Mdvanii

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Mdvanii[pronunciation?] was originally conceived as a conceptual art and fashion doll for adults (and particularly art, fashion and doll collectors) by artist BillyBoy*.[1] Since 1990, it has been a collaboration with his life partner, artist Jean Pierre Lestrade (a.k.a Lala).[2] The 25-centimetre (9.8 in) tall doll was originally made in a matte Caron make-up toned hard resin. Mdvanii debuted on February 14, 1989 in London, England.[3][better source needed]

Pre-Mdvanii history – 1980–1987

Mdvanii was conceived by the artist, collector, social figure,[4] and designer BillyBoy* whose involvement with nostalgic and antique dolls started at a young age. The name was inspired by the famous sculptress and fashion icon Roussy Mdivani, who appeared to him in a dream.[5] He was a collector of antique French fashion dolls and Kamkins cloth dolls but also Barbie dolls and other vintage post-war fashion dolls since the early 1970s. He started to re-design dolls for his own amusement, re-painting and re-dressing Barbies but also other commercial dolls from the 1960s and 1970s as a teenager. He received press as early as 1978 [6][7][8][9] in notably France and other European countries and the US for his work as an artist and in high fashion which frequently mentioned his passion for dolls. He also at this date had a large collection of fashion dolls, mostly Barbie dolls dressed by major fashion designers from all over the world made for him personally by the designers he befriended or knew. In 1983 he was contacted by Mattel France after an article in French Elle magazine appeared.[10] By early 1984 [11][better source needed] he created for Mattel the “Nouveau Théatre de la Mode Barbie”, which was the first Barbie doll bearing a designer's name on its box, also well as his follow-up Barbie doll for Mattel, USA, called "Feelin' Groovy Barbie" in 1986. His book titled Barbie, Her Life and Times[12] was published in the US by Crown Publishers, accompanied by a world tour of a selection of his vintage and unique haute couturier dressed Barbie dolls called "BillyBoy* Le Nouveau Théatre de la Mode".[citation needed]

Launch

Shortly after the Barbie years, BillyBoy* invented Mdvanii as his own "fashion doll", this time not a commercially made toy, but an artistic creation. Mdvanii is an original concept and patented sculpting, inspired by 1950s and 60s fashion dolls.[1][13] The looks originate from BillyBoy*'s Russian-origin mother by adoption.[14] The doll was first made and shown in BillyBoy*'s Paris-based Surreal Bijoux showroom.[15] The doll clothes designed by BillyBoy* which are worn by Mdvanii are made in the tradition of French haute couture and were originally made in France but since 1997 are also made in Switzerland.[15] They use the same fabrics, embroideries and details as French fashion-makers: Lesage embroideries, Gripoix jewellery details, as well as stocks of fabrics from the collection of BillyBoy*, as Raoul Dufy printed silk satin made for Paul Poiret given to him by his daughter Perrine de Wilde (née Poiret), vintage 1940s Schiaparelli satin given to BillyBoy* by the defunct House of Schiaparelli, and a swatch of Sonia Delaunay painted silk given to BillyBoy* by Delaunay when he was a teen.[16] Mdvanii was also represented in Paris through a boutique-gallery[17] which was entirely decorated in Schiaparelli Shocking pink and Paul Poiret-inspired furniture designed by the artists along with originals by Poiret's school of design called Atelier Martine. On the door was written "Luxe, Poupées et Volupté", paraphrasing Charles Baudelaire's famous words “Luxe, calme et volupté”.[18] Since the very beginning Mdvanii was represented in Japan by Sumiko Watanabe and SW Japan who had exclusive works made for her to show on a regular basis. She represents Mdvanii to this day but also the paintings of BillyBoy*.[1][19]

"Art within art" concept

Since the year 1989, Mdvanii had within its world "art within art" as the creators called it.[20] It was an express desire to showcase the creator's artist and designer friends and artists whom they admired. It had miniature artworks created by young contemporary artists and designers and boxed Deluxe Edition Giftset ensembles. In Thailand for Image magazine a layout was given to a series of young designer's furniture made for Mdvanii. The ensemble of the 1989 debut series, called "Galerie d'art d'avant-garde" had an edition of 200 miniature watercolours by Skall, a young painter of the era, all framed with a cast metal frame from his own art. Later artists such as Duggie Fields, Jean Marc Dallenegra, Eric Raspaut and Fabrice Janosik[21] did paintings and photographers Antoine Giacomoni, Pierre Rutschi, Christine Spengler did images. An edition of 10 hand-painted renditions of Man Ray's painting “A l’heure de l’Observatoire, les amoureux” painted by Lala came with the ““Hommage à Schiaparelli” Deluxe Edition Giftset for Mdvanii. The hair and wigs were designed by hairdresser Alexandre de Paris.[22] Alexandre de Paris personally did detailed drawings for hairstyles and his logo, which was created by Jean Cocteau is placed on all Mdvanii boxes and catalogues.[23] One of the cosmetic face-paints of 1990 was supposed to be designed by Mel Odom but it was rejected at the last minute by BillyBoy* and never used.[15][24][25] Instead, Mdvanii is hand-painted by BillyBoy*s life partner, artist Jean Pierre Lestrade (a.k.a Lala).[2][15][26] The illustration on the first box, which is predominantly turquoise, the signature colour, was created by French fashion illustrator Rene Gruau and the first catalogue interior sketches are by Clyde Smith, who originally did the drawings for the Random House series of Barbie doll books in the early 1960s.[27] Mdvanii has been photographed by many known photographers including Studio Harcourt for The Sunday Times Magazine in London, England. Guy Bourdin did a cover try for Harper's Bazaar, Paris in 1989.[28]

Press reception

Mdvanii has had international press in a number of publications such as “Beautiful But No Bimbo: A Doll For The 1990s" [29] in The New York Times,Vogue, Vogue Hommes International, Harper's Bazaar [30] Elle, Glamour, Actuel (France),Playboy, ARTnews, The Sunday Times Magazine (Great Britain) and Paris, L'Officiel. Mdvanii was briefly advertised in the specialized Barbie doll collector's magazine called Barbie Bazaar for a few years in the early 1990s.

Reception in the contemporary art world and the doll collectors world

As Mdvanii was received into a variety of milieux, the doll collecting world and the contemporary art world had overlapping reactions. The Mdvanii doll created some confusion as doll collectors thought[31] that BillyBoy*, being so well known and media-ized for his involvement with Barbie doll by Mattel was making a higher end type of doll for doll collectors. She was seen as an appealing fashion doll, but due to the high cost (from US$500 up to US$10,000)[32][31] led to frustration amongst fashion doll, notably Barbie doll collectors. There was also some doubt in among European art critics, and the concept of an apparent fashion doll was controversial as a work of contemporary art and was not easily accepted even to those to whom she appealed and those who actually purchased it. Though she was thought of and referred to as une oeuvre d'art, it was debated regularly.[32][33] She was however immediately acquired by major museums as early as 1990 and slowly over the first ten years exhibitions in art museums and sales in public art auctions in prestigious auction houses like Hotel Drouot in Paris were forthcoming.[26][34][35]

Exhibitions and presentations

In 1993, while BillyBoy* was working on the porcelain version of Mdvanii, the resin Mdvanii is presented as the “Ambassadrice of French High Fashion” by the magazine L’Officiel and was dressed by Thierry Mugler, Torrente, Louis Féraud, Guy Laroche and Révillon Haute Fourrure and other French haute couturiers and fashion houses, for Révillon she was presented during the runway fashion shows along with the human-sized furs. L'Officiel ran a 14-page feature story on BillyBoy* and Mdvanii titled “L’incroyable BillyBoy*”.[20] In this article she is shown wearing couture clothes and haute joaillerie by jewelmakers such as Van Cleef and Arpels, Harry Winston, Boucheron and Cartier. She is represented as the "L'Officiel Ambassadrice of French Haute Couture" (“Mdvanii, Mascot of Paris High Fashion”) and was available in a 1940s-inspired Liberty & Co. print outfit designed by BillyBoy* with a subscription through the magazine. She was photographed on a special cover for the magazine.[36] These dolls had a special woven label with the L'Officiel logo in all the garments. In 1992, a larger, 60 centimeters articulated version of Mdvanii was made, called "Mademoiselle Mdvanii", made in porcelain and in a limited series. She would later be made also of a very hard composition papier-maché. By 2005, a slightly larger Mdvanii 30 centimeters was made in resin and papier maché and were referred to as "Cyber Sexual Mdvanii".[15] In 1995 and 1996, in collaboration with AIDS-awareness and prevention group Arcat-Sida, FNAC, Vogue, Paris and Vogue Hommes International Mdvanii is again dressed by haute couturiers, and notably paired with Rhogit-Rhogit also dressed by these designers. The designers included: Bernard Sanz for Pierre Balmain, Sonia Rykiel, Myriam Schaefer for Nina Ricci prêt-à-porter, Michel Klein for Guy Laroche, Missoni, Givenchy Monsieur, Louis Féraud, Francesco Smalto, Walter Von Bierendonck, Stéphane Plassier, Lloyd Klein for The House of Grès, José Lévy, Claude Montana, Giorgio Armani, Paul Smith, Ozwald Boateng, Kenzo, Nuno Gama, Ricci Club (of the House of Nina Ricci), Josephus Thimister for Balenciaga and Dolce & Gabbana.[37][38][39][40] In autumn 2000, the "INTRO SPECTRUM" collection was presented by Sumiko Watanabe in Tokyo, Japan. Watanabe explains that "in the first years of porcelain production, Mdvanii and her clan represented a myriad lifestyles but as the exploration of the artists continued, the world of Mdvanii delved deeper into the universe of the human psyche", embodied by the Intro Spectrum Collection of "ultra-visionary high fashion art dolls".[41][42] By 2000–2001, the artists, BillyBoy* & Lala, (though Lala was making Mdvanii with BillyBoy* from the very start and it was mentioned as such in the press he was credited more regularly by the Mdvanii cognescenti [26] to have been working on Mdvanii creations as of 1994), the first show which had his name officially to appear was an exposition at Maison d'Ailleurs Museum of Science Fiction, Utopia and Extraordinary Journeys titled “Mdvanii, Memories from Earth - The artworks of BillyBoy* and Lala".[43] It was curated by the museum's chief curator, Patrick Gyger. This exhibition featured futuristic Mdvanii artworks (photography, paintings, drawings and sculptures) as well as BillyBoy*’s early works (Mister Modern collages, and paintings). It is also the first time officially and publicly that the Mdvanii work is acknowledged as the osmosis work of BillyBoy* and Lala. In 2004, the exhibition with accompanying book “Poupées” [44] at La Halle Saint Pierre museum in Paris: 100 pieces of BillyBoy* & Lala Mdvanii art works and creations were featured in the exhibition, as well as photographs and paintings. Two Mdvaniis were featured on the poster for the exhibition.[45] In November 2006 - February, 2007, the exhibition “Mdvanii, Ceci n'est pas une poupée”[46][47] was presented at the Museum of Contemporary Design and Applied Arts (Lausanne, Switzerland) and Musée de l’Elysée.[48] For the Museum of Contemporary Design and Applied Arts, the show was curated by the museum's chief curator art and design expert Chantal Prod'Hom and for the Musée de l'Élysée, the show was curated by world-famous photography historian and museum chief curator William A. Ewing. The 80-page exhibition catalogue was called simply "BillyBoy" & Lala" [26] and featured an interview between the curators and the artists speaking about Mdvanii as a conceptual art piece and her evolution.[26]

Manifesto Mdvaniiism and "This Is A Work Of Art" – mid-1990s onward

One of the most recent Mdvaniiisms was three performances which commenced on March 30, 2009 by BillyBoy* & Lala in Carouge, Switzerland at Flux Laboratory based on the unpublished but often excerpted [49] memoires of BillyBoy* entitled"My American Family, In One Era, Out The Other". The event was called "Was BillyBoy* Barbie's Be-atch?"/ Identity.[50] While BillyBoy* sat on a small stage and read his manuscript in regard to his experiences designing Barbie various photos of his career with the commercial doll and television commercials were shown behind him. The recital included an improvised dance performance using trompe-l'œil knit outfits of iconic Barbie clothes of 1959 (which BillyBoy* created in 1984 after designs he made in the 1970s) to tribal-like music BillyBoy* had recorded in 2008 called "Vroom Vroom" (appearing as a guest on Lala's recent album). This all took place in a gallery room hung with a series of 20 silkscreen paintings making a parody of the Warhol painting representing Barbie which BillyBoy* inspired the artist to create (according to Warhol in his diaries).[51] This Warhol painting, created just before the artist died, was offered as a gift to BillyBoy* and was notably called "Portrait of BillyBoy*" by Warhol as a personal ironic joke between them [15][26] It was first seen in the book on Barbie which BillyBoy* wrote. The parody of this painting represents a cartoonish Warhol-like head with doll-like hair and a somewhat jaded cellphone-type message face replacing the features. In addition ten gigantic cubes, representing children's toy blocks had the same image looking as if it was worn and old. The ensemble and interaction of these various BillyBoy* & Lala works expressed BillyBoy*'s disillusionment working for Mattel, Barbie's creator and with the stereotyped concept of the American Dream and represented perfectly an example of the Manifesto Mdvaniiism de BillyBoy* & Lala. On the occasion of the March 13, 2008 Nuit du Quartier des Bains in Geneva, Switzerland, "Chez Soi, The Liquid Screen House of Tomorrow" Un Mdvaniiisme de BillyBoy* & Lala"[52][53] in collaboration with furniture designer Philippe Cramer was shown at Cramer + Cramer, the designer's showroom. BillyBoy*'s paintings and sculptures were shown with the Mdvanii works as part of her world. The work represented two futuristic dolls houses conceived by BillyBoy* modeled on his paintings and the designer created the interiors. One was called "Chez Soi – Jour" and the other "Chez Soi – Nuit". For 2011, there is work by Swiss photographer Frédéric Charrière which has been created in an extremely Deluxe Edition Giftset; a portfolio of original prints presented in a unique box made especially for the dressed Mdvanii doll. Fashion designers Anthony Villarreal (US), Laurent Mercier (Paris) and custom-made high fashion glovemaker Daniel Storto, (US) are amongst the guest designers.

References

  1. ↑ 1.0 1.1 1.2 Padro-Campos, Ernesto (April 2011). "Through Heat and Fire - The metamorphosis of porcelain Mdvanii". Doll Reader. Quincy, Massachusetts: Madavor Media. pp. 7–9. Archived from the original on 2011-04-12. Retrieved 2011-04-09.
  2. ↑ 2.0 2.1 Padro-Campos, Ernesto (April 2011). "Through Heat and Fire - Bonus Web Featurette". Doll Reader. No. April 2011. Quincy, Massachusetts: Madavor Media. pp. 7–9. Archived from the original on 2011-04-12. Retrieved 2011-04-09.
  3. ↑ "Mdvanii Finland: Tout Mon Coeur (kaikesta sydämestäni)" (in suomi). Mdvanii Society of Finland. 2010. Archived from the original on 2011-08-20. Retrieved 2011-03-26.
  4. ↑ Beurdeley, Laurence (1992). "L'Incroyable BillyBoy*". L'Officiel de la Mode. No. 774. pp. 292–301. Archived from the original on 2010-11-25. Retrieved 2010-12-25.
  5. ↑ BillyBoy* (2016). Frocking Life, Searching for Elsa Schiaparelli. Rizzoli. p. 258. ISBN 9780847845484.
  6. ↑ "The Merchandising Society of F.I.T Presents - "BillyBoy*"- A Unique Nuance In Clothing Design, Thursday, October 30th at 1:00pm in D207" (Press release). Fashion Institute of Technology. October 30, 1978.
  7. ↑ "Surreal Couture - Designs by BillyBoy*". The Soho News. June 18, 1980.
  8. ↑ Rouzaud, Jean (1980). "Cover Story: Enfin Un Jeune Homme Normal". Actuel Mensuel. No. 36. pp. 128–133.
  9. ↑ "Fantasy Nights BillyBoy*". Women's Wear Daily. March 23, 1983. p. 27.
  10. ↑ Mann, Carol (July 1984). "BillyBoy* L'Amoureux de Schiaparelli -Le fou de la haute couture". Elle (in français).
  11. ↑ "Billy Boy Barbie". Unconscious Beauty. 7 October 2001. Archived from the original on 2014-01-26. Retrieved 2011-01-28. The exhibition of the prototype dolls made by Billy Boy during '84-'85. His original signed drawings were displayed as well. Billy Boy, this talented artist was the FIRST person who has brought "customizing" to spotlight and officialized publicly this form of expression. After these prototypes, the very first designer Barbie "FEELIN' GROOVY" was made by Mattel. All these dolls' outfits are carefully made with high fashion materials such as embroidered fabrics, silk, velvet, leather, fur(!), big jewelleries. After more than one decade they're still incredibly stimulating and refreshing. Some shots from the previous "Barbie in Brussels" Convention.
  12. ↑ Boy, Billy (1987). Barbie, Her Life and Times by BillyBoy*. Crown Publishers. p. 192. ISBN 978-0-517-59063-8.
  13. ↑ FR Depots Modele Poupées Classes 21-01, Depot INPI, Paris, France 893172, Boy, Billy, "Poupée MDVANII", published 12 May 1989 FR Depots Modele Poupées Classes 21-01, Depot INPI, Paris, France 907345, Boy, Billy, "Poupée MDVANII", published 1990-11-27 FR Depots Modele Poupées Classes 21-01, Depot INPI, Paris, France 945398, Boy, Billy, "Poupée MDVANII", published 1994-10-03  http://bases-modeles.inpi.fr/Typo3_INPI_Modeles/dessins_recherche_avancee.html Archived 2011-08-12 at the Wayback Machine
  14. ↑ Fondation Tanagra (1997). "About The Founders - Oh, Where Have You Been, BillyBoy*, BillyBoy* ?". Fondation Tanagra. Archived from the original on 2011-07-11. Retrieved 2010-12-28.
  15. ↑ 15.0 15.1 15.2 15.3 15.4 15.5 Falconnier, Isabelle (2006-09-11). "BillyBoy* & Lala Maîtres des poupées". L'Hebdo (in français). No. N45. Switzerland: Ringier. pp. 102–106. Archived from the original on 2011-07-23. Retrieved 2011-02-01.
  16. ↑ Predrag Pajdic (August 2010). "BILLYBOY* INTERVIEW". The Pandorian. Archived from the original on 2011-01-31. Retrieved 2010-12-28.
  17. ↑ Jardin des Modes, Paris (June 1990), "Mon Café Avec...BillyBoy*", Jardin des Modes, Sarl Vercingétorix International Publications
  18. ↑ {{cite web}}: Empty citation (help)
  19. ↑ Cite error: Invalid <ref> tag; no text was provided for refs named SW1
  20. ↑ 20.0 20.1 Cite error: Invalid <ref> tag; no text was provided for refs named Laurence Beurdeley 292–301
  21. ↑ Elle, Espagne; Ana D. Siemens (April 1993), "Un Hombre de Verdad", Elle, Espagne, vol. No. 79, Se trata de la ultima creacion del controvertido BillyBoy*, el primor nuneco anatomicamente correcto, dispuesto a seducirnos a todas con su desinhibida sexulidad y su alma de poeta. Rhogit-Rhogit y su colega Zhdrick estan hechos artesanos que hacenpara ellos sombreros, gemelas, pipas, corbatos petacas para el whisky, relojes de pulsera o pelucas de pelo humano. Todos los modelos tienensu agujero en la oreja para un pendiente, y una cadena dorada al cuello, un tatuaje, como corresponde al supuesto hombre del futuroy, por si acaso, llevan un preservativo para practicar un sexo saludable. Todas las versiones de este inhumano que se define elegante, refinado, divertido, filosofo y senssual, son ediciones limitadas y la llamanda Galeria de arte de vanguardia, en la que Rhogit oficia de pintor, incluye pequenas pinturas originiales del artist Janosik. {{citation}}: |volume= has extra text (help)
  22. ↑ BILLYBOY* TOYS TM (1989). "Mdvanii de BILLYBOY* PARIS Limited Edition". BillyBoy* Toys/Surreal Productions; Maquette GERARD Florence. Archived from the original on 2024-09-19. Retrieved 2011-01-02.
  23. ↑ Fondation Tanagra (1997). "The Adventure of Miniaturisation - The Magic Touch of Alexandre de Paris - Alexandre de Paris and Mdvanii". Fondation Tanagra. Archived from the original on 2011-07-11. Retrieved 2010-12-28.
  24. ↑ Cite error: Invalid <ref> tag; no text was provided for refs named ReferenceA
  25. ↑ Fondation Tanagra (1997). "Mdvanii's Make-Up's - Innovation and Evolution". Fondation Tanagra. Archived from the original on 2011-07-11. Retrieved 2010-12-28.
  26. ↑ 26.0 26.1 26.2 26.3 26.4 26.5 Chantal Prod'hom, William A. Ewing, BillyBoy* & Jean Pierre Lestrade (a.k.a Lala), Museum of Contemporary Design and Applied Arts, Musée de l'Élysée (2007). BillyBoy* & Lala. Switzerland, France: Infolio Editeurs, Paris. p. 80. ISBN 978-2-88244-014-3. Archived from the original on 2011-10-03. Retrieved 2010-01-03.{{cite book}}: CS1 maint: multiple names: authors list (link)
  27. ↑ Goldstein, Lewis (Summer 1991), "Cover Story:CDM Exclusive Mdvanii Paper Doll - American Portraitist Clyde Smith Illustrates Mdvanii Paper Doll", Contemporary Doll Magazine
  28. ↑ Guy Bourdin. "Cover try for Harper's Bazaar, Paris, 1989". Harper's Bazaar, France. Archived from the original on 2024-09-19. Retrieved 2011-01-04 – via Facebook.
  29. ↑ Bogart, Anne (1990-03-14). "A Doll for the 90's: Beautiful but No Bimbo". New York Times. Archived from the original on 2019-12-14. Retrieved 2010-12-23.
  30. ↑ Harper's Bazaar, France (October–November 1989), "Mdvanii, Une collection particuliere", Harper's Bazaar, France -The Hearst Corporation, no. 43, - La collection de poupées articulées de BillyBoy* est unique en son genre. Hautes de 25 centimètres ces répliques féminines sont beaucoup plus que de simples jouets. Elles illustrent un art de vivre, un époque, un style: celui de la Haute Couture parisienne. Toutes sonts différentes, ont leurs propre personnalité. Glamoureuses, sculptées et maquillées à la main par des véritables artistes elles sont le reflet d'une mode intemporelle. Du tissu aux accessoires, de la confection à la coiffure, tout est minutieusement pensé et réalisé dans l'esprit d'oeuvres d'art à part entière. Les proportions sont respectées à la perfection en hommage à une femme idéale. Les perruques sont toutes réalisées par Alexandre, le célèbre coiffeur des têtes couronnées. En édition limitée, on ne les trouve qu'a Paris dans la Boutique BillyBoy* Toys. Reminiscences d'un faste qui ne cesse de séduire et de faire rêver, les poupées Mdvanii de BillyBoy* expriment le talent créatif de cet artiste pour qui la mode est un support de son art. Une façon originale de rendre hommage à un art qui sublime la femme.
  31. ↑ 31.0 31.1 Blitman, Joe (May 1999), "First Love", Miller's Fashion Doll
  32. ↑ 32.0 32.1 Cite error: Invalid <ref> tag; no text was provided for refs named San Francisco Chronicle Monday, May, 27th, 1991
  33. ↑ Harper's Bazaar, France (October–November 1989), ""Mdvanii, Une collection particuliere" No. 43", Harper's Bazaar, France -The Hearst Corporation
  34. ↑ Gazette de L'Hôtel Drouot, L'Hebdomadaire de ventes publiques (20 January 1995), "Les Sens de l'Art (3) Rhogit-Rhoit (Sexual Attraction) creation originale de BillyBoy* - Jean Hoebanx - Eric Couturier commissaires priseurs associés", Gazette de L'Hôtel - L'Hebdomadaire de ventes publiques
  35. ↑ Gazette de L'Hôtel Drouot, L'Hebdomadaire de ventes publiques (20 January 1995), "Les Sens de l'Art (3) Rhogit-Rhoit (Sexual Attraction) creation originale de BillyBoy*", Gazette de L'Hôtel - L'Hebdomadaire de ventes publiques
  36. ↑ Les Editions Jalou - page 171. "Mdvanii, La Poupée L'Officiel, Mascotte de la Haute Couture Française". L'Officiel de la Mode. Archived from the original on 2010-11-25. Retrieved 2010-12-25.{{cite news}}: CS1 maint: numeric names: authors list (link)
  37. ↑ de Brantes, Emmanuel (Spring–Summer 1995), "Prèt-à-jouer", Vogue Hommes International
  38. ↑ Vogue, Paris (May 1996), ""L'Importance c'est d'aimer"", Vogue, Paris
  39. ↑ Vogue, Paris (June–July 1996), "Rhogit-Rhogit porte Givenchy Monsieur", Vogue, Paris
  40. ↑ Vogue, Paris (August 1996), "Very Nice Mister BillyBoy*", Vogue, Paris
  41. ↑ {{cite web}}: Empty citation (help)
  42. ↑ {{cite web}}: Empty citation (help)
  43. ↑ Patrick Gyger (2001). "Mdvanii, Memories from Earth - The artworks of BillyBoy* and Lala". Maison d'Ailleurs Museum of Science Fiction, Utopia and Extraordinary Journeys. Archived from the original on 2011-07-06. Retrieved 2010-12-28.
  44. ↑ Martine Desbiolles, Colette Fellous, Pierre Péju, Chantal Thomas, Editions d'Allen S. Weiss (2004). Poupées, Ouvrage publié à l'occasion de l'exposition Poupées présentée à la Halle Saint Pierre, Paris, du 19 janvier au 25 juillet 2004. France: Albums Haute Enfance, Gallimard. p. 208. ISBN 978-2-07-073075-9. Archived from the original on 2011-03-19. Retrieved 2010-12-20.{{cite book}}: CS1 maint: multiple names: authors list (link)
  45. ↑ Fondation Tanagra (March 2004). """Exhibition at the Halle Saint Pierre " review of "Poupées" Halles Saint Pierre, Paris, France, January 19th - July 25th 2004". Fondation Tanagra. Archived from the original on 2012-03-06. Retrieved 2010-12-28.
  46. ↑ Pierre de Sélène (31 January 2004). ""Du sexe des poupées" review of "Poupées" Halles Saint Pierre, Paris, France, 19 Janvier -25 Juillet 2004". Art of the Day.Info. Archived from the original on 2010-12-11. Retrieved 2010-12-28.
  47. ↑ CH-Arts (15 November 2006). "Mdvanii, Ceci n'est pas une poupée". CH-Arts Swiss Platform for Contemporary Arts. Archived from the original on 2011-07-23. Retrieved 2010-12-28.
  48. ↑ ARTFACTS.Net (2006). "Mdvanii, Ceci n'est pas une poupée". ARTFACTS.Net Inside Information for your benefit. We love Art. Retrieved 2010-12-28.
  49. ↑ BillyBoy* (2010-04-11). "Lee McQueen excerpt from MY AMERICAN FAMILY; IN ONE ERA; OUT THE OTHER, an autobiography by BillyBoy*". Fierth.com/Publisher Brian Mills. Archived from the original on 2011-07-11. Retrieved 2011-01-11.
  50. ↑ ""Was BillyBoy* Barbie's Be-atch?"/Identity - Flux Laboratory - Past happenings". Flux Laboratory. 2009. Archived from the original on 2011-07-11. Retrieved 2010-12-31.
  51. ↑ Warhol, Andy (1989). Pat Hackett (ed.). The Andy Warhol Diaries Edited by Pat Hackett. US: Warner Books. pp. 713–715. ISBN 978-0-446-51426-2.
  52. ↑ Sumiko Watanabe (2005). "スイス・ローザンヌに住むアーティスト、ビリーボーイ&ララ BillyBoy* & Lala が作る麗しき人形「ミドヴァニィ」 Mdvanii。世界で唯一のミドヴァニィ・ドールの正式代理人である私 sumiko-watanabe が扱ってきた、この美の女神たちを、私の思い出と共に紹介します。なお 女神たちの肖像 - ミドヴァニィ・コレクション". SW Japan. Retrieved 2010-12-28.
  53. ↑ "Geneva: "Chez soi, The Liquid Screen House of Tomorrow by BillyBoy* & Lala"". superfuture. 2008. Retrieved 2010-12-31.
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