View source for Wild Tales (film)

{{short description|2014 Spanish-Argentinian satirical absurdist dark comedy anthology film}}
{{good article}}
{{Use dmy dates|date=May 2020}}
{{Infobox film
| name           = Wild Tales
| image          = Relatos salvajes.jpg
| caption        = Theatrical release poster
| native_name    = {{Infobox name module
| language       = Spanish
| title          = Relatos salvajes
| nolink         = 0
}}
| director       = [[Damián Szifron]]
| producer       = {{Plainlist|
* [[Agustín Almodóvar]]
* [[Pedro Almodóvar]]
* [[Esther García]]
* Matías Mosteirín
* Felipe Photiades
* Gerardo Rozín
* [[Hugo Sigman]]
}}
| writer         = Damián Szifron
| starring       = {{Plainlist|<!-- as listed in the film poster billing block -->
* [[Ricardo Darín]]
* [[Oscar Martínez (actor)|Oscar Martínez]]
* [[Leonardo Sbaraglia]]
* [[Érica Rivas]]
* [[Rita Cortese]]
* [[Julieta Zylberberg]]
* [[Darío Grandinetti]]
}}
| music          = [[Gustavo Santaolalla]]
| cinematography = [[Javier Juliá]]
| editing        = {{Plainlist|
* Pablo Barbieri Carrera
* Damián Szifron
}}
| studio         = {{Plainlist|
* Kramer & Sigman Films
* [[El Deseo]]
* [[Telefe|Telefe Productions]]
* Corner Contenidos
}}
| distributor    = [[Warner Bros. Pictures]]
| released       = {{Film date|2014|05|17|[[2014 Cannes Film Festival|Cannes]]|2014|08|21|Argentina|2014|10|17|Spain|df=yes}}
| runtime        = 121 minutes<ref name="INCAA">{{cite web |title=Relatos salvajes (+16) |url=https://calificaciones.incaa.gob.ar/index.php?q=Relatos+salvajes&director=DAMIAN+SZIFRON&bt_buscar=Buscar+Calificaciones |url-status=live |archive-url=https://web.archive.org/web/20230208002704/https://calificaciones.incaa.gob.ar/index.php?q=Relatos+salvajes&director=DAMIAN+SZIFRON&bt_buscar=Buscar+Calificaciones |archive-date=February 8, 2023 |access-date=February 7, 2023 |website=[[National Institute of Cinema and Audiovisual Arts]]}}</ref>
| country        = {{Plainlist|
* Argentina
* Spain
}}
| language       = Spanish
| budget         = US$3.3–4.5 million{{efn|[[Télam]] said it was produced on a budget of $3.3 million,<ref name=telam>{{cite web | url=https://www.telam.com.ar/notas/201503/99113-relatos-salvajes-cine-pelicula-exito-historia.html | title=Con gran suceso en el exterior, "Relatos Salvajes" se convirtió en el filme más exitoso del país | trans-title=With huge success overseas, "Wild Tales" became the most successful film of the country | date=24 March 2015 | publisher=Télam | access-date=21 January 2021 | language=es | archive-date=28 January 2021 | archive-url=https://web.archive.org/web/20210128050621/https://www.telam.com.ar/notas/201503/99113-relatos-salvajes-cine-pelicula-exito-historia.html | url-status=live }}</ref> while ''The Hollywood Reporter'' and ''[[ScreenDaily]]'' said it had a 4 million budget,<ref name="Bathtub">{{Cite web|url=http://www.hollywoodreporter.com/news/how-wild-tales-director-damian-755131|title=How 'Wild Tales' Director Damian Szifron Wrote a Foreign-Language Oscar Contender in His Bathtub |last=Appelo|first=Tim |work=[[The Hollywood Reporter]] |date=12 September 2014 |access-date=5 September 2016 |archive-url=https://web.archive.org/web/20150214221709/https://www.hollywoodreporter.com/news/how-wild-tales-director-damian-755131 |archive-date=14 February 2015 |url-status=live}}</ref> and ''Variety'' reported a $4.5 million cost.<ref name=var-bud>{{cite web | url=https://variety.com/2015/film/awards/wild-tales-spun-from-cry-of-frustration-1201369996/ | title='Wild Tales' Spun From Cry of Frustration | date=5 January 2015 | work=Variety | author=de la Fuente, Anna Marie | access-date=19 January 2022 | archive-date=19 January 2022 | archive-url=https://web.archive.org/web/20220119210455/https://variety.com/2015/film/awards/wild-tales-spun-from-cry-of-frustration-1201369996/ | url-status=live }}</ref>|name=budget}}
| gross          = US$30.6–44.1 million{{efn|[[Box Office Mojo]] reports it grossed $30,642,704,<ref name="BOM" /> while Télam stated this value surpassed 40 million,<ref name=telam/> and ''Variety'' said this figure was of $44.1 million.<ref>{{cite web | url=https://variety.com/2016/film/global/film-factory-ricardo-darin-santiago-mitre-k-s-la-cordillera-exclusive-1201778679/ | title=Film Factory Joins Ricardo Darin, Santiago Mitre, K & S on 'La Cordillera' | first=John | last=Hopewell | date=19 May 2016 | work=Variety | access-date=21 January 2021 | archive-date=29 January 2021 | archive-url=https://web.archive.org/web/20210129133356/https://variety.com/2016/film/global/film-factory-ricardo-darin-santiago-mitre-k-s-la-cordillera-exclusive-1201778679/ | url-status=live }}</ref>|name=gross}}
}}
'''''Wild Tales''''' ({{langx|es|'''Relatos Salvajes'''}}) is a 2014 Spanish-language [[Satire|satirical]]<ref>{{Cite web |last=Kohn |first=Eric |date=2014-05-16 |title=Cannes Review: Pedro Almodovar-Produced ‘Wild Tales’ Is a Brilliant Social Satire |url=https://www.indiewire.com/criticism/culture/cannes-review-pedro-almodovar-produced-wild-tales-is-a-brilliant-social-satire-26614/ |access-date=2024-08-29 |website=IndieWire |language=en-US}}</ref><ref>{{Cite news |last=Kermode |first=Mark |last2=critic |first2=Mark Kermode Observer film |date=2015-03-29 |title=Wild Tales review – scabrously satirical revenge tales |url=https://www.theguardian.com/film/2015/mar/29/wild-tales-review-scabrously-satirical-revenge-middle-class-meltdown |access-date=2024-08-29 |work=The Observer |language=en-GB |issn=0029-7712}}</ref><ref>{{Cite web |title=Wild Tales {{!}} Rotten Tomatoes |url=https://www.rottentomatoes.com/m/wild_tales#:~:text=What%20to%20Know,-Certified%20fresh%20score&text=Wickedly%20hilarious%20and%20delightfully%20deranged,a%20uniformly%20entertaining%20anthology%20film. |access-date=2024-08-29 |website=www.rottentomatoes.com |language=en}}</ref> [[Absurdist fiction|absurdist]]<ref>{{Cite AV media |url=https://theithacan.org/6026/life-culture/reviews/review-six-stories-converge-in-both-humor-and-brutality/ |title=Review: Six absurdist tales unite with humor and brutality |last=Bixler |first=Byron |access-date=2024-08-29 |via=theithacan.org}}</ref><ref>{{Cite web |date=2015-03-04 |title=The humor of absurdity: Damián Szifrón's 'Wild Tales' |url=https://stanforddaily.com/2015/03/04/the-humor-of-absurdity-damian-szifrons-wild-tales/ |access-date=2024-08-29 |language=en-US}}</ref> [[black comedy]] [[Anthology film|anthology]] film, written and directed by the Argentine filmmaker [[Damián Szifron]]. The film, which is a Spanish-Argentinian co-production, is composed of six standalone shorts with a common theme of [[catharsis]], violence and vengeance. The film has an [[ensemble cast]] consisting of [[Ricardo Darín]], [[Oscar Martínez (actor)|Oscar Martínez]], [[Leonardo Sbaraglia]], [[Érica Rivas]], [[Rita Cortese]], [[Julieta Zylberberg]], and [[Darío Grandinetti]]. Because of Szifron's desire to work with Darín and Martínez, these actors were allowed to choose the role they wanted.
Four of the film's stories were partly based on Szifron's real-life experiences and were all planned either as thrillers or dramas. ''Wild Tales'' was co-produced by three Argentine studios, and [[Agustín Almodóvar|Agustín]]'s and [[Pedro Almodóvar]]'s Spanish company [[El Deseo]]. The brothers joined Kramer & Sigman Films, [[Telefe|Telefe Productions]] and Corner Contenidos after seeing Szifron's previous film ''[[On Probation (2005 film)|On Probation]]'' (2005). ''Wild Tales'' was filmed in Argentina between April and May 2013, and cost US$3.3–4.5 million{{efn|name=budget}}—70% of which came from Argentina and 30% from Spain.
The film received widespread critical acclaim, particularly for being a good example of an engaging anthology film, for its cast (mainly Rivas), humour, cinematography, and music. It won many accolades, including eight of ten [[Platino Awards]], the [[BAFTA Award for Best Film Not in the English Language]], and the [[Goya Award for Best Spanish Language Foreign Film]]. It was also nominated for the [[Academy Award for Best Foreign Language Film]] at the [[87th Academy Awards]], and for the [[Palme d'Or]] at the [[2014 Cannes Film Festival]]. ''Wild Tales'' is the most-seen Argentine film of all time{{efn|name=record}} and was a box-office record-holder in Argentina, grossing US$11.7–21.1 million there for a total of $30.6–44.1 million worldwide.{{efn|name=gross}}{{efn|name=g-ar}}
==Plot==
''Wild Tales'' is composed of six short segments: "Pasternak", "Las ratas" ("The Rats"), "El más fuerte" ("The Strongest"), "Bombita" ("Little Bomb"), "La propuesta" ("The Proposal"), and "Hasta que la muerte nos separe" ("Till Death Do Us Part"). In the American [[Language localisation|localisation]], the third and fifth sections had their names changed to "Road to Hell" and "The Bill".
=== "Pasternak" ===
Two passengers on an airplane start a conversation and discover they both know a man named Gabriel Pasternak; the woman (María Marull), his ex-girlfriend, had sex with his only friend and the man ([[Darío Grandinetti]]), a music critic, savagely reviewed Pasternak's work. In fact, everyone on the flight is connected to Pasternak and in some moment wronged or rejected him. A flight attendant reveals Pasternak is the plane's cabin chief and has locked himself inside the cockpit. Amid the panic, as Pasternak's former psychiatrist tries to reason with him, Pasternak crashes the airplane into his parents' house.
=== "Las ratas" ===
At a highway restaurant on a slow night, a waitress ([[Julieta Zylberberg]]) recognizes a [[loan shark]] (César Bordón) who had, years before, ruined her family, forced them to move and caused her father's untimely death via suicide. The cook ([[Rita Cortese]]), who is a felon, offers to mix [[rat poison]] into the man's food. The waitress refuses the offer but unbeknownst to her, the cook adds the poison anyway. When the waitress finds out, she does not take the food away from the man. However, the loan shark's teenage son then arrives and begins to share his father's meal. Worried the boy might eat the poison, the waitress tries to remove the plate; she throws food in the man's face and he attacks her in a chokehold. The cook then backstabs and kills the loan shark with a chef's knife. In the last scene, the loan shark's son is getting medical treatment from a responding ambulance while the waitress sits next to him solemnly. The cook is arrested and is driven away in a police car.
=== "El más fuerte" ===
Diego ([[Leonardo Sbaraglia]]) is driving through a desert and tries to overtake a slower, older car that consistently blocks his path. When he finally passes, he insults the other driver, Mario (Walter Donado). Further up the road, Diego gets a flat tire while Mario catches up. Mario parks his car in front of Diego's, smashes Diego's windshield, and then defecates and urinates on it. When Mario is about to leave, Diego pushes him and his car into the river, and drives off. Fearing retribution, Diego returns to run down Mario but loses control and crashes into the river. Mario enters Diego's car and the men start to fight. Mario leaves Diego to be strangled by a seat belt; he then rips off a piece of his shirt, sets fire to it, and places it in the gas tank to incinerate the car, but Diego prevents him from escaping. As the car explodes, the tow truck driver called by Diego arrives. The police later discover the two men's charred bodies holding onto each other and mistake them for lovers who died in a [[crime of passion]].
=== "Bombita" ===
{{multiple image
| direction = horizontal
| align = right
| image1 = El académico Oscar Martínez (cropped).jpg
| width1 = 151
| alt1 =
| caption1 =
| image2 = Ricardo Darín en la Casa Rosada 2010-03-18.jpg
| width2 = 150
| alt2 =
| caption2 =
| footer = Oscar Martínez (''left'') – who appears in the fifth segment – and Ricardo Darín (''right'') – who plays the title character in "Bombita" – were given the opportunity to choose the role they wanted for the film because Szifron wanted to work with them.<ref name="Carpetbagger"/>
}}
Simón Fischer ([[Ricardo Darín]]), a demolition expert, picks up a cake for his daughter's birthday party and discovers his car has been towed. He goes to the towed-car lot and explains there were no signs of a no-parking zone. He grudgingly pays the towing fee and misses his daughter's party. The next day, when Simón is refused a refund for the fee at the [[Department of Motor Vehicles|DMV]], he attacks a glass partition and is arrested. The story makes the news and Simón's employer fires him, and his wife ([[Nancy Dupláa]]) seeks a divorce and sole custody of their daughter. After Fischer unsuccessfully applies for another job, he discovers his car has again been towed. He retrieves the car, packs it with explosives, and parks it in a tow zone. After it is towed again, he detonates the explosives, destroying the towing office with no casualties. Simón is imprisoned and becomes a local hero, earning the nickname "Bombita" ("Little bomb"), and calls on [[social media]] for his release. Simón's wife and daughter visit him in prison for his birthday, presenting him with a cake in the form of the cartoon tow truck [[Mater (Cars)|Mater]], from ''[[Cars (franchise)|Cars]]''.
=== "La propuesta" ===
A teenager, driving his wealthy father's car, arrives home after running into a pregnant woman and driving away thereby committing a felony [[hit and run|hit-and-run]]. On the local news, the woman and her child are reported dead, and her husband swears vengeance. The teenage driver's parents ([[Oscar Martínez (actor)|Oscar Martínez]] and María Onetto) form a plan with his lawyer ([[Osmar Núñez]]) to use the parent's groundskeeper José (Germán de Silva) as a scapegoat in exchange for half a million dollars. The local prosecutor (Diego Velázquez), however, sees through the scheme. The lawyer negotiates to include the prosecutor in the deal for more money, but the guilty son says he wants to confess to the crowd that has gathered outside the house. Frustrated, the father calls off the deal, telling his son to confess. The lawyer renegotiates, still blaming José, but now for a lower price. As José is taken away by the police, the dead woman's husband repeatedly strikes him on the head with a hammer.
=== "Hasta que la muerte nos separe" ===
At a Jewish wedding<ref>{{Cite web |url=https://forward.com/culture/200353/kafkaesque-wild-tales-is-jewish-film-from-argentin/ |title=Kafkaesque 'Wild Tales' Is Jewish Film from Argentina Inspired by Steven Spielberg |last=Goldmann |first=A. J. |work=[[The Forward]] |date=19 June 2014 |access-date=18 July 2019 |archive-url=https://web.archive.org/web/20150512182459/http://forward.com/culture/200353/kafkaesque-wild-tales-is-jewish-film-from-argentin/ |archive-date=12 May 2015 |url-status=live}}</ref> reception, the bride Romina ([[Érica Rivas]]) discovers her groom Ariel (Diego Gentile) has had sex with one of the guests. Romina confronts Ariel as they dance in front of everyone, and in distress, Romina runs to the roof, where a kitchen worker comforts her. Ariel discovers Romina having sex with the worker; she tells Ariel she will sleep with every man who shows her interest, and will take everything Ariel owns if he tries to divorce her, or when he dies. The couple return to the reception and continue the festivities. Romina pulls the woman with whom Ariel had sex onto the dance floor, spins her around, and slams her into a mirror. Romina orders the photographer to film Ariel and his mother weeping, declaring she will show the video at a future wedding. Ariel's mother attacks Romina but Ariel and Romina's father pull her off, and Romina collapses with emotion. Ariel approaches Romina and extends a hand. They dance, kiss, and begin to have sex as the guests leave.
==Production==
{{multiple image
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| image1 = Almovar Goya 2017 cropped.jpg
| width1 = 160
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| image2 = Damián Szifron (cropped).jpg
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| footer = Producer Pedro Almodóvar (''left'') was interested to work with director-writer Damián Szifron since he saw Szifron's 2005 film ''[[On Probation (2005 film)|On Probation]]''.<ref name=Bathtub/>
}}
<!-- http://blogs.indiewire.com/sydneylevine/argentine-director-damian-szifron-on-wild-tales-and-our-animal-instincts-20150220 -->
In 2007, director Damián Szifron took a break from directing and producing television series and focused on writing.<ref name="Bathtub" /> He worked on three major projects at the same time; a science-fiction film series, a western, and a love story; Szifron was writing short stories to "let off steam" and eventually realized they were related.<ref name=cannes>{{Cite web |url=https://www.festival-cannes.com/en/69-editions/retrospective/2014/actualites/articles/competition-wild-tales-a-waltz-in-six-movements |title=Competition – Wild Tales: a waltz in six movements |last=Pavan |first=Benoit |publisher=[[Cannes Film Festival]] |date=17 May 2014 |access-date=13 March 2016 |archive-url=https://web.archive.org/web/20181013073124/http://www.festival-cannes.com/en/69-editions/retrospective/2014/actualites/articles/competition-wild-tales-a-waltz-in-six-movements |archive-date=13 October 2018 |url-status=live}}</ref><ref name="Carpetbagger" /><ref name="Filmmaker" /> There were initially twelve to fifteen tales, out of which he chose the "wilder" ones.<ref>{{Cite web |url=http://www.festival-cannes.fr/en/article/60964.html |title=Press Conference – Damián Szifron: "I think of myself as quite normal, I promise" |last=Pavard |first=Charlotte |publisher=[[Cannes Film Festival]] |date=17 May 2014 |access-date=13 March 2016 | archive-url=https://web.archive.org/web/20181013073638/http://www.festival-cannes.com/en/69-editions/retrospective/2014/actualites/articles/press-conference-damian-szifron-i-think-of-myself-as-quite-normal-i-promise |archive-date=13 October 2018 |url-status=live}}</ref><ref name=sc>{{cite web | url=https://www.screendaily.com/features/argentina-damian-szifron-interview/5100052.article | title=Argentina: Damian Szifron interview | author=Kay, Jeremy | date=10 February 2016 | work=ScreenDaily | access-date=19 January 2022 | archive-date=5 October 2021 | archive-url=https://web.archive.org/web/20211005044520/https://www.screendaily.com/features/argentina-damian-szifron-interview/5100052.article | url-status=live }}</ref> In a 2015 interview, Szifron explained that all the stories are based on real-life situations of people he has known or that Szifron went through himself. From that platform, he gave imagination free rein.<ref name="Carpetbagger" /><ref name="Collider">{{Cite web |url=http://collider.com/damian-szifron-wild-tales-interview/ |title=Writer/Director Damián Szifron Talks Oscar Nominee Wild Tales |last=Roberts |first=Sheila |website=[[Collider (website)|Collider]] |date=17 February 2015 |access-date=11 January 2018 |archive-url=https://web.archive.org/web/20150221063733/http://collider.com/damian-szifron-wild-tales-interview |archive-date=21 February 2015 |url-status=live}}</ref> In a more recent interview he tells of getting into an argument with another driver, and pulling over to write, immediately, the story that became ''"El más fuerte"''.<ref name="Collider" />
At first, all of the stories were written to be independent and each of them could have been made into a film. Szifron thought the stories would have more impact when grouped so he decided to "reduce the conflicts to its minimum and find their climaxes".<ref name="losAndes2" /> Often described as a black-humour film, Szifron stressed the stories were not planned as comedies but rather as a thriller or as a drama;<ref name="Filmmaker">{{Cite web |url=http://filmmakermagazine.com/86272-cannes-2014-5-questions-for-wild-tales-director-damian-szifron |title=Cannes 2014: 5 Questions for Wild Tales Director Damián Szifron |last=Anderson |first=Ariston |work=[[Filmmaker (magazine)|Filmmaker]] |publisher=[[Independent Feature Project]] |date=10 June 2014 |access-date=23 May 2016 |archive-url=https://web.archive.org/web/20140613231420/http://filmmakermagazine.com/86272-cannes-2014-5-questions-for-wild-tales-director-damian-szifron/ |archive-date=13 June 2014 |url-status=live}}</ref> according to Szifron, "they begin as dramas. The humor is a consequence of what these characters feel in a very dramatic situation."<ref name="Wallenberg" /> Ultimately, he thought neither comedy nor drama were appropriate labels, and decided "catastrophe movie" was the best term for it.<ref>{{Cite web |url=http://www.indiewire.com/2014/08/latinobuzzwild-tales-press-conference-172131/ |title=LatinoBuzz: 'Wild Tales' Press Conference |last=Levine |first=Sydney |website=[[IndieWire]] |date=5 August 2014 |access-date=11 January 2018 |archive-url=https://web.archive.org/web/20180111224148/http://www.indiewire.com/2014/08/latinobuzzwild-tales-press-conference-172131/ |archive-date=11 January 2018 |url-status=dead}}</ref>
All of the stories are very different; production designer Clara Notari said; "They have their own visual identity, as if each were a different movie, with its own spatial dimensions, colors, style, textures and set decoration".<ref name="Bathtub" /> Despite this, Szifron said they "are vital organs of the same body" that sustain the film<ref name="NYMaking" /> and "together [they] are more robust and make a larger universe".<ref name="losAndes2" /> Because of this desire, Szifron abandoned an early pre-production idea of having each episode done in different cinematographic styles—the fifth story would be in black-and-white; the second would be filmed with anamorphic lenses and 35mm film, and the last would be made with video cameras.<ref name=mm/> The director said the film's strength is not in the connection between the stories, and that "they are independent stories, with separate independent characters and conflicts".<ref name="losAndes2" /> Szifron said this is because he was inspired by [[concept album|concept]] and jazz albums, and by the circus. For the albums, the tracks—although a unity—have their "own identity"; during a circus spectacle the different acts have value for different reasons but they are one whole.<ref name="Carpetbagger" /> Szifron was also influenced by television anthology series ''[[Amazing Stories (1985 TV series)|Amazing Stories]]'',<ref name="BFI">{{Cite web |url=https://www2.bfi.org.uk/news-opinion/sight-sound-magazine/reviews-recommendations/film-week-wild-tales |title=Film of the week: Wild Tales |last=Diestro-Dópido |first=Mar |publisher=[[British Film Institute]] |work=[[Sight & Sound]] |date=27 March 2015 |access-date=23 May 2016 |archive-url=https://web.archive.org/web/20150329030325/http://www.bfi.org.uk/news-opinion/sight-sound-magazine/reviews-recommendations/film-week-wild-tales |archive-date=29 March 2015 |url-status=live}}</ref> ''[[Alfred Hitchcock Presents]]'' and ''[[The Twilight Zone]]'';<ref name="Wallenberg" /> as well as the film ''[[New York Stories]]'' and the book ''[[Nine Stories (Salinger)|Nine Stories]]''.<ref name="BFI" /><ref name=levy/>
''Wild Tales'' is a co-production of the Argentine firms Kramer & Sigman Films, [[Telefe|Telefe Productions]] and Corner Contenidos; and the Spanish company [[El Deseo]], which is owned by [[Agustín Almodóvar|Agustín]] and [[Pedro Almodóvar]].<ref name="losAndes">{{Cite web |url=http://www.losandes.com.ar/article/lado-salvaje-damian-szifron-704193 |title=El lado salvaje de Damián Szifron |trans-title=The wild side of Damián Szifron |work=[[Los Andes (Argentine newspaper)|Los Andes]] |publisher=[[Clarín Group]] |date=25 March 2013 |language=es |access-date=13 March 2016 |archive-url=https://web.archive.org/web/20160805104554/http://www.losandes.com.ar/article/lado-salvaje-damian-szifron-704193 |archive-date=5 August 2016 |url-status=live}}</ref><ref name="Argentina" /><ref name=cadena3/> The Almodóvars became interested in working with Szifron after watching his 2005 film ''[[On Probation (2005 film)|On Probation]]'', saying they wanted to work with Szifron on his next project.<ref name="Bathtub" /><ref>{{cite web | url=https://variety.com/2015/film/awards/10-directors-to-watch-damian-szifron-1201391345/ | title=10 Directors to Watch: Pedro Almodovar Backs Damian Szifron's "Wild Tales" | author=Simon, Alissa | date=2 January 2015 | work=Variety | accessdate=19 January 2022 | archive-date=19 January 2022 | archive-url=https://web.archive.org/web/20220119194253/https://variety.com/2015/film/awards/10-directors-to-watch-damian-szifron-1201391345/ | url-status=live }}</ref> With a budget of US$3.3–4.5 million{{efn|name=budget}}—70% from Argentina and 30% from Spain—''Wild Tales'' had an eight-week filming schedule in April and May 2013<ref name="Bathtub" /> at locations in [[Buenos Aires Province|Buenos Aires]], [[Salta Province|Salta]] and [[Jujuy Province|Jujuy]] provinces.<ref name="losAndes2">{{Cite web |url=http://www.losandes.com.ar/article/damian-szifron-es-oscuro-hecho-719035 |title=Damián Szifron: "Es lo más oscuro que he hecho" |trans-title=It is the darkest [work] I've done |last=Brega |first=Nazareno |work=Los Andes |publisher=Clarín Group |language=es |date=7 June 2013 |access-date=13 March 2016 |archive-url=https://web.archive.org/web/20160805104404/http://www.losandes.com.ar/article/damian-szifron-es-oscuro-hecho-719035 |archive-date=5 August 2016 |url-status=live}}</ref><ref name="losAndes" /> The third and final acts were the most expensive to film;<ref name=var-bud/> the third act was filmed on the road that connects [[Salta]] and [[Cafayate]]<ref>{{Cite web |url=http://vos.lavoz.com.ar/cine/de-domador-de-animales-actor-la-historia-detras-de-walter-donado-de-relatos-salvajes |title=De domador de animales a actor: la historia detrás de Walter Donado de "Relatos Salvajes" |trans-title=From tamer to actor: the history behind Walter Donado of "Wild Tales" |last=Arrascaeta |first=Germán |work=La Voz del Interior |publisher=Clarín Group |language=es |date=28 February 2015 |access-date=13 March 2016 |archive-url=https://web.archive.org/web/20150302154246/http://vos.lavoz.com.ar/cine/de-domador-de-animales-actor-la-historia-detras-de-walter-donado-de-relatos-salvajes |archive-date=2 March 2015 |url-status=live}}</ref> because, according to Szifron, "the script required a desolate route with stunning scenery and degrees of sobriety" to have a contrast between the violence of the fight and the beauty of the environment.<ref>{{Cite web |url=http://informatesalta.com.ar/noticia/19250/el-relato-en-la-voz-de-szifron-y-sbaraglia |title=El relato en la voz de Szifron y Sbaraglia |trans-title=The report in the voice of Szifron and Sbaraglia |website=Informate Salta| publisher=Troka Comunicadores |language=es |date=8 August 2014 |access-date=13 March 2016 |archive-url=https://web.archive.org/web/20160610054735/http://informatesalta.com.ar/noticia/19250/el-relato-en-la-voz-de-szifron-y-sbaraglia |archive-date=10 June 2016 |url-status=live}}</ref> When filming concluded, there was enough material for "three different movies with different takes"<ref name="Filmmaker" /> so Szifron went through a six-to-seven-month editing process, which was done in his house.<ref name="Filmmaker" /><ref name="Collider" />
Szifron considered each of the main cast members to be main-role actors who rarely star together in the same film.<ref name="Collider" /> The director said it was possible to assemble these "very important actors" because they appreciated the screenplays and because filming for each segment only took ten days.<ref name="Collider" /> Szifron already wanted to work with Darín and Martínez, who were given the opportunity to choose the role they wanted.<ref name="Carpetbagger">{{Cite web |url=http://carpetbagger.blogs.nytimes.com/2015/02/06/revenge-tales-drawn-from-everyday-indignities |title=Revenge Tales Drawn from Everyday Indignities |last=Rohter |first=Larry |work=[[The New York Times]] |date=6 February 2015 |access-date=23 May 2016 |archive-url=https://web.archive.org/web/20150207082859/http://carpetbagger.blogs.nytimes.com/2015/02/06/revenge-tales-drawn-from-everyday-indignities/ |archive-date=7 February 2015 |url-status=live}}</ref>
== Music ==
{{Main|Wild Tales (soundtrack)}}
==Themes and style==
According to Damián Szifron:
{{blockquote|We are all conscious that this system is not organised in our benefit. We behave like good citizens, we pay our taxes and we are law abiding citizens and buy the products that they sell to us but at the same time we all feel uncomfortable, as the ceiling is low or we didn’t have oxygen. This creates a great pressure that reflects in our love life or family life. We suffer this lack of time, this extreme difficulty to make money and do so many things that we are not interested in. Facing that reality, a lot of people get depressed and some others explode. This is a film about those who explode, those who cross the limit and reveal how really things work.<ref name="ScreenDaily" />}}
According to Szifron, despite the film's common themes of catharsis, violence and vengeance,<ref name=levy/><ref name=weissberg>{{cite web|url=https://variety.com/2014/film/reviews/cannes-film-review-wild-tales-1201184260/|title=Cannes Film Review: 'Wild Tales'|last=Weissberg|first=Jay|date=16 May 2014|access-date=10 August 2014|work=Variety|archive-date=31 July 2014|archive-url=https://web.archive.org/web/20140731173138/http://variety.com/2014/film/reviews/cannes-film-review-wild-tales-1201184260/|url-status=live}}</ref><ref name=bradshaw>{{cite news|url=https://www.theguardian.com/film/2014/may/17/cannes-2014-wild-tales-review-argentinian-portmanteau-movie-is-a-box-of-delights|title=Cannes 2014: Wild Tales review - Argentinian portmanteau movie is a tinderbox of delights|last=Bradshaw|first=Peter|date=17 May 2014|access-date=10 August 2014|newspaper=The Guardian|archive-date=12 August 2014|archive-url=https://web.archive.org/web/20140812214432/http://www.theguardian.com/film/2014/may/17/cannes-2014-wild-tales-review-argentinian-portmanteau-movie-is-a-box-of-delights|url-status=live}}</ref> the stories are connected by "the fuzzy boundary that separates civilization from barbarism, the vertigo of losing your temper, and the undeniable pleasure of losing control".<ref name="losAndes" /> This is explored through the concept of human beings having animalistic features. Szifron considers the main difference between humans and animals is the capacity to restrain oneself, whereas non-human animals are guided by their instincts.<!-- <ref name="NYMaking" /> --> Humans "have a fight or flee mechanism, but it comes with a very high cost. Most of us live with the frustration of having to repress oneself, but some people explode. This is a movie about those who explode".<ref name="NYMaking" /> ''Wild Tales'' deals with aspects of daily life and "is a movie about the desire for freedom, and how this lack of freedom, and the rage and anguish it produces, can cause us to run off the rails".<ref name="NYMaking">{{cite news | url=https://www.nytimes.com/2015/02/15/movies/awardsseason/the-making-of-wild-tales-an-oscar-nominee.html | title=The Making of 'Wild Tales,' an Oscar Nominee | author=Rother, Larry | date=12 February 2015 | newspaper=The New York Times | access-date=13 March 2016 | archive-date=8 December 2016 | archive-url=https://web.archive.org/web/20161208172924/http://www.nytimes.com/2015/02/15/movies/awardsseason/the-making-of-wild-tales-an-oscar-nominee.html | url-status=live }}</ref> The characters' lives are also connected because they are "losing time in things they don't care about" and trying to keep up a socially-expected façade. Szifron said the film is "a reflection of millions of people who just waste their lives" because they do not do what they love within a system that is "not designed for the majority".<ref name=paper>{{cite web | url=https://www.papermag.com/damian-szifron-on-god-violence-and-his-batshit-masterpiece-wild-tales-1427522963.html | title=Damian Szifron on God, Violence and His Batshit Masterpiece Wild Tales | author=Rickman, James | date=10 March 2015 | work=Paper | access-date=19 January 2022 | archive-date=19 January 2022 | archive-url=https://web.archive.org/web/20220119220909/https://www.papermag.com/damian-szifron-on-god-violence-and-his-batshit-masterpiece-wild-tales-1427522963.html | url-status=live }}</ref>
''Wild Tales'' is based on Szifron's understanding of Western capitalist society as a cage, and depicts the moment at which some people become so frustrated by their surroundings they cannot behave in the socially expected manner. As such, he describes it as a film about the common human need for freedom against society's need to [[Repression (psychoanalysis)|psychologically repress]] humans' animalistic features. The situations in the film are depicted in an [[absurdist fiction|absurdist]] way, which critics found reminiscent of Almodóvar and [[Luis Buñuel]]. The director believed its theme of man versus a system which may have the cards stacked against them would have universal appeal because of global [[wealth inequality]].
The film is said to feature "political anger"<ref name="BFI" /> and "political subversiveness",<ref name=wilkins>{{cite web | url=http://www.slantmagazine.com/house/article/cannes-film-festival-2014-winter-sleep-wild-tales-and-amour-fou-reviews | title=Cannes Film Festival 2014: Winter Sleep, Wild Tales, and Amour Fou Reviews | author=Wilkins, Budd | date=21 May 2014 | work=Slant Magazine | access-date=25 April 2017 | archive-url=https://web.archive.org/web/20160205094200/http://www.slantmagazine.com/house/article/cannes-film-festival-2014-winter-sleep-wild-tales-and-amour-fou-reviews | archive-date=5 February 2016 | url-status=live}}</ref> and, according to ''[[La Capital]]'', it has prompted debates about its "sociological and political side".<ref name=capital>{{cite web | url=http://www.lacapital.com.ar/escenario/Relatos-salvajes-el-fenomeno-que-invita-al-debate-social-20140907-0004.html | title='Relatos salvajes', el fenómeno que invita al debate social | trans-title='Wild Tales', the phenomenon that extends an invitation to the social debate | date=7 September 2014 | work=La Capital | publisher=Uno Multimedios | access-date=13 March 2016 | language=es | archive-date=8 May 2015 | archive-url=https://web.archive.org/web/20150508135632/http://www.lacapital.com.ar/escenario/Relatos-salvajes-el-fenomeno-que-invita-al-debate-social-20140907-0004.html | url-status=dead }}</ref> Psychologist Diana Paulozky, in an interview for ''[[La Voz del Interior]]'', said ''Wild Tales''' includes both visible and constrained violence, cynicism, moral hypocrisy, and denigration that may induce public turmoil.<ref name=lavoz/> ''La Capital'' promoted a debate about the film with [[social security]] specialist Martín Appiolaza and sociologist Daniel Cholakian. Appiolaza said the film shows [[structural violence]] and specific violence towards school and work, and among couples, as well as types of discrimination. He concluded; "the theme of the film is the inequality that arouses violent reactions".<ref name=capital/> Cholakian stated it depicts the violence that involves upper-middle-class, urban people, and that the main victims of social violence are the poorest people; "So the film is light years from reflecting the universality of that theme".<ref name=capital/> Cholakian also refused to discuss violence in ''Wild Tales'' and dared to think Szifron would agree with him.<ref name=capital/> Szifron said the film's themes of "government and corporate corruption and bureaucratic malfeasance&nbsp;... have a universal resonance&nbsp;... in a world where power is concentrated in the hands of a small group of wealthy and powerful individuals".<ref name="Wallenberg" />
Several reviewers interpreted the film as a critique of 21st-century Argentinean daily life<ref name=nashawaty/><ref name=tnr>{{cite magazine | url=https://newrepublic.com/article/121030/wild-tales-argentinas-oscar-nominee-reinvents-anthology-movie | title=This Argentine Director Has Accomplished What Scorsese and Woody Couldn't | date=11 February 2015 | author=Teng, Elaine | magazine=The New Republic | accessdate=11 January 2022 | archive-date=12 January 2022 | archive-url=https://web.archive.org/web/20220112002231/https://newrepublic.com/article/121030/wild-tales-argentinas-oscar-nominee-reinvents-anthology-movie | url-status=live }}</ref> or "a backdrop of 20th century Argentine oppression".<ref name=newsday>{{cite web | url=http://www.newsday.com/entertainment/movies/wild-tales-review-an-over-the-top-display-of-human-nature-1.10046971 | title='Wild Tales' review: An over-the-top display of human nature | author=Anderson, John | date=12 March 2015 | website=Newsday | access-date=25 April 2017 | archive-url=https://web.archive.org/web/20170425205306/http://www.newsday.com/entertainment/movies/wild-tales-review-an-over-the-top-display-of-human-nature-1.10046971 | archive-date=25 April 2017 | url-status=live}}</ref> Szifron, however, said it could be set "in any other country and in any other period of time".<ref name="Wallenberg" /> He said the central theme is universal; "man versus a system that's designed against him, not to facilitate life, but to take things out of you".<ref name="Wallenberg" /> As such, it criticizes several problems and "frustrations of contemporary life",<ref name=rooney/> including government and corporate corruption, bureaucratic malfeasance,<ref name="Wallenberg" /> economic and social inequality,<ref name=rooney/> abuse of power,<ref name=mm/> emotional and physical abuse,<ref name="BFI" /> class and gender bias,<ref name=kohn>{{cite web | url=http://www.indiewire.com/2014/05/cannes-review-pedro-almodovar-produced-wild-tales-is-a-brilliant-social-satire-26614/ | title=Cannes Review: Pedro Almodovar-Produced 'Wild Tales' Is a Brilliant Social Satire | author=Kohn, Eric | date=16 May 2014 | website=IndieWire | access-date=25 April 2017 | archive-url=https://web.archive.org/web/20170426055557/http://www.indiewire.com/2014/05/cannes-review-pedro-almodovar-produced-wild-tales-is-a-brilliant-social-satire-26614/ | archive-date=26 April 2017 | url-status=live}}</ref> social exigence of marriage,<ref name="ScreenDaily" /> [[Machismo|macho culture]], and the need for revenge.<ref name=horton/> It deals with money, power and [[elitism]],<ref>{{cite web | url=http://www.philly.com/philly/entertainment/movies/20150313__Wild_Tales__is_nasty_fun.html | archive-url=https://web.archive.org/web/20150316020417/http://www.philly.com/philly/entertainment/movies/20150313__Wild_Tales__is_nasty_fun.html | archive-date=16 March 2015 | title='Wild Tales' is nasty fun | date=13 March 2015 | author=Thompson, Gary | website=Philly.com | access-date=25 April 2017}}</ref> and depicts people as selfish, disloyal and [[Economic materialism|materialistic]].<ref name="BFI" /> In such a "social Darwinian world",<ref name=dargis/> the acts of vengeance are usually motivated by class or economic conflicts,<ref name=solomon/> beneath which is a desire to break free from what Szifron referred to as the "transparent cage" of Western capitalist and [[consumerism|consumeristic]] society.<ref name="BFI" /><ref name=levy>{{cite web | url=https://emanuellevy.com/interviews/wild-tales-argentinas-oscar-entry-interview-with-director-damian-szifron/ | title=Wild Tales: Argentinean Oscar Entry–Interview with Director Damián Szifron | author=[[Emanuel Levy|Levy, Emanuel]] | date=20 October 2014 | website=Emanuellevy.com | accessdate=11 January 2022 | archive-date=12 January 2022 | archive-url=https://web.archive.org/web/20220112002228/https://emanuellevy.com/interviews/wild-tales-argentinas-oscar-entry-interview-with-director-damian-szifron/ | url-status=live }}</ref><ref>{{cite web | url=https://www.interviewmagazine.com/film/damian-szifron-wild-tales-tiff-2014 | title=Damián Szifrón, Student of '70s Cinema | author=Fragoso, Sam | date=16 September 2014 | work=[[Interview (magazine)|Interview]] | access-date=19 January 2022 | archive-date=20 January 2022 | archive-url=https://web.archive.org/web/20220120002118/https://www.interviewmagazine.com/film/damian-szifron-wild-tales-tiff-2014 | url-status=live }}</ref> The main issue, according to Szifron, "is the pleasure of reacting, the pleasure of reacting toward injustice".<ref name="Wallenberg">{{cite web | url=https://www.bostonglobe.com/arts/movies/2015/02/28/the-real-life-inspiration-for-wild-tales-from-argentina/YzmpGzBWChVEbQyvyrYnqO/story.html | title=The real-life inspiration for 'Wild Tales' | date=28 February 2015 | author=Wallenberg, Christopher | work=Boston Globe | access-date=23 May 2016 | archive-date=10 June 2016 | archive-url=https://web.archive.org/web/20160610041728/https://www.bostonglobe.com/arts/movies/2015/02/28/the-real-life-inspiration-for-wild-tales-from-argentina/YzmpGzBWChVEbQyvyrYnqO/story.html | url-status=live }}</ref> According to the film's producer Pedro Almodóvar, the film was not meant to support vigilantism: catharsis is only used to stimulate the action.<ref>{{cite news | url=https://elpais.com/cultura/2014/09/25/actualidad/1411660736_011861.html | title=Almodóvar: 'A los gobernantes no les afecta el dolor de la ciudadanía' | trans-title=Almodóvar: 'The rulers don't care about the pain of the citizens' | author=Belinchón, Gregorio | date=25 September 2014 | work=[[El País]] | access-date=19 January 2022 | language=es | archive-date=19 January 2022 | archive-url=https://web.archive.org/web/20220119213838/https://elpais.com/cultura/2014/09/25/actualidad/1411660736_011861.html | url-status=live }}</ref>
Film critics [[Chaz Ebert]] of ''[[RogerEbert.com]]'' and Steven Zeitchik of ''Los Angeles Times'' commented that the film focused on how "seemingly ordinary people" and "seemingly ordinary events" are involved in or become [[absurdist fiction|absurdist]] situations.<ref>{{cite web | url=https://www.rogerebert.com/chazs-blog/ebertfest-2015-roger-you-would-approve | title=Ebertfest 2015: Roger, You Would Approve! | last=Ebert | first=Chaz | date=25 March 2015 | website=RogerEbert.com | access-date=9 November 2022 | archive-date=9 November 2022 | archive-url=https://web.archive.org/web/20221109055801/https://www.rogerebert.com/chazs-blog/ebertfest-2015-roger-you-would-approve | url-status=live }}</ref><ref>{{cite web | url=https://www.latimes.com/entertainment/movies/moviesnow/la-et-mn-cannes-2014-wild-tales-pedro-almodovar-damian-szifron-argentina-20140519-story.html | title=Cannes 2014: In buzzy 'Wild Tales,' a Pedro Almodovar vibe | last=Zeitchik | first=Steven | date=19 May 2014 | website=Los Angeles Times | access-date=9 November 2022 | archive-date=9 November 2022 | archive-url=https://web.archive.org/web/20221109055809/https://www.latimes.com/entertainment/movies/moviesnow/la-et-mn-cannes-2014-wild-tales-pedro-almodovar-damian-szifron-argentina-20140519-story.html | url-status=live }}</ref> James Rickman of ''[[Paper (magazine)|Paper]]'' called ''Wild Tales'' "a ''[[:wikt:cri de coeur|cri de coeur]]'' against the personal and political barriers that block human curiosity".<ref name=paper/> Claudia Puig of ''[[USA Today]]'' said it explores "the dark side of humanity and the dehumanization of society",<ref name=puig/> while, according to Michael O'Sullivan of ''[[The Washington Post]]'', it is "a sharply observed case study in human nature".<ref name=sullivan/> Eric Kohn of [[IndieWire]] said the last segment alters the film's overall meaning; "The bizarrely touching conclusion is a cynical take on the ups and downs of a relationship, hinting at the idea that even a mad world divided against itself thrives on the need for companionship".<ref name=kohn/> Ty Burr from ''[[Boston Globe]]'' concluded, "there is no lasting meaning, other than that people are funny, nasty animals when pushed to their limits".<ref name=burr/>
Both in Europe and Latin America, film critics dubbed ''Wild Tales''; "Characters on the Verge of a Nervous Breakdown", alluding to Almodóvar's ''[[Women on the Verge of a Nervous Breakdown]]'', which Almodóvar considered a fair comparison.<ref name="NYMaking" /> According to Rooney, Almodóvar's influence is "there in the off-kilter humor, in the stylish visuals and bold use of music, and in the affection for ordinary people pushed to extraordinary extremes".<ref name=rooney/> Bob Mondello of [[NPR]] said the last segment "is weird, sexy and violent enough to make you think of the wild tales of director Pedro Almodóvar".<ref name=mondello/> Scott Feinberg of ''The Hollywood Reporter'' called ''Wild Tales'' a mix of [[Luis Buñuel]], [[Rod Serling]] and Almodóvar;<ref name=feinberg/> several other critics compared its style to that of Buñuel,<ref name=kohn/><ref name=kermode>{{cite web | url=https://www.theguardian.com/film/2015/mar/29/wild-tales-review-scabrously-satirical-revenge-middle-class-meltdown | title=Wild Tales review – scabrously satirical revenge tales | date=29 March 2015 | author=[[Mark Kermode|Kermode, Mark]] | work=The Guardian | access-date=19 January 2022}}</ref> especially its [[absurdism]]<ref name=wsj/><ref name=onm>{{cite web | url=https://onmilwaukee.com/articles/wildtales | title='Wild Tales' is a bitterly entertaining six-course meal of sweet revenge | author=Mueller, Matt | date=8 April 2015 | website=[[OnMilwaukee]] | access-date=19 January 2022 | archive-date=19 January 2022 | archive-url=https://web.archive.org/web/20220119210506/https://onmilwaukee.com/articles/wildtales | url-status=live }}</ref> and the deterioration of normal life into savagery.<ref name=onm/><ref>{{cite web | url=https://www.jpost.com/not-just-news/gory-stories-395923 | title=Gory stories | date=2 April 2015 | author=Brown, Hannah | work=[[The Jerusalem Post]] | access-date=19 January 2022 | archive-date=19 January 2022 | archive-url=https://web.archive.org/web/20220119210454/https://www.jpost.com/not-just-news/gory-stories-395923 | url-status=live }}</ref> Critics also noted similarities between ''Wild Tales'' and the works of [[Alfred Hitchcock]],<ref>{{cite web | url=https://archive.kpcc.org/programs/offramp/2015/02/20/41616/oscars-2015-foreign-film-noms-wild-tales-and-timbu/ | title=Oscars 2015: Foreign Film noms 'Wild Tales' and 'Timbuktu' | author=Greene, R.H. | date=20 February 2015 | publisher=[[KPCC (radio station)|KPCC]] | access-date=19 January 2022 | archive-date=20 January 2022 | archive-url=https://web.archive.org/web/20220120002114/https://archive.kpcc.org/programs/offramp/2015/02/20/41616/oscars-2015-foreign-film-noms-wild-tales-and-timbu/ | url-status=live }}</ref><ref>{{cite web | url=https://filmschoolrejects.com/meaningful-cinema-that-is-also-entertaining-559c2be5adea/ | title=When Meaningful Cinema Is Entertaining | author=McCausland, Sinead | date=30 March 2015 | website=[[Film School Rejects]] | access-date=19 January 2022 | archive-date=20 January 2022 | archive-url=https://web.archive.org/web/20220120002113/https://filmschoolrejects.com/meaningful-cinema-that-is-also-entertaining-559c2be5adea/ | url-status=live }}</ref><ref>{{cite web | url=https://nuvo.newsnirvana.com/entertainment/screens/review-wild-tales/article_5eada818-db68-5c52-b845-dc66118254e1.html/ | title=Review: Wild Tales | author=Johnson-Ott, Edward | date=8 April 2015 | publisher=[[NUVO (newspaper)|NUVO]] | access-date=19 January 2022 | archive-date=20 January 2022 | archive-url=https://web.archive.org/web/20220120002113/https://nuvo.newsnirvana.com/entertainment/screens/review-wild-tales/article_5eada818-db68-5c52-b845-dc66118254e1.html/ | url-status=live }}</ref> ''[[Pulp Fiction]]'',<ref name="Wallenberg" /><ref name=bradshaw/><ref name=nashawaty/> [[Steven Spielberg]]'s ''[[Duel (1971 film)|Duel]]'',<ref name="Wallenberg" /><ref name=bradshaw/> [[Michael Douglas]]-starring ''[[Falling Down]]'',<ref name="Wallenberg" /> ''[[Tales from the Crypt (TV series)|Tales from the Crypt]]'',<ref name=kermode/> and [[Emir Kusturica]].<ref name=bradshaw/> While "Pasternak" was often compared to ''[[The Twilight Zone]]'' because of its series of revelations,<ref name=horton/><ref name=puig/><ref name=mondello/> the third segment was often compared to a [[Road Runner and Wile E. Coyote]] cartoon,<ref name=dargis/><ref name=howell/> and was said to have [[slapstick]] touches<ref name=ingram/><ref name=mondello>{{cite web | url=https://www.npr.org/2015/02/19/387314001/argentine-oscar-nominee-wild-tales-lives-up-to-its-title | title=Argentine Oscar Nominee 'Wild Tales' Lives Up To Its Title | author=Mondello, Bob | date=19 February 2015 | publisher=NPR | access-date=18 October 2016 | archive-date=18 October 2016 | archive-url=https://web.archive.org/web/20161018231021/http://www.npr.org/2015/02/19/387314001/argentine-oscar-nominee-wild-tales-lives-up-to-its-title | url-status=live }}</ref> and to be "Tarantino-esque".<ref name=puig/><ref name=mondello/> It was also labeled "a cross between Steven Spielberg's ''Duel'' and a violent Tom and Jerry cartoon" by Nashawaty,<ref name=nashawaty/> and "a combination of ''Deliverance'' and an R-rated Wile E. Coyote cartoon" by Liam Lacey of ''[[The Globe and Mail]]''.<ref name=lacey>{{cite news | url=https://www.theglobeandmail.com/arts/film/film-reviews/dark-comedy-of-wild-tales-is-a-rude-refreshing-change-of-pace/article23314777/ | title=Dark comedy of Wild Tales is a rude, refreshing change of pace | date=6 March 2015 | author=Lacey, Liam | work=The Globe and Mail | access-date=18 October 2016 | archive-date=18 October 2016 | archive-url=https://web.archive.org/web/20161018235906/http://www.theglobeandmail.com/arts/film/film-reviews/dark-comedy-of-wild-tales-is-a-rude-refreshing-change-of-pace/article23314777/ | url-status=live }}</ref>
==Release and reception==
===Marketing and release===
[[Warner Bros. Pictures]] was the Argentine distributor of ''Wild Tales''.<ref name=lavoz>{{cite web | url=https://www.lavoz.com.ar/vos/cine/cual-es-el-secreto-de-relatos-salvajes/ | title=¿Cuál es el secreto de "Relatos salvajes"? | trans-title=What's the secret of "Wild Tales" | author=Rodríguez, Juliana | date=31 August 2014 | work=La Voz del Interior | access-date=19 January 2022 | language=es | archive-date=20 January 2022 | archive-url=https://web.archive.org/web/20220120022155/https://www.lavoz.com.ar/vos/cine/cual-es-el-secreto-de-relatos-salvajes/ | url-status=live }}</ref> Juliana Rodríguez of ''La Voz del Interior'' described its marketing as a "huge operation" which included film posters, in the streets and in public buses, and billboard pieces (''[[:es:gigantografía|gigantografía]]s'') featuring its characters. Warner Bros. screened the film's trailer at facilities and published previews, banners, clips, and photographs on social media.<ref name=lavoz/> The film had its world premiere on 17 May 2014 at the [[2014 Cannes Film Festival|Cannes Film Festival]],<ref name="reuters">{{cite news|url=https://www.reuters.com/article/filmfestival-cannes-idUSL3N0O308620140517|title=REFILE-Revenge comedy a hit in Cannes, fashion biopic cold-shouldered|last=Sage|first=Alexandria|date=17 May 2014|access-date=10 August 2014|newspaper=Reuters|archive-date=12 March 2016|archive-url=https://web.archive.org/web/20160312124802/http://www.reuters.com/article/filmfestival-cannes-idUSL3N0O308620140517|url-status=live}}</ref> which created much anticipation for its Argentine debut.<ref name=lavoz/><ref name=bae>{{cite web | url=https://www.infobae.com/2014/08/11/1586967-postergan-el-estreno-relatos-salvajes-conflictos-gremiales-los-cines/?outputType=amp-type | title=Postergan el estreno de Relatos salvajes por conflictos gremiales en los cines | date=11 August 2014 | website=[[Infobae]] | access-date=19 January 2022 | archive-date=20 January 2022 | archive-url=https://web.archive.org/web/20220120022156/https://www.infobae.com/2014/08/11/1586967-postergan-el-estreno-relatos-salvajes-conflictos-gremiales-los-cines/?outputType=amp-type | url-status=live }}</ref> Prior to the domestic release in late July and early August 2014, Szifron and the cast appeared on the Argentine television talk shows of [[Susana Giménez]] and [[Mirtha Legrand]].<ref>{{cite web | url=https://www.clarin.com/espectaculos/tv/Susana_Gimenez_0_HJ9fs095DQl.html | title=Así volvió Susana a la TV | trans-title=And so Susana returned to TV | date=30 July 2014 | work=Clarín | access-date=19 January 2022 | language=es | archive-date=20 January 2022 | archive-url=https://web.archive.org/web/20220120022156/https://www.clarin.com/espectaculos/tv/Susana_Gimenez_0_HJ9fs095DQl.html | url-status=live }}</ref><ref name=cont>{{cite web | url=https://www.lanacion.com.ar/espectaculos/damian-szifron-denunciado-por-incitacion-a-la-violencia-nid1718674/ | title=Damián Szifrón, denunciado por "incitación a la violencia" | trans-title=Damián Szifrón, denounced for "prompting violence" | date=14 August 2014 | work=La Nácion | access-date=19 January 2022 | language=es | archive-date=20 January 2022 | archive-url=https://web.archive.org/web/20220120022155/https://www.lanacion.com.ar/espectaculos/damian-szifron-denunciado-por-incitacion-a-la-violencia-nid1718674/ | url-status=live }}</ref> A comment by Szifron on Mirtha Legrand's show attracted some controversy on Twitter and was officially denounced;<ref name=cont/> Rodríguez said it generated involuntary publicity.<ref name=lavoz/>
The film's release was originally planned for 14 August but a strike by the trade union of theatre workers caused Warner Bros. to postpone it.<ref name=bae/> The film opened in Argentina on 21 August 2014.<ref name="BOM" /> During its first weekend, it set the country's record for an opening with 450,000 tickets (approximately US$2.5&nbsp;million).<ref name=Argentina/> After 24 days, it had become the most-seen film of the year in Argentina with more than two million views in 275 cinemas.<ref name=cadena3>{{cite web|url= http://www.cadena3.com/contenido/2014/09/15/134729.asp|title= 'Relatos Salvajes' es la película más vista del año|trans-title= 'Wild Tales' is the most seen film of the year|language= es|date= 16 September 2014|publisher= Cadena 3|access-date= 15 September 2014|archive-date= 20 September 2014|archive-url= https://web.archive.org/web/20140920011229/http://www.cadena3.com/contenido/2014/09/15/134729.asp|url-status= live}}</ref> By September, it was estimated to have sold more than 2.4 million tickets.<ref name=masv/> In the same month, it became the first domestic film to exceed 100 million [[Argentine peso|peso]]s (US$12 million) at the box office.<ref name="ScreenDaily" >{{cite web | url=https://www.screendaily.com/interviews/szifron-talks-wild-tales-new-sci-fi-film/5078105.article | title=Damian Szifron talks Wild Tales, new sci-fi film | author=Sarda, Juan | date=30 September 2014 | work=Screen Daily | access-date=11 January 2018 | archive-date=11 January 2018 | archive-url=https://web.archive.org/web/20180111165110/https://www.screendaily.com/interviews/szifron-talks-wild-tales-new-sci-fi-film/5078105.article | url-status=live }}</ref> By the end of its theatrical run, ''Wild Tales'' had sold over 3.9 million tickets, making it the most-seen Argentine film of all time{{efn|name=record|The Argentine film industry only started to register film box office attendance through reliable data in 1997. According to this data, ''[[The Secret in Their Eyes]]'' (2009) was the record holder for tickets sold (2,410,592) at the time ''Wild Tales'' premiered. By September 2014, ''Wild Tales'' had broken the record having been watched by 2,414,000 people.<ref name=masv>{{cite web | url=http://www.lanacion.com.ar/1730288-relatos-salvajes-la-mas-vista | title=Relatos salvajes, la más vista | trans-title=Wild Tales, the most seen | date=26 September 2014 | work=La Nácion | access-date=8 May 2016 | language=es | archive-date=24 March 2018 | archive-url=https://web.archive.org/web/20180324041350/https://www.lanacion.com.ar/1730288-relatos-salvajes-la-mas-vista | url-status=live }}</ref> Unofficial records, however, indicated 1970s films ''[[Nazareno Cruz y el lobo]]'' and ''[[El santo de la espada]]'' were attended by 3.4–3.5 million and 2.6 million, respectively.<ref name=masv/><ref>{{cite web | url=https://www.lanacion.com.ar/espectaculos/nazareno-cruz-lobo-ultima-pelicula-feliz-leonardo-nid2555097/ | title=Nazareno Cruz y el lobo, la última película feliz de Leonardo Favio | trans-title=Nazareno Cruz y el lobo, the last happy picture by Leonardo Favio | author=Stiletano, Marcelo | date=12 January 2021 | work=La Nácion | access-date=19 January 2022 | language=es | archive-date=20 January 2022 | archive-url=https://web.archive.org/web/20220120033741/https://www.lanacion.com.ar/espectaculos/nazareno-cruz-lobo-ultima-pelicula-feliz-leonardo-nid2555097/ | url-status=live }}</ref>
In December, it was announced that ''Wild Tales''{{'s}} attendance had exceeded 3.4 million people, making it the record holder by any data.<ref>{{cite web | url=https://www.clarin.com/cine/relatos-salvajes-record-pelicula-argentina-mas-vista-historia_0_S1OQgBP5wme.html | title='Relatos salvajes' es la película nacional más vista en la historia | trans-title='Wild Tales' is the most-seen domestic film of all time | date=22 December 2014 | work=Clarín | access-date=19 January 2022 | language=es | archive-date=20 January 2022 | archive-url=https://web.archive.org/web/20220120033738/https://www.clarin.com/cine/relatos-salvajes-record-pelicula-argentina-mas-vista-historia_0_S1OQgBP5wme.html | url-status=live }}</ref> It later reached 3.9 million tickets sold.<ref name=sc/><ref>{{cite web | url=http://www.buenosairesherald.com/article/183929/moviegoing-race-picks-up-speed-in-2015 | title=Moviegoing race picks up speed in 2015 | date=10 March 2015 | work=Buenos Aires Herald | archive-url=https://web.archive.org/web/20180111165245/http://www.buenosairesherald.com/article/183929/moviegoing-race-picks-up-speed-in-2015 | archive-date=11 January 2018}}</ref> }} while also grossing US$11.7–21.1 million in Argentina.{{efn|name=g-ar|Box Office Mojo reports a gross of $11,783,141,<ref name="BOM">{{cite web | url=https://www.boxofficemojo.com/releasegroup/gr2680574469/ | title=Wild Tales (2014) | publisher=Box Office Mojo | access-date=20 January 2021 | archive-date=28 January 2021 | archive-url=https://web.archive.org/web/20210128235535/https://www.boxofficemojo.com/releasegroup/gr2680574469/ | url-status=live }}</ref> while ''Variety'' informed it earned $16.7 million,<ref name=var-bud/> and ''ScreenDaily'' said its box office was $21.1 million in Argentina.<ref name=sc/> }} [[Sony Pictures Classics]] distributed ''Wild Tales'' in the United States, Canada, and Australia; Warner Bros. also distributed it in France and Spain.<ref name="Bathtub" /> On 17 October 2014, it debuted in Spain, where it grossed over $4.3 million.<ref name="BOM"/> ''Wild Tales'' was exhibited in about 30 countries, grossing over $3.1 million in the United States, $2.6 million in France, and over $1 million in Germany, Italy, and Brazil,<ref name="BOM"/> for a worldwide gross of $30.6–44.1 million.{{efn|name=gross}}
===Critical reception===
{|class="wikitable sortable" style="float:right; margin:10px 10px 0px 10px; font-size:90%"
|+
|-
!scope=col| Best of 2014
!scope=col| Rank
! scope="col" class="unsortable"| {{Abbr|Ref(s)|Reference(s)}}
|-
|scope=row| [[Tom Brook]], [[BBC]] || {{sort|03|3rd}}
| rowspan="6" |<ref name=top2014/>
|-
|scope=row| Drew McWeeny, [[HitFix]] || {{sort|03|3rd}}
|-
|scope=row|Todd McCarthy, ''[[The Hollywood Reporter]]'' || {{sort|07|7th}}
|-
|scope=row| Scott Feinberg, ''The Hollywood Reporter'' || {{sort|08|8th}}
|-
|scope=row| [[Anne Thompson (film journalist)|Anne Thompson]], ''Thompson on Hollywood'' || {{sort|09|9th}}
|-
|scope=row| [[Richard Corliss]], ''[[Time (magazine)|Time]]'' || {{sort|09|9th}}
|-
!scope=col| Best of 2015
!scope=col| Rank
! scope="col" class="unsortable"| {{Abbr|Ref(s)|Reference(s)}}
|-
| scope=row| Dennis Dermody, ''[[Paper (magazine)|Paper]]'' || {{sort|02|2nd}}
| rowspan="5" |<ref name=top2015/>
|-
| Kimber Myers, ''The Playlist'' || {{sort|06|6th}}
|-
| David Chen, ''[[Slashfilm]]'' || {{sort|08|8th}}
|-
| Staff consensus, ''[[Uncut (magazine)|Uncut]]'' || {{sort|08|8th}}
|-
| Seongyong Cho, ''RogerEbert.com'' || {{sort|09|9th}}
|}
''Wild Tales'' was critically acclaimed.<ref name=mm>{{cite web | url=https://www.moviemaker.com/archives/interviews/perhaps-im-a-twisted-person-damian-szifron-on-wild-tales/ | title='Perhaps I'm a Twisted Person:' Damián Szifron on ''Wild Tales'' | author=Schwartz, Paula | date=4 March 2015 | work=[[MovieMaker]] | access-date=11 January 2018 | archive-date=12 January 2018 | archive-url=https://web.archive.org/web/20180112161457/https://www.moviemaker.com/archives/interviews/perhaps-im-a-twisted-person-damian-szifron-on-wild-tales/ | url-status=live }}</ref> In Argentina, its appraisal by ''[[Clarín (Argentine newspaper)|Clarín]]'' was "a phenomenal reception",<ref name=clarin>{{cite web | url=http://www.clarin.com/sociedad/filme-lleva-tension-maximo_0_1140486043.html | title=Un filme que lleva la tensión hasta lo máximo | trans-title=A film that brings tension to the utmost | author=Scholz, Pablo O. | work=Clarín | date=18 May 2014 | language=es | access-date=13 March 2016 | archive-date=25 March 2016 | archive-url=https://web.archive.org/web/20160325044905/http://www.clarin.com/sociedad/filme-lleva-tension-maximo_0_1140486043.html | url-status=live }}</ref> and English-speaking reviewers were also favorable.<ref name=rt/><ref name=mc/> On [[Rotten Tomatoes]], based on 159 reviews, ''Wild Tales'' holds a 94% "fresh" rating and an average score of 8/10. The critical consensus says it is "Wickedly hilarious and delightfully deranged, ''Wild Tales'' is a subversive satire that doubles as a uniformly entertaining anthology film".<ref name=rt>{{cite web | url=https://www.rottentomatoes.com/m/wild_tales | title=Wild Tales (2015) | work=[[Rotten Tomatoes]] | publisher=[[Fandango Media]] | access-date=12 September 2023 | archive-date=27 November 2022 | archive-url=https://web.archive.org/web/20221127024924/https://www.rottentomatoes.com/m/wild_tales | url-status=live }}</ref> [[Metacritic]] reports an average score of 77 based on 33 reviews, indicating "generally favorable reviews".<ref name=mc>{{cite web | url=http://www.metacritic.com/movie/wild-tales | title=Wild Tales | work=[[Metacritic]] | publisher=[[CBS Interactive]] | access-date=8 March 2015 | archive-date=18 January 2015 | archive-url=https://web.archive.org/web/20150118021941/http://www.metacritic.com/movie/wild-tales | url-status=live }}</ref> Audiences surveyed by [[CinemaScore]] gave the film an average grade of "B+" on an A+ to F scale.<ref>{{cite news|url=https://www.indiewire.com/2015/02/arthouse-audit-oscar-hopeful-wild-tales-opens-to-strong-numbers-188727/|title=Arthouse Audit: Oscar Hopeful 'Wild Tales' Opens to Strong Numbers|first=Brueggemann|last=Tom|work=[[IndieWire]]|date=February 22, 2015|access-date=February 18, 2023|archive-date=19 February 2023|archive-url=https://web.archive.org/web/20230219051845/https://www.indiewire.com/2015/02/arthouse-audit-oscar-hopeful-wild-tales-opens-to-strong-numbers-188727/|url-status=live}}</ref> Praise was most often given to its narrative, cinematography, acting, screenplay, and the buildup to the climax.<ref name=lavoz/> Occasional detractors said the film has a misanthropic or weak morality, a gimmicky intention, and predictable and repetitive stories.<ref name=lavoz/>
''[[Time (magazine)|Time]]'' writer [[Richard Corliss]] compared ''Wild Tales'' to stories by [[Ambrose Bierce]] and [[Roald Dahl]], calling it "the year's most fearlessly funny film", and naming it the ninth-best film of 2014.<ref>{{cite magazine | url=http://time.com/3616154/top-10-best-movies-2014/ | title=Top 10 Best Movies | date=2 December 2014 | author=Corliss, Richard | magazine=Time | publisher=Time Inc. | access-date=13 March 2016 | archive-date=30 July 2017 | archive-url=https://web.archive.org/web/20170730223451/http://time.com/3616154/top-10-best-movies-2014/ | url-status=live }}</ref> Five other critics placed it in their top 10 films of 2014, and five more did the same in 2015.<ref name=top2014>{{cite web | url=https://www.metacritic.com/feature/film-critic-top-10-lists-best-movies-of-2014 | title=Best of 2014: Film Critic Top Ten Lists | first=Jason | last=Dietz | date=6 December 2014 | website=Metacritic | publisher=CBS Interactive | access-date=20 January 2021 | archive-date=31 December 2014 | archive-url=https://web.archive.org/web/20141231162905/https://www.metacritic.com/feature/film-critic-top-10-lists-best-movies-of-2014 | url-status=live }}</ref><ref name=top2015>{{cite web | url=https://www.metacritic.com/feature/film-critics-list-the-top-10-movies-of-2015 | title=Best of 2014: Film Critic Top Ten Lists | first=Jason | last=Dietz | date=6 December 2015 | website=Metacritic | publisher=CBS Interactive | access-date=20 January 2021 | archive-date=6 December 2015 | archive-url=https://web.archive.org/web/20151206222753/https://www.metacritic.com/feature/film-critics-list-the-top-10-movies-of-2015 | url-status=live }}</ref> Also in 2015, the Cuban Association of Film Press considered it the best film release in the country that year.<ref>{{cite web | url=https://www.prensa.com/impresa/vivir/Relatos-salvajes-mejor-cinta-Cuba_0_4379562091.html | title='Relatos salvajes', la mejor cinta según Cuba | trans-title='Wild Tales', the best film according to Cuba | date=28 December 2015 | work=[[La Prensa (Panama City)|La Prensa]] | access-date=20 January 2022 | language=es | archive-date=20 January 2022 | archive-url=https://web.archive.org/web/20220120045517/https://www.prensa.com/impresa/vivir/Relatos-salvajes-mejor-cinta-Cuba_0_4379562091.html | url-status=live }}</ref> In 2018, the [[BBC]] polled 209 film experts from 43 countries to name the 100 best foreign-language films; although ''Wild Tales'' did not make the main list, two critics placed it in their top 10s.<ref>{{cite web | url=https://www.bbc.com/culture/article/20181029-the-100-greatest-foreign-language-films-who-voted | title=The 100 greatest foreign-language films: who voted? | website=BBC | date=29 October 2018 | access-date=20 January 2021 | archive-date=18 November 2020 | archive-url=https://web.archive.org/web/20201118164820/https://www.bbc.com/culture/article/20181029-the-100-greatest-foreign-language-films-who-voted | url-status=live }}</ref>
Elaine Teng of ''[[The New Republic]]'' and Nicholas Barber of ''[[The Guardian]]'' praised ''Wild Tales'' as a good example of an anthology film; Teng said it is "the rare anthology movie that transcends the limits of its form".<ref name=tnr/><ref>{{cite web | url=https://www.theguardian.com/film/2015/mar/17/portmanteau-films-wild-tales-pulp-fiction-short-cuts | title=Fragmentation games: the return of the portmanteau film | date=17 March 2015 | work=The Guardian | access-date=11 January 2022 | archive-date=11 October 2017 | archive-url=https://web.archive.org/web/20171011164828/https://www.theguardian.com/film/2015/mar/17/portmanteau-films-wild-tales-pulp-fiction-short-cuts | url-status=live }}</ref> O'Sullivan praised its tone and presentation,<ref name=sullivan>{{cite news | url=https://www.washingtonpost.com/goingoutguide/movies/satirical-wild-tales-stands-out-among-oscars-foreign-language-nominees/2015/02/25/37cdfdc4-b880-11e4-9423-f3d0a1ec335c_story.html | title=Satirical 'Wild Tales' stands out among Oscar's foreign language nominees | author=O'Sullivan, Michael | date=25 February 2015 | newspaper=The Washington Post | access-date=17 October 2016 | archive-date=19 October 2016 | archive-url=https://web.archive.org/web/20161019011236/https://www.washingtonpost.com/goingoutguide/movies/satirical-wild-tales-stands-out-among-oscars-foreign-language-nominees/2015/02/25/37cdfdc4-b880-11e4-9423-f3d0a1ec335c_story.html | url-status=live }}</ref> while Burr and Mar Diestro-Dópido of ''[[Sight & Sound]]'' praised its storytelling; Diestro-Dópido said each part makes up "a coherent, exuberant whole".<ref name=burr>{{cite web | url=https://www.bostonglobe.com/arts/movies/2015/03/05/wildtales/7ZvVy8DUEHj9WUBl0aZngP/story.html | title=In 'Wild Tales,' rage in all its glory | date=5 March 2015 | author=Burr, Ty | work=Boston Globe | access-date=17 October 2016 | archive-date=19 October 2016 | archive-url=https://web.archive.org/web/20161019070354/http://www.bostonglobe.com/arts/movies/2015/03/05/wildtales/7ZvVy8DUEHj9WUBl0aZngP/story.html | url-status=live }}</ref><ref name="BFI" />  ''Clarín'' critic Pablo O. Scholz said although each story's tone is different, the film keeps up a tension that grabs the public's attention.<ref name=clarin/> Similarly, Joe Morgenstern of ''[[The Wall Street Journal]]'' wrote ''Wild Tales'' makes "you never lose interest for a moment".<ref name=wsj>{{cite web | url=https://www.wsj.com/articles/wild-tales-review-a-collection-from-the-edge-1424375817 | title='Wild Tales' Review: A Collection From the Edge | author=Morgenstern, Joe | date=19 February 2015 | work=The Wall Street Journal | access-date=19 January 2022 | archive-date=19 January 2022 | archive-url=https://web.archive.org/web/20220119192333/https://www.wsj.com/articles/wild-tales-review-a-collection-from-the-edge-1424375817 | url-status=live }}</ref> Charles Solomon of the ''Los Angeles Times'' was critical of the film's pace, calling it "dreary".<ref name=solomon>{{cite web | url=http://www.latimes.com/entertainment/movies/la-et-mn-wild-tales-movie-review-20141031-story.html | title=Wild Tales' weighed down by clunky filmmaking | author=Solomon, Charles | date=30 October 2014 | work=Los Angeles Times | access-date=17 October 2016 | archive-date=18 October 2016 | archive-url=https://web.archive.org/web/20161018231849/http://www.latimes.com/entertainment/movies/la-et-mn-wild-tales-movie-review-20141031-story.html | url-status=live }}</ref> Robert Horton from ''[[Seattle Weekly]]'' criticised it for relying on twists, "a technique that doesn't quite disguise how in-your-face the lessons are", and called the film "a scattering of gotchas".<ref name=horton>{{cite web | url=http://archive.seattleweekly.com/film/957344-129/wild-tales-twists-aplenty-in-an | title=Wild Tales: Twists Aplenty in an Argentine Anthology Movie | author=Horton, Robert | date=10 March 2015 | work=Seattle Weekly | access-date=17 October 2016 | archive-date=18 October 2016 | archive-url=https://web.archive.org/web/20161018225746/http://archive.seattleweekly.com/film/957344-129/wild-tales-twists-aplenty-in-an | url-status=live }}</ref>
Jay Weissberg of ''[[Variety (magazine)|Variety]]'' commented that while "the overall enjoyment rarely flags", "not all the episodes are equally successful".<ref name=weissberg/> He, Peter Howell of ''[[Toronto Star]]'' and O'Sullivan said "The Bill" felt displaced within the film;<ref name=weissberg/><ref name=sullivan/><ref name=howell/> he said it has a "darker tone". O'Sullivan criticised the film's "mood of bitter cynicism"<ref name=sullivan/> and according to Puig, it "borders on melodrama".<ref name=puig/> ''[[The Hollywood Reporter]]''{{'}}s David Rooney considered it and "Bombita" have "a more sober tone" than the "delirious mayhem" of the opening three stories.<ref name=rooney/> Piug said the first segment is "a perfect starter"<ref name=puig/> and Horton said the rest of the film "doesn't live up to the wicked curtain-raiser".<ref name=horton/> Steven Rea of [[Philly.com]] considered it to the best segment along with the last one.<ref name=rea/> While Jordan Hoffman of the ''[[New York Daily News]]'' called the last story "the most outrageous",<ref name=hoffman/> Chris Nashawaty of ''Entertainment Weekly'' called "The Bill" the best segment,<ref name=nashawaty/> and David Edelstein of [[Vulture.com]] considered "Bombita" "the purest of all the tales, the one that distills the mad-as-hell vigilante".<ref name=edelstein/> Nashawaty criticised "Road to Hell" because it "feel[s] like [a] cheeky one-joke setup in search of a second or third joke".<ref name=nashawaty/> Weissberg praised "Szifron's consummate skill at narration and setup, which combined with inventive absurdity, makes it fresh and thoroughly entertaining".<ref name=weissberg/>
[[File:Érica Rivas - La Mujer y el Cine (cropped).jpg|thumb|left|180px|Érica Rivas's portrayal of the last segment's bride was met with positive appraisal. She won four awards for her performance.<ref name=sur2/><ref name=condor2/><ref name=platino2/><ref name=biarritz/>]]
According to Rooney, the cast is consistent through the episodes;<ref name=rooney>{{cite web | url=http://www.hollywoodreporter.com/movie/wild-tales/review/705074 | title='Wild Tales' ('Relatos Salvajes'): Cannes Review | author=Rooney, David | date=16 May 2015 | work=The Hollywood Reporter | access-date=17 October 2016 | archive-date=6 February 2015 | archive-url=https://web.archive.org/web/20150206062039/http://www.hollywoodreporter.com/movie/wild-tales/review/705074 | url-status=live }}</ref> and said to be "superb" by Diestro-Dópido.<ref name="BFI" /> Érica Rivas received particular praise<ref name=wsj/><ref>{{cite web | url=https://tribecafilm.com/news/the-best-female-performances-of-the-year-so-far-2015-juliette-binoche-charlize-theron-kristen-stewart-oscar-nomination | title=The 11 Best Female Performances of the Year So Far | date=30 June 2015 | author=Eng, Matthew | website=[[Tribeca News]] | access-date=19 January 2022 | archive-date=19 January 2022 | archive-url=https://web.archive.org/web/20220119192334/https://tribecafilm.com/news/the-best-female-performances-of-the-year-so-far-2015-juliette-binoche-charlize-theron-kristen-stewart-oscar-nomination | url-status=live }}</ref> for her "star-making performance", according to Bruce Ingram of ''[[Chicago Sun-Times]]''.<ref name=ingram>{{cite web | url=http://chicago.suntimes.com/entertainment/wild-tales-revenge-is-six-times-as-potent/ | title='Wild Tales': Revenge is six times as potent | author=Ingram, Bruce | date=27 February 2015 | work=Chicago Sun-Times | access-date=17 October 2016 | archive-date=19 October 2016 | archive-url=https://web.archive.org/web/20161019045524/http://chicago.suntimes.com/entertainment/wild-tales-revenge-is-six-times-as-potent/ | url-status=live }}</ref> While David Edelstein of ''Vulture.com'' said the cast is "incredibly credible given the characters' outlandish behavior,"<ref name=edelstein>{{cite web | url=http://www.vulture.com/2015/02/wild-tales-review.html | title=Oscar-Nominated Wild Tales Is Scarily Entertaining | author=Edelstein, David | date=20 February 2015 | website=Vulture | access-date=17 October 2016 | archive-date=26 December 2015 | archive-url=https://web.archive.org/web/20151226151823/http://www.vulture.com/2015/02/wild-tales-review.html | url-status=live }}</ref> Horton was critical of the characterisation, stating characters have "illogical behavior", mostly in the last segment.<ref name=horton/> According to Richard Brody of ''[[The New Yorker]]'', ''Wild Tales'' "offers little in the way of context or characterization" and the "characters behave so rudely and crudely, there's no reason to care about what happens to them".<ref name=brody>{{cite web | url=http://www.newyorker.com/goings-on-about-town/movies/wild-tales-2 | title=Wild Tales | author=Brody, Richard | year=2015 | work=The New York | publisher=[[Condé Nast]] | access-date=17 October 2016 | archive-date=19 October 2016 | archive-url=https://web.archive.org/web/20161019054141/http://www.newyorker.com/goings-on-about-town/movies/wild-tales-2 | url-status=live }}</ref> O'Sullivan wrote; "The protagonists are exaggerated without being caricatures"<ref name=sullivan/> and according to Hoffman, "All are funny because all feel true".<ref name=hoffman>{{cite web | url=http://www.nydailynews.com/entertainment/movies/wild-tales-movie-review-article-1.2121557 | title='Wild Tales,' movie review: Fury and quests for justice drive a compelling Argentine film | author=Hofman, Jordan | date=19 February 2015 | work=New York Daily News | access-date=17 October 2016 | archive-date=19 October 2016 | archive-url=https://web.archive.org/web/20161019005323/http://www.nydailynews.com/entertainment/movies/wild-tales-movie-review-article-1.2121557 | url-status=live }}</ref> Puig, Rea and Diestro-Dópido also said the characters are believable and relatable because most viewers would feel familiar with the situations and frustrations the characters experience.<ref name="BFI" /><ref name=puig>{{cite web | url=https://www.usatoday.com/story/life/movies/2015/02/19/wild-tales-review/23679615/ | title=Oscar-nominated 'Wild Tales' engages in edgy revenge | author=Puig, Claudia | date=19 February 2015 | work=USA Today | access-date=17 October 2016 | archive-date=22 December 2016 | archive-url=https://web.archive.org/web/20161222171010/http://www.usatoday.com/story/life/movies/2015/02/19/wild-tales-review/23679615/ | url-status=live }}</ref><ref name=rea>{{cite web | url=http://www.philly.com/philly/columnists/steven_rea/20150313_Film_Review_-__Wild_Tales__of_revenge_exacted.html | title='Wild Tales' of revenge exacted | author=Rea, Steven | date=13 March 2015 | website=Philly.com | publisher=Philadelphia Media Network | access-date=17 October 2016 | archive-date=18 October 2016 | archive-url=https://web.archive.org/web/20161018221029/http://www.philly.com/philly/columnists/steven_rea/20150313_Film_Review_-__Wild_Tales__of_revenge_exacted.html | url-status=live }}</ref>
Ariston Anderson from ''[[Filmmaker (magazine)|Filmmaker]]'' commented ''Wild Tales'' is funny and "There is truly never a dull moment" in it.<ref name="Filmmaker" /> According to Weissberg, the humour is "subversive", managing "to be both psychologically astute and all-out outrageous".<ref name=weissberg/> Diestro-Dópido said; "The humour of ''Wild Tales'' is pitch-black, its irony razor-sharp, its sarcasm painfully perverse and its unpredictability ludicrous, violent but also bitingly funny".<ref name="BFI" /> Manohla Dargis from ''[[The New York Times]]'' compared the film's use of humour and coincidence to [[O. Henry]]'s work,<ref name=dargis>{{cite news | url=https://www.nytimes.com/2015/02/20/movies/review-wild-tales-explores-the-blurred-limits-of-morality.html | title=Review: 'Wild Tales' Explores the Blurred Limits of Morality | date=20 February 2015 | author=Dargis, Manohla | newspaper=The New York Times | access-date=18 October 2016 | archive-date=8 July 2016 | archive-url=https://web.archive.org/web/20160708153918/http://www.nytimes.com/2015/02/20/movies/review-wild-tales-explores-the-blurred-limits-of-morality.html | url-status=live }}</ref> as did Nashawaty because of its "ironic twist endings".<ref name=nashawaty>{{cite magazine | url=http://www.ew.com/article/2015/02/19/wild-tales-ew-review | title='Wild Tales': EW review | author=Nashawaty, Chris | date=19 February 2015 | magazine=Entertainment Weekly | access-date=18 October 2016 | archive-date=19 November 2016 | archive-url=https://web.archive.org/web/20161119185837/http://www.ew.com/article/2015/02/19/wild-tales-ew-review | url-status=live }}</ref> Praise was also directed towards Javier Juliá's cinematography;<ref name=wsj/> "visuals are flawless" said Weissberg, who praised both its special effects and its cinematography, whose "lean sense of irony{{nbsp}}... adds to the general pleasure".<ref name=weissberg/> The reason it is a "good-looking film{{nbsp}}... crafted in high style" is, in Rooney's opinion, "lots of eye-catching touches from production designer Clara Notari and unconventional camera angles from cinematographer Javier Juliá".<ref name=rooney/> For Howell, Juliá "imparts a visual appreciation of the absurd that's somewhere between a Looney Tunes cartoon and Grand Guignol theatre".<ref name=howell>{{cite web | url=https://www.thestar.com/entertainment/movies/2015/03/05/wild-tales-delves-into-when-la-vida-loca-really-drives-you-crazy-review.html | title=Wild Tales delves into when la vida loca really drives you crazy: review | date=5 March 2015 | author=Howell, Peter | work=Toronto Star | publisher=Star Media Group | access-date=18 October 2016 | archive-date=28 October 2015 | archive-url=https://web.archive.org/web/20151028130353/http://www.thestar.com/entertainment/movies/2015/03/05/wild-tales-delves-into-when-la-vida-loca-really-drives-you-crazy-review.html | url-status=live }}</ref> Rooney called the music by Gustavo Santaollala "a terrific [[spaghetti Western]]-flavored score".<ref name=rooney/> Weissberg said the soundtrack "fits the tone without pushing any wink-wink superiority".<ref name=weissberg/>
===Cultural impact===
''The New York Times'' reported ''Wild Tales'' became "a genuine social phenomenon" and that some characters gained a cult status. The film inspired "I am Bombita" to become a catchphrase similar to "[[going postal]]" in the United States. Rivas, who appears in the last story, said she has been stopped in the street and asked several times to say "Film this for me, Nestor!".<ref name="NYMaking" />
After the 2015 crash of [[Germanwings Flight 9525]], BFI and Curzon cinemas modified their home cinema listings of ''Wild Tales'', stating there is a similarity between the fictional crash at the start of the film and the Germanwings crash.<ref>{{cite news | author=Beaumont-Thomas, Ben | url=https://www.theguardian.com/film/2015/mar/31/wild-tales-disclaimer-similarity-germanwings-crash | title=Wild Tales has disclaimer added after similarity to Germanwings crash | archive-url=https://web.archive.org/web/20150405080028/http://www.theguardian.com/film/2015/mar/31/wild-tales-disclaimer-similarity-germanwings-crash | archive-date=5 April 2015 | url-status=live | access-date=3 April 2015 | date=31 March 2015| newspaper=The Guardian }}</ref>
===Accolades and public reception===
At the [[Cannes Film Festival]], ''Wild Tales'' was selected to compete for the main prize, the [[Palme d'Or]],<ref name=Cannes2014>{{cite web |url=http://www.festival-cannes.fr/en/article/60533.html |title=2014 Official Selection | date=17 April 2014 |access-date=12 June 2022 |website=festival-cannes.fr |url-status=dead |archive-url=https://web.archive.org/web/20170215220831/http://www.festival-cannes.fr/en/article/60533.html |archive-date=15 February 2017}}</ref> and had a ten-minute standing ovation.<ref>{{cite web | url=http://www.clarin.com/sociedad/minutos-aplausos-pelicula-argentina-Cannes_0_1140486044.html | title=Diez minutos de aplausos para una película argentina en Cannes | trans-title=A ten-minute applause for an Argentine film in Cannes | last=Scholz | first=Pablo O. | language=es | date=18 May 2014 | access-date=10 August 2014 | work=Clarín | publisher=Grupo Clarín | archive-date=14 October 2014 | archive-url=https://web.archive.org/web/20141014120215/http://www.clarin.com/sociedad/minutos-aplausos-pelicula-argentina-Cannes_0_1140486044.html | url-status=live }}</ref> The film's [[Viral phenomenon|popularity rapidly grew]] according to ''[[The Hollywood Reporter]]'', becoming a fan favourite during its exhibitions at [[Telluride Film Festival|Telluride]] and [[Toronto International Film Festival|Toronto]] film festivals.<ref name=feinberg>{{cite web | url=http://www.hollywoodreporter.com/race/toronto-fest-fan-favorite-wild-731802 | archive-url=https://web.archive.org/web/20140928230303/http://www.hollywoodreporter.com/race/toronto-fest-fan-favorite-wild-731802 | archive-date=28 September 2014 | title=Toronto: Fest Fan Favorite 'Wild Tales' Could Take Argentina Back to Oscars | date=10 September 2014 | author=Feinberg, Scott | work=The Hollywood Reporter | access-date=8 May 2016}}</ref> After its praised festival tour,<ref name=Argentina/> the American talent agency [[William Morris Endeavor]] contacted Szifron<ref name=var-bud/> and ''Wild Tales'' was nominated for the [[Academy Award for Best Foreign Language Film|Best Foreign Language Film]] at the [[87th Academy Awards]].<ref name=Argentina/><ref name=Nominees/> The film received a record of 21 nominations at the [[Argentine Academy of Cinematography Arts and Sciences Awards|Sur Awards]], of which it won ten, including Best Film and Best Director.<ref name=sur1/><ref name=sur2/>
''Wild Tales'' won seven of the eleven awards for which it was nominated at the [[Argentine Film Critics Association|Silver Condor Awards]].<ref name=condor1/><ref name=condor2/> Of its nine nominations at the [[29th Goya Awards]], it won the Best Ibero-American Film.<ref name=goya/> ''Wild Tales'' won eight of ten awards the second [[Platino Awards]], including Best Picture and Best Director.<ref name=platino/><ref name=platino2/> The film also won the award for the Best Non-English Language Film at the [[69th British Academy Film Awards|BAFTA Awards]],<ref name=Bafta>{{cite news|url=https://www.bbc.co.uk/news/entertainment-arts-35260399|title=Bafta Film Awards 2016: Winners|date=14 February 2016|access-date=15 February 2016|newspaper=BBC News|archive-date=14 February 2016|archive-url=https://web.archive.org/web/20160214053026/http://www.bbc.co.uk/news/entertainment-arts-35260399|url-status=live}}</ref> the [[Ariel Award for Best Ibero-American Film|Best Ibero-American Film]] at the [[Ariel Awards]],<ref name=ariel/> the [[Forqué Award for Best Latin-American Film|Best Latin-American Film]] at the [[Forqué Awards]];<ref name=forque/> and the audience awards at the film festivals of [[Biarritz Film Festival|Biarritz]], [[San Sebastián International Film Festival|San Sebastián]], [[São Paulo International Film Festival|São Paulo]], and [[Sarajevo Film Festival|Sarajevo]].<ref name=biarritz/><ref name="SanSebastián"/><ref name=aud/> Rivas won four awards, the most of several cast members who were nominated for awards;<ref name=sur2/><ref name=condor2/><ref name=platino2/><ref name=biarritz/> and Martínez won two awards.<ref name=sur2/><ref name=condor2/>
{| class="wikitable sortable" style="width:99%;"
|+ List of awards and nominations
|-
! style= width="28%"| Award
! style= width="38%"| Category
! style= width="24%"| Recipients{{efn|When this space is blank it indicates that the film itself was the recipient.}}
! style= width="10%"| Result
|-
|-
| align="center"|[[Academy Awards]]<ref name=Argentina>{{cite web |url=http://www.hollywoodreporter.com/news/oscars-argentina-picks-wild-tales-736688 |title=Oscars: Argentina Picks 'Wild Tales' for Foreign Language Category|author=Mango, Agustin|date=30 September 2014 |access-date=30 September 2014 |work=The Hollywood Reporter | archive-url=https://web.archive.org/web/20141004022448/http://www.hollywoodreporter.com/news/oscars-argentina-picks-wild-tales-736688? | archive-date=4 October 2014}}</ref><ref name=Nominees>{{cite news |url=http://www.huffingtonpost.com/2015/01/15/oscar-nominations-2015_n_6473542.html |title=Oscar Nominations 2015: See The Full List |date=15 January 2015 |author=Jacobs, Matthew |access-date=15 January 2015 |newspaper=Huffington Post |archive-date=1 May 2017 |archive-url=https://web.archive.org/web/20170501122124/http://www.huffingtonpost.com/2015/01/15/oscar-nominations-2015_n_6473542.html |url-status=live }}</ref>
| [[Academy Award for Best Foreign Language Film|Best Foreign Language Film]]
|
| {{nom}}
|-
| align="center"|[[Ariel Awards]]<ref name=ariel>{{cite web | url=https://www.hollywoodreporter.com/news/road-movie-gueros-big-winner-798466 | title=Road Movie 'Gueros' Big Winner at Mexico's Academy Awards | first=John | last=Hecht | date=27 May 2015 | work=The Hollywood Reporter | access-date=20 January 2021 | archive-date=28 January 2021 | archive-url=https://web.archive.org/web/20210128011402/https://www.hollywoodreporter.com/news/road-movie-gueros-big-winner-798466 | url-status=live }}</ref>
| [[Ariel Award for Best Ibero-American Film|Best Ibero-American Film]]
|
| {{win}}
|-
| align="center" rowspan=2|[[Biarritz Film Festival]]<ref name=biarritz>{{cite web | url=https://www.lacapital.com.ar/edicion-impresa/relatos-salvajes-triunfa-biarritz-n625553.html | title='Relatos salvajes' triunfa en Biarritz | trans-title='Wild Tales' triumphs in Biarritz | date=7 October 2014 | work=La Capital | access-date=20 January 2021 | language=es | archive-date=29 January 2021 | archive-url=https://web.archive.org/web/20210129091103/https://www.lacapital.com.ar/edicion-impresa/relatos-salvajes-triunfa-biarritz-n625553.html | url-status=live }}</ref>
| Audience Award
|
| {{win}}
|-
| Best Actress
| [[Érica Rivas]]
| {{win}}
|-
| align="center"|[[British Academy Film Awards]]<ref name=Bafta/>
| [[Best Film Not in the English Language]]
|
| {{win}}
|-
| align="center"|[[Cannes Film Festival]]<ref name=Cannes2014/>
| [[Palme d'Or]]
|
| {{nom}}
|-
| align="center"|[[Critics' Choice Movie Awards]]<ref name=2014awards>{{cite web | url=https://www.metacritic.com/feature/movie-awards-and-nominations-2014 | title=Best of 2014: Film Awards & Nominations Scorecard | date=1 December 2014 | first=Jason | last=Dietz | website=Metacritic | publisher=CBS Interactive | access-date=20 January 2021 | archive-date=8 March 2015 | archive-url=https://web.archive.org/web/20150308020050/http://www.metacritic.com/feature/movie-awards-and-nominations-2014 | url-status=live }}</ref>
| [[Critics' Choice Movie Award for Best Foreign Language Film|Best Foreign Language Film]]
|
| {{nom}}
|-
| align="center"| [[Dallas–Fort Worth Film Critics Association Awards]]<ref name=2014awards/>
| Best Foreign Language Film
|
| {{nom}}
|-
| rowspan="4" align="center"| [[Havana Film Festival]]<ref>{{cite web | url=https://www.sandiegouniontribune.com/en-espanol/sdhoy-havana-film-festival-kicks-off-with-homage-to-2014dec05-story.html | title=Havana Film Festival kicks off with homage to Garcia Marquez | author=[[EFE (news agency)|EFE]] | date=5 December 2014 | work=[[The San Diego Union-Tribune]] | access-date=20 January 2021 | archive-date=20 January 2022 | archive-url=https://web.archive.org/web/20220120044815/https://www.sandiegouniontribune.com/en-espanol/sdhoy-havana-film-festival-kicks-off-with-homage-to-2014dec05-story.html | url-status=live }}</ref><ref>{{cite web | url=https://cubasi.cu/es/cubasi-noticias-cuba-mundo-ultima-hora/item/34629-conducta-premio-coral-a-la-mejor-cinta-en-festival-de-la-habana | title=Conducta, Premio Coral a mejor cinta en Festival de Cine (+ Lista de Premios) | trans-title=Behavior, Coral Award for the best film at the film festival (+ awards list) | date=15 December 2014 | website=CubaSí | access-date=20 January 2021 | language=es | archive-date=20 April 2021 | archive-url=https://web.archive.org/web/20210420043454/https://cubasi.cu/es/cubasi-noticias-cuba-mundo-ultima-hora/item/34629-conducta-premio-coral-a-la-mejor-cinta-en-festival-de-la-habana | url-status=live }}</ref><ref>{{cite web | url=https://www.eleconomista.es/global/noticias/6323548/12/14/Pelicula-argentina-Relatos-Salvajes-gana-premio-de-la-prensa-en-La-Habana.html | title=Película argentina "Relatos Salvajes" gana premio de la prensa en La Habana | trans-title=Argentine film "Wild Tales" wins award from the press in Havana | author=[[Agence France-Presse]] | work=[[El Economista (Spain)|El Economista]] | date=13 December 2014 | access-date=20 January 2021 | language=es | archive-date=20 January 2022 | archive-url=https://web.archive.org/web/20220120044814/https://www.eleconomista.es/global/noticias/6323548/12/14/Pelicula-argentina-Relatos-Salvajes-gana-premio-de-la-prensa-en-La-Habana.html | url-status=live }}</ref>
| Best Film
|
| {{nom}}
|-
| Best Director
| Damián Szifron
| {{won}}
|-
| Best Editing
| Damián Szifron, Pablo Barbieri
| {{won}}
|-
| Glauber Rocha Award
|
| {{won}}
|-
| rowspan = "2" align = "center" | [[20th Forqué Awards|Forqué Awards]]<ref name=forque>{{Cite web|url=https://www.fotogramas.es/noticias-cine/g4743809/la-isla-minima-javier-gutierrez-y-barbara-lennie-triunfan-en-los-forque/|website=[[Fotogramas]]|title='La Isla Mínima', Javier Gutiérrez y Bárbara Lennie triunfan en los Forqué|date=13 January 2015|language=es|access-date=15 January 2022|archive-date=15 January 2022|archive-url=https://web.archive.org/web/20220115224937/https://www.fotogramas.es/noticias-cine/g4743809/la-isla-minima-javier-gutierrez-y-barbara-lennie-triunfan-en-los-forque/|url-status=live}}</ref> || colspan = "2" | [[Forqué Award for Best Film|Best Film]] || {{nom}}
|-
| colspan = "2" | [[Forqué Award for Best Latin-American Film|Best Latin-American Film]] || {{won}}
|-
| align="center" rowspan=9|[[29th Goya Awards|Goya Awards]]<ref name=goya>{{cite web | url=http://www.buenosairesherald.com/article/181459/wild-tales-wins-goya-for-best-iberoamerican-film | title=Wild Tales wins Goya for Best Ibero-American film | date=8 February 2015 | work=Buenos Aires Herald | archive-url=https://web.archive.org/web/20150629073154/http://www.buenosairesherald.com/article/181459/wild-tales-wins-goya-for-best-iberoamerican-film | archive-date=29 June 2015}}</ref>
| [[Goya Award for Best Film|Best Film]] ||   || {{nominated}}
|-
| [[Goya Award for Best Iberoamerican Film|Best Ibero-American Film]] ||  ||{{won}}
|-
| [[Goya Award for Best Director|Best Director]] || Damián Szifron || {{nominated}}
|-
| [[Goya Award for Best Original Screenplay|Best Original Screenplay]] || Damián Szifron || {{nominated}}
|-
| [[Goya Award for Best Actor|Best Actor]] || [[Ricardo Darín]] || {{nominated}}
|-
| [[Goya Award for Best Original Score|Best Original Score]] || [[Gustavo Santaolalla]] || {{nominated}}
|-
| [[Goya Award for Best Editing|Best Editing]] || Pablo Barbieri, Damián Szifron || {{nominated}}
|-
| [[Goya Award for Best Production Supervision|Best Production Supervision]] || Esther García || {{nominated}}
|-
| [[Goya Award for Best Makeup and Hairstyles|Best Makeup and Hairstyles]] || Marisa Amenta, Néstor Burgos ||{{nominated}}
|-
| align="center"|[[National Board of Review Awards]]<ref name=2014awards/>
| [[National Board of Review Award for Best Foreign Language Film|Best Foreign Language Film]]
|
| {{win}}
|-
| align="center" rowspan=10|[[Platino Awards]]<ref name=platino>{{cite web | url=https://variety.com/2015/film/news/platino-awards-antonio-banderas-1201543568/ | title=Damian Szifron's 'Wild Tales' Sweeps 2nd Platino Awards | date=18 July 2015 | author=Hopewell, John | work=Variety | access-date=8 May 2016 | archive-date=12 May 2016 | archive-url=https://web.archive.org/web/20160512064927/http://variety.com/2015/film/news/platino-awards-antonio-banderas-1201543568/ | url-status=live }}</ref><ref name=platino2>{{cite web | url=http://www.premiosplatino.com/PPla_Nominaciones.aspx | archive-url=https://web.archive.org/web/20150729052246/http://www.premiosplatino.com/PPla_Nominaciones.aspx | archive-date=29 July 2015 | title=Nominaciones |trans-title=Nominations | website=premiosplatino.com | access-date=8 May 2016 | language=es}}</ref>
| Best Film
|
| {{win}}
|-
| Best Director
| Damián Szifron
| {{win}}
|-
| Best Screenplay
| Damián Szifron
| {{win}}
|-
| Best Actor
| [[Leonardo Sbaraglia]]
| {{nominated}}
|-
| Best Actress
| Érica Rivas
| {{win}}
|-
| Best Original Music
| Gustavo Santaolalla
| {{win}}
|-
| Best Film Editing
| Damián Szifron, Pablo Barbieri
| {{win}}
|-
| Best Art Direction
| Clara Notari
| {{win}}
|-
| Best Cinematography
| Javier Juliá
| {{nom}}
|-
| Best Sound
| José Luis Díaz
| {{win}}
|-
| align="center"| [[San Francisco Film Critics Circle Awards]]<ref name=2014awards/>
| Best Foreign Language Film
|
| {{nom}}
|-
| align="center"|[[Satellite Awards]]<ref name=2014awards/>
| [[Satellite Award for Best Foreign Language Film|Best Foreign Language Film]]
|
| {{nom}}
|-
| align="center"|[[San Sebastián International Film Festival|San Sebastián Film Festival]]<ref name="SanSebastián">{{cite web |url=http://www.telam.com.ar/english/notas/201409/3310-relatos-salvajes-awarded-in-san-sebastian.html|title='Relatos salvajes,' awarded in San Sebastian|date=29 September 2014|access-date=29 September 2014|publisher=Télam | archive-url=https://web.archive.org/web/20160304062839/http://www.telam.com.ar/english/notas/201409/3310-relatos-salvajes-awarded-in-san-sebastian.html | archive-date=4 March 2016}}</ref>
| Audience Award for Best European Film
|
| {{win}}
|-
| align="center"|[[São Paulo International Film Festival]]<ref name=aud>{{cite web | url=https://www.desertsun.com/story/life/entertainment/2014/12/31/palm-springs-film-fest-picks/21124089/ | title='Timbuktu' is 'must-see' say top fest officials | first=Bruce | last=Fessier | date=2 January 2015 | work=[[The Desert Sun]] | access-date=20 January 2021 | archive-date=28 January 2021 | archive-url=https://web.archive.org/web/20210128064751/https://www.desertsun.com/story/life/entertainment/2014/12/31/palm-springs-film-fest-picks/21124089/ | url-status=live }}</ref>
| Audience Award
|
| {{win}}
|-
| align="center"|[[Sarajevo Film Festival]]<ref name=aud/>
| Audience Award
|
| {{win}}
|-
| align="center" rowspan=11|[[Argentine Film Critics Association|Silver Condor Awards]]<ref name=condor1>{{cite web | url=https://www.telam.com.ar/notas/201503/97643-premios-condor-cine-pantalla-pinamar.html | title='Relatos salvajes', 'Refugiado' y 'La tercera orilla', las más nominadas para los Premios Cóndor | trans-title='Wild Tales', 'Refugiado' and 'The Third Side of the River', the most nominated for Silver Condor Awards | date=11 March 2015 | publisher=Télam | access-date=20 January 2021 | language=es | archive-date=28 January 2021 | archive-url=https://web.archive.org/web/20210128072542/https://www.telam.com.ar/notas/201503/97643-premios-condor-cine-pantalla-pinamar.html | url-status=live }}</ref><ref name=condor2>{{cite web | url=https://www.diariodenavarra.es/noticias/mas_actualidad/cultura/2015/06/23/refugiado_relatos_salvajes_arrasan_los_condor_plata_236636_1034.html | title='Refugiado' y 'Relatos salvajes' arrasan en los Cóndor de plata | trans-title='Wild Tales' and 'Refugiado' nailed it at the Silver Condor Awards | date=23 June 2015 | work=[[Diario de Navarra]] | access-date=20 January 2021 | language=es | archive-date=28 January 2021 | archive-url=https://web.archive.org/web/20210128045149/https://www.diariodenavarra.es/noticias/mas_actualidad/cultura/2015/06/23/refugiado_relatos_salvajes_arrasan_los_condor_plata_236636_1034.html | url-status=live }}</ref>
| [[Silver Condor Award for Best Film|Best Film]] ||  || {{nominated}}
|-
| [[Silver Condor Award for Best Director|Best Director]] || Damián Szifron || {{won}}
|-
| [[Silver Condor Award for Best Supporting Actor|Best Supporting Actor]] || [[Oscar Martínez (actor)|Oscar Martínez]] || {{won}}
|-
| rowspan="2"|[[Silver Condor Award for Best Supporting Actress|Best Supporting Actress]] || Érica Rivas || {{won}}
|-
| Rita Cortese || {{nominated}}
|-
| Best New Actor || Diego Gentilez || {{won}}
|-
| [[Silver Condor Award for Best Original Screenplay|Best Original Screenplay]] || Damián Szifron || {{nominated}}
|-
| Best Cinematography || Javier Juliá || {{nominated}}
|-
| Best Editing || Damián Szifron, Pablo Barbieri || {{won}}
|-
| Best Original Music || Gustavo Santaolalla || {{won}}
|-
| Best Sound || José Luis Díaz || {{won}}
|-
| align="center"|[[St. Louis Film Critics Association Awards]]<ref name=2015awards>{{cite web | url=https://www.metacritic.com/feature/2015-film-awards-and-nominations-scorecard | title=Best of 2015: Film Awards & Nominations Scorecard | date=1 December 2015 | first=Jason | last=Dietz | website=Metacritic | publisher=CBS Interactive | access-date=20 January 2021 | archive-date=3 May 2016 | archive-url=https://web.archive.org/web/20160503070108/http://www.metacritic.com/feature/2015-film-awards-and-nominations-scorecard | url-status=live }}</ref>
| Best Foreign Language Film
|
| {{nom}}
|-
| align="center" rowspan=21|[[Argentine Academy of Cinematography Arts and Sciences Awards|Sur Awards]]<ref name=sur1>{{cite web | url=http://personajes.lanacion.com.ar/1731628-relatos-salvajes-arraso-con-las-nominaciones-a-los-premios-sur | archive-url=https://web.archive.org/web/20141223184916/http://personajes.lanacion.com.ar/1731628-relatos-salvajes-arraso-con-las-nominaciones-a-los-premios-sur | title=Relatos Salvajes arrasó con las nominaciones a los Premios Sur | trans-title=Wild Tales nailed it with nominations to the Sur Awards | date=30 September 2014 | work=La Nación | archive-date=23 December 2014 | language=es}}</ref><ref name=sur2>{{cite web | url=http://personajes.lanacion.com.ar/1749047-todos-los-ganadores-de-los-premios-sur-2014 | archive-url=https://web.archive.org/web/20150620054553/http://personajes.lanacion.com.ar/1749047-todos-los-ganadores-de-los-premios-sur-2014 | title=Todos los ganadores de los premios Sur 2014 | trans-title=All the winners of the 2014 Sur Awards | date=3 December 2014 | work=La Nación | access-date=21 January 2021 | archive-date=20 June 2015 | language=es}}</ref>
| Best Film ||  || {{win}}
|-
| Best Director || Damián Szifron || {{win}}
|-
| rowspan="3"|Best Actor || Ricardo Darín || {{nom}}
|-
| Oscar Martínez || {{win}}
|-
| [[Leonardo Sbaraglia]] || {{nom}}
|-
| rowspan="2"|Best Actress || Érica Rivas || {{win}}
|-
| Rita Cortese || {{nom}}
|-
| rowspan="3"|Best Supporting Actor || Germán de Silva || {{win}}
|-
| Diego Gentile || {{nom}}
|-
| [[Osmar Núñez]] || {{nom}}
|-
| Best Supporting Actress || María Onetto || {{nom}}
|-
| rowspan="2"|Best New Actor || Diego Velázquez ||{{nom}}
|-
| Walter Donado || {{nom}}
|-
| Best Original Screenplay || Damián Szifron || {{win}}
|-
| Best Cinematography || Javier Juliá || {{win}}
|-
| Best Editing || Damián Szifron, Pablo Barbieri || {{win}}
|-
| Best Art Direction || Clara Notari ||{{nom}}
|-
| Best Costume Design || Ruth Fischerman ||{{nom}}
|-
| Best Original Music || Gustavo Santaolalla || {{win}}
|-
| Best Sound || José Luis Díaz || {{win}}
|-
| Best Make Up || Marisa Amenta ||{{nom}}
|-
| align="center"|[[Washington D.C. Area Film Critics Association|WAFCA Awards]]<ref name=2014awards/>
| [[Washington D.C. Area Film Critics Association Award for Best Foreign Language Film|Best Foreign Language Film]]
|
| {{nom}}
|}
==See also==
* [[List of Argentine films of 2014]]
* [[List of Spanish films of 2014]]
* [[List of submissions to the 87th Academy Awards for Best Foreign Language Film]]
* [[List of Argentine submissions for the Academy Award for Best Foreign Language Film]]
==Notes==
{{Notelist}}
==References==
{{reflist}}
==External links==
* {{Official website|http://www.relatos-salvajes.com/}} {{in lang|es}}
* {{Official website|http://www.relatos-salvajes.com/en}} {{in lang|en}}
* {{IMDb title|3011894}}
* {{AllMovie title|597851}}
* {{Mojo title|wildtales}}
* {{Metacritic film}}
* {{Rotten Tomatoes|wild_tales}}
{{Damián Szifron}}
{{Navboxes
| title = Awards for ''Wild Tales''
| list1 =
{{Argentine submission for Academy Awards}}
{{BAFTA Best Foreign Language Film}}
{{Goya Award for Best Iberoamerican Film}}
{{National Board of Review Award for Best Foreign Language Film}}
{{Platino Award for Best Ibero-American Film}}
}}
{{Authority control}}
{{DEFAULTSORT:Wild Tales}}
[[Category:2014 films]]
[[Category:2014 black comedy films]]
[[Category:2010s Argentine films]]
[[Category:2010s comedy thriller films]]
[[Category:2010s Spanish-language films]]
[[Category:Argentine black comedy films]]
[[Category:Argentine films about revenge]]
[[Category:Argentine satirical films]]
[[Category:Best Foreign Language Film BAFTA Award winners]]
[[Category:Best Foreign Film in the Spanish Language Goya Award Winners]]
[[Category:El Deseo films]]
[[Category:Films about aviation accidents or incidents]]
[[Category:Films about Jews and Judaism]]
[[Category:Films about road accidents and incidents]]
[[Category:Films about weddings]]
[[Category:Films directed by Damián Szifron]]
[[Category:Films produced by Agustín Almodóvar]]
[[Category:Films scored by Gustavo Santaolalla]]
[[Category:Films shot in Buenos Aires]]
[[Category:Murder–suicide in films]]
[[Category:Spanish anthology films]]
[[Category:Absurdist fiction]]
[[Category:Spanish black comedy films]]
[[Category:Spanish films about revenge]]