Portal:History/Featured picture

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List of featured pictures

Image 1
Historical reenactment
Photo: Myrabella
A historical reenactment is an educational or entertainment activity in which participants follow a prearranged plan to recreate aspects of a historical event or period. Here, a group reenacts the Battle of Waterloo, in which an Imperial French army under the command of Emperor Napoleon Bonaparte was defeated by the armies of the Seventh Coalition.
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Image 2
Siege of Sevastopol (1854–1855)
Artist: William Simpson; Restoration: Lise Broer
A lithograph of a watercolour painting depicting soldiers transporting winter clothing, lumber for huts, and other supplies through a snow-covered landscape, with partially buried dead horses along the roadside, to the British camps, during the Siege of Sevastopol of the Crimean War. In the winter, a storm ruined the camps and supply lines of the Allied forces (France, Britain and the Ottoman Empire). Men and horses became sick and starved in the poor conditions.
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Image 3
Dust Bowl
Photo credit: Sloan, USDA
Buried machinery in a barn lot, Dallas, South Dakota, United States, due to Dust Bowl conditions, May 1936. Dust storms from 1930–1939 caused major ecological and agricultural damage to American and Canadian prairie lands. This ecological disaster was a result of drought conditions coupled with decades of extensive farming using techniques that promoted erosion.
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Image 4
The "Theatre" at Petra
Photo: Douglas Perkins
Petra is an archaeological site in Jordan, lying in a basin among the mountains which form the eastern flank of Wadi Araba, the great valley running from the Dead Sea to the Gulf of Aqaba. It is famous for having many stone structures carved into the rock.
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Image 5 Magna Carta Document: John, King of England, his barons and Stephen Langton Cotton MS Augustus II.106, one of four surviving exemplifications of Magna Carta. This document, sealed by King John of England on 15 June 1215 (O.S.), was drafted by the Archbishop of Canterbury to make peace between the unpopular king and a group of rebel barons. The charter promised the protection of church rights, protection for the barons from illegal imprisonment, access to swift justice, and limitations on feudal payments to the Crown. The document was reissued and renewed several times over the centuries, though its political impact decreased as later laws were passed. The charter was significant because the king had agreed to limit his power, so that although it dealt predominantly with the king and the barons, since the late 16th century it has been considered a symbol of liberty and the freedom of the individual. More featured pictures

Image 5
Magna Carta
Document: John, King of England, his barons and Stephen Langton
Cotton MS Augustus II.106, one of four surviving exemplifications of Magna Carta. This document, sealed by King John of England on 15 June 1215 (O.S.), was drafted by the Archbishop of Canterbury to make peace between the unpopular king and a group of rebel barons. The charter promised the protection of church rights, protection for the barons from illegal imprisonment, access to swift justice, and limitations on feudal payments to the Crown.
The document was reissued and renewed several times over the centuries, though its political impact decreased as later laws were passed. The charter was significant because the king had agreed to limit his power, so that although it dealt predominantly with the king and the barons, since the late 16th century it has been considered a symbol of liberty and the freedom of the individual.
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Image 6
Nefertiti Bust
Photo: Philip Pikart
The Nefertiti Bust is a 3300-year-old painted limestone bust of Nefertiti, the Great Royal Wife of the Pharaoh Akhenaten and one of the most copied works of Ancient Egypt. It is believed to have been crafted in 1345 BC by the sculptor Thutmose, in whose workshop it was discovered in 1912 by a German archaeological team led by Ludwig Borchardt. It is part of the Egyptian Museum of Berlin collection, currently on display in the Neues Museum and has been the subject of an intense argument between Egypt and Germany over the Egyptian demands for its repatriation.
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Image 7
Masada
Photograph: Andrew Shiva
An aerial view of Masada, an ancient fortification in the Southern District of Israel. Found atop an isolated rock plateau, it overlooks the Dead Sea. The first fortifications on the mountain were built by Alexander Jannaeus, and significantly strengthened by the Roman client king Herod between 37 and 31 BCE. During the First Jewish–Roman War of 66–73 CE, the fortress was besieged, falling only after the 960 Sicarii defending it committed mass suicide.
Masada is among the more popular tourist attractions in Israel, and in 2001 it was made a UNESCO World Heritage Site.
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Image 8
Warsaw Ghetto Uprising
Photo credit: USHMM
Jews captured by SS and SD troops during the suppression of the Warsaw Ghetto Uprising are forced to leave their shelter and march to the Umschlagplatz for deportation. The SD trooper pictured second from the right, is Josef Blösche, who was identified by Polish authorities using this photograph. Blösche was tried for war crimes in Erfurt, East Germany in 1969, sentenced to death and executed in July of that year.
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Image 9
Photograph of glassworkers by Lewis Hine
Photograph: Lewis Hine; restoration: Lise Broer
A baseball team composed mostly of child laborers from an Indiana glassmaking factory, as photographed by Lewis Hine in August 1908. Hine (1874–1940) was an American sociologist who promoted the use of photography as an educational medium and means for social change. Beginning in 1908, he spent ten years photographing child labor for the National Child Labor Committee. The project was a dangerous one, and Hine had to disguise himself – at times as a fire inspector, post card vendor, Bible salesman or industrial photographer – to avoid the factory police and foremen.
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Image 10
Timeline of lighting technology
Illustration: Maurice Dessertenne
Restoration: Michel Vuijlsteke
An illustration from Volume IV (E–G) of the encyclopedia Nouveau Larousse illustré showing various methods of lighting through the ages, starting from prehistoric times in the upper left (No. 1) to carbide lamps at the beginning of the 20th century (No. 54, lower right), with a separate section for Japanese lighting (No. 55–58, lower left).
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Image 11 Armorial of the Holy Roman Empire Woodcut: Hans Burgkmair; print: David de Negker A woodcut print of the Quaternion Eagle, the double-headed eagle armorial of the Holy Roman Empire. It showed the shields of the various parts of the empire in groups of four on the feathers of the eagle supporting, in place of a shield, Christ on the True Cross. The top, larger shields, are those of the seven Prince-electors, as well as one for the titular "Prefect of Rome". More featured pictures

Image 11
Armorial of the Holy Roman Empire
Woodcut: Hans Burgkmair; print: David de Negker
A woodcut print of the Quaternion Eagle, the double-headed eagle armorial of the Holy Roman Empire. It showed the shields of the various parts of the empire in groups of four on the feathers of the eagle supporting, in place of a shield, Christ on the True Cross. The top, larger shields, are those of the seven Prince-electors, as well as one for the titular "Prefect of Rome".
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Image 12
Shiva
Photo: Los Angeles County Museum of Art
A Chola dynasty sculpture depicting Shiva. In Hinduism, Shiva is the deity of destruction and one of the most important gods; in this sculpture he is dancing as Nataraja, the divine dancer who unravels the world in preparation for it being remade by Brahma.
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Image 13
1895 train wreck, Gare Montparnasse
Photo credit: Studio Lévy and Sons
On October 22, 1895, the Granville–Paris Express train overran the buffer stop at Gare Montparnasse station. The engine careened across almost 30 metres (100 feet) of the station concourse, crashed through a 60 centimetre thick wall, shot across a terrace and sailed out of the station, plummeting onto the Place de Rennes 10 metres (30 feet) below where it stood on its nose. While all of the passengers on board the train survived, one woman on the street below was killed by falling masonry.
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Image 14
Māori traditional textiles
Illustration credit: M. Jackson, Illustrated London News
The traditional clothing of the Māori can be seen in this engraving of a meeting between Māori and settlers in Hawke's Bay Province during the Invasion of Waikato in 1863. Muka, the fibre of New Zealand flax, was the basis of most clothing.
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Image 15
Rajputs
Image: The Illustrated London News
Restoration: Adam Cuerden
An 1876 engraving of Khokar Rajputs of Punjab. The Rajputs are one of the major Hindu Kshatriya (warrior) groups of India. Rajputs rose to prominence during the 9th to 11th centuries, and by the time of Indian independence, they ruled more than two-thirds of the estimated six hundred princely states, including three-quarters of the salute states.
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Image 16
Temple Square
Photo: William Henry Jackson; restoration: Tom dl and Mmxx
An 1899 photochrom showing Temple Square, a 10-acre (4.0 ha) complex located in the center of Salt Lake City, Utah, US. The location is owned by and serves as headquarters of the Church of Jesus Christ of Latter-day Saints and was selected by Church president Brigham Young in 1846. Temple Square is home to several buildings; depicted here are the Salt Lake Temple, Salt Lake Tabernacle and Salt Lake Assembly Hall.
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Image 17
Poison gas in World War I
Photo credit: Frank Hurley
A group of Australian infantry wearing Small Box Respirators (SBRs) at the Third Battle of Ypres in September 1917. After the introduction of poison gas in World War I, countermeasures were developed. SBRs represented the pinnacle of gas mask development during the war, a mouthpiece connected via a hose to a box filter (hanging around the wearer's neck in this picture), which in turn contained granules of chemicals that neutralised the gas. The SBR was the prized possession of the ordinary infantryman; when the British were forced to retreat during the German Spring Offensive of 1918, it was found that while some troops had discarded their rifles, hardly any had left behind their respirators.
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Image 18
The Rhodes Colossus
Illustration: Edward Linley Sambourne
The Rhodes Colossus is an iconic editorial cartoon of the Scramble for Africa period, depicting British colonialist Cecil John Rhodes as a giant standing over the continent, after his announcement of plans to extend an electrical telegraph line from Cape Town to Cairo. Rhodes is shown in a visual pun as the ancient Greek statue the Colossus of Rhodes, with his right foot in Cape Town and his left in Cairo, illustrating his broader "Cape to Cairo" concept for British domination of Africa.
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