Sophia Goudstikker
Sophia Goudstikker | |
---|---|
File:Sophia Goudstikker crop 1898.jpg | |
Born | In 1898 at Atelier Elvira 15 January 1865 Rotterdam, Netherlands |
Died | 20 March 1924 | (aged 59)
Nationality | Dutch and German |
Occupation(s) | photographer, women's rights activist |
Years active | 1889–1924 |
Known for | first single woman to obtain a royal license for photography |
Sophia Goudstikker (15 January 1865 – 20 March 1924) was a Dutch-born German photographer and feminist pioneer. She was one of the premier women's rights activists in Munich at the turn of the century and a business partner and companion of Anita Augspurg. When their partnership dissolved, Goudstikker became a more moderate feminist and partnered with Ika Freudenberg. Goudstikker was the inspiration for three different writers' depictions of a more masculine woman, who defied typical feminine characterizations. She was the first unmarried German woman to obtain a royal license for photography and the first German woman allowed to argue cases before the youth court.
Early life
Sophia Goudstikker was born on 15 January 1865 in Rotterdam, Netherlands to Grietje (née Klisser) and Salomon Elias Goudstikker.[1][2] In 1867, the family left Rotterdam and settled in Hamburg, Germany. They left thereafter with the youngest children and moved to Dresden, where Salomon died in 1892.[2] Goudstikker attended an art school in Dresden, which was directed by Anita Augspurg′s sister and the two young women met, when Anita came to Dresden for a visit. Augspurg and Goudstikker determined that Munich would be open to a business enterprise run by women and relocated[3] after Augspurg inherited her grandmother's estate.[4]
Career and feminism
Goudstikker and Augspurg arrived in Munich and founded[5] the Hofatelier Elvira in 1887.[6] Goudstikker was the first German woman, who was not married, to obtain a royal license for photography. The studio became a meeting place for the avant-garde[7] and was frequented by many noted figures. Isadora Duncan,[8] Marie-Adélaïde, Grand Duchess of Luxembourg,[9] Rainer Maria Rilke,[10] and other artists, intellectuals and royalty had their photographs taken there.[7][11] In 1898 the partnership dissolved and Goudstikker ran the studio alone until 1908.[12] She hired the architect, August Endell to design the studio, at #15 Von-der-Tann-Straße, which became quite noted. The turquoise and violet Art Nouveau façade with a stylized dragon in bas-relief was a recognizable landmark.[13] Goudstikker's younger sister Mathilde Nora, often called Nora, joined her to work as a photographer.[14] Near the end of her life, Goudstikker leased the business to the photographer Emma Uibleisen, but World War I and its aftermath had dispersed the traditional clientele.[15]
As their photography business grew, the two women became staunch feminists.[3] Goudstikker and Augspurg were interested in redefining women's spaces. Goudstikker wore short hair and simple, relaxed clothing[16] and projected what seemed to contemporaries to be a female masculinity. She was the inspiration of characters such as "Hans" in Lou Andreas-Salomé′s Mädchenreign,[17] "she" in Frieda von Bülow ′s She and He[18] and "Box" in Ernst von Wolzogen′s novel The Third Sex.[17] Diary entries of Salomé and Bülow confirm that Goudstikker was the muse for all three characters[19] and they gave Goudstikker the nickname "Puck".[20] In 1889, Goudstikker and Augspurg joined the movement to open university study to women, German Women for Reform, and then the following year, joined the Modern Life Society to advance modernity into social and artistic realms for women. The meetings of both organizations were kept under surveillance by police, who believed that they fostered immorality and breached the ban on women's political involvement.[21] Augspurg was often the speaker, while Goudstikker's job was to convince the authorities that the meetings were not for the purpose of political agitation.[22] Goudstikker died in Munich on 20 March 1924.[23]
Legacy
A park in Munich Ramersdorf is named after her.[24]
References
- ↑ Rotterdam City Archives 1865, p. A051.
- ↑ 2.0 2.1 Steinhäuser 2005.
- ↑ 3.0 3.1 Lybeck 2014, p. 55.
- ↑ Salokar & Volcansek 1996, pp. 31–32.
- ↑ Muellner 2006, p. 185.
- ↑ German National Library 2016.
- ↑ 7.0 7.1 Wildenthal 2001, p. 66.
- ↑ Seidel 2015, p. 153.
- ↑ Delcampe Luxembourg 2016.
- ↑ Freedman 1998, p. 57.
- ↑ Hand 2008, p. 120.
- ↑ Pfeiffer 2014, p. 26.
- ↑ Pfeiffer 2014, pp. 26–27.
- ↑ Freedman 1998, p. 58.
- ↑ Haider 2006, p. 143-148.
- ↑ Lybeck 2014, p. 51.
- ↑ 17.0 17.1 Lybeck 2014, p. 52.
- ↑ Lybeck 2014, p. 75.
- ↑ Lybeck 2014, p. 61.
- ↑ Lybeck 2014, p. 49.
- ↑ Lybeck 2014, pp. 56–57.
- ↑ Lybeck 2014, p. 56.
- ↑ Naturmuseum Senckenberg 2016.
- ↑ "S. Goudstikker Park · Oggersheimer Str. 11, 81539 München, Germany". S. Goudstikker Park · Oggersheimer Str. 11, 81539 München, Germany.
Further reading
- Freedman, Ralph (1998). Life of a Poet: Rainer Maria Rilke. Evanston, Illinois: Northwestern University Press. ISBN 978-0-8101-1543-9.
- Haider, Edgard (2006). Verlorene Pracht: Geschichten von zerstörten Bauten (in German). Hildesheim, Germany: Gerstenberg. ISBN 978-3-806-72949-8.
{{cite book}}
: CS1 maint: unrecognized language (link) - Hand, Stacy (2008). Embodied Abstraction: Biomorphic Fantasy and Empathy Aesthetics in the Work of Hermann Obrist, August Endell, and Their Followers. Chicago, Illinois. ISBN 978-0-549-56870-4.
{{cite book}}
: CS1 maint: location missing publisher (link)[permanent dead link ] - Martin, Biddy (1991). Woman and Modernity: The (life)styles of Lou Andreas-Salomé. Ithaca, New York: Cornell University Press. ISBN 0-8014-9907-0.
- Mazón, Patricia M. (2003). Gender and the Modern Research University: The Admission of Women to German Higher Education, 1865-1914. Stanford, California: Stanford University Press. ISBN 978-0-8047-4641-0.
- Muellner, Beth (2006). "The Photographic Enactment of the Early New Woman in 1890s German Women's Bicycling Magazines". Women in German Yearbook: Feminist Studies in German Literature & Culture. 22. Lincoln, Nebraska: University of Nebraska Press: 167–188. doi:10.1353/wgy.2006.0009. ISSN 1058-7446. S2CID 143547519.
- Pfeiffer, Zara S. (2014). "Die Geschichte der Frauenbewegung in München" [The history of women's movement in Munich] (PDF). ThemenGeschichtsPfade (in German). Munich, Germany: Landeshauptstadt München. Retrieved 16 May 2016.
{{cite journal}}
: CS1 maint: unrecognized language (link) - Pollock, Griselda (2005). Generations and Geographies in the Visual Arts: Feminist Readings. London, England: Routledge. ISBN 978-1-134-76849-3.
- Salokar, Rebecca Mae; Volcansek, Mary L. (1996). Women in Law: A Bio-bibliographical Sourcebook. Westport, Connecticut: Greenwood Publishing Group. ISBN 978-0-313-29410-5.
- Seidel, Andrea Mantell (2015). Isadora Duncan in the 21st Century: Capturing the Art and Spirit of the Dancer's Legacy. Jefferson, North Carolina: McFarland & Company. ISBN 978-0-7864-7795-1.
- Steinhäuser, Frauke (29 March 2005). "Thekla Hinkel 1875, Tornquiststraße 7 (Eimsbüttel, Eimsbüttel)". Stolpertonsteine Hamburg (in German). Hamburg, Germany: Projekt Stolpertonsteine Hamburg. Archived from the original on 15 May 2016. Retrieved 15 May 2016.
Betje Goudstikker was born on 06/24/1850 in Rotterdam, the eldest daughter of the art dealer Salomon Elias Goudstikker and his wife Grietje, born Klisser. She had nine siblings, her second youngest sister Sophia was enumerated around the turn of the century as one of the most prominent representatives of the Munich women's movement.
{{cite web}}
: CS1 maint: unrecognized language (link) - Wildenthal, Lora (2001). German Women for Empire, 1884-1945. Durham, North Carolina: Duke University Press. ISBN 0-8223-2819-4.
- "Anita Augspurg" (in German). Zürich, Switzerland: Women's International League for Peace and Freedom. 2016. Archived from the original on 16 May 2016. Retrieved 16 May 2016.
{{cite web}}
: CS1 maint: unrecognized language (link) - "Auf Spurensuche zu Ika Freudenberg" [Looking for clues to Ika Freudenberg] (in German). Neuwied, Germany: Neuwied-Rhein Kurier. 3 September 2015. Archived from the original on 16 May 2016. Retrieved 16 May 2016.
{{cite news}}
: CS1 maint: unrecognized language (link) - "BS Geboorte met Sophia Goudstikker". Wie Was Wie (in Dutch). Rotterdam, Netherlands: Centrum voor Familiegeschiedenis. 15 January 1865. Retrieved 15 May 2016.
{{cite web}}
: CS1 maint: unrecognized language (link) - "Goudstikker, Sophia". Frankfurt am Main, Germany: Naturmuseum Senckenberg. 2016. Retrieved 16 May 2016.
- "Hof-Atelier Elvira (München)". Deutschen Nationalbibliothek (in German). Leipzig and Frankfurt am Main, Germany: Katalog der Deutschen Nationalbibliothek. 26 January 2016. Retrieved 16 May 2016.
{{cite web}}
: CS1 maint: unrecognized language (link) - "Marie-Adélaïde, Grand Duchess of Luxembourg - Hofatelier Elvira Munchen". Soignies, Belgium: Delcampe International. 11 March 2016. Retrieved 16 May 2016.[permanent dead link ]
- Harv and Sfn no-target errors
- 1865 births
- 1924 deaths
- 19th-century German photographers
- 20th-century German photographers
- German suffragists
- German women photographers
- Portrait photographers
- Photographers from Munich
- Converts to Protestantism from Judaism
- 19th-century women photographers
- 20th-century women photographers
- 20th-century German women