Greg Adams reviewed the album for Allmusic and wrote that it "focuses on his skill as a piano soloist". Adams noted that Mancini's "lush orchestrations are reminiscent of Mantovani, as piano notes sparkle on the surface of immense waves of strings...the music is not fundamentally different from his typical fare, and encompasses his usual assortment of traditional and adult pop melodies and film themes". Adams concluded that the album was "a lovely, contemplative collection that combines Mancini's skills in new and unequivocally successful ways".[1]High Fidelity magazine reviewed the album in July 1969 and wrote that "Underneath the piano lies a rich tapestry of orchestration that denotes Mancini's true artistry".[5]
