Kleeger would task the agreed-upon illustrator to prepare a full color painting of the approved image as well as to design various needed parts of the campaign. The advertising agency art department would then prepare "[[Paste up|mechanicals]]" to precise dimensions for the engravers and plate makers for newspaper, magazine and poster printers.
[[File:Gone With The Wind 1967 re-release.jpg|thumb|150px|''[[Gone with the Wind (film)|Gone with the Wind]]'' (re-release), 1967]]
Jung selected [[Howard Terpning]] to illustrate his concept art for the 1967 re-release of ''[[Gone with the Wind (film)|Gone with the Wind]]''.<ref name="cinefantastique"/> Taking a cue from the original movie poster art, Jung's iconic pose is often imitated, most notably in the style A poster for ''[[The Empire Strikes Back]]''. "I see the results of my design all over," he said. "''Gone with the Wind'' was really notable for its [[schmaltz]]iness."<ref name="cinefantastique"/>
In 1968, Jung was engaged by Bill O'Hare, now a marketing executive at CBS television network's theatrical film division [[Cinema Center Films]], to handle the art direction for their entire release schedule of nearly 30 films. Some of the films Jung designed and illustrated, with the help of able staffer and artist Vincent Marrone, were ''[[A Man Called Horse (film)|A Man Called Horse]]'', ''[[Little Big Man (film)|Little Big Man]]'', ''[[Prime Cut]]'', and ''[[Le Mans (film)|Le Mans]]'', starring Steve McQueen.
===Later career===
In 1973, Jung's work on the movie ''[[Papillon (1973 film)|Papillon]]'' "was the first major break that pushed him into the big-bracket category". "It was obvious that [[Dustin Hoffman]] and [[Steve McQueen]] had unique roles in ''Papillon''," he recalled. "Steve represented, at that time, a gut of defiance that any person would identify with ... defiance against oppression and authority. The poster made with this theme merged perfectly with the mood of the film."<ref name="The Sand Pebbles">[http://www.thesandpebbles.com/tom_jung/tom_jung.html Visiting artist draws the movies] by David Prabu, Athens NEWS contributor - courtesy of Daniel Saez, Athens (Ohio) News - Spring 1987</ref> An auction profile for the original art gives a synopsis of Jung's concept: "Accomplished in acrylic on a leaf of 17 x 18 ¼ in. artist's illustration board it features the defiant, squinting profiles of [[Steve McQueen]] and [[Dustin Hoffman]]. Jung commented that although he was a trained illustrator, for 20 years he had acted as art director for ad campaigns and concepts, and not practicing his painting. The present concept study was his first effort to establish a style and was approved by Marketing VP Ed Seigenfeld (Allied Artists, 1973)."<ref name="Profiles auction 36">Profiles in History auction, Lot 588 (April 30, 2009) http://www.liveauctioneers.com/item/6321305</ref>
During this time Jung was known to film studios as a one stop shop for advertising. He was handed a project and given full discretion to develop the concept, design and illustration including copy lines and title logos. Jung worked for [[Allied Artists International|Allied Artists]], [[United Artists]], [[Columbia Pictures]], [[20th Century Fox]], [[Paramount Pictures]] and [[Lucasfilm]] Ltd. designing key art concepts and illustrating movie posters for films including ''[[The Man Who Would Be King (film)|The Man Who Would Be King]]'', ''[[The Deer Hunter]]'', ''[[Dr. Zhivago (film)|Dr. Zhivago]]'', and ''[[Apocalypse Now]]''.
Jung often collaborated with Nelson Lyon, a former ''[[Saturday Night Live]]'' writer and the creator of the 1971 movie ''The Telephone Book'', to develop copy lines. Jung's unique title logos for movies such as ''[[The Sand Pebbles (film)|The Sand Pebbles]]'', ''[[Super Fly (1972 film)|Super Fly]]'', ''[[Gold (1974 film)|Gold]]'' and ''[[The Omen]]'' tie-in key elements that distill down the essence of the films into key art.
[[File:StarWarsMoviePoster1977.jpg|thumb|150px|left|''[[Star Wars (film)|Star Wars]]'', Style A, 1977]]
As a freelance illustrator in 1977 working for the motion picture advertising boutique of Smolen, Smith and Connolly, Jung was chosen to work on ''[[Star Wars (film)|Star Wars]]''. He was given the theme of "Good Over Evil," and provided with a wealth of photos taken by unit photographers in color and black & white, as well as 2.25-inch stills on [[contact sheet]]s taken from the original 35mm print of the film. Jung's work was used as the one sheet "style A" theatrical poster for the film's advertising campaign. According to Jung, the unlikely "cross" formed by [[Luke Skywalker]]'s saber sword set against the ghosted background image of [[Darth Vader]] seemed to him like a good solution to the "good" versus "evil" theme.<ref name="Profiles auction SW">[http://www.prnewswire.com/news-releases/over-2-million-worth-of-exclusive-tv-and-movie-memorabilia-to-be-auctioned-friday-march-31-by-joseph-maddalenas-world-renowned-profiles-in-history-55332772.html Profiles In History auction (March 31, 2006)]</ref><ref name="TheForce.net">TheForce.net review of Star Wars Style A poster http://www.theforce.net/collecting/posters/anh/style-a.asp</ref> The poster also featured a notable title logo from Jung, mimicking the film's famed [[Star Wars opening crawl|opening crawl]].
A stylistic progression in Jung's art is clear from his 1978 work on ''[[The Lord of the Rings (1978 film)|The Lord of the Rings]]''. One of two concepts submitted, the one sheet depicting [[Gandalf]] and the [[Hobbit]]s [[Frodo Baggins|Frodo]] and [[Samwise Gamgee|Sam]] is rendered in a style markedly different from Jung's other works. In his own words: "There's probably a lot of posters I've done that people aren't aware of: ''[[Papillon (1973 film)|Papillon]]'', ''[[The Man Who Would Be King (film)|The Man Who Would Be King]]'', and ... for ''Lord of the Rings''."<ref name="cinefantastique"/> Jung's poster won first prize for Best Graphic Award in 1978 from the International Society of Science Fiction, Horror and Fantasy, and has been called "truly the most well-remembered image" from the film.<ref name="Profiles auction 26">Profiles in History auction, Lot 639 (December 15, 2006)</ref>
Regarding his 1980 work on ''[[The Empire Strikes Back]]'', Jung recalled: "I used various martial arts attitudes in my working studies, trying to come up with the perfect look. I was searching for the image 'bi-coastal' (as they used to say) of Darth Vader, which could be the centerpiece for The Empire Strikes Back. I made the presentation to [[Sid Ganis]] at Lucasfilm's new offices in North Hollywood, near [[Universal Studios]]. In the large airy reception area sitting on couches, with my presentation spread on a coffee table, we attracted a small crowd of onlookers. [[Steven Spielberg]] peered in and chimed, 'I like that' and strolled away. It was the drawing of Darth Vader in profile, a powerful outstretched arm holding his saber."<ref name="Profiles auction SW"/>
In 1981 Jung was contacted by [[Sid Ganis]], vice president of marketing at [[Lucasfilm]], to develop concept sketches for ''[[Raiders of the Lost Ark]]''. At the same time the production company, [[Paramount Pictures]] along with advertising agency Diener/Hauser/Bates, were working with another illustrator, [[Richard Amsel]], to also develop a marketing campaign. Jung created sixteen concept sketches for the one-sheet, one of which was approved to go to color.<ref name="making raiders"/> Borrowing from his original ''[[Papillon (1973 film)|Papillon]]'' artwork, Jung used a "brown sauce" palette and a unique concept to create the iconic character [[Indiana Jones (character)|Indiana Jones]] for his interpretation of the movie's key art.<ref name="making raiders">The Complete Making of Indiana Jones: The Definitive Story Behind All Four Films, Page 123, J.W. Rinzler, Del Rey (May 20, 2008)</ref>
After many months of back and forth between competing concepts it was decided that [[Richard Amsel]]'s would be used as the one-sheet for the campaign. The decision was partly based on the view that the character Indiana Jones should not be shown with a gun. In Jung's art, a gun and a whip were both prominently held by [[Indiana Jones (character)|Indiana Jones]]. Jung's concept, though not used during the film's advertising campaign, is preserved in the [[Lucasfilm]] archives.<ref name="Profiles auction 25">Profiles in History auction, Lot 360 (July 28, 2006)</ref>
Starting in 1997 with the Disney film ''[[Jungle 2 Jungle]]'', Jung began working on the production side of the business as a [[storyboard artist]].<ref name="IMDB">The Internet Movie Database, Tom Jung https://www.imdb.com/name/nm2200560/</ref> His ability to draw without the use of visual aids, in a manner similar to that of a [[comic book artist]], made his transition to storyboard art unproblematic. Jung's films as a storyboard artist include ''[[The Perfect Storm (film)|The Perfect Storm]]'', ''[[The Salton Sea (2002 film)|The Salton Sea]]'', and ''[[Disturbia (film)|Disturbia]]''.
==Creative process==
An interview on the design and illustration of the 1974 poster ''[[The Man with the Golden Gun (film)|The Man with the Golden Gun]]'', Jung elaborated on his creative process: "The actual painting is done on 20x30 double-weight [[Paperboard|illustration board]], half of a standard 30×40 board. I used acrylics, I can use it transparently or opaquely; it dries quickly and is permanent and can be reworked. I'd use airbrushing for large areas of background, color pencils, and inks and dyes and tempera and whatever else I think that may give me the desired result. Sandpaper. Brillo. A single-edge razor blade. Whatever works."<ref name="Illustrated 007">Illustrated007, Peter Lorenz, 2010 http://illustrated007.blogspot.com/2010/04/exclusive-with-tom-jung.html</ref> Jung often used family members as models. For the ''Star Wars'' poster design, with [[Frank Frazetta]] in mind as his final illustrator, Jung posed his son Jeff as Luke Skywalker and his wife Kay as [[Princess Leia]].<ref name="cinefantastique">Star Wars, Selling The Force by Lawrence French, ''CINEFANTASTIQUE'', Issue #124 - Vol 28 #7, 1997</ref> After discussions with Don Smolen of Smolen, Smith and Connolly, it was decided that Jung would execute the illustration.
Jung has said he believes he does not have a recognizable technique: "I adjust my technique to the problem at hand, because being an art director in advertising it's really the end result that I'm after ... anything to get the printed poster and the printed ad, which is the primary goal".<ref name="cinefantastique"/>
==Select illustrations and graphic design==
{| class="wikitable sortable" width="75%"
! style="background:#708090;" | Date
! width="230px" style="background:#708090;" | Project<ref name="Herrick Library Catalog Tom Jung">[[Academy of Motion Picture Arts and Sciences]], Margaret Herrick Library Catalog, Tom Jung [http://catalog.oscars.org/vwebv/search?searchArg=tom+jung&searchCode=GKEY%5E&limitTo=none&recCount=50&searchType=1&page.search.search.button=Search]</ref>
! style="background:#708090;" | Notes
|-
| 1954 || ''[[La Strada]]''<ref name="Ben Adler"/>|| US release, Pressbook including one-sheet
|-
| 1955 || ''[[Death of a Cyclist]]''|| US release (Age of Infidelity), Pressbook including one-sheet
|-
| 1956 || ''[[Liane, Jungle Goddess]]''||US release, Hand lettering design and illustration
|-
| 1956 || ''[[The Captain from Köpenick (1956 film)|The Captain from Koepenick]]''||US release, Pressbook including one-sheet
|-
| 1956 || ''The Sword and the Cross''||US release, Pressbook including one-sheet
|-
| 1957 || ''[[And God Created Woman (1956 film)|And God Created Woman]]'' ||US release, Key Art
|-
| 1957 || ''{{Interlanguage link multi|Bekenntnisse des Hochstaplers Felix Krull (1957)|de|3=Bekenntnisse des Hochstaplers Felix Krull (1957)|lt=Confessions of Felix Krull}}''||US release, Pressbook including one-sheet
|-
| 1957 || ''Monpti''<ref name="Herrick Library Production Art Database, Tom Jung">[[Academy of Motion Picture Arts and Sciences]], Margaret Herrick Library Production Art Database, Tom Jung [http://collections.oscars.org/ics-wpd/exec/icswppro.dll?QF15=Image&QB15=AND&QB7=AND&QF7=245a+Title%7C+246a+%7C+300a+Descriptor+%7C+300b+Media+%7C+300e+Addl+media+%7C+Notes+500a+%7C+Exhibition+notes+%7CCompany+browse%40FTMLlink+%7C+Viz+desc+520a+%7C+Text+desc+520a+%7C+Subject+name+600a+%7C+Subjects+690a+%7C+Credited+author+700a+%7C+Cred+auth+rel+700e+%7C+Other+author+700a+%7C+Other+auth+rel+700e+%7C+530+%7C+730+%7C+655%40FTMLlink+%7C+655g%40FTMLlink+%7C+Director%40FTMLlink&QI7=tom+%26+jung&xQI7=tom+jung&QB2=AND&QF2=Film+Title+link%7C+245a%40FTMLlink+%7C+430%40FTMLlink+%7C+530%40FTMLlink&QI2=&QB3=AND&QF3=261d%40FTMLlink&QI3=&QB0=AND&QF0=Credited+author+700a%7COther+author+700a&QI0=&xQI0=&QB1=AND&QF1=Subject+name+600a&QI1=&xQI1=&TN=graphart&AC=QBE_QUERY&BG=ffffff&FG=000000&RF=WebHostedReport&DF=WebHostedFull&DL=0&EL=0&RL=0&NP=255&MF=oscarsmsg.ini&BAF=1&SS=0&MR=20&XC=&BU=http%3A%2F%2Fcollections.oscars.org%2Fprodart%2F]</ref>||US release (Mon Petit), Pressbook including one-sheet
|-
| 1957 || ''[[The Golden Age of Comedy]]''||Eileen Schutz Artist
|-
| 1957 || ''[[The Prince and the Showgirl]]''<ref name="Herrick Library Production Art Database, Tom Jung"/>||Key Art
|-
| 1958 || ''[[Cat on a Hot Tin Roof (film)|Cat on a Hot Tin Roof]]'' ||
|-
| 1958 || ''[[Yankee Doodle Dandy]]'' || Re-Release, Pressbook including one-sheet
|-
| 1959 || ''[[Go, Johnny Go!]]'' || Pressbook including one-sheet
|-
| 1958 ||  ''Hippodrome'' || Pressbook including one-sheet
|-
| 1959 || ''[[Plan 9 from Outer Space]]'' || Pressbook including one-sheet, David Lewis Artist
|-
| 1959 ||  ''[[Room at the Top (1959 film)|Room at the Top]]'' || Pressbook including one-sheet
|-
| 1960 || ''[[Day of the Painter]]'' || Promotional Marketing Campaign
|-
| 1960 || ''[[School for Scoundrels (1960 film)|School for Scoundrels]]'' ||
|-
| 1961 ||  ''Anna's Sin'' ||
|-
| 1963 || ''[[Murder at the Gallop]]'' <ref name="Herrick Library Production Art Database, Tom Jung"/> ||
|-
| 1963 ||  ''The Day and the Hour'' || US Release
|-
| 1963 || ''[[The Wheeler Dealers]]''<ref name="Herrick Library Production Art Database, Tom Jung"/> || Key Art
|-
| 1964 || ''[[Murder Ahoy]]'' ||
|-
| 1964 || ''[[Murder Most Foul (film)|Murder Most Foul]]'' ||
|-
| 1964 || ''The Big Parade of Comedy'' <ref name="Herrick Library Production Art Database, Tom Jung"/>||
|-
| 1964 ||  ''[[The Outrage]]'' || Sanford Kossin Artist
|-
| 1964 || ''[[The Unsinkable Molly Brown (film)|The Unsinkable Molly Brown]]'' || Promotional Record Album
|-
| 1964 || ''[[The Young Lovers (1964 film)|The Young Lovers]]''||
|-
| 1965 || ''[[Lady L]]'' || [[Robert McGinnis]] Artist
|-
| 1965 || ''[[Doctor Zhivago (film)|Doctor Zhivago]]'' || [[Howard Terpning]] Artist
|-
| 1966 || ''[[Grand Prix (1966 film)|Grand Prix]]'' || [[Howard Terpning]] Artist
|-
| 1966 || ''[[Hotel Paradiso]]'' || [[Frank Frazetta]] Artist
|-
| 1966 || ''[[The Sand Pebbles (film)|The Sand Pebbles]]''<ref name="The Sand Pebbles"/> || Graphics design one-sheet, Original Soundtrack and opening credits <ref name="The Sand Pebbles opening credits">Video of opening credits with Tom Jung's graphic design of American gunboat superimposed over a Chinese junk for the motion picture The Sand Pebbles https://www.youtube.com/watch?v=m2MvjJ-XpK0</ref><ref name="The Sand Pebbles promotional preview">Video of promotional preview with Tom Jung's graphic design of American gunboat superimposed over a Chinese junk for the motion picture The Sand Pebbles https://www.youtube.com/watch?v=0jjjvfk-d_w</ref>
|-
| 1967 ||  ''[[Far from the Madding Crowd (1967 film)|Far from the Madding Crowd]]'' || [[Howard Terpning]] Artist
|-
| 1967 || ''[[Gone with the Wind (film)|Gone with the Wind]] (re-release)''<ref name="Herrick Library Production Art Database, Tom Jung"/> || One-sheet, Original Soundtrack. [[Howard Terpning]] Artist
|-
| 1967 || ''[[The Venetian Affair (film)|The Venetian Affair]]'' || [[Frank McCarthy (artist)|Frank McCarthy]] Artist
|-
| 1967 || ''[[Tony Rome]]'' || Teaser Poster
|-
| 1968 || ''[[Ice Station Zebra]]'' || [[Howard Terpning]] Artist
|-
| 1968 || ''[[Mayerling (1968 film)|Mayerling]]'' ||
|-
| 1968 || ''[[The Shoes of the Fisherman (movie)|The Shoes of the Fisherman]]'' || [[Howard Terpning]] Artist
|-
| 1969 || ''[[The Royal Hunt of the Sun (film)|The Royal Hunt of the Sun]]'' || [[Howard Rogers]] Artist
|-
| 1970 || ''[[A Man Called Horse (film)|A Man Called Horse]]'' || Vincent Marrone Artist
|-
| 1970 || ''[[Scrooge (1970 film)|Scrooge]]'' || [[Joseph Bowler]] Artist
|-
| 1970 || ''[[Kelly's Heroes]]''|| [[Jack Davis (cartoonist)|Jack Davis]] Artist
|-
| 1971 || ''[[Le Mans (film)|Le Mans]]'' ||
|-
| 1972 || ''[[Prime Cut]]'' ||
|-
| 1972 || ''[[Super Fly (1972 film)|Super Fly]]'' || One-sheet, [[Super Fly (soundtrack)|Original Soundtrack]]
|-
| 1972 || ''The Little Ark''|| Arthur Lidov Artist
|-
| 1972 || ''[[The Revengers (film)|The Revengers]]'' ||
|-
| 1973 || ''[[Papillon (1973 film)|Papillon]]''<ref name="Herrick Library Production Art Database, Tom Jung"/> || One-sheet, Original Soundtrack
|-
| 1973 || ''[[White Lightning (1973 film)|White Lightning]]'' ||
|-
| 1974 || ''[[Gold (1974 film)|Gold]]'' ||
|-
| 1974 || ''[[Huckleberry Finn (1974 film)|Huckleberry Finn]]'' || David Blossom Artist
|-
| 1974 || ''[[The Day of the Dolphin]]'' ||
|-
| 1974 || ''[[The Man with the Golden Gun (film)|The Man with the Golden Gun]]''<ref>Illustrated 007, Man With The Golden Gun - Concept Art http://illustrated007.blogspot.com/2009/10/man-with-golden-gun-concept-art.html</ref> ||
|-
| 1974 || ''[[The Spikes Gang]]'' ||
|-
| 1974 || ''[[The Towering Inferno]]'' ||
|-
| 1975 || ''[[Bite the Bullet (film)|Bite The Bullet]]'' || Style A and B
|-
| 1975 || ''[[Brannigan (film)|Brannigan]]'' || [[Robert McGinnis]] Artist
|-
| 1975 || ''[[Lucky Lady]]'' ||
|-
| 1975 || ''[[Report to the Commissioner]]'' ||
|-
| 1975 || ''[[The Man Who Would Be King (film)|The Man Who Would Be King]]''<ref name="Herrick Library Production Art Database, Tom Jung"/> || One-sheet, Original Soundtrack
|-
| 1975 || ''[[Le vieux fusil|The Old Gun]]'' ||
|-
| 1975 || ''[[Smile (1975 film)|Smile]]''<ref name="Herrick Library Production Art Database, Tom Jung"/> || Key Art
|-
| 1976 || ''[[Bound for Glory (1976 film)|Bound for Glory]]'' || Style A and B, Original Soundtrack
|-
| 1976 || ''[[Burnt Offerings (film)|Burnt Offerings]]'' ||
|-
| 1976 || ''[[Shout at the Devil (film)|Shout at the Devil]]'' ||
|-
| 1976 || ''[[The Omen]]'' || Teaser, Co-designer Murray Smith. Style F and Original Soundtrack
|-
| 1977|| ''[[March or Die (film)|March or Die]]'' ||
|-
| 1977 || ''[[Star Wars (film)|Star Wars]]''<ref name="Herrick Library Production Art Database, Tom Jung"/>|| [[:File:StarWarsMoviePoster1977.jpg|Style A]] poster designer (later adapted as [[:File:Bros Hildebrandt Star Wars quad poster.jpg|Style B]] by [[Brothers Hildebrandt]]), Half-sheet, Re-releases 1979, 1981, 1982, 1997 Trilogy designer, Original Soundtrack back cover and promotional poster.
|-
| 1978 || ''[[F.I.S.T. (film)|F.I.S.T.]]''<ref name="Herrick Library Production Art Database, Tom Jung"/> || Key Art
|-
| 1978 || ''The History of Country Music''<ref name="Drake-Chenault">[[Drake-Chenault]] radio syndication company http://www.drakechenault.org/special.html</ref>|| Commercial use, Distributed to radio stations. Poster and album cover.
|-
| 1978 || ''[[The History of Rock & Roll]]''<ref name="Drake-Chenault"/>|| Commercial use, Distributed to radio stations. Poster and album cover.
|-
| 1978 || ''[[King of the Gypsies (film)|King of the Gypsies]]'' ||Style A and B, Sanford Kossin Artist Style B
|-
| 1978 || ''[[The Deer Hunter]]'' || Saul Cooper Initial Concept
|-
| 1978 || ''[[The First Great Train Robbery|The Great Train Robbery]]'' ||
|-
| 1978 || ''[[The Greek Tycoon]]'' || David Blossom Artist
|-
| 1978 || ''[[The Lord of the Rings (1978 film)|The Lord of the Rings]]'' || Style A and B
|-
| 1978 || ''[[Who'll Stop the Rain]]'' ||
|-
| 1979 || ''[[Apocalypse Now]]''<ref name="Herrick Library Production Art Database, Tom Jung"/> || Co-designer, Bob Peak Artist
|-
| 1980 || ''[[Heaven's Gate (film)|Heaven's Gate]]'' ||
|-
| 1980 || ''[[Raging Bull]]'' || Style B, Co-artists Kunio Hagio and Paul Gross
|-
| 1980 || ''[[The Dogs of War (film)|The Dogs of War]]''<ref name="Herrick Library Production Art Database, Tom Jung"/> ||
|-
| 1980 || ''[[The Empire Strikes Back]]''<ref name="Herrick Library Production Art Database, Tom Jung"/> || Style B and re-releases 1981, 1982
|-
| 1980 || ''[[The Formula (1980 film)|The Formula]]'' || One-sheet, Original Soundtrack
|-
| 1981 || ''[[Raiders of the Lost Ark]]'' || Key Art
|-
| 1981 || ''[[Whose Life Is It Anyway? (1981 film)|Whose Life Is It Anyway]]''<ref name="Herrick Library Production Art Database, Tom Jung"/> ||
|-
| 1983 || ''[[Return Of The Jedi]]'' || Re-release 1985, One sheet with Death Star exploding
|-
| 1983 || ''[[Scarface (1983 film)|Scarface]]''<ref name="Herrick Library Catalog Tom Jung Papers">[[Academy of Motion Picture Arts and Sciences]], Margaret Herrick Library Catalog, Tom Jung Papers [http://catalog.oscars.org/vwebv/search?searchArg=%22Collection%20%27%20+%201333%27%22&searchCode=GKEY^&searchType=0&recCount=50]</ref>|| Key Art
|-
| 1983 || ''[[The Right Stuff (film)|The Right Stuff]]'' || One-sheet, Original Soundtrack
|-
| 1984 || ''[[Dune (1984 film)|Dune]]''<ref name="Herrick Library Catalog Tom Jung Papers"/> || Designer
|-
| 1984 || ''[[Once Upon a Time in America]]'' || Artist Syle A, B and C. U.S. and foreign advertising campaigns
|-
| 1984 || ''[[The Buddy System (film)|The Buddy System]]'' ||
|-
| 1984 || ''[[The Razor's Edge (1984 film)|The Razor's Edge]]'' ||
|-
| 1985 || ''[[Sylvester (film)|Sylvester]]'' ||
|-
| 1985 || ''[[Weird Science (film)|Weird Science]]'' || Duane Meltzer Artist
|-
| 1986 || ''[[Clockwise (film)|Clockwise]]'' || Duane Meltzer Artist
|-
| 1986 || ''[[Heat (1986 film)|Heat]]''<ref name="Herrick Library Production Art Database, Tom Jung"/> || Key Art
|-
| 1987 || ''[[Flowers in the Attic (1987 film)|Flowers in the Attic]]'' || Co-designer Nelson Lyon
|-
| 1988 || ''[[Pass the Ammo]]'' || Co-designer Ken Goodman
|-
| 1989 || ''[[Moontrap]]'' ||
|-
| 1989 || ''[[The Iron Triangle (film)|The Iron Triangle]]'' ||
|-
| 1991 || ''Star Trek 25th Anniversary'' ||
|-
| 1991–1993 || ''[[The Thrawn Trilogy]]'' || Book Cover Art – ''[[Heir to the Empire]]'',<ref name="Herrick Library Production Art Database, Tom Jung"/> ''[[Dark Force Rising]]'', ''[[The Last Command (novel)|The Last Command]]'',<ref name="Herrick Library Production Art Database, Tom Jung"/> Promotional Poster
|-
| 2012 || ''Wallenda'' || Shawn Hull Artist
|}
==Select storyboard artwork==
{{quote box
| width = 65em
| bgcolor = #c6dbf7
| fontsize = 90%
| align = right
| quote = The key skill: "One thing a storyboard artist needs to be able to do is be able to draw out of his head. There are many illustrators who have to rely on photographs, but unless you can draw out of your head like comic book artists, I don't think you can do it. ... Normally, a storyboard artist is only called in when they are looking for special effects or action shots. But sometimes you have a guy like Alfred Hitchcock, he wouldn't even trust the camera and he would visualize every single shot."
| source = Tom Jung in the ''Los Angeles Times'', 2007<ref>Sketching out the action, he loves making a scene - Los Angeles Times, Susan King - May 20, 2007 https://www.latimes.com/archives/la-xpm-2007-may-20-ca-working20-story.html</ref>
}}
{| class="wikitable sortable"
! style="background:#708090;" | Date
! style="background:#708090;" | Project<ref name="Herrick Library Catalog Tom Jung Papers"/>
|-
| 1977 || ''The Baron''
|-
| 1996 || ''[[Mrs. Santa Claus]]'' (Trailers)
|-
| 1996 || ''[[Ransom (1996 film)|Ransom]]'' (Trailers)
|-
| 1997 || ''[[Jungle 2 Jungle]]''
|-
| 1997 || ''[[The Relic (film)|The Relic]]'' (Trailers)
|-
| 1998 || ''[[Chairman of the Board (film)|Chairman of the Board]]'' (Trailers)
|-
| 1998 || ''[[Doctor Dolittle (film)|Doctor Dolittle]]''
|-
| 1999 || ''[[My Favorite Martian (film)|My Favorite Martian]]''
|-
| 1999 || ''[[Stuart Little (film)|Stuart Little]]''
|-
| 2000 || ''[[The Adventures of Rocky and Bullwinkle (film)|The Adventures of Rocky and Bullwinkle]]''
|-
| 2000 || ''[[Nutty Professor II: The Klumps]]''
|-
| 2000 || ''[[The Perfect Storm (film)|The Perfect Storm]]''
|-
| 2001 || ''[[Hannibal (2001 film)|Hannibal]]'' (Trailers)
|-
| 2002 || ''[[Collateral Damage (2002 film)|Collateral Damage]]''
|-
| 2002 || ''[[Frank McKlusky, C.I.]]''
|-
| 2002 || ''[[Robert Hanssen|Master Spy: The Robert Hanssen Story]]''
|-
| 2002 || ''[[Slackers (film)|Slackers]]''
|-
| 2002 || ''[[Star Trek: Nemesis]]''
|-
| 2002 || ''[[Stuart Little 2]]''
|-
| 2002 || ''[[The Salton Sea (2002 film)|The Salton Sea]]''
|-
| 2003 || ''[[The Haunted Mansion (2003 film)|The Haunted Mansion]]''
|-
| 2003 || ''[[Looney Tunes: Back in Action]]''
|-
| 2003 || ''[[Hulk (film)|Hulk]]''
|-
| 2003 || ''[[Holes (film)|Holes]]''
|-
| 2003 || ''[[Just Married]]''
|-
| 2004 || ''[[First Daughter (2004 film)|First Daughter]]''
|-
| 2004 || ''[[Scooby-Doo 2: Monsters Unleashed]]''
|-
| 2004 || ''[[Starsky & Hutch (film)|Starsky & Hutch]]''
|-
| 2005 || ''[[Herbie: Fully Loaded]]''
|-
| 2005 || ''[[Two for the Money (2005 film)|Two for the Money]]''
|-
| 2005 || ''[[Underclassman]]''
|-
| 2006 || ''[[Zoom (2006 film)|Zoom]]''
|-
| 2007 || ''[[Disturbia (film)|Disturbia]]''
|-
| 2007 || ''[[Blades of Glory]]''
|-
| 2012 || ''Wallenda''<ref name="Rareform Pictures Web">Rareform Pictures, Wallenda production http://rareformpictures.com/production.html</ref><ref name="Rareform Pictures facebook">Rareform Pictures, Tom Jung Wallenda storyboards https://www.flickr.com/photos/rareformpictures/6839575067/in/photostream</ref>
|-
|}
==Awards==
* The International Society of Science Fiction, Horror and Fantasy, "Best Graphic Award", 1979, ''Lord of the Rings''
* [[Key Art Awards|Key Art Award]], Tom Jung, designer, illustrator, "El Francotirador": (''The Deer Hunter'') Latin America, Third Place, 1980
* Key Art Award, Creating and illustrating ''The Golden Years of Country'', 1978<ref name="Drake-Chenault"/>
==See also==
{{Portal|Biography|Visual Arts}}
{{div col|colwidth=30em}}
* [[List of Star Wars artists]]
* [[Richard Amsel]]
* [[Saul Bass]]
* [[Tom Chantrell]]
* [[Jack Davis (cartoonist)|Jack Davis]]
* [[Frank Frazetta]]
* The [[Brothers Hildebrandt]]
* [[Frank McCarthy (artist)|Frank McCarthy]]
* [[Bob Peak]]
* [[Drew Struzan]]
* [[Howard Terpning]]
{{div col end}}
==References==
{{Reflist}}
===Interviews===
* [http://www.thesandpebbles.com/tom_jung/tom_jung.html Visiting artist draws the movies by David Prabu, Athens NEWS contributor - courtesy of Daniel Saez, Athens (Ohio) News - Spring 1987]
* [http://illustrated007.blogspot.com/2010/04/exclusive-with-tom-jung.html Exclusive with Tom Jung - "The Man with the Golden Gun", Illustrated 007 Peter Lorenz]
* [https://www.latimes.com/archives/la-xpm-2007-may-20-ca-working20-story.html Sketching out the action, he loves making a scene - Los Angeles Times, Susan King - May 20, 2007]
* [http://forum.rebelscum.com/showthread.php?1045264 Rebelscum.com forum, darthlumber ID, January 30, 2010]
* Artistic License, a look at the marketing campaign for "Licence Revoked" - [http://www.mi6confidential.com/ MI6 Confidential], Issue #26 - August 2014
==External links==
* [http://catalog.oscars.org/vwebv/search?searchArg=tom+jung&searchCode=GKEY%5E&limitTo=none&recCount=50&searchType=1&page.search.search.button=Search The Academy of Motion Picture Arts and Sciences], Margaret Herrick Library Catalog, Tom Jung
* [http://collections.new.oscars.org/Details/Collection/1993 The Academy of Motion Picture Arts and Sciences], Margaret Herrick Library Catalog, Tom Jung Papers
* [http://collections.oscars.org/msinvent/results.aspx?QF15=Image&QB15=AND&QB2=AND&QF2=500filedasremainder+|+500filedaslabel+|+500general+|+505+|+Film+Title+and+Year+|+File+name+|+600a+|+610+|+653+|+655+|+680+|+700+|+710+|+730+|+740+|+830+|+245f+|+245+|+246a+|+930c+|+930c+public+|+Director+sort%40FTMLlink+|+Director%40FTMLlink+|+AutoNumber&QI2=tom+%26+jung&QB0=AND&QF0=930c+public+|+830+|+Collection+Number%40830&QI0=&QB1=AND&QF1=Film+Title+and+Year+|+245a%40FTMLlink+|+500filedaslabel+|+246a+|+430%40FTMLlink+|+530%40FTMLlink&QI1=&TN=msinvent&AC=QBE_QUERY&RF=WebHostedReport&DF=WebHostedFull&MR=20&BU=http%3a%2f%2fcollections.oscars.org%2fmsinvent%2f& The Academy of Motion Picture Arts and Sciences], Margaret Herrick Library Manuscript Inventories, Tom Jung
* [http://collections.oscars.org/prodart/results.aspx?QF15=Image&QB15=AND&QB7=AND&QF7=245a+Title|+246a+|+300a+Descriptor+|+300b+Media+|+300e+Addl+media+|+Notes+500a+|+Exhibition+notes+|Company+browse%40FTMLlink+|+Viz+desc+520a+|+Text+desc+520a+|+Subject+name+600a+|+Sub+690a+lcsh+|+Sub+690a+tgm+|+Credited+author+700a+|+Cred+auth+rel+700e+|+Other+author+700a+|+Other+auth+rel+700e+|+530+|+730+|+655%40FTMLlink+|+655g%40FTMLlink+|+Director%40FTMLlink+|+Collection+name+830&QI7=tom+%26+jung&QB2=AND&QF2=Film+Title+link|+245a%40FTMLlink+|+430%40FTMLlink+|+530%40FTMLlink&QI2=&QB3=AND&QF3=261d%40FTMLlink&QI3=&QB0=AND&QF0=Credited+author+700a|Other+author+700a&QI0=&QB1=AND&QF1=Subject+name+600a&QI1=&TN=graphart&AC=QBE_QUERY&RF=WebHostedReport&DF=WebHostedFull&MR=20&BU=http%3a%2f%2fcollections.oscars.org%2fprodart%2f& The Academy of Motion Picture Arts and Sciences], Margaret Herrick Library Production Art Database, Tom Jung
* [http://www.sciencefictionarchives.com/en/collections/376/vader-saber-an-original-preliminary-concept-art-for-star-wars-poster-by-tom-jung Preliminary design, ''Star Wars''], Sciencefictionarchives.com
* [http://www.sciencefictionarchives.com/en/collections/380/an-original-preliminary-design-for-the-empire-strikes-back-poster-by-tom-jung Preliminary design, ''The Empire Strikes Back''], Sciencefictionarchives.com
* [http://www.sciencefictionarchives.com/en/collections/401/an-original-preliminary-design-for-return-of-the-jedi-luke-skywalker-vs-vader-poster-by-tom-jung Preliminary design, ''Return of the Jedi''], Sciencefictionarchives.com
* [http://www.movieposterdb.com/artists/00487/Tom-Jung.html Movieposterdb.com]—Select listing of Tom Jung's art
* [http://www.impawards.com/designers/tom_jung_design.html IMPawards]—Select listing of Tom Jung's art
* {{IMDb name|id=2200560}}
{{authority control}}
{{DEFAULTSORT:Jung, Tom}}
[[Category:Living people]]
[[Category:American graphic designers]]
[[Category:American storyboard artists]]
[[Category:American illustrators]]
[[Category:American artists of Chinese descent]]
[[Category:Artists from Boston]]
[[Category:Film poster artists]]
[[Category:American caricaturists]]
[[Category:American poster artists]]
[[Category:American science fiction artists]]
[[Category:Tolkien artists]]
[[Category:Year of birth missing (living people)]]