List of keyboard and lute compositions by Johann Sebastian Bach
Lists of |
Compositions by Johann Sebastian Bach |
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Keyboard works (Klavierwerke) by Johann Sebastian Bach traditionally refers to Chapter 8 in the BWV catalogue or the fifth series of the New Bach Edition,[1] both of which list compositions for a solo keyboard instrument like the harpsichord or the clavichord. Despite the fact that the organ is also a keyboard instrument, and that in Bach's time the distinction wasn't always made whether a keyboard composition was for organ or another keyboard instrument, Wolfgang Schmieder ranged organ compositions in a separate section of the Bach-Werke-Verzeichnis (Nos. 525-771). Also other compositions for keyboard, like compositions for lute-harpsichord and fortepiano were listed outside the "Klavierwerke" range by Schmieder. Lute works are in the range 995–1000, Chapter 9 in the BWV catalogue.[2]
Works for keyboard (BWV 772–994)
Inventions and Sinfonias (772–801)
- BWV 772 – Invention No. 1 in C major
- BWV 772a – Invention No. 1 in C major (alternative version of BWV 772)
- BWV 773 – Invention No. 2 in C minor
- BWV 774 – Invention No. 3 in D major
- BWV 775 – Invention No. 4 in D minor
- BWV 776 – Invention No. 5 in E-flat major
- BWV 777 – Invention No. 6 in E major
- BWV 778 – Invention No. 7 in E minor
- BWV 779 – Invention No. 8 in F major
- BWV 780 – Invention No. 9 in F minor
- BWV 781 – Invention No. 10 in G major
- BWV 782 – Invention No. 11 in G minor
- BWV 783 – Invention No. 12 in A major
- BWV 784 – Invention No. 13 in A minor
- BWV 785 – Invention No. 14 in B-flat major
- BWV 786 – Invention No. 15 in B minor
- BWV 787 – Sinfonia No. 1 in C major
- BWV 788 – Sinfonia No. 2 in C minor
- BWV 789 – Sinfonia No. 3 in D major
- BWV 790 – Sinfonia No. 4 in D minor
- BWV 791 – Sinfonia No. 5 in E-flat major
- BWV 792 – Sinfonia No. 6 in E major
- BWV 793 – Sinfonia No. 7 in E minor
- BWV 794 – Sinfonia No. 8 in F major
- BWV 795 – Sinfonia No. 9 in F minor
- BWV 796 – Sinfonia No. 10 in G major
- BWV 797 – Sinfonia No. 11 in G minor
- BWV 798 – Sinfonia No. 12 in A major
- BWV 799 – Sinfonia No. 13 in A minor
- BWV 800 – Sinfonia No. 14 in B-flat major
- BWV 801 – Sinfonia No. 15 in B minor
Four Duets from Clavier-Übung III (802–805)
- BWV 802 – Duet in E minor
- BWV 803 – Duet in F major
- BWV 804 – Duet in G major
- BWV 805 – Duet in A minor
English Suites (806–811)
- BWV 806 – English Suite No. 1 in A major
- BWV 807 – English Suite No. 2 in A minor
- BWV 808 – English Suite No. 3 in G minor
- BWV 809 – English Suite No. 4 in F major
- BWV 810 – English Suite No. 5 in E minor
- BWV 811 – English Suite No. 6 in D minor
French Suites (812–817)
- BWV 812 – French Suite No. 1 in D minor
- BWV 813 – French Suite No. 2 in C minor
- BWV 813a – French Suite No. 2 in C minor (alternative version of movement 5: Menuet)
- BWV 814 – French Suite No. 3 in B minor
- BWV 815 – French Suite No. 4 in E-flat major
- BWV 815a – French Suite No. 4 in E-flat major (alternative versions of several movements)
- BWV 816 – French Suite No. 5 in G major
- BWV 817 – French Suite No. 6 in E major
Miscellaneous suites (818–824)
- BWV 818 – Suite in A minor
- BWV 818a – Suite in A minor (alternative version of BWV 818)
- BWV 819 – Suite in E-flat major
- BWV 819a – Suite in E-flat major (alternative version of movement 1: Allemande from BWV 819)
- BWV 820 – Overture (Suite) in F major
- BWV 821 – Suite in B-flat major (doubtful)[3][4]
- BWV 822 – Suite in G minor,
- BWV 823 – Suite in F minor
- BWV 824 – Suite in A major (spurious, composed by Georg Philipp Telemann, TWV 32:14)[5]
Clavier-Übung I: Partitas for keyboard (825–830)
Clavier-Übung I, six Partitas for keyboard:
- BWV 825 – Partita in B-flat major
- BWV 826 – Partita in C minor
- BWV 827 – Partita in A minor
- BWV 828 – Partita in D major
- BWV 829 – Partita in G major
- BWV 830 – Partita in E minor
French Overture, from Clavier-Übung II (831)
- BWV 831 – Overture in the French Style, in B minor
- BWV 831a – Earlier version in C minor
Suites and suite movements (832–845)
- BWV 832 – Suite in A major
- BWV 833 – Prelude and Partita in F major
- BWV 834 – Allemande in C minor (doubtful)[6][7]
- BWV 835 – Allemande in A minor (spurious, possibly by Johann Philipp Kirnberger)[8][9]
- BWV 836 – Allemande in G minor (spurious, possibly by Pier Giuseppe Sandoni)[10]
- BWV 837 – Allemande in G minor (spurious, possibly by Pier Giuseppe Sandoni)[11]
- BWV 838 – Allemande and Courante in A major (spurious, possibly by Christoph Graupner, GWV 849)[8][12]
- BWV 839 – Sarabande in G minor (doubtful)[13]
- BWV 840 – Courante in G major (spurious, after the 2nd movement of Telemann's Ouverture in G major, TWV 32:13)
- BWV 841 – Minuet in G major (from the 1722 Notebook for Anna Magdalena Bach)
- BWV 842 – Minuet in G minor
- BWV 843 – Minuet in G major
- BWV 844 – Scherzo in D minor (doubtful)[14]
- BWV 844a – Scherzo in D minor (alternative version of BWV 844, doubtful)[14]
- BWV 845 – Gigue in F minor (doubtful)[6]
The Well-Tempered Clavier (846–893)
The Well-Tempered Clavier, Book I:
- BWV 846 – Prelude and Fugue in C major
- BWV 846a – Prelude in C major (alternative version of BWV 846, only Prelude)
- BWV 847 – Prelude and Fugue in C minor
- BWV 847a – Prelude in C minor (alternative version of BWV 847, only Prelude)
- BWV 848 – Prelude and Fugue in C-sharp major
- BWV 849 – Prelude and Fugue in C-sharp minor
- BWV 850 – Prelude and Fugue in D major
- BWV 850a – Prelude in D major (alternative version of BWV 850, only Prelude)
- BWV 851 – Prelude and Fugue in D minor
- BWV 851a – Prelude in D minor (alternative version of BWV 851, only Prelude)
- BWV 852 – Prelude and Fugue in E-flat major
- BWV 853 – Prelude and Fugue in E-flat minor (The fugue of this work is in D-sharp minor, the enharmonic key of E-flat minor)
- BWV 854 – Prelude and Fugue in E major
- BWV 855 – Prelude and Fugue in E minor
- BWV 856 – Prelude and Fugue in F major
- BWV 857 – Prelude and Fugue in F minor
- BWV 858 – Prelude and Fugue in F-sharp major
- BWV 859 – Prelude and Fugue in F-sharp minor
- BWV 860 – Prelude and Fugue in G major
- BWV 861 – Prelude and Fugue in G minor
- BWV 862 – Prelude and Fugue in A-flat major
- BWV 863 – Prelude and Fugue in G-sharp minor
- BWV 864 – Prelude and Fugue in A major
- BWV 865 – Prelude and Fugue in A minor
- BWV 866 – Prelude and Fugue in B-flat major
- BWV 867 – Prelude and Fugue in B-flat minor
- BWV 868 – Prelude and Fugue in B major
- BWV 869 – Prelude and Fugue in B minor
The Well-Tempered Clavier, Book II:
- BWV 870 – Prelude and Fugue in C major
- BWV 870a – Prelude and Fugue in C major (alternative version of BWV 870)
- BWV 870b – Prelude in C major (alternative version of BWV 870)
- BWV 871 – Prelude and Fugue in C minor
- BWV 872 – Prelude and Fugue in C-sharp major
- BWV 872a – Prelude and Fugue in C-sharp major (alternative version of BWV 872)
- BWV 873 – Prelude and Fugue in C-sharp minor
- BWV 874 – Prelude and Fugue in D major
- BWV 875 – Prelude and Fugue in D minor
- BWV 875a – Prelude in D minor (alternative version of BWV 875)
- BWV 876 – Prelude and Fugue in E-flat major
- BWV 877 – Prelude and Fugue in D-sharp minor
- BWV 878 – Prelude and Fugue in E major
- BWV 879 – Prelude and Fugue in E minor
- BWV 880 – Prelude and Fugue in F major
- BWV 881 – Prelude and Fugue in F minor
- BWV 882 – Prelude and Fugue in F-sharp major
- BWV 883 – Prelude and Fugue in F-sharp minor
- BWV 884 – Prelude and Fugue in G major
- BWV 885 – Prelude and Fugue in G minor
- BWV 886 – Prelude and Fugue in A-flat major
- BWV 887 – Prelude and Fugue in G-sharp minor
- BWV 888 – Prelude and Fugue in A major
- BWV 889 – Prelude and Fugue in A minor
- BWV 890 – Prelude and Fugue in B-flat major
- BWV 891 – Prelude and Fugue in B-flat minor
- BWV 892 – Prelude and Fugue in B major
- BWV 893 – Prelude and Fugue in B minor
Preludes and fugues, toccatas and fantasias (894–923)
- BWV 894 – Prelude and Fugue in A minor
- BWV 895 – Prelude and Fugue in A minor
- BWV 896 – Prelude and Fugue in A major
- BWV 897 – Prelude and Fugue in A minor (doubtful; prelude possibly by Cornelius Heinrich Dretzel, fugue possibly by Wilhelm Friedemann Bach)[16][17]
- BWV 898 – Prelude and Fugue in B-flat major on the name B-A-C-H (doubtful)[18]
- BWV 899 – Prelude and Fughetta in D minor
- BWV 900 – Prelude and Fughetta in E minor
- BWV 901 – Prelude and Fughetta in F major
- BWV 902 – Prelude and Fughetta in G major
- BWV 902a – Prelude in G major (alternative version of BWV 902)
- BWV 903 – Chromatic Fantasia and Fugue in D minor
- BWV 903a – Chromatic Fantasia in D minor (alternative version of BWV 903)
- BWV 904 – Fantasia and Fugue in A minor
- BWV 905 – Fantasia and Fugue in D minor (doubtful)[19]
- BWV 906 – Fantasia and Fugue in C minor (fugue unfinished)
- BWV 907 – Fantasia and Fughetta in B-flat major (doubtful)[20]
- BWV 908 – Fantasia and Fughetta in D major (doubtful)[21]
- BWV 909 – Concerto and Fugue in C minor (doubtful)[22]
- BWV 910 – Toccata in F-sharp minor
- BWV 911 – Toccata in C minor
- BWV 912 – Toccata in D major
- BWV 913 – Toccata in D minor
- BWV 914 – Toccata in E minor
- BWV 915 – Toccata in G minor
- BWV 916 – Toccata in G major
- BWV 917 – Fantasia in G minor
- BWV 918 – Fantasia in C minor
- BWV 919 – Fantasia in C minor (doubtful, possibly by Johann Bernhard Bach)[23]
- BWV 920 – Fantasia in G minor (doubtful)[19]
- BWV 921 – Prelude in C minor
- BWV 922 – Prelude (Fantasia) in A minor
- BWV 923 – Prelude in B minor (possibly by Wilhelm Hieronymus Pachelbel)[24]
- BWV 923a – Prelude (Toccatina No. 3; variant of BWV 923; doubtful)[25][26]
Nine Little Preludes from Wilhelm Friedemann Bach's Klavierbüchlein (924–932)
Indicated as "Neun kleine Präludien aus dem Klavierbüchlein für Wilhelm Friedemann Bach" (nine little preludes from the keyboard-booklet for Wilhelm Friedemann Bach) in the Bach-Werke Verzeichnis:[27][28][29]
- BWV 924 – Prelude in C major (Klavierbüchlein No. 2: "Praeambulum")[30]
BWV 924a – Prelude in C major (Klavierbüchlein No. 26: "Preludium ex c♮"; variant version of BWV 924 probably by W. F. Bach, BR‑WFB A 44)[31] - BWV 925 – Prelude in D major (Klavierbüchlein No. 27: "Praeludium ex d♮"; possibly by W. F. Bach, BR‑WFB A 45)[32]
- BWV 926 – Prelude in D minor (Klavierbüchlein No. 4: "Praeludium")[33]
- BWV 927 – Prelude in F major (Klavierbüchlein No. 8: "Praeambulum")[34]
- BWV 928 – Prelude in F major (Klavierbüchlein No. 10: "Praeludium")[35]
- BWV 929 – Prelude in G minor (Klavierbüchlein No. 48e: Trio for a Minuet by Gottfried Heinrich Stölzel)[36]
- BWV 930 – Prelude in G minor (Klavierbüchlein No. 9: "Praeambulum")[37]
- BWV 931 – Prelude in A minor (Klavierbüchlein No. 29: "Praeludium"; possibly by W. F. Bach, BR‑WFB A 47)[38]
- BWV 932 – Prelude in E minor (incomplete; Klavierbüchlein No. 28: "Praeludium ex e♭"; possibly by W. F. Bach, BR‑WFB A 46)[39]
Six Little Preludes (933–938)
An 18th-century set of short preludes by Johann Sebastian Bach:
- BWV 933 – Little Prelude in C major
- BWV 934 – Little Prelude in C minor
- BWV 935 – Little Prelude in D minor
- BWV 936 – Little Prelude in D major
- BWV 937 – Little Prelude in E major
- BWV 938 – Little Prelude in E minor
Five Little Preludes (939–943)
Five short preludes found in the manuscript P 804 (collection of Johann Peter Kellner):[40]
- BWV 939 – Prelude in C major[41]
- BWV 940 – Prelude in D minor[42]
- BWV 941 – Prelude in E minor[43]
- BWV 942 – Prelude in A minor[44]
- BWV 943 – Prelude in C major[45]
Fugues and fughettas (944–962)
- BWV 944 – Fantasia and Fugue in A minor
- BWV 945 – Fugue in E minor (doubtful, possibly by Christoph Graupner)[46][47]
- BWV 946 – Fugue in C major
- BWV 947 – Fugue in A minor
- BWV 948 – Fugue in D minor
- BWV 949 – Fugue in A major
- BWV 950 – Fugue in A major on a theme by Tomaso Albinoni
- BWV 951 – Fugue in B minor on a theme by Tomaso Albinoni
- BWV 951a – Fugue in B minor (alternative version of BWV 951)
- BWV 952 – Fugue in C major
- BWV 953 – Fugue in C major
- BWV 954 – Fugue in B-flat major on a theme by Johann Adam Reincken
- BWV 955 – Fugue in B-flat major
- BWV 956 – Fugue in E minor (doubtful)[48]
- BWV 957 – Machs mit mir, Gott, nach deiner Güt (chorale prelude for organ in the Neumeister Collection, previously listed as Fugue in G major)
- BWV 958 – Fugue in A minor (doubtful)[49]
- BWV 959 – Fugue in A minor
- BWV 960 – Fugue in E minor (incomplete and doubtful)[50][51]
- BWV 961 – Fughetta in C minor
- BWV 962 – Fughetta in E minor (spurious, composed by Johann Georg Albrechtsberger)[52]
Sonatas and sonata movements (963–970)
- BWV 963 – Sonata in D major
- BWV 964 – Sonata in D minor (arrangement of Sonata No. 2 for solo violin, BWV 1003 – doubtful)[53]
- BWV 965 – Sonata in A minor (after Johann Adam Reincken's Hortus Musicus, Nos. 1–5)
- BWV 966 – Sonata in C major (after Johann Adam Reincken's Hortus Musicus, Nos. 11–15)
- BWV 967 – Sonata in A minor (one movement only, arrangement of a chamber sonata by unknown composer)
- BWV 968 – Adagio in G major (after movement 1 of Sonata No. 3 for solo violin, BWV 1005 – doubtful)[53]
- BWV 969 – Andante in G minor (doubtful)[14][54]
- BWV 970 – Presto in D minor (spurious, composed by Wilhelm Friedemann Bach)[55]
Italian Concerto, from Clavier-Übung II (971)
- BWV 971 – Italian Concerto, in F major
Keyboard arrangements of concerti by other composers (972–987)
- BWV 972 – Concerto in D major (arrangement of Antonio Vivaldi's Concerto Op. 3/9, RV230)
- BWV 973 – Concerto in G major (arrangement of Antonio Vivaldi's Concerto Op. 7/8, RV299)
- BWV 974 – Concerto in D minor (arrangement of Alessandro Marcello's Oboe Concerto in D minor)
- BWV 975 – Concerto in G minor (arrangement of Antonio Vivaldi's Concerto Op. 4/6, RV316a)
- BWV 976 – Concerto in C major (arrangement of Antonio Vivaldi's Concerto Op. 3/12, RV265)
- BWV 977 – Concerto in C major (source unknown, possibly a concerto by Benedetto Marcello)
- BWV 978 – Concerto in F major (arrangement of Antonio Vivaldi's Concerto Op. 3/3, RV310)
- BWV 979 – Concerto in B minor (recently identified as Vivaldi's Concerto RV Anh. 10, now RV 813)[56]
- BWV 980 – Concerto in G major (arrangement of Antonio Vivaldi's Violin Concerto in B-flat Major, RV 381)
- BWV 981 – Concerto in C minor (possibly an arrangement of Benedetto Marcello's concerto Op. 1/2)
- BWV 982 – Concerto in B-flat major (arrangement of Prince Johann Ernst of Saxe-Weimar's concerto Op. 1/1)
- BWV 983 – Concerto in G minor (source unknown)
- BWV 984 – Concerto in C major (arrangement of a Prince Johann Ernst concerto) (see BWV 595 for organ version)
- BWV 985 – Concerto in G minor (arrangement of a Georg Philipp Telemann violin concerto)
- BWV 986 – Concerto in G major (arrangement of a concerto attributed to Georg Philipp Telemann)
- BWV 987 – Concerto in D minor (arrangement of Prince Johann Ernst's concerto Op. 1/4)
Variations and miscellaneous pieces for keyboard (988–994)
- BWV 988 – Goldberg Variations (published as Fourth Clavier-Übung)
- BWV 989 – Aria variata alla maniera italiana, in A minor
- BWV 990 – Sarabande con Partite in C major (loosely adapted from the overture for "Bellérophon" (1679) by Jean-Baptiste Lully – doubtful)[57]
- BWV 991 – Air with variations in C minor (unfinished, from the 1722 Notebook for Anna Magdalena Bach)
- BWV 992 – Capriccio sopra la lontananza del suo fratello dilettissimo ("Capriccio on the departure of the Beloved Brother"), in B-flat major
- BWV 993 – Capriccio in E major
- BWV 994 – Applicatio in C major (from the Clavier-Büchlein for Wilhelm Friedemann Bach)
Works for solo lute (BWV 995–1000)
- BWV 995 – Suite in G minor (transcription of Cello Suite No. 5, BWV 1011)
- BWV 996 – Suite in E minor (most probably intended for lute-harpsichord[58])
- BWV 997 – Suite in C minor
- BWV 998 – Prelude, Fugue and Allegro in E-flat major
- BWV 999 – Prelude in C minor
- BWV 1000 – Fugue in G minor (transcription of Fuga (Allegro) from Violin Sonata No. 1 in G minor, BWV 1001)
Works for keyboard and lute in the eighth and ninth chapters of the Bach-Werke-Verzeichnis (1998)
BWV | 2a | Date | Name | Key | Scoring | BG | NBE | Additional info | BD |
---|---|---|---|---|---|---|---|---|---|
8. | Keyboard compositions (see also: List of solo keyboard compositions by Johann Sebastian Bach) | Up ↑ | |||||||
772 | 8. | 1720-01-22 1725-01-22 |
Inventions and Sinfonias No. 1 – Invention No. 1 = WFB No. 32: Preamb. 1 | C maj. | Keyboard | 3: 1 451: 221 |
V/5: 48 V/3: 2 |
→ BWV 772a[61] | 00902 |
772a | 8. | 1720-01-22 1725-01-22 |
Inventions and Sinfonias No. 1a – Invention No. 1a | C maj. | Keyboard | 3: 342 | V/3: 4 | after BWV 772[62] | 00903 |
773 | 8. | 1720-01-22 1725-01-22 |
Inventions and Sinfonias No. 2 – Invention No. 2 = WFB No. 46: Preamb. 15 | C min. | Keyboard | 3: 2 451: 223 |
V/5: 76 V/3: 6 |
[61] | 00904 |
774 | 8. | 1720-01-22 1725-01-22 |
Inventions and Sinfonias No. 3 – Invention No. 3 = WFB No. 45: Preamb. 14 | D maj. | Keyboard | 3: 3 451: 223 |
V/5: 74 V/3: 8 |
[61] | 00905 |
775 | 8. | 1720-01-22 1725-01-22 |
Inventions and Sinfonias No. 4 – Invention No. 4 = WFB No. 33: Preamb. 2 | D min. | Keyboard | 3: 4 451: 221 |
V/5: 50 V/3: 10 |
[61] | 00906 |
776 | 8. | 1720-01-22 1725-01-22 |
Inventions and Sinfonias No. 5 – Invention No. 5 = WFB No. 44: Preamb. 13 | E♭ maj. | Keyboard | 3: 6 451: 222 |
V/5: 72 V/3: 12 |
[61] | 00907 |
777 | 8. | 1720-01-22 1725-01-22 |
Inventions and Sinfonias No. 6 – Invention No. 6 = WFB No. 43: Preamb. 12 | E maj. | Keyboard | 3: 7 451: 222 |
V/5: 70 V/3: 14 |
[61] | 00908 |
778 | 8. | 1720-01-22 1725-01-22 |
Inventions and Sinfonias No. 7 – Invention No. 7 = WFB No. 34: Preamb. 3 | E min. | Keyboard | 3: 9 451: 221 |
V/5: 52 V/3: 16 |
[61] | 00909 |
779 | 8. | 1720-01-22 1725-01-22 |
Inventions and Sinfonias No. 8 – Invention No. 8 = WFB No. 35: Preamb. 4 | F maj. | Keyboard | 3: 10 451: 221 |
V/5: 54 V/3: 18 |
[61] | 00910 |
780 | 8. | 1720-01-22 1725-01-22 |
Inventions and Sinfonias No. 9 – Invention No. 9 = WFB No. 42: Preamb. 11 | F min. | Keyboard | 3: 11 451: 222 |
V/5: 68 V/3: 20 |
[61] | 00911 |
781 | 8. | 1720-01-22 1725-01-22 |
Inventions and Sinfonias No. 10 – Invention No. 10 = WFB No. 36: Preamb. 5 | G maj. | Keyboard | 3: 12 451: 221 |
V/5: 56 V/3: 22 |
[61] | 00912 |
782 | 8. | 1720-01-22 1725-01-22 |
Inventions and Sinfonias No. 11 – Invention No. 11 = WFB No. 41: Preamb. 10 | G min. | Keyboard | 3: 13 451: 222 |
V/5: 66 V/3: 24 |
[61] | 00913 |
783 | 8. | 1720-01-22 1725-01-22 |
Inventions and Sinfonias No. 12 – Invention No. 12 = WFB No. 40: Preamb. 9 | A maj. | Keyboard | 3: 14 451: 222 |
V/5: 64 V/3: 26 |
[61] | 00914 |
784 | 8. | 1720-01-22 1725-01-22 |
Inventions and Sinfonias No. 13 – Invention No. 13 = WFB No. 37: Preamb. 6 | A min. | Keyboard | 3: 15 451: 221 |
V/5: 58 V/3: 28 |
[61] | 00915 |
785 | 8. | 1720-01-22 1725-01-22 |
Inventions and Sinfonias No. 14 – Invention No. 14 = WFB No. 39: Preamb. 8 | B♭ maj. | Keyboard | 3: 16 451: 222 |
V/5: 62 V/3: 30 |
[61] | 00916 |
786 | 8. | 1720-01-22 1725-01-22 |
Inventions and Sinfonias No. 15 – Invention No. 15 = WFB No. 38: Preamb. 7 | B min. | Keyboard | 3: 18 451: 222 |
V/5: 60 V/3: 32 |
[61] | 00917 |
787 | 8. | 1720-01-22 1725-01-22 |
Sinfonias and Inventions No. 16 – Sinfonia No. 1 = WFB No. 49: Fantasia 1 | C maj. | Keyboard | 3: 19 451: 227 |
V/5: 90 V/3: 34 |
[61] | 00918 |
788 | 8. | 1720-01-22 1725-01-22 |
Sinfonias and Inventions No. 17 – Sinfonia No. 2 = WFB No. 63: Fantasia 15 | C min. | Keyboard | 3: 20 451: 231 |
V/5: 118 V/3: 36 |
[61] | 00919 |
789 | 8. | 1720-01-22 1725-01-22 |
Sinfonias and Inventions No. 18 – Sinfonia No. 3 = WFB No. 62: Fantasia 14 | D maj. | Keyboard | 3: 22 451: 230 |
V/5: 116 V/3: 38 |
[61] | 00920 |
790 | 8. | 1720-01-22 1725-01-22 |
Sinfonias and Inventions No. 19 – Sinfonia No. 4 = WFB No. 50: Fantasia 2 | D min. | Keyboard | 3: 23 451: 227 |
V/5: 92 V/3: 40 |
[61] | 00921 |
791 | 8. | 1720-01-22 1725-01-22 |
Sinfonias and Inventions No. 20 – Sinfonia No. 5 = WFB No. 61: Fantasia 13 | E♭ maj. | Keyboard | 3: 24 451: 230 |
V/5: 114 V/3: 42 |
→ BWV 791a[61] | 00922 |
791a | 8. | 1723 | Sinfonias and Inventions No. 20a – Sinfonia No. 5a | E♭ maj. | Keyboard | V/3: 44, 80 | after BWV 791[63] | 00923 | |
792 | 8. | 1720-01-22 1725-01-22 |
Sinfonias and Inventions No. 21 – Sinfonia No. 6 = WFB No. 60: Fantasia 12 | E maj. | Keyboard | 3: 26 451: 229 |
V/5: 112 V/3: 46 |
[61] | 00924 |
793 | 8. | 1720-01-22 1725-01-22 |
Sinfonias and Inventions No. 22 – Sinfonia No. 7 = WFB No. 51: Fantasia 3 | E min. | Keyboard | 3: 28 451: 227 |
V/5: 94 V/3: 48 |
[61] | 00925 |
794 | 8. | 1720-01-22 1725-01-22 |
Sinfonias and Inventions No. 23 – Sinfonia No. 8 = WFB No. 52: Fantasia 4 | F maj. | Keyboard | 3: 29 451: 227 |
V/5: 96 V/3: 50 |
[61] | 00926 |
795 | 8. | 1720-01-22 1725-01-22 |
Sinfonias and Inventions No. 24 – Sinfonia No. 9 = WFB No. 59: Fantasia 11 | F min. | Keyboard | 3: 30 451: 229 |
V/5: 110 V/3: 52 |
[61] | 00927 |
796 | 8. | 1720-01-22 1725-01-22 |
Sinfonias and Inventions No. 25 – Sinfonia No. 10 = WFB No. 53: Fantasia 5 | G maj. | Keyboard | 3: 32 451: 228 |
V/5: 98 V/3: 54 |
[61] | 00928 |
797 | 8. | 1720-01-22 1725-01-22 |
Sinfonias and Inventions No. 26 – Sinfonia No. 11 = WFB No. 58: Fantasia 10 | G min. | Keyboard | 3: 34 451: 229 |
V/5: 108 V/3: 56 |
[61] | 00929 |
798 | 8. | 1720-01-22 1725-01-22 |
Sinfonias and Inventions No. 27 – Sinfonia No. 12 = WFB No. 57: Fantasia 9 | A maj. | Keyboard | 3: 36 451: 229 |
V/5: 106 V/3: 58 |
[61] | 00930 |
799 | 8. | 1720-01-22 1725-01-22 |
Sinfonias and Inventions No. 28 – Sinfonia No. 13 = WFB No. 54: Fantasia 6 | A min. | Keyboard | 3: 38 451: 228 |
V/5: 100 V/3: 60 |
[61] | 00931 |
800 | 8. | 1720-01-22 1725-01-22 |
Sinfonias and Inventions No. 29 – Sinfonia No. 14 = WFB No. 56: Fantasia 8 | B♭ maj. | Keyboard | 3: 40 451: 228 |
V/5: 104 V/3: 62 |
[61] | 00932 |
801 | 8. | 1720-01-22 1725-01-22 |
Sinfonias and Inventions No. 30 – Sinfonia No. 15 = WFB No. 55: Fantasia 7 | B min. | Keyboard | 3: 41 451: 228 |
V/5: 102 V/3: 64 |
[61] | 00933 |
802 | 8. | 1739 | Duet No. 1 from Clavier-Übung III | E min. | Organ | 3: 242 | IV/4: 92 | 00934 | |
803 | 8. | 1739 | Duet No. 2 from Clavier-Übung III | F maj. | Organ | 3: 245 | IV/4: 96 | 00935 | |
804 | 8. | 1739 | Duet No. 3 from Clavier-Übung III | G maj. | Organ | 3: 248 | IV/4: 99 | 00936 | |
805 | 8. | 1739 | Duet No. 4 from Clavier-Übung III | A min. | Organ | 3: 251 | IV/4: 102 | 00937 | |
806 | 8. | 1714–1723 | English Suites, No. 1 | A maj. | Keyboard | 451: 3 132: 3 |
V/7: 2 | 00938 | |
806a | 8. | 1714–1717 | English Suites, No. 1a | A maj. | Keyboard | V/7: 116 | 00939 | ||
807 | 8. | 1725 or earlier | English Suites, No. 2 | A min. | Keyboard | 451: 16 132: 16 |
V/7: 20 | 00940 | |
808 | 8. | 1725 or earlier | English Suites, No. 3 | G min. | Keyboard | 451: 30 132: 30 |
V/7: 38 | 00941 | |
809 | 8. | 1725 or earlier | English Suites, No. 4 | F maj. | Keyboard | 451: 41 132: 41 |
V/7: 54 | 00942 | |
810 | 8. | 1725 or earlier | English Suites, No. 5 | E min. | Keyboard | 451: 53 132: 53 |
V/7: 70 | 00943 | |
811 | 8. | 1725 or earlier | English Suites, No. 6 | D min. | Keyboard | 451: 68 132: 68 |
V/7: 90 | 00944 | |
812 | 8. | 1722 or earlier | Notebook A. M. Bach (1722) No. 1 – French Suites, No. 1 | D min. | Keyboard | 432: VI | V/4: 3 | 00945 | |
Notebook A. M. Bach (1725) No. 30 – French Suites, No. 1 | 432: 40 | V/4: 109 | |||||||
French Suites, No. 1 – Version A (Altnickol) | 451: 89 132: 89 |
V/8: 2 | |||||||
French Suites, No. 1 – Version B (early version) | V/8: 64 | ||||||||
813 | 8. | c. 1722–1725 | Notebook A. M. Bach (1722) No. 2 – French Suites, No. 2 | C min. | Keyboard | 432: VI | V/4: 10, 42 | 00946 | |
Notebook A. M. Bach (1725) No. 31 – French Suites, No. 2 | 432: 44 | V/4: 116 | |||||||
French Suites, No. 2 – Version A (Altnickol) | 451: 94 132: 94 |
V/8: 10 | |||||||
French Suites, No. 2 – Version B (early version) | V/8: 72 | ||||||||
36: 236 | |||||||||
814 | 8. | c. 1722–1725 | Notebook A. M. Bach (1722) No. 3 – French Suites, No. 3 | B min. | Keyboard | 432: VII | V/4: 16, 43 | → BWV 814a | 00948 |
French Suites, No. 3 – Version A (Altnickol) | 451: 100 132: 100 |
V/8: 20 | |||||||
French Suites, No. 3 – Version B (early version) | V/8: 82 | ||||||||
814a | 8. | c. 1720–1739 | French Suites, No. 3 – Variant | B min. | Keyboard | 451: 100 36: 237 132: 100 |
V/8: 166 | after BWV 814/1–/5, 929, 814/7 | 00949 |
815 | 8. | c. 1722–1725 | Notebook A. M. Bach (1722) No. 4 French Suites, No. 4 | E♭ maj. | Keyboard | 432: VII | V/4: 23 | → BWV 815a | 00950 |
French Suites, No. 4 – Version A (Altnickol) | 451: 106 132: 106 |
V/8: 30 | |||||||
French Suites, No. 4 – Version B (early version) | V/8: 92 | ||||||||
36: 236 | |||||||||
815a | 8. | c. 1722–1725 or later | French Suites, No. 4 – Variant | E♭ maj. | Keyboard | 36: 234 451: 106 132: 108 |
V/8: 176 | after BWV 815/1–/5 | 00951 |
816 | 8. | c. 1724–1725 | Notebook A. M. Bach (1722) No. 5 French Suites, No. 5 | G maj. | Keyboard | 432: VII | V/4: 30 | 00952 | |
French Suites, No. 5 – Version A (Altnickol) | 451: 112 132: 112 |
V/8: 40 | |||||||
French Suites, No. 5 – Version B (early version) | V/8: 102 | ||||||||
817 | 8. | c.1725 or later | French Suites, No. 6 – Version A (Altnickol) | E maj. | Keyboard | 451: 120 132: 120 |
V/8: 52 | 00953 | |
French Suites, No. 6 – Version B (early version) | V/8: 114 | ||||||||
818 | 8. | 1720–1722 | Suite for keyboard (early version) | A min. | Keyboard | 36: 3 | V/8: 129 | 00954 | |
818a | 8. | after 1721 | Suite for keyboard (later version) | A min. | Keyboard | 36: 213 | V/8: 146 | 00955 | |
819 | 8. | before 1726 | Suite for keyboard (early version) | E♭ maj. | Keyboard | 36: 8 | V/8: 136 | 00956 | |
819a | 8. | 1725–1728 | Suite for keyboard (later version) | E♭ maj. | Keyboard | 36: 217 | V/8: 156 | 00957 | |
820 | 8. | 1705–1713 | Suite (Ouverture) for keyboard | F maj. | Keyboard | 36: 14 | V/10: 43 | 00958 | |
822 | 8. | Suite for keyboard | G min. | Keyboard | V/10: 68 | after unknown model? | 00960 | ||
823 | 8. | before 1727 | Suite for keyboard | F min. | Keyboard | 36: 229 | V/10: 50 | 00961 | |
825 | 8. | 1725–1726 | Partita No. 1 from Clavier-Übung I | B♭ maj. | Keyboard | 3: 46 | V/1: 2 | 00963 | |
826 | 8. | 1725–1727 | Partita No. 2 from Clavier-Übung I | C min. | Keyboard | 3: 56 | V/1: 15 | 00964 | |
827 | 8. | 1725–1727 | Notebook A. M. Bach (1725) No. 1 = Partita No. 3 from Clavier-Übung I | A min. | Keyboard | 3: 70 | V/1: 35 V/4: 47 |
00964 | |
828 | 8. | 1725–1728 | Partita No. 4 from Clavier-Übung I | D maj. | Keyboard | 3: 82 | V/1: 50 | 00966 | |
829 | 8. | 1725–1730 | Partita No. 5 from Clavier-Übung I | G maj. | Keyboard | 3: 102 | V/1: 72 | 00967 | |
830 | 8. | 1725–1730 | Notebook A. M. Bach (1725) No. 2 = Partita No. 6 from Clavier-Übung I | E min. | Keyboard | 3: 116 | V/1: 90 V/4: 60 |
after BWV 1019a/3 /5 | 00968 |
831 | 8. | 1733–1735 | Overture in the French style (Clavier-Übung II No. 2) | B min. | Harpsichord | 3: 154 | V/2: 20 | after BWV 831a | 00969 |
831a | 8. | 1727–1733 | Overture in the French style (early version) | C min. | Keyboard | V/2: 43 | → BWV 831 | 00970 | |
832 | 8. | before 1707 | Suite for keyboard | A maj. | Keyboard | 42: 255 | V/10: 54 | in Möllersche Handschrift | 00971 |
833 | 8. | before 1707 | Prelude and partita for keyboard | F maj. | Keyboard | V/10: 60 | in Möllersche Handschrift | 00972 | |
836 | 8. | 1720–1721 | Allemande, Klavierbüchlein WFB No. 6 | G min. | Keyboard | 451: 214 | V/5: 8 | by Bach, W. F. & J. S.? | 00975 |
837 | 8. | 1720–1721 | Allemande, Klavierbüchlein WFB No. 7 (incomplete) | G min. | Keyboard | 451: 215 | V/5: 10 | by Bach, W. F. & J. S.? | 00976 |
841 | 8. | 1720–1721 | Notebook A. M. Bach (1722) No. 11 Menuet = WFB No. 11: Menuet 1 | G maj. | Keyboard | 36: 209 451: 215 |
V/5: 16 V/4: 44 | by Bach, W. F. & J. S.? | 00980 |
842 | 8. | 1720–1721 | Klavierbüchlein WFB No. 12: Menuet 2 | G min. | Keyboard | 36: 209 451: 216 |
V/5: 17 | by Bach, W. F. (BR A43) & J. S.? | 00981 |
843 | 8. | 1720–1721 | Klavierbüchlein WFB No. 13: Menuet 3 | G maj. | Keyboard | 36: 210 451: 216 |
V/5: 18 | 00982 | |
846 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 1 | C maj. | Keyboard | 14: 3 | V/6.1: 2 | after BWV 846a | 00986 |
846/1 | 8. | 1725 (AMB) | Notebook A. M. Bach (1725) No. 29 Prelude (short version of WTC I No. 1/1) | C maj. | Keyboard | V/4: 107 | 00986 | ||
846a | 8. | 1720 | Klavierbüchlein WFB No. 14: Praeludium 1 (early WTC I No. 1/1) | C maj. | Keyboard | 451: 216 | V/5: 19 V/6.1: 127 |
→ BWV 846/1 | 00987 |
847 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 2 (/1 = WFB No. 15: Praeludium 2) | C min. | Keyboard | 14: 6 451: 216 |
V/5: 20 V/6.1: 2 |
after BWV 847a | 00988 |
847a | 8. | Prelude and Fughetta (early WTC I No. 2) | C min. | Keyboard | V/6.1: 130 | → BWV 847 | 00989 | ||
848 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 3 (/1 = WFB No. 21: Praeludium [8]) | C♯ maj. | Keyboard | 14: 10 451: 218 |
V/5: 30 V/6.1: 2 |
after BWV 848a | 00990 |
848a | 8. | Prelude and Fughetta (early WTC I No. 3) | C♯ maj. | Keyboard | V/6.1: 134 | → BWV 848 | 00991 | ||
849 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 4 (/1 = WFB No. 22: Praeludium [9]) | C♯ min. | Keyboard | 14: 14 451: 218 |
V/5: 32 V/6.1: 2 |
after BWV 849a | 00992 |
849a | 8. | Prelude and Fughetta (early WTC I No. 4) | C♯ min. | Keyboard | V/6.1: 140 | → BWV 849 | 00993 | ||
850 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 5 (/1 = WFB No. 17: Praeludium 4) | D maj. | Keyboard | 14: 18 451: 217 |
V/5: 23 V/6.1: 2 |
after BWV 850a | 00994 |
850a | 8. | Prelude and Fughetta (early WTC I No. 5) | D maj. | Keyboard | V/6.1: 146 | → BWV 850 | 00995 | ||
851 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 6 (/1 = WFB No. 16: Praeludium 3) | D min. | Keyboard | 14: 22 451: 217 |
V/5: 22 V/6.1: 2 |
after BWV 851a | 00996 |
851a | 8. | Prelude and Fughetta (early WTC I No. 6) | D min. | Keyboard | V/6.1: 150 | → BWV 851 | 00997 | ||
852 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 7 | E♭ maj. | Keyboard | 14: 26 | V/6.1: 32 | after BWV 852a | 00998 |
852a | 8. | Prelude and Fughetta (early WTC I No. 7) | E♭ maj. | Keyboard | V/6.1: 154 | → BWV 852 | 00999 | ||
853 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 8 (/1 = WFB No. 23: Praeludium [10]) | E♭ min. D♯ min. |
Keyboard | 14: 32 451: 218 |
V/5: 34 V/6.1: 38 |
after BWV 853a; → K. 404a/1 | 01000 |
853a | 8. | Prelude and Fughetta (early WTC I No. 8) | E♭ min. D♯ min. |
Keyboard | V/6.1: 160 | → BWV 853 | 01001 | ||
854 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 9 (/1 = WFB No. 19: Praeludium 6) | E maj. | Keyboard | 14: 36 451: 218 |
V/5: 26 V/6.1: 44 |
after BWV 854a | 01002 |
854a | 8. | Prelude and Fughetta (early WTC I No. 9) | E maj. | Keyboard | V/6.1: 166 | → BWV 854 | 01003 | ||
855 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 10 | E min. | Keyboard | 14: 38 | V/6.1: 48 | after BWV 855a | 01004 |
855a | 8. | c.1720 | Prelude and Fughetta (early WTC I No. 10) (/1 = WFB No. 18: Praeludium 5) | E min. | Keyboard | 451: 217 | V/5: 24 V/6.1: 170 |
→ BWV 855 | 01005 |
856 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 11 (/1 = WFB No. 20: Praeludium 7) | F maj. | Keyboard | 14: 42 451: 218 |
V/5: 28 V/6.1: 54 |
after BWV 856a | 01006 |
856a | 8. | Prelude and Fughetta (early WTC I No. 11) | F maj. | Keyboard | V/6.1: 174 | → BWV 856 | 01007 | ||
857 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 12 (/1 = WFB No. 24: Praeludium [11]) | F min. | Keyboard | 14: 44 451: 218 |
V/5: 36 V/6.1: 58 |
after BWV 857a | 01008 |
857a | 8. | Prelude and Fughetta (early WTC I No. 12) | F min. | Keyboard | V/6.1: 178 | → BWV 857 | 01009 | ||
858 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 13 | F♯ maj. | Keyboard | 14: 48 | V/6.1: 64 | after BWV 858a | 01010 |
858a | 8. | Prelude and Fughetta (early WTC I No. 13) | F♯ maj. | Keyboard | V/6.1: 184 | → BWV 858 | 01011 | ||
859 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 14 | F♯ min. | Keyboard | 14: 50 | V/6.1: 64 | after BWV 859a | 01012 |
859a | 8. | Prelude and Fughetta (early WTC I No. 14) | F♯ min. | Keyboard | V/6.1: 188 | → BWV 859 | 01013 | ||
860 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 15 | G maj. | Keyboard | 14: 52 | V/6.1: 72 | after BWV 860a | 01014 |
860a | 8. | Prelude and Fughetta (early WTC I No. 15) | G maj. | Keyboard | V/6.1: 192 | → BWV 860 | 01015 | ||
861 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 16 | G min. | Keyboard | 14: 57 | V/6.1: 78 | after BWV 861a | 01016 |
861a | 8. | Prelude and Fughetta (early WTC I No. 16) | G min. | Keyboard | V/6.1: 198 | → BWV 861 | 01017 | ||
862 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 17 | A♭ maj. | Keyboard | 14: 60 | V/6.1: 82 | after BWV 862a | 01018 |
862a | 8. | Prelude and Fughetta (early WTC I No. 17) | A♭ maj. | Keyboard | V/6.1: 202 | → BWV 862 | 01019 | ||
863 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 18 | G♯ min. | Keyboard | 14: 64 | V/6.1: 86 | after BWV 863a | 01020 |
863a | 8. | Prelude and Fughetta (early WTC I No. 18) | G♯ min. | Keyboard | V/6.1: 206 | → BWV 863 | 01021 | ||
864 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 19 | A maj. | Keyboard | 14: 66 | V/6.1: 90 | after BWV 864a | 01022 |
864a | 8. | Prelude and Fughetta (early WTC I No. 19) | A maj. | Keyboard | V/6.1: 210 | → BWV 864 | 01023 | ||
865 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 20 | A min. | Keyboard | 14: 70 | V/6.1: 96 | after BWV 865a | 01024 |
865a | 8. | Prelude and Fughetta (early WTC I No. 20) | A min. | Keyboard | V/6.1: 216 | → BWV 865 | 01025 | ||
866 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 21 | B♭ maj. | Keyboard | 14: 74 | V/6.1: 104 | after BWV 866a | 01026 |
866a | 8. | Prelude and Fughetta (early WTC I No. 21) | B♭ maj. | Keyboard | V/6.1: 224 | → BWV 866 | 01027 | ||
867 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 22 | B♭ min. | Keyboard | 14: 78 | V/6.1: 108 | after BWV 867a; → Hess 38 | 01028 |
867a | 8. | Prelude and Fughetta (early WTC I No. 22) | B♭ min. | Keyboard | V/6.1: 228 | → BWV 867 | 01029 | ||
868 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 23 | B maj. | Keyboard | 14: 82 | V/6.1: 112 | after BWV 868a | 01030 |
868a | 8. | Prelude and Fughetta (early WTC I No. 23) | B maj. | Keyboard | V/6.1: 232 | → BWV 868 | 01031 | ||
869 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 24 | B min. | Keyboard | 14: 84 | V/6.1: 116 | after BWV 869a | 01032 |
869a | 8. | Prelude and Fughetta (early WTC I No. 24) | B min. | Keyboard | V/6.1: 236 | → BWV 869 | 01033 | ||
870b 870/2 |
8. | 1739–1742 | Well-Tempered Clavier II, P. & F. No. 1 (version A) | C maj. | Keyboard | 451: 243 14: 94 |
V/6.2: 2, 6, 342 |
01036 | |
871 | 8. | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 2 | C min. | Keyboard | 14: 96 | V/6.2: 8, 160 |
→ K. 405/1 | 01037 |
872 | 8. | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 3 | C♯ maj. | Keyboard | 14: 100 | V/6.2: 12, 164, 352 |
after BWV 872a | 01038 |
872a/1 | 8. | 1739–1740 | Prelude (early WTC II, P. & F. No. 3/1) | C maj. | Keyboard | 14: 243 | V/6.2: 344 | → BWV 872/1 | 01039 |
872a/2 | 8. | 1738 | Fughetta (early WTC II, P. & F. No. 3/2) | C maj. | Keyboard | 36: 224 | V/6.2: 358 | → BWV 872/2 | 01039 |
873 | 8. | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 4 | C♯ maj. | Keyboard | 14: 104 | V/6.2: 16, 168 |
01040 | |
874 | 8. | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 5 | D maj. | Keyboard | 14: 108 | V/6.2: 24, 176 |
→ K. 405/5 | 01041 |
875 | 8. | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 6 | D min. | Keyboard | 14: 112 | V/6.2: 30 182, 348, 356 |
after BWV 875a | 01042 |
875a | 8. | 1739–1740 | Preambulum (early WTC II, P. & F. No. 6/1) | D min. | Keyboard | 36: 224 | V/6.2: 346 | → BWV 875/1 | 01043 |
876 | 8. | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 7 | E♭ maj. | Keyboard | 14: 116 | V/6.2: 36, 188, 354 |
→ K. 405/2 | 01044 |
877 | 8. | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 8 | D♯ min. | Keyboard | 14: 120 | V/6.2: 42, 194 |
→ K. 405/4 | 01045 |
878 | 8. | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 9 | E maj. | Keyboard | 14: 124 | V/6.2: 48, 200 |
→ K. 405/3 | 01046 |
879 | 8. | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 10 | E min. | Keyboard | 14: 128 | V/6.2: 54, 206 |
01047 | |
880 | 8. | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 11 | F maj. | Keyboard | 14: 134 | V/6.2: 62, 215 |
01048 | |
881 | 8. | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 12 | F min. | Keyboard | 14: 138 | V/6.2: 69, 221 |
01049 | |
882 | 8. | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 13 | F♯ maj. | Keyboard | 14: 142 | V/6.2: 76, 228 |
→ K. 404a/3 | 01050 |
883 | 8. | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 14 | F♯ min. | Keyboard | 14: 146 | V/6.2: 84, 236 |
→ K. 404a/2 | 01051 |
884 | 8. | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 15 | G maj. | Keyboard | 14: 150 | V/6.2: 90, 242, 350 |
after BWV 902/2 | 01052 |
885 | 8. | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 16 | G min. | Keyboard | 14: 154 | V/6.2: 94, 246 |
01053 | |
886 | 8. | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 17 | A♭ maj. | Keyboard | 14: 160 | V/6.2: 100, 108, 252 |
after BWV 901/2 | 01054 |
887 | 8. | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 18 | G♯ min. | Keyboard | 14: 166 | V/6.2: 112, 260 |
01055 | |
888 | 8. | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 19 | A maj. | Keyboard | 14: 172 | V/6.2: 120, 268 |
01056 | |
889 | 8. | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 20 | A min. | Keyboard | 14: 176 | V/6.2: 124, 272 |
01057 | |
890 | 8. | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 21 | B♭ maj. | Keyboard | 14: 180 | V/6.2: 128, 276 |
01058 | |
891 | 8. | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 22 | B♭ min. | Keyboard | 14: 186 | V/6.2: 134, 282 |
01059 | |
892 | 8. | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 23 | B maj. | Keyboard | 14: 192 | V/6.2: 142, 290 |
01060 | |
893 | 8. | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 24 | B min. | Keyboard | 14: 198 | V/6.2: 150, 298 |
01061 | |
870 | 8. | 1744 | Well-Tempered Clavier II, P. & F. No. 1 (version B) | C maj. | Keyboard | 14: 91 | V/6.2: 156 | after BWV 870a | 01034 |
894 | 8. | 1710–1717 (JTK) | Prelude and Fugue | A min. | Keyboard | 36: 91 | V/9.2: 40 | → BWV 1044/1, /3; in SBB P 801, P 804 | 01062 |
895 | 8. | 1709 (JCB) | Prelude and Fugue | A min. | Keyboard | 36: 104 | V/9.2: 69 | in Yale LM 4982 | 01063 |
896 | 8. | 1704–1707 | Prelude and Fugue | A maj. | Keyboard | 36: 157 | V/9.2: 72 | in Möllersche Handschrift | 01064 |
870a | 8. | before 1727 | Prelude and Fughetta | C maj. | Keyboard | 36: 224 | V/6.2: 307, 310 |
→ BWV 870; in SBB P 804, P 1089 | 01035 |
899 | 8. | before 1727 | Prelude and Fughetta | D min. | Keyboard | 36: 106 | V/6.2: 314 V/12: 24 |
in SBB P 804, P 1089 | 01068 |
900 | 8. | before 1727 | Prelude and Fughetta | E min. | Keyboard | 36: 108 | V/6.2 V/12 |
in SBB P 804, P 1089 | 01069 |
901 | 8. | before 1727 | Prelude and Fughetta | F maj. | Keyboard | 36: 112 | V/6.2: 324 | → BWV 886/2; in SBB P 1089 | 01070 |
902 | 8. | c.1729 | Prelude and Fughetta | G maj. | Keyboard | 36: 114 | V/6.2: 328 | → BWV 884/2; in SBB P 804, P 1089 | 01071 |
902/1a | 8. | before 1727 | Prelude (previous Prelude to BWV 902/2) | G maj. | Keyboard | 36: 220 | V/6.2: 334, 338 |
→ BWV 884/2; in SBB P 804 | 01072 |
903 | 8. | Chromatic Fantasia and Fugue | D min. | Keyboard | 36: 71 | V/9.2: 76 | after BWV 903a; in SBB P 803, P 651 | 01073 | |
903a | 8. | Fantasia (early BWV 903/1) | D min. | Keyboard | 36: 219 | V/9.2: 90 | → BWV 903/1; in D-DS Mus. ms. 69 | 01074 | |
904 | 8. | before 1727 | Fantasia and Fugue | A min. | Keyboard | 36: 81 | V/9.2 | in SBB P 804 | 01075 |
906 | 8. | before 1729 c.1738 |
Fantasia and Fugue (Fugue incomplete) | C min. | Keyboard | 36: 145, 238 | V/9.2: 110 | in US-BETbc, D-Dl Mus.2405-T-52 | 01077 |
910 | 8. | 1707–1713 | Toccata | F♯ min. | Kb (or) Org | 3: 311 | V/9.1: 1 | in Andreas-Bach-Buch | 01081 |
911 | 8. | 1707–1713 | Toccata | C min. | Kb (or) Org | 3: 322 | V/9.1: 13 | in Andreas-Bach-Buch | 01082 |
912 | 8. | 1707–1713 | Toccata | D maj. | Kb (or) Org | 36: 26 | V/9.1: 38 | after BWV 912a; ↔ BWV 532/1 | 01083 |
912a | 8. | 1704–1707 | Toccata | D maj. | Kb (or) Org | 36: 218 | V/9.1: 26 | → BWV 912; in Möllersche Handschrift | 01084 |
913 | 8. | 1707–1709 | Toccata | D min. | Kb (or) Org | 36: 36 | V/9.1: 50, 63 | after BWV 913a | 01085 |
913a | 8. | Toccata | D min. | Kb (or) Org | V/9.1: 52 | → BWV 913; publ. 1801 | 01086 | ||
914 | 8. | 1707–1709 | Toccata | E min. | Kb (or) Org | 36: 47 | V/9.1: 78 | 01087 | |
915 | 8. | 1707–1709 | Toccata | G min. | Kb (or) Org | 36: 54 | V/9.1: 87 | 01088 | |
916 | 8. | 1707–1713 | Toccata | G maj. | Kb (or) Org | 36: 63 | V/9.1: 100 | in Andreas-Bach-Buch | 01089 |
917 | 8. | 1704–1707 | Fantasia | G min. | Keyboard | 36: 143 | V/9.1: 14, 16 | in Möllersche Handschrift | 01090 |
918 | 8. | Fantasia on a Rondo | C min. | Keyboard | 36: 148 | V/9.1: 14, 18 | 01091 | ||
921 | 8. | 1707–1713 | Prelude | C min. | Keyboard | 36: 136 | V/9.1: 24 | in Andreas-Bach-Buch | 01094 |
922 | 8. | 1710–1714 (JTK) | Prelude (Fantasia) | A min. | Keyboard | 36: 138 | V/9.2: 27, 34 | in SBB P 803 | 01095 |
923 | 8. | c.1723? | Prelude | B min. | Keyboard | 42: 211 | V/9.2: 116 | by Pachelbel, W. H.?; → BWV 923a; in SBB P 401 | 01096 |
924 | 8. | c.1720 | Twelve Little Preludes No. 1: Preambulum (WFB No. 2) | C maj. | Keyboard | 36: 118 451: 214 |
V/5: 4 | → BWV 924a | 01098 |
924a | 8. | 1720–1726 | Twelve Little Preludes No. 1a: Preludium ex c♮ (WFB No. 26) | C maj. | Keyboard | 36: 221 451: 220 |
V/5: 41 | after BWV 924; BR A44 F(add) 206 | 01099 |
925 | 8. | 1720–1726 | Twelve Little Preludes No. 4: Preludium ex d♮ (WFB No. 27) | D maj. | Keyboard | 36: 121 451: 220 |
V/5: 42 | BR A45 F(add) 206 | 01100 |
926 | 8. | c.1720 | Twelve Little Preludes No. 5: Preludium (WFB No. 4) | D min. | Keyboard | 36: 122 451: 214 |
V/5: 6 | 01101 | |
927 | 8. | 1720–1726 | Twelve Little Preludes No. 8: Preambulum (WFB No. 8) | F maj. | Keyboard | 36: 124 451: 215 |
V/5: 10 | 01102 | |
928 | 8. | 1720–1726 | Twelve Little Preludes No. 9: Preludium (WFB No. 10) | F maj. | Keyboard | 36: 124 451: 215 |
V/5: 14 | 01103 | |
929 | 8. | 1720–1726 | Twelve Little Preludes No. 10: Trio for a Minuet by Stölzel (WFB No. 48e) | G min. | Keyboard | 36: 126 451: 226 |
V/5: 89 | → BWV 814a | 01104 |
930 | 8. | 1720–1726 | Twelve Little Preludes No. 11: Preambulum (WFB No. 9) | G min. | Keyboard | 36: 126 451: 215 |
V/5: 12 | 01105 | |
931 | 8. | 1720–1726 | Preludium, Klavierbüchlein WFB No. 29 | A min. | Keyboard | 36: 237 451: 220 |
V/5: 45 | BR A47 F(add) 206 | 01106 |
932 | 8. | 1720–1726 | Preludium ex e♭, Klavierbüchlein WFB No. 28 (incomplete) | E min. | Keyboard | 36: 237 451: 220 |
V/5: 44 | BR A46 F(add) 206 | 01107 |
933 | 8. | 1717–1723? | Six Little Preludes No. 1 | C maj. | Keyboard | 36: 128 | V/9.2: 3 | in SBB P 542, P 885 | 01108 |
934 | 8. | 1717–1723? | Six Little Preludes No. 2 | C min. | Keyboard | 36: 128 | V/9.2: 4 | in SBB P 542, P 885 | 01109 |
935 | 8. | 1717–1723? | Six Little Preludes No. 3 | D min. | Keyboard | 36: 130 | V/9.2: 5 | in SBB P 542, P 885 | 01110 |
936 | 8. | 1717–1723? | Six Little Preludes No. 4 | D maj. | Keyboard | 36: 131 | V/9.2: 6 | in SBB P 542, P 885 | 01111 |
937 | 8. | 1717–1723? | Six Little Preludes No. 5 | E maj. | Keyboard | 36: 132 | V/9.2: 8 | in SBB P 542, P 885 | 01112 |
938 | 8. | 1717–1723? | Six Little Preludes No. 6 | E min. | Keyboard | 36: 133 | V/9.2: 10 | in SBB P 542, P 885 | 01113 |
939 | 8. | 1726–1727 | Five Little Preludes No. 1 (=12 L. P. No. 2) | C maj. | Keyboard | 36: 119 | V/12: 50 | by Bach?; in SBB P 804 | 01114 |
940 | 8. | 1726–1727 | Five Little Preludes No. 2 (=12 L. P. No. 6) | D min. | Keyboard | 36: 123 | V/12: 50 | by Bach?; in SBB P 804 | 01115 |
941 | 8. | 1726–1727 | Five Little Preludes No. 3 (=12 L. P. No. 7) | E min. | Keyboard | 36: 123 | V/12: 51 | by Bach?; in SBB P 804 | 01116 |
942 | 8. | 1726–1727 | Five Little Preludes No. 4 (=12 L. P. No. 12) | A min. | Keyboard | 36: 127 | V/12: 52 | by Bach?; in SBB P 804 | 01117 |
943 | 8. | 1725–1727 | Five Little Preludes No. 5 | C maj. | Org (Kb?) | 36: 134 | V/12: 53 | in SBB P 804 | 01118 |
944 | 8. | 1707–1713 | Fantasia and Fugue | A min. | Keyboard | 3: 334 | V/9.2: 133 | in Andreas-Bach-Buch | 01119 |
946 | 8. | early work? | Fugue on a theme by Albinoni | C maj. | Keyboard | 36: 159 | V/9.2: 153 | after Albinoni, Op. 1, No. 12/4 (theme) | 01121 |
947 | 8. | early work? | Fugue | A min. | Keyboard | 36: 161 | V/12: 55 | by Bach? | 01122 |
948 | 8. | early work? | Fugue | D min. | Keyboard | 36: 164 | V/9.2: 156 | in D-B N. Mus. ms. 10580 | 01123 |
949 | 8. | 1707–1713 | Fugue | A maj. | Keyboard | 36: 169 | V/9.2: 163 | after Albinoni (theme)?; in Andreas-Bach-Buch | 01124 |
950 | 8. | before 1725 | Fugue on a theme by Albinoni | A maj. G maj. |
Keyboard | 36: 173 | V/9.2: 168 | after Albinoni (theme); in SBB P 804 | 01125 |
951 | 8. | 1714–1717 | Fugue on a theme by Albinoni | B min. | Keyboard | 36: 178 | V/9.2: 118 | after BWV 951a; in SBB P 801 | 01126 |
951a | 8. | 1714–1717 | Fugue on a theme by Albinoni (early version) | B min. | Keyboard | 36: 221 | V/9.2: 127 | after Albinoni (theme); → BWV 951; in D-LEm Poel. mus. Ms. 9 | 01127 |
952 | 8. | Fugue | C maj. | Keyboard | 36: 184 | V/9.2: 176 | 01128 | ||
953 | 8. | 1720–1726 | Fugue a 3, Klavierbüchlein WFB No. 31 | C maj. | Keyboard | 36: 186 451: 220 |
V/5: 46 | 01129 | |
954 | 8. | early work? | Fugue on a theme by Reincken | B♭ maj. | Keyboard | 42: 50 | V/11: 200 | after Reincken, Hortus Musicus No. 2/2 (theme)[64] | 01130 |
955 | 8. | early work | Fugue | B♭ maj. | Keyboard | 42: 55 | V/12: 60 | after BWV 955a; in SBB P 425, P 804 | 01131 |
955a | 8. | early work | Fugue | B♭ maj. | Organ | 42: 298 | V/12: 65 | by Erselius?; → BWV 955; in SBB P 247, P 595 | 01132 |
959 | 8. | Fugue | A min. | Keyboard | 42: 208 | V/9.2: 178 | by Bach? | 01136 | |
961 | 8. | ? | Fughetta | C min. | Keyboard | 36: 154 | V/9.2: 182 | in SBB P 823 | 01138 |
963 | 8. | early work | Sonata for keyboard | D maj. | Keyboard | 36: 19 | V/10: 32 | in SBB P 804 | 01140 |
965 | 8. | c.1714–1717 or earlier |
Sonata for keyboard after Reincken | A min. | Keyboard | 42: 29 | V/11: 173 | after Reincken, Hortus Musicus No. 1/1–/5; in SBB P 803 | 01142 |
966 | 8. | c.1714–1717 or earlier |
Sonata for keyboard after Reincken | A min. | Keyboard | 42: 42 | V/11: 188 | after Reincken, Hortus Musicus No. 3/1–/5; in SBB P 803 | 01143 |
967 | 8. | 1704–1707 | Sonata transcription, 1st movement | A min. | Keyboard | 451: 168 | V/9.2: 184 | in SBB P 804 | 01144 |
971 | 8. | 1733–1735 | Italian Concerto (Clavier-Übung II No. 1) | F maj. | Harpsichord | 3: 139 | V/2: 2 | 01148 | |
972 | 8. | July 1713– July 1714 |
Concerto for solo keyboard (1/16) | D maj. | Keyboard | 42: 59 | V/11: 3 | after Vivaldi, Op. 3 No. 9 | 01149 |
972a | 8. | July 1713– July 1714 |
Concerto for solo keyboard (1/16), early version | D maj. | Keyboard | V/11: 161 | after Vivaldi, Op. 3 No. 9 | 01150 | |
973 | 8. | July 1713– July 1714 |
Concerto for solo keyboard (2/16) | G maj. | Keyboard | 42: 59 | V/11: 12 | after Vivaldi, Op. 7 No. 8 | 01151 |
974 | 8. | July 1713– July 1714 |
Concerto for solo keyboard (3/16) | D min. | Keyboard | 42: 59 | V/11: 20 | after Marcello, A., Oboe Concerto | 01152 |
975 | 8. | July 1713– July 1714 |
Concerto for solo keyboard (4/16) | G min. | Keyboard | 42: 59 | V/11: 30 | after Vivaldi, Op. 4 No. 6 | 01153 |
976 | 8. | July 1713– July 1714 |
Concerto for solo keyboard (5/16) | C maj. | Keyboard | 42: 59 | V/11: 39 | after Vivaldi, Op. 3 No. 12 | 01154 |
977 | 8. | July 1713– July 1714 |
Concerto for solo keyboard (6/16) | C maj. | Keyboard | 42: 59 | V/11: 50 | after unknown model | 01155 |
978 | 8. | July 1713– July 1714 |
Concerto for solo keyboard (7/16) | F maj. | Keyboard | 42: 59 | V/11: 56 | after Vivaldi, Op. 3 No. 3 (RV 310) | 01156 |
979 | 8. | July 1713– July 1714 |
Concerto for solo keyboard (8/16) | B min. | Keyboard | 42: 59 | V/11: 64 | after Vivaldi, RV 813 (previously: Torelli)[65] | 01157 |
980 | 8. | July 1713– July 1714 |
Concerto for solo keyboard (9/16) | G maj. | Keyboard | 42: 59 | V/11: 79 | after Vivaldi, Op. 4 No. 1 (RV 381) | 01158 |
981 | 8. | July 1713– July 1714 |
Concerto for solo keyboard (10/16) | C min. | Keyboard | 42: 59 | V/11: 90 | after Marcello, B., Op. 1 No. 2 | 01159 |
982 | 8. | July 1713– July 1714 |
Concerto for solo keyboard (11/16) | B♭ maj. | Keyboard | 42: 59 | V/11: 100 | after J. E. of Saxe-Weimar, Op. 1 No. 1 | 01160 |
983 | 8. | July 1713– July 1714 |
Concerto for solo keyboard (12/16) | G min. | Keyboard | 42: 59 | V/11: 110 | after unknown model | 01161 |
984 | 8. | July 1713– July 1714 |
Concerto for solo keyboard (13/16) | C maj. | Keyboard | 42: 59 | V/11: 118 | after J. E. of Saxe-Weimar, lost Concerto; → BWV 595 | 01162 |
985 | 8. | July 1713– July 1714 |
Concerto for solo keyboard (14/16) | G min. | Keyboard | 42: 59 | V/11: 128 | after Telemann, TWV 51:g1[66] | 01163 |
986 | 8. | July 1713– July 1714 |
Concerto for solo keyboard (15/16) | G min. | Keyboard | 42: 59 | V/11: 137 | after unknown model | 01164 |
987 | 8. | July 1713– July 1714 |
Concerto for solo keyboard (16/16) | D min. | Keyboard | 42: 59 | V/11: 142 | after J. E. of Saxe-Weimar, Op. 1 No. 4 | 01165 |
988 | 8. | 1741–1742 | Goldberg Variations (Clavier-Übung IV) | G maj. | Harpsichord | 3: 263 | V/2: 69 | → BWV 1087 | 01166 |
988/1 | 8. | c.1740? (AMB) | Notebook A. M. Bach (1725) No. 26 Aria of the Goldberg Variations | G maj. | Harpsichord | 3: 263 | V/4: 103 | → BWV 1087 | 01166 |
989 | 8. | 1707–1713 | Aria variata | A min. | Keyboard | 36: 203 | V/10: 21 | in Andreas-Bach-Buch | 01167 |
991 | 8. | 1722 | Notebook A. M. Bach (1722) No. 7 Air with variations (incomplete) | C min. | Keyboard | 432: 4 | V/4: 40 | 01169 | |
992 | 8. | 1704–1707 | Capriccio on the departure of a beloved brother | B♭ maj. | Keyboard | 36: 190 | V/10: 3 | in Möllersche Handschrift | 01170 |
993 | 8. | c.1705 | Capriccio in honorem Johann Christoph Bachii Ohrdrufiensis | E maj. | Keyboard | 36: 197 | V/10: 12 | in SBB P 804 | 01171 |
994 | 8. | 1720 | Klavierbüchlein WFB No. 1: Applicatio | C maj. | Keyboard | 36: 237 451:214 |
V/5: 4 | 01172 | |
9. | Lute compositions (see also: List of solo lute compositions by Johann Sebastian Bach) | Up ↑ | |||||||
995 | 9. | Fall 1727 – Winter 1731 | Suite for lute | G min. | Lu | V/10: 81 | after BWV 1011[67][68][69] [70][71][72][73][74][75] [76][77][78][79][80][81] |
01173 | |
996 | 9. | 1710–1717 (JGW) | Suite for lute | E min. | Lu (Lw?) | 451: 149 | V/10: 94 | in SBB P 801, pp. 385–395[82][83] [73][75][76][84][85][86] |
01174 |
997.1 | 9. | 1720–1739 | Suite (1st version) | C min. | Lw | 451: 156 | V/10: 102 | in SBB P 650; → BWV 997.2[70][73][87] [75][76][80][81][84][85] |
01175 |
997.2 | 9. | 1720–1739 | Suite (2nd version) | C min. | Lu | 451: 156 | V/10: 102 | in D LEm III 11.5; after BWV 997.1[70][73][87] [75][76][80][81][84][85] |
11576 |
998 | 9. | 1735–1745 | Prelude, Fugue and Allegro | E♭ maj. | Lu (or) Hc | 451: 141 | V/10: 114 | [73][88][89] [74][75][76][81][85][90] |
01176 |
999 | 9. | 1717–1723 | Prelude for lute (Twelve Little Preludes No. 3) | C min. | Lu | 36: 119 | V/10: 122 | in SBB P 804, pp. 101–103[91][73][75][92][93] | 01177 |
1000 | 9. | after 1720 | Fugue | G min. | Lu | V/10: 124 | after BWV 1001/2; → 539/2; in MB Lpz III.11.4[70][87] [73][75][80][81][84][94] |
01178 | |
1006.2 | 9. | c.1736–1737 | Suite | E maj. | Lu? | 42: 16 | V/10: 134 | after BWV 1006.1[68][73][95] [75][81][90][96][97][98] |
01185 |
Other keyboard and lute compositions
Canons (BWV 1072–1078)
Late contrapuntal works (BWV 1079–1080)
- BWV 1079 – The Musical Offering (Musikalisches Opfer) – some pieces intended for fortepiano
- BWV 1080 – The Art of Fugue (Die Kunst der Fuge) - some pieces indicated as being for a two-manual harpsichord
Spurious and doubtful works in Anna Magdalena's Notebooks (BWV Anh. 113–132)
Piano transcriptions
References
- ↑ Series V: Keyboard and Lute Works at the Bärenreiter website
- ↑ Dürr & Kobayashi 1998.
- ↑ Eichberg 1976, pp. 47–49.
- ↑ "Work 959". Bach Digital. Leipzig: Bach Archive; et al.
- ↑ "Work 962". Bach Digital. Leipzig: Bach Archive; et al.
- ↑ Jump up to: 6.0 6.1 Eichberg 1976, pp. 8–11.
- ↑ "Work 973". Bach Digital. Leipzig: Bach Archive; et al.
- ↑ Jump up to: 8.0 8.1 Eichberg 1976, p. 12.
- ↑ "Work 974". Bach Digital. Leipzig: Bach Archive; et al.
- ↑ "Work 975". Bach Digital. Leipzig: Bach Archive; et al.
- ↑ "Work 976". Bach Digital. Leipzig: Bach Archive; et al.
- ↑ "Work 977". Bach Digital. Leipzig: Bach Archive; et al.
- ↑ Eichberg 1976, pp. 18–19.
- ↑ Jump up to: 14.0 14.1 14.2 Eichberg 1976, pp. 20–29.
- ↑ "Work 1005". Bach Digital. Leipzig: Bach Archive; et al.
- ↑ "Work 1065". Bach Digital. Leipzig: Bach Archive; et al.
- ↑ "Work 1066". Bach Digital. Leipzig: Bach Archive; et al.
- ↑ "Work 1067". Bach Digital. Leipzig: Bach Archive; et al.
- ↑ Jump up to: 19.0 19.1 Eichberg 1976, p. 45.
- ↑ "Work 1078". Bach Digital. Leipzig: Bach Archive; et al.
- ↑ "Work 1079". Bach Digital. Leipzig: Bach Archive; et al.
- ↑ "Work 1080". Bach Digital. Leipzig: Bach Archive; et al.
- ↑ "Work 1092". Bach Digital. Leipzig: Bach Archive; et al.
- ↑ "Work 1096". Bach Digital. Leipzig: Bach Archive; et al.
- ↑ Eichberg 1976, pp. 8–25.
- ↑ "Work 1097". Bach Digital. Leipzig: Bach Archive; et al.
- ↑ BWV2a (1998) P. 391
- ↑ Alfred Dörffel, editor. BGA Vol. 451 (1897), pp. 213–231
- ↑ Wolfgang Plath, editor. New Bach Edition, Series V: Keyboard and Lute Works, Volume 5: Klavierbüchlein für Wilhelm Friedemann. Bärenreiter (1962, 21973, 31981).
- ↑ "Work 1098". Bach Digital. Leipzig: Bach Archive; et al.
- ↑ "Work 1099". Bach Digital. Leipzig: Bach Archive; et al.
- ↑ "Work 1100". Bach Digital. Leipzig: Bach Archive; et al.
- ↑ "Work 1101". Bach Digital. Leipzig: Bach Archive; et al.
- ↑ "Work 1102". Bach Digital. Leipzig: Bach Archive; et al.
- ↑ "Work 1103". Bach Digital. Leipzig: Bach Archive; et al.
- ↑ "Work 1104". Bach Digital. Leipzig: Bach Archive; et al.
- ↑ "Work 1105". Bach Digital. Leipzig: Bach Archive; et al.
- ↑ "Work 1106". Bach Digital. Leipzig: Bach Archive; et al.
- ↑ "Work 1107". Bach Digital. Leipzig: Bach Archive; et al.
- ↑ Ernst Naumann. "Vorwort" (Preface) in BGA Vol. 36 (1890), p. LX
- ↑ "Work 1114". Bach Digital. Leipzig: Bach Archive; et al.
- ↑ "Work 1115". Bach Digital. Leipzig: Bach Archive; et al.
- ↑ "Work 1116". Bach Digital. Leipzig: Bach Archive; et al.
- ↑ "Work 1117". Bach Digital. Leipzig: Bach Archive; et al.
- ↑ "Work 1118". Bach Digital. Leipzig: Bach Archive; et al.
- ↑ Eichberg 1976, pp. 7–17.
- ↑ "Work 1120". Bach Digital. Leipzig: Bach Archive; et al.
- ↑ "Work 1133". Bach Digital. Leipzig: Bach Archive; et al.
- ↑ "Work 1135". Bach Digital. Leipzig: Bach Archive; et al.
- ↑ Eichberg 1976, pp. 17–19.
- ↑ "Work 1137". Bach Digital. Leipzig: Bach Archive; et al.
- ↑ "Work 1139". Bach Digital. Leipzig: Bach Archive; et al.
- ↑ Jump up to: 53.0 53.1 Eichberg 1976, pp. 29–42.
- ↑ "Work 1146". Bach Digital. Leipzig: Bach Archive; et al.
- ↑ "Work 11148". Bach Digital. Leipzig: Bach Archive; et al.
- ↑ Talbot, Michael (2011). The Vivaldi Compendium. Boydell Press. p. 54. ISBN 9781843836704.
- ↑ Eichberg 1976, pp. 42–47.
- ↑ Ripin, Edwin M. & Wraight, Denzil (2001). "Lute-harpsichord". In Sadie, Stanley & Tyrrell, John (eds.). The New Grove Dictionary of Music and Musicians (2nd ed.). London: Macmillan Publishers. ISBN 978-1-56159-239-5.
- ↑ Bach-Gesellschaft Ausgabe, .../Prefaces, .../Thematic Catalogue: documentation and facsimiles at the International Music Score Library Project
- ↑ Neue Bach-Ausgabe: documentation at the International Music Score Library Project
- ↑ Jump up to: 61.00 61.01 61.02 61.03 61.04 61.05 61.06 61.07 61.08 61.09 61.10 61.11 61.12 61.13 61.14 61.15 61.16 61.17 61.18 61.19 61.20 61.21 61.22 61.23 61.24 61.25 61.26 61.27 61.28 61.29 US-NHub Music Deposit 31 (Klavierbüchlein für W. F. Bach) at Bach Digital.
- ↑ RISM 467300920
- ↑ RISM 467300939
- ↑ Philipp Spitta. Musikgeschichtliche Aufsätze. Berlin (1894), 117f
- ↑ Talbot, Michael (2011). The Vivaldi Compendium. Boydell Press. p. 54. ISBN 9781843836704.
- ↑ Johann Sebastian Bach: Concerti nach Vivaldi u.a. – III at www
.crescendo-music .com - ↑ Johann Sebastian Bach, edited by Hermann Scherchen, preface by Charles van den Borren. Facsimile of BR Bruxelles II. 4805, appendix in Musica viva, Vol. III. Brussels (1936)
- ↑ Jump up to: 68.0 68.1 Johann Sebastian Bach, edited by E. Capriani. "Documenti storici" in Opere per Liuto, Vol. III. Rovereto (1977)
- ↑ MB Lpz III. 11. 3
- ↑ Jump up to: 70.0 70.1 70.2 70.3 Johann Sebastian Bach, introduction by Hans-Joachim Schulze. Drei Lautenkompositionen in zeitgenössischer Tabulatur (BWV 995, 997, 1000). Leipzig (1975)
- ↑ Artzt. "The third Lute Suite by Bach: Three Manuscripts and their Implications" in Journal of the Lute Society of America (1968), pp. 9ff
- ↑ Grossman. "Der Intavolator als Interpret: Johann Sebastian Bachs Lautensuite g-moll, BWV 995, im Autograph und in zeitgenössischer Tabulatur" in Basler Jahrbuch (1986), pp. 223–244
- ↑ Jump up to: 73.0 73.1 73.2 73.3 73.4 73.5 73.6 73.7 Henning 1987.
- ↑ Jump up to: 74.0 74.1 Junghänel. "Bach und die zeitgenössische Lautenpraxis" in Bericht Duisburg
- ↑ Jump up to: 75.0 75.1 75.2 75.3 75.4 75.5 75.6 75.7 Radke. Fs Engel, pp. 271ff
- ↑ Jump up to: 76.0 76.1 76.2 76.3 76.4 Schulze, Dok III
- ↑ Schulze. Mf 1968, pp. 203f
- ↑ Schulze. "«Monsieur Schouster» – ein vergessener Zeitgenosse Johann Sebastian Bachs" in Fs Dürr, pp. 243ff
- ↑ Schulze. St
- ↑ Jump up to: 80.0 80.1 80.2 80.3 Schulze. "Wer intavolierte Johann Sebastian Bachs Lautentabulaturen?" in Mf 1966, pp. 32ff
- ↑ Jump up to: 81.0 81.1 81.2 81.3 81.4 81.5 Siegele Diss
- ↑ Beißwenger, Acht Präl: 27
- ↑ Dömling/Kohlhase, AcM 1971: 108f
- ↑ Jump up to: 84.0 84.1 84.2 84.3 Schulze St
- ↑ Jump up to: 85.0 85.1 85.2 85.3 Spitta I: 768; II: 646
- ↑ Wiemer, BJ 1987: 29ff
- ↑ Jump up to: 87.0 87.1 87.2 Dreyfus Cont Gr
- ↑ Johann Sebastian Bach with an introduction by Hiroshi Hoshino. "The Manuscript Copy of J. S. Bach's Prelude, Fugue and Allegro for Lute or Harpsichord, E-flat major (BWV 998), in the Possession of Ueno Gakuen" (contains facsimile of Prelude pour la Luth. ò Cembal. par J. S. Bach.) in Fs for Ueno Gakuen. Tokyo (1974), pp. 171ff
- ↑ Dombois. "The Allegro from J. S. Bachs Prelude, Fugue and Allegro in E-flat major" in Lute Society Journal (1972), pp. 25ff, 51ff
- ↑ Jump up to: 90.0 90.1 Kobayashi Chr
- ↑ Neemann 1931.
- ↑ Badura-Skoda
- ↑ Spitta I: 663
- ↑ Kilian, Mf 1961: 323 (regarding BWV 539)
- ↑ Dadelsen TBSt 4/5
- ↑ Hofmann, Fs Scheide: 14~154
- ↑ Spitta I: 707
- ↑ Zingel. "Bach auf der Harfe" in Schweizerische Musikzeitung (1964), pp. 286ff
Sources
- Dürr, Alfred; Kobayashi, Yoshitake, eds. (1998). Bach Werke Verzeichnis: Kleine Ausgabe – Nach der von Wolfgang Schmieder vorgelegten 2. Ausgabe [Bach Works Catalogue: Small Edition – After Wolfgang Schmieder's 2nd edition] (in Deutsch). Kirsten Beißwenger (collaborator). (BWV2a ed.). Wiesbaden: Breitkopf & Härtel. ISBN 9783765102493. Preface in English and German.
{{cite book}}
: CS1 maint: postscript (link) - Eichberg, Hartwig (1976). Schulze, Hans-Joachim; Wolff, Christoph (eds.). "Unechtes unter Johann Sebastian Bachs Klavierwerken" [Inauthentic among the keyboard works of Johann Sebastian Bach]. Bach-Jahrbuch (in Deutsch). 1975 (61) (Neue Bachgesellschaft ed.). Berlin: Evangelische Verlagsanstalt: 7–49. doi:10.13141/bjb.v1975.
- Henning, Uta (1987). "Zur Frage des Lautenklaviers bei Johann Sebastian Bach: Mögliche Zuweisung der Bachschen Lautenkompositionen an das Lautenklavier – Beschreibung des Instruments und Rekonstruktionsversuche im 20. Jahrhundert". In Berke, Dietrich; Hanemann, Dorothee (eds.). Alte Musik als ästhetische Gegenwart: Bach, Händel, Schütz. Bericht über den internationalen musikwissenschaftlichen Kongreß Stuttgart 1985 (in Deutsch). Vol. 2. Bärenreiter. pp. 465–469. ISBN 3-7618-0767-8 – via Qucosa .
- Neemann, Hans [at Wikidata] (1931). "J. S. Bachs Lautenkompositionen" [J. S. Bach's lute compositions]. In Schering, Arnold (ed.). Bach-Jahrbuch 1931 [Bach-Yearbook 1931]. Bach-Jahrbuch (in Deutsch). Vol. 28. Leipzig: Breitkopf & Härtel. pp. 72–87. doi:10.13141/bjb.v1931 – via Qucosa .
- "US-NHub Music Deposit 31 (Klavierbüchlein für W. F. Bach)". Bach Digital. Leipzig: Bach Archive; et al. 2020-03-03.
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