"Oh, Pretty Woman", or simply "Pretty Woman", is a song recorded by Roy Orbison and written by Orbison and Bill Dees.[3] It was released as a single in August 1964 on Monument Records and spent three weeks at number one on the Billboard Hot 100 from September 26, 1964, making it the second and final single by Orbison (after "Running Scared") to reach number one in the United States.[4] It was also Orbison's third single to top the UK Singles Chart, where it spent three weeks at number one.[5]
The single version (in mono) and the LP version (in stereo on the Oribisongs LP) have slightly differing lyrics. The LP version with the intended lyric: "come with me baby" was changed for the single to "come to me baby" as the former was considered too risque. The record ultimately sold seven million copies and marked the high point in Orbison's career.[6] In October 1964, the single was certified gold by the RIAA.[7] At the year's end, Billboard ranked it the number four song of 1964.[8]
"Oh, Pretty Woman" was later used for the title of the 1990 film Pretty Woman and its 2018 Broadway musical adaptation.
Acuff-Rose Music's lawsuit over a parody of "Oh, Pretty Woman" by 2 Live Crew led to a Supreme Courtruling establishing that parody was a valid form of fair use.[9]
A promotional video for the song directed by Stanley Dorfman[16][17] was filmed on October 19, 1964, in the rooftop garden of the Derry and Toms department store in Kensington, London. The clip was filmed to air on Top of the Pops on October 22, as Orbison was unable to attend the show's live taping. It subsequently aired on October 29, November 12, and November 19.[16][17]
In 1989, Miami bass group 2 Live Crew recorded "Pretty Woman", a parody of "Oh, Pretty Woman", for their album As Clean as They Wanna Be. The group sampled the distinctive bassline from Orbison's recording, but wrote new lyrics about a hairy woman, her bald-headed friend, and their appeal to the singer, as well as denunciation of a "two-timing woman."
Orbison's music publisher, Acuff-Rose Music, sued 2 Live Crew on the basis that fair use did not permit reuse of their copyrighted material for profit. The United States Supreme Court unanimously ruled in 2 Live Crew's favor in 1994, greatly expanding the doctrine of fair use and extending its protections to parodies created for profit.[9]
Van Halen recorded a cover of "Oh, Pretty Woman" to be released as a non-album single in January 1982 before a planned hiatus. However, the single's sudden success brought pressure from Warner Bros. Records to produce an entire LP; the resulting album, Diver Down, was released that August.
On Diver Down and in the song's music video, "(Oh) Pretty Woman" is preceded by the instrumental "Intruder", which features frontman David Lee Roth playing an Electro-Harmonix synthesizer. Roth had written "Intruder" because the video the band had filmed for "(Oh) Pretty Woman" was longer than the song's running time.[48]
"Oh, Pretty Woman" was Van Halen's second Top 20 hit in the United States, peaking at number 12 on the Billboard Hot 100,[49] and peaked at number one on the BillboardMainstream Rock chart.
In 1964, the song was adapted into French by Georges Aber as L'homme en noir ("The man in black") and performed by French pop singer Sylvie Vartan and backed by her brother Eddie's orchestra, released as a single in January 1965 as a non-album single. This version presents the same narrative as the original from the woman's point of view.[58] The single was backed by Aber's French adaption of "Can't You See That She's Mine" by the Dave Clark Five, entitled N'oublie pas qu'il est à moi ("Don't forget he's mine").[59] Vartan's version peaked at Number 15 on the Ultratop 50 charts in Wallonia in March 1965.[60] Vartan had previously covered Orbison's "Dream Baby" in French as Cri de ma vie ("Cry of my life") on her 1962 debut album Sylvie, but it was not released as a single.
↑ 9.09.1Jackson, Matt (March 1995). "Commerce versus art: The transformation of fair use". Journal of Broadcasting & Electronic Media. 39 (2): 190–199. doi:10.1080/08838159509364298.
↑Amburn, Ellis. Dark Star: The Roy Orbison Story. New York: Carol Publishing, 1995, p. 127
↑The Monument Story (Media notes). Various. New York, New York: Sony Music Entertainment. A2K66106.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
↑ 12.012.1Phonograph Recording Contract, Local Union No. 257, Fred Foster Sound Studios, Nashville, TN: American Federation of Musicians of the United States and Canada, 7 September 1964
↑ 16.016.1Humphries, Patrick (2013). Top of the Pops: 50th Anniversary (First ed.). New York: McNidder and Grace Limited. pp. 3, 27. ISBN9780857160522.
↑ 17.017.1Simpson, Jeff (2002). Top of the Pops: 1964-2002: It's still Number One!. BBC Consumer Publishing. p. 22. ISBN978-0563534761.
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