20th-century art
Twentieth-century art—and what it became as modern art—began with modernism in the late nineteenth century.[1]
Overview
Nineteenth-century movements of Post-Impressionism (Les Nabis), Art Nouveau and Symbolism led to the first twentieth-century art movements of Fauvism in France and Die Brücke ("The Bridge") in Germany. Fauvism in Paris introduced heightened non-representational colour into figurative painting. Die Brücke strove for emotional Expressionism. Another German group was Der Blaue Reiter ("The Blue Rider"), led by Kandinsky in Munich, who associated the blue rider image with a spiritual non-figurative mystical art of the future. Kandinsky, Kupka, R. Delaunay and Picabia were pioneers of abstract (or non-representational) art. Cubism, generated by Picasso, Braque, Metzinger, Gleizes and others rejected the plastic norms of the Renaissance by introducing multiple perspectives into a two-dimensional image. Futurism incorporated the depiction of movement and machine age imagery. Dadaism, with its most notable exponents, Marcel Duchamp, who rejected conventional art styles altogether by exhibiting found objects, notably a urinal, and too Francis Picabia, with his Portraits Mécaniques. Parallel movements in Russia were Suprematism, where Kasimir Malevich also created non-representational work, notably a black canvas. The Jack of Diamonds group with Mikhail Larionov was expressionist in nature.
-
Henri Matisse, Woman with a Hat, 1905
-
Georges Braque, Le Viaduc de L'Estaque (Viaduct at L'Estaque), 1908
-
Jean Metzinger, Le goûter (Tea Time), 1911, Philadelphia Museum of Art. André Salmon dubbed this painting "The Mona Lisa of Cubism"
-
Albert Gleizes, Le Chemin, Paysage à Meudon, Paysage avec personnage, 1911
-
Wassily Kandinsky Composition VII, 1912
-
František Kupka, Amorpha, Fugue in Two Colors, 1912
-
Robert Delaunay, Le Premier Disque, 1912–13
-
Kasimir Malevich, Black Square, 1915
Subsequent initiatives towards the end of the century involved a paring down of the material of art through Minimalism, and a shift toward non-visual components with Conceptual art, where the idea, not necessarily the made object, was seen as the art. The last decade of the century saw a fusion of earlier ideas in work by Jeff Koons, who made large sculptures from kitsch subjects, and in the UK, the Young British Artists, where Conceptual Art, Dada and Pop Art ideas led to Damien Hirst's exhibition of a shark in formaldehyde in a vitrine.
Some important movements
- Symbolism (arts)
- Divisionism
- Fauvism
- Cubism
- Futurism
- Cubo-Futurism
- Orphism
- Purism
- Synchromism
- Surrealism
- Suprematism
- Bauhaus
- Dadaism
- De Stijl
- Social Realism
- American Regionalism
- Butoh
- Biomorphism
- Abstract Expressionism
- Tachisme
- Lyrical Abstraction
- Informalism
- COBRA
- Outsider art (art brut)
- Fluxus
- Neo-Dada
- Rayonism
- Art Deco
- Color Field painting
- Arte Povera
- Zero Group
- Pop Art
- Photorealism
- Minimalism
- Conceptual art
- Neo-expressionism
- Appropriation art
- Installation art
- Digital art
- Op Art
- Modernism
- Late Modernism
- Remodernism
- Funk art
See also
References
- ↑ "Modern Art – An Exploration of the 20th Century Modernist Movement". Retrieved 2019-11-18.
External links
- File:Commons-logo.svg Media related to 20th-century art at Wikimedia Commons