The Battle of Marathon took place in 490 BC during the first Persian invasion of Greece. It was fought between the citizens of Athens, aided by Plataea, and a Persian force commanded by Datis and Artaphernes. The battle was the culmination of the first attempt by Persia under King Darius I to subjugate Greece. The Greek army inflicted a crushing defeat on the more numerous Persians, marking a turning point in the Greco-Persian Wars.
The first Persian invasion was a response to Athenian involvement in the Ionian Revolt, when Athens and Eretria sent a force to support the cities of Ionia in their attempt to overthrow Persian rule. The Athenians and Eretrians had succeeded in capturing and burning Sardis, but they were then forced to retreat with heavy losses. In response to this raid, Darius swore to burn down Athens and Eretria. According to Herodotus, Darius had his bow brought to him and then shot an arrow "upwards towards heaven", saying as he did so: "Zeus, that it may be granted me to take vengeance upon the Athenians!" Herodotus further writes that Darius charged one of his servants to say "Master, remember the Athenians" three times before dinner each day.
At the time of the battle, Sparta and Athens were the two largest city-states in Greece. Once the Ionian revolt was finally crushed by the Persian victory at the Battle of Lade in 494 BC, Darius began plans to subjugate Greece. In 490 BC, he sent a naval task force under Datis and Artaphernes across the Aegean, to subjugate the Cyclades, and then to make punitive attacks on Athens and Eretria. Reaching Euboea in mid-summer after a successful campaign in the Aegean, the Persians proceeded to besiege and capture Eretria. The Persian force then sailed for Attica, landing in the bay near the town of Marathon. The Athenians, joined by a small force from Plataea, marched to Marathon, and succeeded in blocking the two exits from the plain of Marathon. The Athenians also sent a message to the Spartans asking for support. When the messenger arrived in Sparta, the Spartans were involved in a religious festival and gave this as a reason for not coming to help the Athenians.
The Athenians and their allies chose a location for the battle, with marshes and mountainous terrain, that prevented the Persian cavalry from joining the Persian infantry. Miltiades, the Athenian general, ordered a general attack against the Persian forces, composed primarily of missile troops. He reinforced his flanks, luring the Persians' best fighters into his center. The inward wheeling flanks enveloped the Persians, routing them. The Persian army broke in panic towards their ships, and large numbers were slaughtered. The defeat at Marathon marked the end of the first Persian invasion of Greece, and the Persian force retreated to Asia. Darius then began raising a huge new army with which he meant to completely subjugate Greece; however, in 486 BC, his Egyptian subjects revolted, indefinitely postponing any Greek expedition. After Darius died, his son Xerxes I restarted the preparations for a second invasion of Greece, which finally began in 480 BC.
The Battle of Marathon was a watershed in the Greco-Persian wars, showing the Greeks that the Persians could be beaten; the eventual Greek triumph in these wars can be seen to have begun at Marathon. The battle also showed the Greeks that they were able to win battles without the Spartans, as Sparta was seen as the major military force in Greece. This victory was overwhelmingly won by the Athenians, and Marathon raised Greek esteem of them. The following two hundred years saw the rise of the Classical Greek civilization, which has been enduringly influential in Western society, and so the Battle of Marathon is often seen as a pivotal moment in Mediterranean and European history, and is often celebrated today. (Full article...)
The Theatre of Dionysus (or Theatre of Dionysos, Greek: Θέατρο του Διονύσου) is an ancient Greek theatre in Athens. It is built on the south slope of the Acropolis hill, originally part of the sanctuary of Dionysus Eleuthereus (Dionysus the Liberator). The first orchestra terrace was constructed on the site around the mid- to late-sixth century BC, where it hosted the City Dionysia. The theatre reached its fullest extent in the fourth century BC under the epistates of Lycurgus when it would have had a capacity of up to 25,000, and was in continuous use down to the Roman period. The theatre then fell into decay in the Byzantine era and was not identified, excavated and restored to its current condition until the nineteenth century. (Full article...)
Etching of an ancient seal identified as Eratosthenes. Philipp Daniel Lippert [de], Dactyliothec, 1767.
Eratosthenes of Cyrene (/ɛrəˈtɒsθəniːz/; Ancient Greek: Ἐρατοσθένης[eratostʰénɛːs]; c. 276 BC – c. 195/194 BC) was an Ancient Greek polymath: a mathematician, geographer, poet, astronomer, and music theorist. He was a man of learning, becoming the chief librarian at the Library of Alexandria. His work is comparable to what is now known as the study of geography, and he introduced some of the terminology still used today.
He is best known for being the first person known to calculate the circumference of the Earth, which he did by using the extensive survey results he could access in his role at the Library. His calculation was remarkably accurate (his error margin turned out to be less than 1%). He was also the first person to calculate Earth's axial tilt, which similarly proved to have remarkable accuracy. He created the first global projection of the world, incorporating parallels and meridians based on the available geographic knowledge of his era.
Eratosthenes was the founder of scientific chronology; he used Egyptian and Persian records to estimate the dates of the main events of the Trojan War, dating the sack of Troy to 1183 BC. In number theory, he introduced the sieve of Eratosthenes, an efficient method of identifying prime numbers and composite numbers.
He was a figure of influence in many fields who yearned to understand the complexities of the entire world. His devotees nicknamed him Pentathlos after the Olympians who were well rounded competitors, for he had proven himself to be knowledgeable in every area of learning. Yet, according to an entry in the Suda (a 10th-century encyclopedia), some critics scorned him, calling him Number 2 because he always came in second in all his endeavours. (Full article...)
Image 13An Ancient Greek pair of terracotta boots. Early geometric period cremation burial of a woman, 900 BC. Ancient Agora Museum in Athens. (from Greek Dark Ages)
Image 20Geometric-style box in the shape of a barn. On display in the Ancient Agora Museum in Athens, housed in the Stoa of Attalus. From early geometric cremation burial of a wealthy pregnant woman, 850 BC. (from Greek Dark Ages)
Image 26The gymnasium and palaestra at Olympia, the site of the ancient Olympic games. The archaic period conventionally dates from the first Olympiad. (from Archaic Greece)
Image 27Finds from an early geometric Cremation Burial of a pregnant wealthy woman, from the N.W. of the Areopagus, about 850 BC, Ancient Agora Museum (Athens); exhibit 14–16: broad gold finger rings; exhibit 17–19: gold finger rings; 20: pair of gold earrings with trapezoid endings (from Greek Dark Ages)
Image 32The Parthenon, a temple dedicated to Athena, located on the Acropolis in Athens, is one of the most representative symbols of the culture and sophistication of the ancient Greeks. (from Ancient Greece)
A caryatid (Greek: Καρυάτις, plural: Καρυάτιδες) is a sculpted female figure serving as an architectural support taking the place of a column or a pillar supporting an entablature on her head. The Greek term karyatides literally means "maidens of Karyae", an ancient town of Peloponnese.
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