Mexiscope
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Mexiscope was a cinematic process used in various Mexican film productions, specifically by Producciones Rosas Priego and Rosas Films, intended to widen the screen format. This process' color was provided by Eastmancolor.
Films using Mexiscope
- Pulgarcito (1957), with Cesáreo Quezadas
- La guarida del buitre (1958), with Antonio Aguilar
- Los muertos no hablan (1958), with Antonio Aguilar and Flor Silvestre
- Tan bueno el giro como el colorado (1959), with Luis Aguilar, Demetrio González, Flor Silvestre, and Rosa de Castilla
- Yo... el aventurero (1959), with Antonio Aguilar and Rosa de Castilla
- Santa Claus (1959), with José Elías Moreno and Cesáreo Quezadas
- Música de ayer[1] (1959), with Ana María Olaria and Armando Calvo
- Cielo Rojo (1962), with Rodolfo de Anda and Patricia Conde
- Sol en llamas (1962), with Antonio Aguilar and Maricruz Olivier
References
- ↑ Orduña, Juan de (1960-06-16), Música de ayer, Ana María Olaria, Armando Calvo, José Moreno, Juan de Orduña, P.C., retrieved 2024-05-23