Portal:Caribbean
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The Caribbean (/ˌkærɪˈbiːən, kəˈrɪbiən/ KARR-ib-EE-ən, kə-RIB-ee-ən, locally /ˈkærɪbiæn/ KARR-ib-ee-an; Spanish: el Caribe; French: les Caraïbes; Dutch: de Caraïben), is a subregion in the middle of the Americas centered around the Caribbean Sea in the North Atlantic Ocean. Bordered by North America to the north, Central America to the west, and South America to the south, it comprises numerous islands, cays, islets, reefs, and banks. It includes the Lucayan Archipelago, Greater Antilles, and Lesser Antilles of the West Indies; the Quintana Roo islands and Belizean islands of the Yucatán Peninsula; and the Bay Islands, Miskito Cays, Archipelago of San Andrés, Providencia, and Santa Catalina, and Corn Islands of Central America. It also includes the coastal areas on the continental mainland of the Americas bordering the region from the Yucatán Peninsula in North America through Central America to the Guianas in South America.
The music of Dominica includes a variety of genres including all the popular genres of the world. Popular music is widespread, with a number of native Dominican performers gaining national fame in imported genres such as calypso, reggae, soca, kompa, zouk and rock and roll. Dominica's own popular music industry has created a form called bouyon, which combines elements from several styles and has achieved a wide fanbase in Dominica. Groups include WCK (Windward Caribbean Kulture), Native musicians in various forms, such as reggae (Nasio Fontaine, Lazo, Brother Matthew Luke), kadans (Ophelia Marie, (Exile One, Grammacks) and calypso (The Wizzard), have also become stars at home and abroad. There is also "Cadence-lypso", the Dominica kadans, which has set the stage for some of the region's most significant musical developments such as zouk and bouyon (another Dominican creation). Like the other Francophone musics of the Lesser Antilles, Dominican folk music is a hybrid of African and European elements. The quadrille is an important symbol of French Antillean culture, and is, on Dominica, typically accompanied by a kind of ensemble called a jing ping band. In addition, Dominica's folk tradition includes folk songs called bélé, traditional storytelling called kont, masquerade, children's and work songs, and Carnival music. Until the late 1950s, the Afro-Dominican culture of most of the island was repressed by the colonial government and the influence of the Roman Catholic Church, both of which taught that African-derived music was evil, demonic and uncultured. This perception changed in the mid- to late 20th century, when Afro-Dominican culture came to be celebrated through the work of promoters like Cissie Caudeiron. (Full article...)
Montego Bay is the capital of the parish of St. James in Jamaica. The city is the fourth-largest urban area in the country by population, after Kingston, Spanish Town, and Portmore, all of which form the Greater Kingston Metropolitan Area, home to over half a million people. As a result, Montego Bay is the second-largest anglophone city in the Caribbean, after Kingston. Montego Bay is a popular tourist destination featuring duty-free shopping, a cruise line terminal and several beaches and resorts. The city is served by the Donald Sangster International Airport, the busiest airport in the Anglophone Caribbean, which is located within the official city limits. The city is enclosed in a watershed, drained by several rivers such as the Montego River. Montego Bay is referred to as "The Second City", "MoBay" or "Bay". (Full article...)
Solomon Gundy is a Jamaican pickled (with salt) fish pâté usually served with crackers as an appetizer. The pâté is made with smoked red herring (although other fish such as mackerel and shad are also sometimes used) and is minced and spiced with Scotch Bonnet peppers and seasonings. The dish appears on the menus of Jamaican restaurants and resorts. It is also sold as a packaged food for export. The term may come from the British word salmagundi, used to refer to a salad of many different ingredients. That term is originally from the French word salmigondis, which refers to a disparate assembly of things, ideas, or people forming an incoherent whole (a hodgepodge). (Full article...)
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The palm family, Arecaceae, is widespread in the Caribbean. Globally there are about 191 genera and 2339 species as reported in 2004 by Carlo Morici. Their distribution is biased toward islands – 36% of genera and 52% of species are found only on islands, while 32% of genera and 6% of species are found only on continents. Sixty-two percent of monotypic genera are found only on islands. Phytogeographically, the Caribbean region is often considered to include the coastal plains of the United States (including south Florida), Mexico (especially the Yucatan), Belize, Colombia and Venezuela. Most species either have a wide distribution which includes part of the Caribbean, or are endemic to the Greater Antilles. Of the islands in the Caribbean, Cuba has the most species of palm, followed by Hispaniola. The Windward and Leeward Islands have the fewest. The palm flora of Trinidad and Tobago consists primarily of species with a South American distribution. Three genera of palm are endemic to the Greater Antilles: Calyptronoma, Hemithrinax and Zombia. Although nearly ubiquitous in the region, the coconut (Cocos nucifera) is not native to the Caribbean. The Caribbean species in the genus Copernicia are all Greater Antillean endemics; two species are restricted to Hispaniola, while the others are restricted to Cuba.
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Interior of Cathedral Primada in Santo Domingo, Dominican Republic.
Template:/box-header The Music of Puerto Rico has evolved as a heterogeneous and dynamic product of diverse cultural resources. The most conspicuous musical sources of Puerto Rico have primarily included African, Taino Indigenous, and European influences. Puerto Rican music culture today comprises a wide and rich variety of genres, ranging from essentially native genres such as bomba, jíbaro, seis, danza, and plena to more recent hybrid genres such as salsa, Latin trap and reggaeton. Broadly conceived, the realm of "Puerto Rican music" should naturally comprise the music culture of the millions of people of Puerto Rican descent who have lived in the United States, especially in New York City. Their music, from salsa to the boleros of Rafael Hernández, cannot be separated from the music culture of Puerto Rico itself. (Full article...)
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